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9/10
Exactly what my life needed...
25 March 2015
Warning: Spoilers
It's not that I've ever felt suicidal (like our hero does) but depression and isolation have always haunted me in every walks of life. In childhood, I had a lot of trouble hanging around with kids and my over-protective parents unknowingly added more to this. As a result, I had to face a lot of trouble mixing up with people of my own age. I still face the problem although at this point of life, I've come to accept that certain things about me can never be undone so I've given up the attempt to change them. I'm not as introvert now as I used to be although my twenty-one year being (about to turn twenty-two this October) has still inherited a lot of things from my tween self: I still don't like sports, I still hate Cricket (99% Indians adore it!) I still don't know how to strike a normal conversation with completely unknown people.

Albeit, I'm grateful towards God that I have great parents, few but really caring friends, a roof over my head, a good job and a good future to look forward to. I've been depressed about my problems a lot but upon learning that there are many people out there with even bigger problems, I decided to not waste my time thinking over and over again about the same stuff and to just be grateful about the things we have. And that we should make the most of it all. My didactic conscience then taught me: just face life as it comes to you. Don't worry too much, and you'll learn to get by eventually. At one point in my life, I was almost like how Craig, the protagonist of the film, felt: I used to over think, I took everything too seriously, I used to wonder how the heck are people so smarter than me and I was lost in my own bubble. One day, Craig's inner bubble of trouble expanded to such an extent that he began to have weird suicidal thoughts. That's where our story begins: a kid walking into a mental ward thinking that they'll cure him with medication.

Instead, the four walls of the ward showed him how big the world really is, how many beautiful things it has, what he is missing and how lucky he actually is to have things people only dream of. If Craig really had everything, why was he depressed? Was it his father, who always asked the wrong questions? His fragile mother? His sister who was more genius than him? His multi-talented best friend who seems to be perfect at everything? The ugly fact that he can never have the girl of his dreams? The biggest reason here lies in the fact that Craig was looking at his life from a wrong angle and he (and the society) was forcing himself to believe that his only aim in life was to reach point A and then go to point B. People around him mastered in Physics and whatnot. So does that mean he should do too? And if he doesn't, is he a stupid idiot?

From what Craig observed, he developed the mentality that he HAS to master in Physics, he HAS to be brilliant in Subject C and master Sport D. Once Craig reached a mature age when he began to think for himself, his mind automatically began to detect that there's something wrong with life. He suddenly found himself in a place he doesn't belong to. And, Bam! A baby called Depression was born. The way Craig enters the ward and is introduced to a variety of characters is simply masterful. He is surrounded with schizophrenics (who unconsciously blurt out punches at perfect timing), transvestites, suicide-attempts and other unknown mental disturbances (some of which are kept in the dark deliberately for thrilling effect). Inevitably, they all play a small role in changing Craig in some way or the other, may it be for some thing to provoke serious thought or to simply offer some heart- warming comedic relief.

Coming back to reality, Craig meets Muqtada: his depressed Egyptian roommate who never leaves his room. We certainly see a sign of total silence here. Craig gets to see the live example of what it means to completely cut off from the world. And is that really the best way to solve all our problems? Then there is Zach Galifianakis, which has to be his career best performance, playing Bobby: a strange bearded dude who with his own personal trauma makes Craig see how little his own troubles are. Although, Zach does this in a non-serious way by approaching Craig through a happy-go-lucky humor. He does make Craig see the importance of life in small doses but remains optimistic and supportive through-out the experience. And... who can forget Emma Roberts? Her charm and her smart moves are at times enigmatic yet something reassuring always delves in her eyes. Or may be it's simply because she's too beautiful? I'm so jealous of you, Craig.

After seeing this film twice, I've come to observe how excellent the film-editing is. This element seems to improve the whole quality of the film, helping the narrative acquire a smooth and at times funny edge that jumps in from nowhere (but is not random). I'm quite fascinated by the concept of editing and this is definitely a great example of how it can affect the mood and pace of a film! The only thing that bothered me is how the last half-hour, despite being thought-provoking is too swift and lacks the rich narrative of Craig that has been so wonderfully guiding us through this journey. Although, it is a complain I can live with given the really wonderful cathartic note with which the film ends itself. This bit may come off as self-indulgent and clichéd for many but Craig's parting words are uttered simply for his own sake and not really to justify the fantastic conclusion.
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9/10
Nightmarish near-masterpiece that proves cinema is limitless...
23 June 2013
Shinya Tsukamoto's cult classic Tetsuo the iron man (1988) simply is beyond words! Cinema takes an obnoxious, bizarre and graphic form and results in the creation of one of the most scariest and shocking film experiences. It's hard to believe that this film had a very low budget and was shot with a 16 mm. All the elements such as the jaw-dropping stop motion effect, the incredible metallic soundtrack, the smart sound mixing, the extreme film editing, the black and white cinematography and an highly innovative story come together beautifully and prove that cinema, indeed, is limitless and low budget can never suppress a man's vision.

At times, the film takes a (deliciously) surreal form but we never lose our grasp on understanding Tetsuo's story-line. This film is not, even for a millisecond, afraid of throwing the most bizarre and gut-wrenching images at it's audiences (Which are hardly pretentious, for the record). There is, supposedly, a metaphor hidden in Tetsuo that man has developed a 'fetish' for machines and has been consumed by it. The film graphically shows people transforming into hybrids of metal and flesh which was quite brilliantly filmed. The idea of recycling metallic scrap as props was a smart move!

