"Bro", "Cuz", "No!" (with appropriate anguished scream), and snarls. That's basically the dialog and plot summed up.
There was almost zero character development with the film basically saying, 'so these kids were born, here's you new cast' in the first two minutes. Oh and there was a baby left behind in the first one apparently? Oh, and "all the soldiers that we thought you liked in the first one, well we've macguffined a way for them all to come back. I mean, we only have three hours, how could we possibly introduce new likeable characters in that time?' There were some huge leaps in there too. We all know that the estranged kid of the evil guy is going to get Stockholm syndrome when captured then find his way back to the light side, etc. But kid who 'hates' the sky people is happily wandering around the bridge on their ship within 5 mins of being captured.
The brothers do something against the rules, get told off, apologies, then do this same routine about 6 times in the film. Unrealistic and poor writing if you can't find better reasons to have characters do things.
The visuals swing between absolutely amazing (particularly the motion capture work where humans are interacting with avatars. Wait, I think there was only actually one avatar in the movie, some side character scientist for a few seconds), and not very impressive computer game graphics. I've seen better train crashes in my VR headset.
And I think that's part of it, we now have VR, I've experiences being in the water with whales and jellyfish in VR titles that were just as good, if not better, than the underwater scenes in the film. The CGI and 3D was amazing a decade ago, now it's just meh.
The script seemed to be there to give an excuse to show pretty graphics, but when the graphics aren't that special, then it's really obvious no one who knew how to write scripts or plots was involved.
Like so many great directors, JC seems to have fallen in love with making films with CGI rather than enhancing then, like was done in Terminator 2 and films like Contact. Even in films like Gravity, which was almost all MoCap and CGI, they took their rightful place as secondary to the plot.
It did look good for the most part, I didn't get too bored, I didn't walk out. It's a day later and I don't remember much any of the characters as none were that important to me. Maybe mini-mystic-angel-Sigourney but her interesting story was barely mentioned.
Doubt I'll bother seeing the next however many.
There was almost zero character development with the film basically saying, 'so these kids were born, here's you new cast' in the first two minutes. Oh and there was a baby left behind in the first one apparently? Oh, and "all the soldiers that we thought you liked in the first one, well we've macguffined a way for them all to come back. I mean, we only have three hours, how could we possibly introduce new likeable characters in that time?' There were some huge leaps in there too. We all know that the estranged kid of the evil guy is going to get Stockholm syndrome when captured then find his way back to the light side, etc. But kid who 'hates' the sky people is happily wandering around the bridge on their ship within 5 mins of being captured.
The brothers do something against the rules, get told off, apologies, then do this same routine about 6 times in the film. Unrealistic and poor writing if you can't find better reasons to have characters do things.
The visuals swing between absolutely amazing (particularly the motion capture work where humans are interacting with avatars. Wait, I think there was only actually one avatar in the movie, some side character scientist for a few seconds), and not very impressive computer game graphics. I've seen better train crashes in my VR headset.
And I think that's part of it, we now have VR, I've experiences being in the water with whales and jellyfish in VR titles that were just as good, if not better, than the underwater scenes in the film. The CGI and 3D was amazing a decade ago, now it's just meh.
The script seemed to be there to give an excuse to show pretty graphics, but when the graphics aren't that special, then it's really obvious no one who knew how to write scripts or plots was involved.
Like so many great directors, JC seems to have fallen in love with making films with CGI rather than enhancing then, like was done in Terminator 2 and films like Contact. Even in films like Gravity, which was almost all MoCap and CGI, they took their rightful place as secondary to the plot.
It did look good for the most part, I didn't get too bored, I didn't walk out. It's a day later and I don't remember much any of the characters as none were that important to me. Maybe mini-mystic-angel-Sigourney but her interesting story was barely mentioned.
Doubt I'll bother seeing the next however many.
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