After reading so many reviews by people whose experiences with this beautiful movie were ruined because of the dreaded book-to-film curse, I can only thank my better senses for not having read it, although that is now in the works. I am beginning to think that it would be wise to go to cinematic book adaptations armed with complete ignorance of the source these days. Such a strategy may have allowed me to enjoy the filmed version of the Lord of the Rings trilogy, for example, but as is, it was just another unbelievably corny and overwrought, over-scored special effects-laden massacre of an otherwise damned good set of books.
In my ignorance of the source, 'Memoirs of a Geisha' turns out to be lovely if a bit contrived, and I am glad I allowed myself to enjoy it without niggling over the fact that there were Chinese actors playing Japanese roles or that it was filmed in California or that this or that part of the book was left out or abridged. The most important thing with 'Memoirs' is that it restored in me some hope that Hollywood is still capable of immense beauty and taste. It seems to me that this movie achieved an aesthetic at times that was unprecedented and astounding in its bare beauty, something even the film's detractors are willing to admit just before they throw the baby out with the bathwater.
Ziyi Zhang accomplished for this reviewer exactly what her character was supposed to accomplish with the men in the story - she forced me to "fall in love with her" about 12 times over throughout the movie, with her solo dance scene sending a warm current up my spine in particular. She is indeed a moving work of art in this: Sensual, beautiful, graceful, and young. That her acting is not particularly kaleidoscopic here makes many feel that she is a 'cold fish', but I saw nothing to corroborate this opinion, nor did I see any scenes where her character needed anything more or anything less than what she provided. I found her performance to be very honest in scope - even award-worthy compared to Oscar-nominee hacks like Reese Witherspoon. Zhang is exquisite in every moment, and her sad, demure beauty and understated performance work perfectly with the tremendous restraint that the subject is showing throughout. I found her work here very touching.
My largest reservation about this film is post-viewing, upon coming here and looking at the IMDb voter history, only to discover that the demographic that rated 'Memoirs' as highly as I do seems to have been composed of girls under 18 years of age! This is probably the very last group of people whose collective movie opinion I would want to associate myself with, but there it is.
I suppose the second thing I didn't like is that the movie had a bit too much Cinderella element to it, though dirtied up to accommodate the 20th and 21st-century decayed moral flavor. The chairman character was practically anemic in terms of being fleshed out as anything more than a bit player, just like Prince Charming always was, and made the protagonist's doings and goings-on a little bit too much like a protracted teenage crush to truly take seriously, but I can forgive this in light of the film's other charms.
Otherwise, I felt that this one worked on all levels - particularly visually - but with a special nod to both Li Gong for her outstanding portrayal of the antagonist, and to John Williams's excellent musical score. He is the only symphonic composer in the industry today who really has the spark, I think. The rest of them might as well be composing adventure music for those awful Marine recruitment ads with the buff dunderheads combating fire-breathing monsters.
In my ignorance of the source, 'Memoirs of a Geisha' turns out to be lovely if a bit contrived, and I am glad I allowed myself to enjoy it without niggling over the fact that there were Chinese actors playing Japanese roles or that it was filmed in California or that this or that part of the book was left out or abridged. The most important thing with 'Memoirs' is that it restored in me some hope that Hollywood is still capable of immense beauty and taste. It seems to me that this movie achieved an aesthetic at times that was unprecedented and astounding in its bare beauty, something even the film's detractors are willing to admit just before they throw the baby out with the bathwater.
Ziyi Zhang accomplished for this reviewer exactly what her character was supposed to accomplish with the men in the story - she forced me to "fall in love with her" about 12 times over throughout the movie, with her solo dance scene sending a warm current up my spine in particular. She is indeed a moving work of art in this: Sensual, beautiful, graceful, and young. That her acting is not particularly kaleidoscopic here makes many feel that she is a 'cold fish', but I saw nothing to corroborate this opinion, nor did I see any scenes where her character needed anything more or anything less than what she provided. I found her performance to be very honest in scope - even award-worthy compared to Oscar-nominee hacks like Reese Witherspoon. Zhang is exquisite in every moment, and her sad, demure beauty and understated performance work perfectly with the tremendous restraint that the subject is showing throughout. I found her work here very touching.
My largest reservation about this film is post-viewing, upon coming here and looking at the IMDb voter history, only to discover that the demographic that rated 'Memoirs' as highly as I do seems to have been composed of girls under 18 years of age! This is probably the very last group of people whose collective movie opinion I would want to associate myself with, but there it is.
I suppose the second thing I didn't like is that the movie had a bit too much Cinderella element to it, though dirtied up to accommodate the 20th and 21st-century decayed moral flavor. The chairman character was practically anemic in terms of being fleshed out as anything more than a bit player, just like Prince Charming always was, and made the protagonist's doings and goings-on a little bit too much like a protracted teenage crush to truly take seriously, but I can forgive this in light of the film's other charms.
Otherwise, I felt that this one worked on all levels - particularly visually - but with a special nod to both Li Gong for her outstanding portrayal of the antagonist, and to John Williams's excellent musical score. He is the only symphonic composer in the industry today who really has the spark, I think. The rest of them might as well be composing adventure music for those awful Marine recruitment ads with the buff dunderheads combating fire-breathing monsters.
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