This film is, obviously, not for everyone. And whether you hate it or love it, Tetsuo still manages to rape your senses (I loved it!), giving you an experience that is totally new. I warn you again that this film is extremely bizarre and experimental so enter at your own will. A nightmarish near-masterpiece that easily beats David Lynch's Eraserhead, a film which had originally inspired Tetsuo.

4.7/5
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Walkabout (1971)
10/10
Pure Cinema
3 March 2013
Beautiful. Just beautiful. When I was expecting another particular survival story, Roeg showed me an amazingly peculiar one. Set in the harsh regions of Australia (The exact location in the continent, in my opinion, doesn't matter) two kids, a 14 year old girl and her 6 year old brother, are abandoned by their father (He also tries to kill them but fails) who eventually sets their car on fire and kills himself. With no means of transport and no civilized humans around, the kids simply head out into the wilderness. They soon encounter an Aborigine boy who's on a "Walkabout": an Aborigine ritual which involves surviving in the wild for months with the aid of hunting skills after the adolescent reaches a certain age. Thence begins a beautiful and pure journey where the three characters try to outlive the harsh environment with the hunting skills the Aborigine boy possesses.

Right at this moment, I am spellbound by this film's images and I will admit that I got to witness a new face of cinema today. Instead of showing us a sweet conventional survival story, Director Nicholas Roeg dwells on narrating the story in a different and thought-provoking manner. The film has been given a complex and layered narration that is a bit ambiguous. Through smart editing and significant number of freeze frames the director, during the Walkabout journey, tries to compare the two completely different cultures of men.

One scene is particularly my favorite where the film alternates between the Aborigine boy butchering a Kangaroo and a butcher in some civilized city doing the same. These astonishing moments question the very nature of human beings. Whether we are lost in some unknown, remote and harsh region of the world or are behind the brick walls of the concrete jungle, we are all simply trying to survive in this cruel world. Roeg never even gives us a clear idea why the father attempts to kill his children and suicides. Though, that is a clear indication of the fact that the father couldn't survive in the civilized world. He was too weak that is the reason why he gave up his life.

This film leaves the complexity of the civilized world (Symbolized by the car burnt down by the father) and follows a journey on the beauty of companionship and purity of life. Yes, Pure is the keyword here. We are transported back to the age when everything was "Pure". The film's wonderful finale is the most powerful testament of this aspect. Sometimes certain situations arose in the film when the children are extremely close at getting discovered and saved by civilized people but aren't. At this point, Roeg's camera briefly focuses on these people and shows us what they are doing. There are certain thought-provoking messages hidden in these scenes which, of course, I will not reveal here and will allow you, my dear readers, to discover it's beauty by yourselves.

And then there's the spellbinding cinematography and Roeg's amazing direction. Both capture the wilderness very meticulously and the "pillow shots" (A curious shot where the camera focuses on the surrounding elements, for brief moments, of the environment where the action takes place) makes the film more believable. There are beautiful shots of birds, trees, reptiles, the stark desert, the sunrise/sunset, etc. that fills the film with fresh images of mother nature. Walkabout is a beautiful and complex near-masterpiece film from the land of Australia. Just walk into Walkabout and you won't regret it.
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6/10
Visually Stunning!!! But....
3 March 2013
In Mikhail Kalatozov's Letter Never Sent, four geologists are searching for diamonds in the wilderness of Siberia. Three men, one woman. Andrei and Tanya are in love. Sergei is in love with Tanya. Sergei is a strong man who had been on such expeditions but had returned with no luck. He is jealous of the nerdy Andrei's and the beautiful Tanya's relationship but never cares to hide that feeling. Sabinine (The Leader of the expedition) often spends his free time writing letters, which he will never send, to the woman he once loved. This is how the film begins: By presenting a set of characters, each having different perspectives but are present in the wild forests of Siberia for one reason. With the hope of serving their country, they are present there hunting for a diamond vein. It's no surprise that the diamond deposit is discovered in the film after days of hard work. Previous expeditions had failed but this one expedition proved that there indeed was a diamond deposit in Siberia. Soon, the four geologists, filled with zeal and satisfaction, find themselves engulfed by a huge forest fire and completely cut of from the civilized world. Will they survive?

Before the opening credits, the film pays tribute to the people of the Soviet Union who have given their lives for the benefit of the country, whether it be astronauts seeking answers for the mysteries of space or geologists going in to the wilderness hunting for diamonds. Throughout the entire film, we see the characters suffering in the piercing cold and bleak atmosphere of Siberia. Their goal at this point is to safely deliver the map, on which the whereabouts of the diamond deposit is marked, to Moscow. We see sacrifice. We witness loss. We witness alienation, hunger, despair. This is where I realized that similar to numerous Soviet films, Letter Never Sent contains shards of Propaganda. Adventure? Nope. I look at this one as a miserable survival film filled with some unnecessary moments of melodrama, patriotism and hyperactivity. The fact is that I don't mind patriotism and propaganda. But in this case it's overdone. I just didn't care for any of the characters. Not even the gorgeous Tatiana Somailova whose performance in the 1957 Soviet Classic The Cranes are Flying (Also directed by Mikhail Kalatozov) was spellbinding. It was because of this film that I was intrigued to check out Letter Never Sent.

Now the big question: What relation does the film and it's title have? As stated earlier, Sabinine wrote letters to a woman he loved from his past. He wrote them, feeling nostalgic, without the intention of sending them (Of course, the team is already in the middle of nowhere). This relation is explained further in the final moments of the film but it's significance is again directed more towards patriotism, in my opinion. Another disappointing aspect.

