I recently watched this during TCM's celebration of Warren Oates and I can't say I cared for it. Now according to the trivia, the movie was re-edited to make it easier for the audiences to follow.. and if that is the case, it shows.
Warren Oates plays a security guard bored with his profession, and takes no time to punch himself off the clock. Lucky for him, he has some higher up call upon him to track down a woman and keep an eye on her (and lucky for us, the bad guys of the piece spell out the plot for the audience beforehand).
The movie has two problems: the story itself is still pretty muddled for something so straightforward, and the technical aspects are pretty horrible.
Story wise, all Chandler (Oates) has to do is keep an eye on Katherine (Leslie Caron), which doesn't take much effort at all. Now rather than just being honest with her (I'm being payed to protect you) or finding some clever way of ingratiating himself with her, he just kind of creeps around her until she just breaks down and allows him to tag along. I know I'm supposed to believe she's falling for the lunk, but it's only because the script says so, not because there is any plausibility in it. Add a villain (if you can even call him that) that is only in a third of the movie, as well as some equally ambivalent "good" guys (who really aren't)... and you have a movie where Scatman Crothers has all of 2 scenes that have no importance to the plot, and the wonderful Mitchell Ryan who doesn't have much to do other than be punched around and shot at when required. When you finally reach the end where the "climax" happens, you have to wonder why the bad guys just didn't do what they do at the beginning of the movie, as all of the stuff with Chandler had no pertinence to what they do.
Technically, the movie is a mess. The editing is alright, in that you can basically tell what is happening (as opposed to some of the Avid fart high jinks of Michael Bay), but the editing is terrible when it comes to how the story is crafted. For example: Chandler and one of the government goons is having a conversation at a bar right after Katherine leaves their table to go to the restroom. One of the incompetent mob goons tries to pull Kat out (as the government goon mentions it while seeing it, and Chandler says "she can take care of herself", despite having rescued her from the same guy just 10 minutes earlier in this movie's idea of an "exciting car chase") and she knees him in the groin. While Chandler and the goon are still discussing, Mitchell Ryan finally shows up and leaves with her. Edit to Chandler in bed, and Kat coming in through the door in a silk dress/negligee. Did they sleep together? Where did she come from? Wasn't she with Mitchell? How did she know where he was? Next thing you know she's talking about someone being dead.. takes him to the house where the body "was", as it is no longer there... and I am thinking "What in the hell is going on?" Who is dead and why should I care? Add onto that the most inappropriate 70's horn selected soundtrack that tries to turn the mere act of walking into a dramatic action scene (that teeters on making the scene ludicrous like THE BLUES BROTHERS) and.. well... there is a reason this movie was forgotten.
I don't know.. maybe if you go into this watching it as a parody of hard boiled detective movies you might get a chuckle or two out of it.
Warren Oates plays a security guard bored with his profession, and takes no time to punch himself off the clock. Lucky for him, he has some higher up call upon him to track down a woman and keep an eye on her (and lucky for us, the bad guys of the piece spell out the plot for the audience beforehand).
The movie has two problems: the story itself is still pretty muddled for something so straightforward, and the technical aspects are pretty horrible.
Story wise, all Chandler (Oates) has to do is keep an eye on Katherine (Leslie Caron), which doesn't take much effort at all. Now rather than just being honest with her (I'm being payed to protect you) or finding some clever way of ingratiating himself with her, he just kind of creeps around her until she just breaks down and allows him to tag along. I know I'm supposed to believe she's falling for the lunk, but it's only because the script says so, not because there is any plausibility in it. Add a villain (if you can even call him that) that is only in a third of the movie, as well as some equally ambivalent "good" guys (who really aren't)... and you have a movie where Scatman Crothers has all of 2 scenes that have no importance to the plot, and the wonderful Mitchell Ryan who doesn't have much to do other than be punched around and shot at when required. When you finally reach the end where the "climax" happens, you have to wonder why the bad guys just didn't do what they do at the beginning of the movie, as all of the stuff with Chandler had no pertinence to what they do.
Technically, the movie is a mess. The editing is alright, in that you can basically tell what is happening (as opposed to some of the Avid fart high jinks of Michael Bay), but the editing is terrible when it comes to how the story is crafted. For example: Chandler and one of the government goons is having a conversation at a bar right after Katherine leaves their table to go to the restroom. One of the incompetent mob goons tries to pull Kat out (as the government goon mentions it while seeing it, and Chandler says "she can take care of herself", despite having rescued her from the same guy just 10 minutes earlier in this movie's idea of an "exciting car chase") and she knees him in the groin. While Chandler and the goon are still discussing, Mitchell Ryan finally shows up and leaves with her. Edit to Chandler in bed, and Kat coming in through the door in a silk dress/negligee. Did they sleep together? Where did she come from? Wasn't she with Mitchell? How did she know where he was? Next thing you know she's talking about someone being dead.. takes him to the house where the body "was", as it is no longer there... and I am thinking "What in the hell is going on?" Who is dead and why should I care? Add onto that the most inappropriate 70's horn selected soundtrack that tries to turn the mere act of walking into a dramatic action scene (that teeters on making the scene ludicrous like THE BLUES BROTHERS) and.. well... there is a reason this movie was forgotten.
I don't know.. maybe if you go into this watching it as a parody of hard boiled detective movies you might get a chuckle or two out of it.
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