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7/10
Each story element was awesome but they played together in cacophony.
2 May 2014
Warning: Spoilers
Not really a review, but I need to add some spice to the soup.

Vol I it took me several days to make it far enough into the movie to appreciate it and watch it fully, but then I really liked it. It seemed to start off as a pornish B-movie, but the dialogs became increasingly good. So good in fact that I felt compelled to write some of them down. So I thought the way the movie started off was necessary to create the pretext for its finer messages that were about to unfold.

Vol II however started off as slowly and discouraging as the first part. But now the scene has already been set, so there would be no artistic excuse for making it that bad. It made me also remember that during watching Vol-I I kept thinking that the movie could have been made better. Unlike some other reviewers I found the porn elements in general helped keeping the perspective, but especially in the Vol II the story really lacked and porn was almost all there was. It could have easily been a 1h movie or less.

I did like the ending very much and hence vote it a 7.

In general I felt as if the ultimate control over the story and the movie was with multiple very different-minded people and what the movie really lacked was someone who would bring those multiple perspectives onto the story playing together in symphony.
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1/10
Potentially good story, but really bad tradecraft
26 August 2013
Warning: Spoilers
One of the worst movies I've ever seen.

The majority of actors acted their role, instead of living it. This applied not only to the majority of the children, but also the adults. I could pick up the distance each actor had with their role from every character except the old Felder and the teacher. It's not enough to speak ("recite" would probably be appropriate speak) the words of 100 years ago, you have to use the proper intonation and body language, too. Watch any German movie of the 30s and you will see how far off these actors were.

What added to the ridicule was that the movie looked as if they had removed the colour from a colour movie. It was a new movie half-heartedly made look old. You can't just remove colour in post-production. When they made black-and-white movies in the 30s, they were playing with light and shades and they were producing a black-and-white movie from the time the scene was set up to the time the movie was cut to the time the movie made it into the cinema. If you just kill the colour in post-production you will have a movie made for colours that has then one of the elements that influenced the artistic work cut out by a computer. And that's how it looked.

Lastly, and here is where spoiler comes in, I was so disappointed that a vague and depth-less story actually ends without an ending. From a movie with such an unsophisticated story telling I would have expected an equally unsophisticated end. But the movie doesn't really give you an end. Instead it distracts by calling in WW1 and then letting you know that the tale-teller never has seen any one of the characters again after it. WW1 didn't contribute anything to the story, it should have ended with the teacher talking to the pastor.
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Aaltra (2004)
6/10
Bizarre, satirical movie with artistic elements and funny scenes
16 September 2011
What I liked about the movie was the unusual setting and the style of it. I have to admit, though I like some good black humor, I didn't find the bizarreness of this movie particularly amusing. However the thought crossed my mind that when watching this movie in a theater with others it might be more funny.

The characters were somewhat flat, though they felt real. I liked more scenes towards the end of the movie, particularly the visit to the German family and the end.

I vote it one point over average for its unusualness and the style the movie was done. I liked the artistic aura of it.
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