Unlike the ingenious masterpiece The Cranes are Flying, this film lacks true emotions. I went in with high hopes of seeing another Soviet masterpiece but eventually I was left disappointed. Albeit this film failed to emotionally engross me, Sergei Urusevsky's miraculous cinematography makes the film worth watching. Urusevsky and Kalatozov have collaborated in multiple films and their most well known work is of course The Cranes are Flying, where the film used astonishing camera- work. Though I believe Letter Never Sent takes it to a whole new level by composing unbelievable images. The camera work is well ahead of it's time. It looked like that the camera glided through the wild fire and the horrible blizzards very smoothly. The technical artistry of this film deserves a standing ovation and at times it completely overpowers the dissatisfying screenplay.

On the positive side, Letter Never Sent is one of the strongest proofs of how visually powerful cinema can be. If you ever tell me to compile a top 10 list of the most visually stunning films ever crafted, this one will gladly make it to the top 5. Mr. Urusevsky, you rock. (And I will highly recommend The Cranes are Flying in case you haven't seen it yet).

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8/10
Another beautiful, nostalgic film from the greatest Studio of all time
26 July 2012
After having seen Goro Miyazaki's Tales from Earthsea, I didn't have quite high expectations from this. Goro proved me wrong this time by creating a calm, sweet and tender anime. Hayao Miyazaki is the screenwriter and I was quite surprised that he moved away from his supernatural themes containing gods and flying castles, choosing to write something realistic. Yes, this "realistic" part is the heart of the entire film and it works so lovingly.

Ghibli once again captures the audience with beautiful animation and a captivating score. The film successfully re-creates the 60's world with meticulous details. Each and every character is energetic, whether he/she is the action or just the part of the action. As the film is about saving the school's clubhouse, we can "feel" that these teens really are trying to save it and you forget it's an animated film. Most of these characters are quite inspirational... The film is not epic or dazzling like teen oriented movies actually are. It's a simple nostalgic experience.

In conclusion, another simple and heart-felt film from Ghibli that you can enjoy with your friends and family. A good film for a relaxing weekend ;)

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4/10
A worthy ending to an amazing series...
20 July 2012
THE REVIEW DOES NOT CONTAIN SPOILERS REGARDING THE DARK KNIGHT RISES.

As it is with every Nolan film, the film starts off with an impressive mid-air action sequence, doing justice to the proverb: "Well Begun is Half Done". Synonymous to the bank robbery scene, Bane enters the action with a different style clearly showing off how evil he is. The film then slowly settles down showing us what has changed in the past 8 years after Harvey Dent's death. Harvey still is considered as the "White Knight" and Batman as an outlaw vigilante. Bruce is weak and filled with a regret. Then the story takes shape in to the usual good-versus-evil plot in an extremely aggressive environment with a few shocking twists and a great conclusion.

First of all, let's throw light on Bane. Bane is totally perfect. Tom Hardy portrays him extremely powerfully. I was impressed by the amount of dedication he took which clearly can be seen. But we cannot compare Bane with The Joker, who was spectacularly portrayed by Heath Ledger in the The Dark Knight. Bane doesn't possess the sense of humor that Joker possessed, true; but that's just because he's pure evil and wants his job done. He is true to his word and his actions. Tom Hardy is as good as Heath Ledger was.

Then there's other performances to hail. After Bane I thought Alfred, played by the Michael Cain, and Billy, played by Joseph Gordon-Levitt, were the strongest. Alfred is more than a butler in this film, he is Bruce's guardian. There are many scenes when they both exchange emotions and a part of it was shown in the trailer where Alfred says "I don't Want to Bury you...". Those were seriously well filmed scenes, probably the best in the entire film. Joseph plays a cop who turns out to be another great character. After that the entire ensemble did their job well too with good acting. I had a feeling that Catwoman wasn't gonna work but I was wrong... In other superhero movies, you will find that the Hero is given the most vital spot, his sidekick a little less, the people he loves a little more less and the villain is always portrayed with exaggeration. Nolan however very perfectly places them on the same level. His films are quite natural and down-to-earth, including TDKR, which is what makes his films so special.

Now moving towards the technical aspects of this film, they are brilliant as always but I did not find anything new in them. If you expect it to get better than the technical ingenious of Chris Nolan's Inception, you will be slightly disappointed. The film is actually 70% drama and 30% action. But it is worth it. If you ever get the opportunity, don't miss it on IMAX.

Similar to Batman Begins, the story is quite straightforward. It does not have the beautiful complexity of The Dark Knight because it focuses more on the experience where Nolan is trying to give you that feeling of "Rise". The ending was quite smart but I won't say anything more than that. It totally depends on how YOU take it...

In conclusion, it was a worthy ending to an amazing series. I wouldn't like to compare it to The Dark Knight as this film has it's own different story to tell. So I suggest you watch it with an open mind, making no comparisons to it's predecessor and you might enjoy it more... In case you are too excited to watch it then go to Wikipedia, they have the entire plot there ;)

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10/10
A smart, funny and ingenious film that goes beyond your wildest imagination in a subtle and powerful way... Must watch
14 June 2012
"How happy is the blameless vestal's lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray'r accepted, and each wish resign'd." - Alexander Pope

Joel and Clementine, once a happy couple, break-up. Joel can't take Clementine out of his head so he decides to patch up. He then learns an unbelievable truth that she had a clinic named Lacuna "erase" all of her memories related to Joel. Joel too out of anger decides to take on the procedure of erasing Clementine-memories from his head.

