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Brannigan (1975)
7/10
Overlooked John Wayne gem.
29 November 2007
Warning: Spoilers
Brannigan represented John Wayne's second and final movie in which he plays a contemporary streetwise detective.

The film involves him travelling to London to extradite a mob boss called Ben Larkin played by John Vernon, upon arriving in London Brannigan discovers that Larkin has been kidnapped whilst under surveillance from Scotland Yard. The remainder of the movie follows Brannigan in conjunction with Scotland Yard headed by Commander Swan and their attempts to locate Larkin and bring him to justice.

Brannigan is rather a good movie in which John Wayne exercises his enormous charisma and charm on screen to great effect. The movie is somewhat more light-hearted than Dukes previous cop movie 'McQ', however it still manages to deliver some rather dramatic moments such as the kidnapping scene and Brannigan's ongoing battle with a persistent hit-man.

Brannigan is faced with the problem of being continually compared to Clint Eastwood's detective movies and most comparisons made usually look unfavourably upon Brannigan which is unjust. Whilst Eastwood's 'Dirty Harry' movie is undeniably a better movie than Brannigan a strong argument can be made that Brannigan is superior to all sequels to this movie as well as 'Coogans Bluff' and 'The Gauntlet'. Several of these movies are clearly lacking in ideas and some of them have a cheapness about them, 'The Enforcer' and 'The Dead Pool' spring to mind within this category. However they do have an undeniable appeal and are generally enjoyable movies they are certainly not cinematic masterpieces and many are living on the reputation of 'Dirty Harry'.

Brannigan also fares better than 'McQ' due to the cinematography being fresher and more fluent, better acting, directing and stronger characters, these factors all combine to create a better overall movie. However the movie does have its weaknesses such as an overdrawn money switchover that results in Duke pushing a young Tony Robinson into the Thames. The movie also suffers from some poor editing within it particularly prevalent during the opening sequences involving a police car tracking Brannigan while the opening credits are being screened; the scene becomes too long and ineffectual. However these weaknesses do not detract from the overall enjoyment of the movie.

One of the best aspects of movie is the culture clash between America and the UK, John Wayne and Richard Attenborough act as a microcosm of this clash, with each trying to impose their methods upon the other. Brannigan's insistence on using physical force during the investigation contrasts with Attenborough's analytical and methodical approach to detective work. In fact the on screen pairing of both Duke and Attenborough was a stroke of genius as the two men play of each other very well, their scenes are well written and there's an undeniable energy and excitement these scenes.

Brannigan will never be remembered as one of John Wayne's best movies which is perhaps accurate, however it is also not remembered as a good movie which is completely unfair, it has some great scenes, interesting characters and a good storyline, it certainly deserves a much better reputation than it currently has.
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Big Jake (1971)
7/10
Violently Good
19 August 2007
From the outset 'Big Jake' will always be a firm favourite of mine, it's the first John Wayne movie I can recall watching, and this is the movie that has made him my all-time favourite movie star and actor.

The movie follows Dukes pursuit of seven kidnappers whom killed a large number of people at his former ranch (now run by his estranged wife) and kidnapped his grandson.

Up until this point in John Wayne's career he had by in large refrained from using excessive violence in his movies. However it could be argued and with some basis that movies such as 'True Grit', 'The Green Berets' and 'The Alamo' to name but three were physically violent in their own right. Regardless of this however 'Big Jake' was to be a dramatic departure for John Wayne due to the fact that on numerous occasions it give an honest depiction of physical violence. The opening shootout at the Candles ranch is a prime example of this, the sequence is extremely well executed by the director and stunt co-coordinators and there are many examples gunshot wounds which add to the realism of the movie.

The screenplay is rather slick with ample action included to satisfy audience expectations. The movie does contain many memorable scenes such as the opening and closing shootouts, Dukes casual killing of a would be assassin and some touching and at times volatile scenes involving Jake and his ex wife played eloquently by the great Maureen O'Hara.

An interesting segment at the start involves a voice-over retelling the transformation of the west from the early 1800's to its relatively civilised state in 1909 (when the film is set). The voice-over also introduces the audience to nine bandits whom act as the heavies in the movie, its fascinating to hear a brief introduction of each bandit and what skill they bring to the group e.g. Fain is the leader, O'Brien the gunfighter and John Goodfellow is proficient with a machete etc etc.

