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5/10
Arthur Miller's play in a powerful Lumet film
12 March 2012
I saw this film in Montevideo, Uruguay, back in 1962. It was a subtitled version with English and Italian language. Not a word in french. The players were Raf Vallone (Italian) and Jean Sorel (French, but usually working in Italian films). Both characters, were Italian immigrants living and working in the Port of New York, and the other players were naturally Americans, like Maureen Stapleton and Carol Lawrence (the Broadway star of "West Side Story" in a rare appearance in films). So, the picture looked like an American film, directed on location in New York by Sidney Lumet, but somehow is featured like a French-Italian movie. There must be a French dubbed version as well as an Italian one, but the international version was indeed an English language version known as "A View from the Bridge" and not at all "Vu du pont". It was a powerful Lumet film, well acted and correctly adapted from the famous Miller's play.
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An intense psycho thriller
6 October 2011
Warning: Spoilers
Carlos Sorin is an excellent Argentinian director, but "El Gato Desaparece" is not "Historias Mínimas" or nothing whatsoever. Sorin used to make little stories, pieces of the real life with characters played by non professional actors. He was good in that kind of pictures. Very good. But this new one is totally different. It's a kind of psycho thriller, since Luis (Luis Luque) finally goes home, released after a long time in a psychiatric institute. The doctors say he's completely cured, but his wife Beatriz (Beatriz Spalzini) is not totally sure. The behavior of Luis is normal. Instead, Beatriz is nervous and can't sleep. The picture focuses in both characters and the different reactions they have after the cat disappears and something strange, maybe dangerous, perhaps only in Beatriz's mind, rounds the house. We don't see nothing in particular, but the climax turns more and more heavy in some way. Apparently nothing happens, but we feel that something is about to explode anytime. Everything is very subtle thanks to Sorin's direction, a brilliant work of camera, lighting and music, and the intense performances of Luque and Spalzini, specially the latter. The film is entertaining and thrilling, slow-paced but always interesting.
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7/10
The good old Gene!
23 September 2005
I've just seen this show on DVD and it's really a joy. Or otherwise, it's a sympathetic tribute to one of the greatest entertainers in show business and movie history. But this show wasn't performed in 1959 but in 1978, with Gene fresh from "That's Entertainment Part II" and still in good shape. He dances softly with Cyd Charisse (splendorous, as usual) and performs two other good tap dance numbers, one with a dozen of kids (his pupils, as he declares) with the music of "Anchors Aweigh", and the other with two old friends (one of them is his life-time assistant Alex Romero)in the mood and time of three great dancers enjoying themselves. And all the show, dialogue, humor, jokes (Kelly and Frank Sinatra remembering their old friendship with the Rodgers and Hart's song "I Could Write a Book") and mood shares the complicity of the audience of Pasadena and the man on the stage: love, admiration, devotion, great fun. Kelly meets Liza Minnelli and both remember a number they made for an old TV show circa 1958, when she was a little girl, just the daughter of Judy and Vincent, with the immortal song "For Me and My Gal". Later, he meets his own daughter Bridget (age 13) and friend and admirer Cindy Williams, but the real joy of it all is the reunion on stage of Kelly with his leading ladies of the past: Lucille Ball, Cyd Charisse, Kathryn Grayson, Betty Garrett, Gloria De Haven and Janet Leigh (whatever happened to Leslie Caron and Debbie Reynolds?). For the admirers of Gene Kelly and the Hollywood Musical this is a must. But remember that he was 66 at that time and don't expect to see him dancing like in "Singin' in the Rain" or "An American in Paris". He's just a veteran who thanks people and collaborators for making him who he is, with great modesty and charm. And that's how we remember him: a song and dance man, who always tried to make our lives better. We'll never forget that, Gene. God bless you!
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