Okay, I know what some may think. This is totally weird, right? But with Michel Gondry and Charlie Kaufman, the screenwriters, weird stories always become entertaining that has undeniably smart elements. Eternal Sunshine remains their best work to date. It's an unforgettable psychological journey in a person's brain, his dreams, his desires captured with such contrast and vivid beauty that you will be left asking for more. At first, we feel quite envious of the technology that literally removes "pain" from our minds. The direction and screenplay capture this magnificently by taking us in Joel's head and actually showing us in their way how it happens. But soon this desire dies out with a deep emotion of dissatisfaction. Because Joel watches these memories fade away, he gets a second chance to relive them. He then understands that memories, however painful, are vital. I really wanted this erasing thing to exist in real life at first but then the film's extremely strong presentation made me change my mind. This impressive part makes the whole non-linear experience unexpected, thought-provoking and excites us to a higher level of curiosity.

Once Eternal Sunshine grips us through it's smart allegory, it keeps getting better and better. What I loved most was the unexpected conclusion that forces us to wonder about the fate of the characters. What I loved more is that the film also never forgets the supporting cast, especially the "erasers" who work at Lacuna. During the erasing scene, which is the highlight of the entire film, the film kind of switches back and forth from Joel's memories to the real world. They show us the interaction of the Lacuna gang (Elijah Wood, Kirstin Dunst, Mark Ruffalo, Tom Wilkinson). As we surge through Joel's emotions, theirs too is not overlooked. The screenplay smartly shows us how we human beings feel emotions, how we look at the person who's memory we are erasing and the person who's having it erased. In Short, Eternal Sunshine has a weird but differently smart screenplay that works which also won the Oscar for Best Original Screenplay in 2005. The Direction has a wonderful "flow" in it. The Cinematography has a beautiful colorful saturation and the score, wow, it just syncs with the flow. The film has impressive visual effects too that adds to the stunning imagery of Joel's memories.

Now, the acting. First of all, I have never seen Jim Carrey act a serious character before. Joel is boring, dull, seeks solitude. I still wonder how he did that. This proves that Jim Carrey is more of a versatile actor rather than a comedian. Kate Winslet portrays the energetic, over-talkative Clementine, a complete opposite of Joel. She was nominated for the Oscar for this role and it's quite worth it. The most difficult part is bringing two completely opposites together to love each other which is pulled off perfectly by the two artists. Then comes the Lacuna gang. Wow, another surprise here. Their acting was realistic, if simply put.

In conclusion, Eternal Sunshine is a spotless masterpiece. It's that piece of cinema that tries to approach film-making from a whole new perspective and the result is memorable. The film convinced me of the moral fact that even if you put someone out of your memory, you can't put them out of your heart. Be sure to check out Gondry's Being John Malkovich, another weird but thought-provoking film.

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White Dog (1982)
10/10
The greatest film no one ever saw...
12 June 2012
One night, an actress Julie Sawyer finds an injured stray dog. She decides to take care of him till the owner is found, not knowing that the dog is a "White Dog" a term used for dogs trained to attack black people. After the dog attacks an actress on the set, Julie decides to train the dog not to attack with the help of Keys, an animal expert. Will they be successful?

Samuel Fuller's masterpiece has often been misunderstood by the audience as a racist film. Well, White Dog was surprisingly amazing yet very simple. Fuller created a thought-provoking film on racism through a strange medium: a dog. I have to admit that this film was very clever and the way it told the story was pretty impressive. With many close-up and slow-motion shots Fuller created a great film experience that was both shocking and thrilling. Ennio Morricone's score was great too and the screenplay was the best. And the way he ended the film really makes us think about the world we live in. Fuller attempts to give us an answer to the question: Can Racism be banished? His answer is yes and no. Well it is up to us to decide what path we want to choose. But nevertheless, White Dog is a highly underrated classic and thanks to Criterion Collection, we can see this film again which was banned some years ago.

I urge everyone to see this film. It's just great. Highly Recommended...
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Prometheus (I) (2012)
7/10
Prometheus lands in the wrong place...
9 June 2012
God, I was waiting so much for this film and that feeling was finally satiated. After Scott's classic sci-fi Alien, here comes a prequel that provides answers to some questions that were raised in the 1979 classic. This film gets a mixed review. Some say it's poor story but great visuals. Some say it's Scott's best and it has great visuals. Some say it was thrilling yet boring still visuals were great. My opinion is somewhat mixed... Don't worry, there are no spoilers here.

What is Prometheus? Wikipedia says: "Prometheus is a Titan, culture hero, and trickster figure who in Greek mythology is credited with the creation of man from clay and the theft of fire for human use, an act that enabled progress and civilization. He is known for his intelligence, and as a champion of mankind." In the film, scientists Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall- Green) discover clues on Earth that leads them to a half a billion away solar system where the "Engineers" of mankind themselves probably reside. The ship that takes them there is named Prometheus. It's a two year journey so the 16 crew members are kept in hibernation, guarded by an Android named David (Michael Fassbender). After they land, they discover extremely weird stuff which I won't reveal. What happens next is the search for answers, the truth, the truth about our creators which believe me really isn't so much satisfying.

Yep, everyone agrees that the film looks powerfully stunning thanks to the jaw-dropping visual effects equipped with a stunning cinematography and of course 3D. The film begins with a beautiful view of our Earth's geology but minus life. Here we see how we were engineered, how it all began. Another stunning element that adds up to the film is the ingenious electronic score. It's completely perfect for the experience. The sound design, being another important element in any sci-fi film, gets a perfect score from me. All in all, Ridley Scott's Prometheus deserves a standing ovation for the beautiful world that he has very realistically and smartly created just the way Alien and Blade Runner was.