Duke in this movie is accompanied is his pursuit if the kidnappers by a trusted dog (who is very violent) an Indian friend played very well by Bruce Cabot, and his two on screen sons James (Patrick Wayne who is Dukes own son) and Michael (Chris Mitchum). The main protagonist in the movie is John Fain played superbly by Richard Boone and some of the scenes between him and John Wayne are very memorable containing both tension and style. John Wayne's youngest son John Ethan Wayne makes his debut in this movie playing the kidnapped grandson of Jake and acquits himself very impressively to the field of acting.

Despite my fondness for this movie it is not however without its weaknesses, for one the acting by both Patrick Wayne and Chris Mitchum is horrendous and neither one manages to endear the audience to their respective characters. Some sloppy direction also resulted in the disappearance of one of the Fain gang early in the movie, despite being given an introduction at the start of the movie; young Billy simply disappears without any explanation right at the beginning of the raid on the McCandles ranch. Several campfire scenes that are set at night appear much too bright; the director should have masked the lens on the camera more in order to ensure the scenes effectiveness. Finally several stunts involving Mitchum and a motorcycle come across as tired, overblown and generally dull although the director rightly erased the motorcycle from the movie quite early on much to the relief of the audience.

Critics were less than impressed with the movie stating that it was 'overly violent', these were the same critics who praised the Wild Bunch months earlier for being innovative and honest in its depiction of violence. Despite what he critics stated and some of the minor criticisms I have pointed out about this movie it remains a firm favourite and was a big box office hit when first released.
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McQ (1974)
8/10
A refreshing change of pace for the Duke.
6 August 2007
By the early seventies the western genre was in severe decline, and with the exception of Clint Eastwood the only other bankable actor within the genre who could return a sure fire hit was John Wayne. However having made a string or westerns in succession John Wayne was eager to broaden his horizons and undertake a new project, the project was to be a contemporary detective drama titled 'McQ'.

McQ is set in Seattle and follows Lon McQ (Duke) in his pursuit of the gangsters whom murdered his friend and colleague Stan Boyle. As the quest intensifies McQ uncovers the motive behind his friends killing and uncovers corruption that stems right to the top of the police hierarchy.

While the movie was slammed by critics and some anti Wayne elements its impossible to deny that John Wayne is well cast in this movie as a tough cop who is something of an outsider in a world of changing values. The Duke gives a fine performance with some good supporting players most notably Eddie Albert, Al Lettieri, Colleen Dewhurst and Diana Muldaur There are some well-staged action scenes including two high-speed car chases and an exciting climatic shootout. One notable if somewhat improbable action scene involves two lorries playing a large-scale version of dodgems with McQ's car that would have been very akin to a scene from a James Bond movie.

The movie delves into several interesting areas including corruption, family breakdowns and the shadowy underworld of drugs, one brilliantly directed and acted scene involves McQ exchanging drugs for vital information about an imminent drugs heist, this scene illustrates just how complex the drug underworld actually is and the chemistry between McQ and Myra is very evident.

The overall tone of the movie is notably grim and gritty and while the movie would have benefited from a larger budget, tighter direction and greater character development, nevertheless McQ was an undeniable hit at the box office and is a worthy entry into John Wayne's impressive portfolio.
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Rio Bravo (1959)
10/10
Excellent Movie
27 October 2005
This is a truly excellent classic western directed by the legendary Howard Hawks. Its not simply good because it has the most popular actor of the sound era in the leading role but it strikes a cord with audiences like few other movies. It boasts a good storyline of morals and outsiders with plenty of action thrown in to satisfy the general western fan. The movie has become a cult in the 90's and is the favourite movie of several directors including John Carpenter. Watch out for Ricky and Deano singing and Duke facing up to the bad guys with a rag tag bunch of deputies. This really is a movie to add to your DVD collection, buy it now, you wont be disappointed.
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The Searchers (1956)
10/10
Simply The Best!
27 October 2003
I was stunned by the depth and greatness of this movie when I first seen it even after all the positive reviews I heard about the movie before hand.

To the less appreciative viewer it is a simple story of a man on a five year quest to find his kidnapped nieces however the movie of course is about more an awful lot more.

Covering issues of racism, love, hate, revenge and above all tolerance it really does need several viewings to even scratch the surface of what the movie is trying to illustrate.

John Wayne was outstanding as the loner whom is clearly wrong and who is also the bad guy finding something on this quest he wasn't expecting to.

What I liked about this movie was the fact that is highlighted the plight of the American Indians they are portrayed as humans and as equals. It is not a simplistic portrayal as with such inferior movies as 'Dances with wolves' etc in this movie we are forced to see the good and bad that each side is responsible for although ultimately it is the Indians in the movie that have been most persecuted.

There is so much more within this movie but you just have to watch it for yourself it really is the greatest of all movies and I'm a person who has seen most.
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