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I See You (II) (2019)
5/10
Rip-off of LA CARA OCULTA
12 August 2022
Warning: Spoilers
This is a decent movie. Unfortunately, its structure is also a rip-off of the Spanish-Colombian thriller LA CARA OCULTA.

After a first act in which apparently supernatural shenanigans are happening in a house, the movie rewinds and shows you everything again from the point of view of someone hiding in the house, which provides a rational explanation for said shenanigans.

That's what happens in I SEE YOU, that's what happened ten years ago in LA CARA OCULTA. I doubt the writer of I SEE YOU hadn't seen the Colombian thriller. Of course he adds a few other ingredients to the gumbo (serial killers and phroggers and childhood trauma and whatnot) which you may or may not think valuable additions to the basic premise.

LA CARA OCULTA wasn't perfect. It was certainly flawed and some may say that I SEE YOU is actually a better movie, but LA CARA OCULTA was first and I SEE YOU seems to be scoring points off that movie.
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Basic (2003)
1/10
AWFUL FILM
12 March 2003
I saw Basic at a press screening last week and I must say it's damn AWFUL. Poorly written, poorly directed (Whatever happened to you, John?) and even poorly photographed (How can a Hollywood movie look so ugly?). The film is like "The General's Daughter", but with a bunch of unbelievable twists and turns attached to it. Nothing makes sense in this movie. The screenwriter builds the whole film around false flashbacks (like that's hard) and keeps pulling the rug from under your feet so many times that halfway through the movie you don't care anymore. He tries to make "The Usual Suspects" or "House of Games", but the writer is no Christopher McQuarrie or David Mamet. He cheats shamelessly (with the Point of View, with the Information you're given, with the character's motivations...). This is one of those movies that, when the final twist comes, you look back at the whole film and realize that nothing makes any sense.

Even worse, you do not care about the characters (they are non-existent, just walking card-board figures), you do not care about the investigation (there are no true facts that you can hold to), you just want the movie to end. McTiernan has definitively lost his gift for action: everything is noisy and confusing. Spielberg can direct action (see Minority Report), making it dynamic and frantic, but clear at the same time. McTiernan cannot. It's all chop, chop, chop.

Because the whole action takes place at night, under the rain, during a hurricane, the film is really ugly and LOUD. The wind keeps howling, the character keep yelling, the sound effects of the machine guns are deafening... I can assure you something: by the end of the film, you'll have a head-splitting headache.
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