Okay, now have a seat. Stunning visuals aren't going to save the film because instead of solving the questions (which it does) more questions arise like who created our Engineers? And the biggest one is: What happens next, dude? As many people said, the film has flaws. Yes, there are but I guess what they most probably meant by that was "This is another clichéd sci-fi that was not expected from a Director like Scott". I guess they are right. Like for example the whole crew. Now there are 17 of them. When the film enters it's intense last hour, it looks like they were simply lining up for slaughter, getting killed one by one. It sort of felt like they were expendable or something. Scott really treats them that way and the film kind of makes special arrangements for the key characters. In another scene, a character has a quick abdominal surgery to remove the Alien fetus. Surprisingly, with the stapled cut, she walks and joins the intensity of the film again in no time. I believe that most people were disappointed just because they were comparing it to Alien. Prometheus doesn't have a subtle style, a rich story, it seriously forgets common sense in some scenarios, etc. There are far too many flaws to overlook. You feel like "Hey what was the point of all those intense emotional and thrilling moments if you yourself don't see the point?"

I guess you will enjoy Prometheus a little more if you stop comparing it to the almost-perfect-thriller Alien. It's a Prequel, so treat it as one. The flaws did disappoint me, really unexpected from a director like Ridley Scott. More blame goes to the poor screenplay. But I think movies are sometimes made just for monetary purposes, not for serious art or to satisfy a die-hard fan's nostalgia. Prometheus is one of them. Come on, film-making is a business too right? I will still forgive and forget the flaws and say that it was overall a marvelous experience. I still believe Scott is a brilliant movie-maker. Prometheus is a good start to the series and the film, judging by the conclusion, promises another adventure which I doubt won't be possible.

As for the performances, Sweden's "Girl with the Dragon tattoo" Noomi Rapace has the same strong femininity that Weaver showed in Alien. I have always been strangely attracted to these kind of women in movies who show great survival instincts without forgetting their emotions. Fassbender is the best thing about Prometheus, very powerful in his performance of the Android David. These two were the best in the entire ensemble.

In conclusion, there are flaws and some moments will leave you scratching your head. Yes, it isn't one of Scott's best but I don't think it's worst either. For now, just enjoy and try to take in all the "entertaining" stuff that this film very ingeniously provides as it's not only mysterious but also freaking scary at times!

So now one excitement ends, another begins. Pixar's Brave is releasing on 22nd so stay tuned. This year we are really anticipating a lot of good movies, I just hope none of them lets us down. Have a nice Day and take care. Hope you enjoy this film nevertheless. Thanks for reading.

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Kahaani (2012)
10/10
Kahaani's engaging plot and Vidya Balan's incredible acting makes it the most unique Bollywood film to date...
24 May 2012
I come from India and I have missed out a lot of good Indian Cinema. Indian films are known for their style of using spicy music and actors acting in a hyper way. That's why I usually reside in foreign films and hate these kind of films (some of them are nice though, just a few ;)). But there are some really great Bollywood films that have come out in recent times that break all these common rules and have grossed more than these clichéd films. Sujoy Ghosh's Kahaani is one of them. In the film, a pregnant women (Vidya) comes from UK to the city of Kolkata, India, in search of her missing husband. She hadn't heard from him for a long time and the most surprising thing is that everyone denies of seeing him. She visits all the places where her husband has been (as he told her on the phone). There was just no record of her husband, not even his flight records. Vidya, with a local inspector Satyaki Sinha (played brilliantly by Parambrata Chatterjee), go deep into the mystery in search of a her husband. As the film advances, the mystery deepens and leads to a final epic conclusion.

I know what you are thinking... This story is just like Lady Vanishes, right? This is where you are wrong. Firstly the screenplay is ingenious, something that probably even challenges some of the greatest Hollywood films. The final result is realistic, truly something you don't get to see in Indian cinema. Secondly, the acting is miraculous. Vidya Balan, who plays the pregnant women, gave me an impression of a woman really being pregnant. It's not so easy to act a pregnant woman as you have to walk in a different fashion and Vidya Balan stays that way the entire film. Vidya Balan is such a versatile actress that she has made to Times Magazine's 100 most influential people. Her Femininity is one of the powerful elements of this film. The Inspector, played by Parambrata Chatterjee, is a new actor but he surprised me. The whole ensemble was great, they deserve a standing ovation for their performances. Thirdly, the beautiful direction. The film is richly detailed, something that even the greatest of Western cinema lacks. I can't go into these details but believe me I am not praising this film just because I am Indian. Lastly, the film's ending is quite thought-provoking. The film highlights terrorism and detests it. But I won't give you any more details, it might spoil the fun :D!

In conclusion, Kahaani is rich in story-telling, acting, directing, details, screenplay. It's culturally rich too (something that most Indian films lack, probably all!). If you are an Indian, go watch this now. If you are from some different country, I assure you you won't be sorry... In my personal opinion Kahaani is by far the one of the best Commercial films that Bollywood has ever produced. And for it's creativity, courage and breaking common Bollywood rules, I bow down to the entire team of Kahaani. We really need films like Kahaani to develop a good taste of cinema in Indian audiences and the good news is because of Kahaani, no ones likes to watch those kind of clichéd Bollywood flicks anymore!...

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8/10
The Intouchables is a simple heartwarming story of a great friendship... Pure Entertainment
18 May 2012
The Intouchables has broken all the box office records in France and Europe recently and is attracting a lot of audience. Being a fan of French cinema, I decided to be a part of this experience. The Intouchables, based on a true story, tells the tale of a handicap millionaire named Philippe played really brilliantly by Francois Cluzet who appoints Driss (Played by Omar Sy), a broke ex-con, to be his caretaker. Because both of them have somewhat same kind of nature, they develop a deep friendship.

