Reviews

Yikes. I don't know what standards The Prisoner is being compared to by other reviewers (other than obviously the original series, which is completely different). While not absolutely stellar, it certainly is superior to almost everything out there on network TV. While it's sometimes difficult to figure out where the four first hours are going, the last two hours are really delivered with the tone of cerebral and philosophical thriller that chillingly ties the mini-series together. I thought the Prisoner's social commentary on the balance between impersonal technology and personal consciousness which is hammered home in the ending sequences was especially effective. The acting level was also certainly above network TV level -- McKellen giving a creepy performance that ultimately becomes understandable as No. 2, and Cazieval, who likes many of his other roles, brings a humanity to character who doesn't quite understand what is going on to him. There are certainly flaws in the production and scripting, but if you come with an open mind and not prepared to judge the series in the context of the original series, I think it's a worthwhile investment of the viewer's time.

The energetic and entertaining "Life on Mars" is a cop-show tonic for those tired of being CSI-ed five night a weeks. It's managed to craft a very watchable balance of humor and light science fiction in the frame of a traditional 1970's police story, and yet it's backed by some pretty solid acting chops from Harvey Keitel and Jason O'Mara. Yes, it's different from the British series which it takes its inspiration from, but if you can accept the premise, it makes for some pretty solid entertainment. For those of you fearing or thinking this could develop into another "Lost" with multiple incomprehensible story lines, the tenor of the first couple of episodes makes it clear that this show won't get overly weighted down by its time traveling premise.