I have to say first that the performances were very impressive. Each and every actor was natural in their roles. For example: Driss is supposed to very funny which he is, very much. Even the opening scene was great! Millionaire is shown as a tried old man who's bored of his own luxuries and he appoints Driss just because he sees himself in him: a young exuberant yet a wasted man. Secondly, the relation between the both, their friendship, is the whole point of the film. It was good I guess, I just thought that there were some aspects of it that I had already seen in other films , the same clichés that appear again. But just like I said, the performances were great. So the acting made their friendship more energetic and realistic. Thirdly, it was quite hilarious. One scene where both the leads exchange their taste in music was one of the best. Although there wasn't anything new in it, but their love for each other matters the most in this film. Lastly, the plot is quite simple, no twist or turns. It's a simple but great tale of friendship, in which both the characters learn something from one another and so do we...

Though The Intouchables doesn't show us anything new, it's entertaining and a new addition in the French cinema that I would love to discover and rediscover. Highly Recommended.

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Porco Rosso (1992)
6/10
The most Underrated Miyazaki Classic everyone must see for it's unique style of storytelling
17 May 2012
It's funny how renowned directors like Martin Scorsese and Steven Spielberg are extremely well-known for their works and still some of their finest, critically acclaimed works go unnoticed by audiences and the die-hard fans. In Scorsese's case, Alice Doesn't Live Here Anymore could be a perfect example and in case of Spielberg it's The Color Purple. And in case of Hayao Miyazaki's, it's Porco Rosso (Meaning "Crimson Pig" in Italian).

At the time of it's production, this film was going to be a short film for the Japanese Airline that tells the story of a middle-aged ace pilot from 1930's Fascist Italy who was cursed to become a pig. As it turns out, the film became a full-length feature. After seeing all 9 out of 10 Miyazaki films, this was my final one. What I felt during Porco Rosso was that Miyazaki tackles more bold issues, much bolder than his other films. Porco is not a children's character but one of those guys who drinks a lot, smokes a lot i.e. he represents perfectly an old dead beat pilot trying to find nothing but peace in his life. He is not a character you could learn something from, not a usual theme in Miyazaki's films. What is his role then? In the film it's chasing pirates, running away from the air-force, getting involved in ridiculous fights, etc. Miyazaki offers a different point though by saying that every middle-aged man is a pig and Porco Rosso in this film is simply resembling to that fact.

So this was about Porco Rosso (His real name is Marco Pagot). The other characters like Gina his love, the pirates, the American aviator who challenges Marco to a combat and there's Fio the cute girl who repairs Marco's plane were captured as usually marvelously by Miyazaki's lavish brush strokes. The story takes place after World War 1 in the Adriatic sea. Thus Miyazaki was challenged to draw a totally different culture which he pulls off successfully. What more lovely about this film is that it stays completely true to history (The war, I mean) and uses this as one of the driving forces in the film. It's just wonderful as it is with all Miyazaki films. Though I have to say that this film is more confusing and subtle in it's way of storytelling. Because Miyazaki also tackles completely newer themes that are even different from other animated films in the world, both fans and non-fans are in for a treat.

My conclusion is that Miyazaki triumphs yet once again in his stellar career and has made the most "unique" animated film I have ever seen proving why I am a very huge fan of his. The Most underrated Studio Ghibli film yet Highly recommended.

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10/10
Totoro Enjoys life's smallest little moments that we adults, alas, don't do so anymore. This makes Totoro one of the greatest cinematic achievements ever...
2 May 2012
If it wasn't for John Lasseter's (creator of Toy Story) love for Japanese anime, we would probably be in the dark still without the knowledge of the existence of Studio Ghibli, the next best animation studio after Disney Pixar. He helped in introducing to the world Ghibli's fantastic films. Hayao Miyazaki, Director and Screenwriter, contributed more handsomely to the studio's achievement and success. And My Neighbor Totoro is one of his greatest achievements, probably in the entire cinematic world. This was the first time I saw what they call "True Art" in any animated movie. The story is of two sisters, Mei and Satsuki, who with their father move to a new home. The two of them then happen to meet Totoro, a forest spirit who helps grow plants in the nearby forest.

What unfolds next is a gentle heartwarming film experience that surprisingly leaves us nostalgic. Although the film seems to concentrate on a very young audience, it was an experience like Toy Story. What I love about this film is the way it takes time and allows us to get lost in Totoro's world. One scene I recall the most is the scene when the two girls and Totoro are waiting, just waiting, at a bus stop taking shelter in umbrellas from the rain. Miyazaki captured the calmness so perfectly that it made me think,"You don't get to see this even on Winnie the Pooh". That scene truly is one the greatest moments in all of cinema and is one of the reasons why I love his films so much. In this way, Miyazaki is extremely skilled at creating a lovely environment in his films, in this case the environment is more nature oriented. Joe Hisaishi's score too is great as always, he has scored almost all Miyazaki films.

Miyazaki is well-known for his signature style of feminism, environmentalism and aviation. He uses all of these in Totoro. After Mickey Mouse, Teddy Bear and Winnie the Pooh, you will always find Totoro as the most favorite children's character. The innocence of Totoro is delightful for kids but more surprising thing is that the adults found it more moving and more meaningful and as I said earlier, Nostalgic...

Totoro, when released in 1988, created a sensation in the animation world and Studio Ghibli gained recognition. It was only after Totoro that Miyazaki was going to receive the title of one of the greatest film-makers of our time that to this date has remained consistent.

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8/10
Best prequel of all time... seriously deserves attention
28 October 2011
I never was much interested in comic book action movies. But Chris Nolan got my attention in the Batman series. Then Mathew Vaughn's Kick-ass became one of my favorites. Then when I heard he was making a x-men prequel, I decided to see the trilogy.

And thank god I did... This movie was one of the most stylish, brilliant and cool movie in years. But otherwise, the experience of it was remarkable. Charles Xavier and Erik's character were very well performed(they are my favorite in the entire series). The movie surprisingly is less in action and more in drama and that makes it more powerful. Bryan Singer did a good job on the story. But it somehow doesn't do justice to the original trilogy. But then, who cares? This movie begs to be enjoyed in the highest quality.

The music is rocking and has a great feeling about it. The cinematography makes it more clean and sharp. The whole Production is good.

Action movies on comics have always been fair. But I think the era is changing now.... X-men is the best comic according to me because it is metaphorically similar to the "special ones" in our own human society. And battles did take place for the same reason in reality. X-men First Class depicts this beautifully through the friendship of two mutants who eventually end up as foes.

Truly First Class... 9/10 (I took off one star point just because the story has some loop-holes. No spoiler!)
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8/10
Surprisingly bad.... Although Bigelow thought of American soldiers, this wasn't the best tribute...
28 October 2011
I am totally surprised that the critics are praising this one. Yes, we all understand the efforts of American soldiers and I have nothing against them. But this movie totally degrades an experience that could truly have been marvelous. The movie makers had a lovely chance of making a classic cinema. This truly is an example of politics. The movie is... But certainly not Oscar worthy. (The special effects too are not worthy)

I agree that there are intensifying shots in the movie. But they are only "shots" not the whole movie itself. The trailer did impress me. The starting scene is amazing. But the graph goes down very rapidly. There are moments of emotions but then, which war movie doesn't?

Please don't rent this if want to enjoy a nice Sunday, even if this was the last thing on the entire Earth...Instead I suggest you "Black Hawk Down" or any action movie like Guns of Navorone, Saving Private Ryan(must see. Please see this if you haven't!!!),etc.

1/10.
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The Fugitive (1993)
10/10
The best fugitive movie in the world. Highly underrated though...
26 October 2011
The Fugitive is a classic detective movie. It is stylish in every aspects: the music , the editing, the direction, the story. There are many surprising moments as there are in any crime movie. The music is classy and fits in any modern detective movie. It has many great punch- lines. I loved the U.S. Marshals too. They were ever-ready and completely active.

Harrison Ford was great. He is a smart fugitive who is convicted of killing his own wife and he is innocent. His efforts to prove his innocence was quite smart and that's the most entertaining part. But, in my opinion, Tommy Lee Jones was the best. He acted very well as a bad ass U.S.Marshal who will stop at nothing. His role in this movie is one of my all time favorites.

All in all, Fugitive is surprising and age had no effect on this masterpiece. IMDb really surprises me sometimes by giving quite low ratings to great movies like these.

Still it doesn't change a thing for me. Just go for it!

10/10
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10/10
The best western movie in the world. Even after 45 years, no movie came even a bit closer for a challenge.
25 October 2011
This movie is completely frank. It shows us everything that could be possible in any western movie. The only thing that makes it different than other movies is that it does it with style.

All three of them are of course brilliant. They were given many cool dialogues. Ennio Mariconi's music does half the work. You probably must have heard it. It brings more style and character to the story. Each of the three acted well and lived up to their pet names. Simply by looking at them makes you feel that it's great.

If you have not seen this movie, don't waste anymore time in reading these reviews. This is a classic movie used almost as a standard to measure any other film's greatness.

"When you have to shoot, shoot, don't talk"

10/10
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10/10
A film ahead of its time, Lord of The Rings The Return Of the King is the best thing I have ever seen...
23 October 2011
Even after the second installment's grand success, I was still afraid that it will fail. The trailer was brilliant and promised a thousands things to come. And then in the next 3 and a half hours, I was proved wrong!

This was the best conclusion to a great trilogy. I never imagined that they could make it bigger and better than the last two. The previous movies were just picnic. Not only the action sequences but also the emotions run high. The battle scenes were really great. But I was more concerned about the people we knew from the last two films who were in it.

You really get that feeling of "The Return". Unlike the first two, this movie is stylish. The elements are more elegant, the story more bold, the score more experienced and bold and the dangers more troublesome. As Frodo and Sam march towards Mount Doom, the movie gets more darker and hope really seems to fade away. One thing I learned in this movie is: Never give up. No matter what happens you have to finish the task because your cause is important.

For me and all the LOTR fans, this is not a movie. What we thought of as an action movie-of-the-week turned out to be an important lesson on hope, friendship, conquering your fears and love. It's a cinematic achievement that will never be defeated. This really is the king of all movies and the 11 golden statues prove it. Go for it (Only if you have seen the first two movies)

10/10
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10/10
This isn't like Dead Man's Chest, this is serious entertainment...
23 October 2011
Honestly, I was scared that the movie will go down after Fellowship's great success. I felt the same before watching Aliens, Bourne 2, Pirates of the Caribbean 2, etc. But, they made it...

The first part only had a single story line. This time there are many things happening at once. In this part, the tension is raised. More characters are introduced who will play crucial roles in the next part. The feeling of hope, despair and absence of lost ones was captured very beautifully in this movie as though there is a continuous flow of energy. This movie enhances these feelings and we get attached to the characters. This movie is also rich in imagery. Each and every character is given equal importance, not just Frodo and Sam, as they too are a part of this war.

This movie is also well-known for Gollum: the double-minded creature who is stuck in a to-be-or-not-to-be state. He is the character who does poetic justice to the book and keeps the thrill never-ending.

But with Gollum, we have the prowess of Saruman and the evil gaze of Sauron. These two stand tall on their towers (Hence the title) creating a massive army which would result in explosive endings in the current and next installment.

Nevertheless, Two towers is better, bigger and more stronger. I promise, you will be left spellbound...

10/10
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10/10
Incredible and beautiful experience. Fellowship of the Ring is the best start to the trilogy
23 October 2011
In this first installment of the best trilogy in the world, Frodo Baggins of the shire with his 8 companions races to mount Doom to Destroy the One Ring. Now honestly, when I read the synopsis I was like "Yeah, OK". It's because today's movie generation uses visual effects like tic- tacs. They don't make sense sometimes and makes the movie repulsive.

But when I saw LOTR 1, I was blown away. Like any audience, I went inside busy in gossip with my friends and worrying about pop corns. After 3 hours, everyone in the theater were silent and highly entertained and emotional by the elements. Fellowship of the Rings was a brilliant start to a trilogy. I never knew that this was gonna be my all time favorite series.

The story is simple yet very tough to recreate. I read the book and I was a bit surprised to see that Peter Jackson pulled this off. The environment it takes place in is vast and bigger than James Cameron's Pandora. The visual effects were great and so was the score. The movie might not do justice to the book but, I think, It's still brilliant. At least they did not deteriorate the story.

Rent this right now and Enjoy. Don't wait for anything.

10/10
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Buried (2010)
7/10
Maybe just like Alfred Hitchcock's Vertigo, this will become a classic after 30 years...
23 October 2011
Buried is superb. But the experience of it is not. No movie in history has ever come so close to realism. I think that's what makes it repulsive; it's because the movie is too real to watch.

But ignoring that point, I must say it's a masterpiece. After maybe another 30 years, people's choice of movies might change and this might become a classic.

I would recommend this to the people who love serious thrills and disturbing visuals.

I would have rated it a little higher but...(No spoilers, don't worry)

I rate it 7/10.
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Sarabhai V/S Sarabhai (2004–2017)
10/10
Greatest Indian sitcom on television history....
23 October 2011
I never get tired of watching Sarabhai again and again. It's funny, imaginative, different and brilliant. Never knew that this series will become an important part of my life. All my friends and family members love it. I adore this sitcom from my heart.

It's sad to see though that the series is lost and the producers had promised season 2 but that was 5 years ago! This is a lost classic and begs to be released on DVD. If you want, it's available on Youtube. But still it requires a proper tribute.

I really hope that in the next 10-20 years people will recognize this sitcom and do something about it. Because it's just too much fun and joys are plentiful.

Hats Off to the entire team!!!!
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10/10
Unbelievable. Truly Remarkable.
22 October 2011
If you haven't seen Silence of the Lambs yet then my god, Go and watch it! It's wonderful what movies are capable of achieving. From my words, you clearly have got the idea... I don't watch movies again and again. But this movie needs repeated viewings.

It's very hard to shake out this movie once you have seen it. Each and every element is a visual feast for our senses. With many close up shots, music that doesn't belong to the film because it's poetic, powerful performances, surprise shots and beautiful cinematography, this film in itself is a perfect masterpiece. Although it's a mind turning movie, it forces you to think... The dialogs are classic. You will eventually end up reciting them and memorizing the entire movie.

(Spoiler) This movie did face a lot of controversy because the killer in this film is a transsexual. Various guy communities and all were hurt by this as this idea has been frequently been adopted by Hollywood. Please don't think wrong about this when you watch the movie. Frankly, I never even thought of this. I always thought the killer to be crazy because Lecter himself described him to be: "he thinks he is a transsexual. look for severe childhood disturbances". (Spoiler)

Nevertheless, great movie. My rating 10/10.

P.S.: Do You spook easily?
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Hotel Rwanda (2004)
10/10
Movies based on true stories don't always work... Hotel Rwanda is Exceptionally Brilliant
22 October 2011
Imagine that you have the responsibility of a hundred lives. You are watching your only hope going away while you are standing in the rain and can do nothing but save as many lives you can...

You won't understand this unless you have seen the movie. Hotel Rwanda is a fragment of cinema that shows the ugly truth of this world: Life is not always fair. This movie is marvelous, not because it's based on true events it's because the cameras captured the recreated events very beautifully. There is a reason why this movie has a low rating on IMDb. (yes it's quite low in my opinion) It deserves to be with Movies like Schindler's List and Godfather. You will know that reason once you have seen it.

Don Cheadle was great and I was surprised that he didn't won the Oscar. The performances really are great. Especially in the scene when all the foreign tourists are leaving the hotel and Paul watches them, standing in the rain, as they go away safely from the riots leaving the Rwandans... the emotions run deep. You even see a lady holding a dog in the bus. Now that's creativity!

I would recommend this to everyone. It's a unique movie with a very different style of film-making. And surprisingly, it's entertaining too. Hats off to Hotel Rwanda and 10/10.
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10/10
Only cold hearted people will rate this below 9...
1 August 2011
Frank Capra's "It's a Wonderful Life" is completely surprising. This is a time of Film-noir movies where there is a love in the air, mystery lures and the atmosphere is thrilling. But this movie was completely different from it's time. That's the reason why it failed at the Oscars (the same happened with Inception). The story is amazing and it is based on George Bailey's life.

We live in the age of action movies with gore and love movies with dirty scenes and all... But still this movie will get you. If it doesn't then you seriously have a problem. I won't elaborate on the story because it's a kind of a spoiler. I highly recommend you this title. Don't think twice and rent it now...

10/10.
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