Reviews

4 Reviews
Sort by:
Filter by Rating:
1/10
Buy 4 or 5 copies of "Trojan Warrior", tape 'em together and use it as a paperweight
24 January 2005
Warning: Spoilers
SPOILERS HEREIN

My High School did all they could to try and motivate us for exams. But the most memorable method they used to get us into the right state of mind was a guest speaker, who was none other than Australian Kickboxing's favorite son, Stan "The Man" Longinidis. The first mistake they made was giving this guy a microphone, because he was screaming half the time despite us sitting no more than 3 or 4 feet away from him. Now, his speech was full of the usual "if you fail to prepare, then prepare to fail" stuff, but there were various instances where I got really worked up. The guy stood there in front of us preaching how throughout his life he did everything for himself and no-one else. He was offered many deals in the past to give up kick-boxing, but he never took his eye off the prize of becoming Australia's greatest kick-boxer. He said that he wasn't a sell-out, he was happy and a retiree, he wasn't ever involved in any other activity other than Kickboxing… then he plugged his film. Yes, you heard right, he PLUGGED his new FILM. As he talked about it, he got a woman to come in and hold up a poster advertising it, and then he showed this shitty 4 minute clip of this vile film called "Trojan Warrior". (This all being before he was defeated by Gurkan Ozkan in his final career fight (for now))

Stan plays Ajax, a kick-boxing ex-special forces agent that is pulled into the seedy underworld of Melbourne. Ajax's cousin, Theo (Arthur Angel) recently sold out (well, at least Stan didn't stray too far away from EVERYTHING) to the feds, and as a result is on the run from all walks of organized crime. Ajax and Theo get into all sorts of ridiculous situations, from fighting in a Kebab shop to posing as playboys at a bondage party. It's all pretty ridiculous, but if Silverstein was actually aiming to make a credible film here, this man should never be handed a camera again.

I'll admit, I was actually pumped to see this. I love action films, even if they're corny, and especially if it's set in my own backyard. But what I was introduced to was a film with acting that was appalling from the word "go", and continued to do so after the words "for the love of God please make it stop!", subplots were introduced and not even touched on again after they were out in the open, characters were just thrown in for absolutely NO reason whatsoever, and the most over-choreographed fight scenes that didn't even remotely reflect Stan's actual talent in Kickboxing. The cast consisted of useless cameo appearances by just about anyone REMOTELY famous (Dermot Brereton, Mark "Chopper" Read and Greg Matthews). The whole time you're sitting there and playing the guessing game of just who is standing there in the background. Too bad the movie relies heavily on split-second appearances by former celebrities. Remember those plot-holes I told you about? Ajax once upon a time was apparently locked up, wrongly accused for murdering his wife. Now, we hear that Ajax was in special forces via ONE single sentence in the WHOLE film, and then leave it for buggery. This is followed by another SINGLE sentence which persuades Ajax to help the same people who wrongly locked him up. Then, get this, at the end, it is revealed to Ajax that his wife isn't actually dead, but was sold into prostitution. Do we see her? No. Does Ajax go off to find her as soon as he hears this? No. Now THAT's a marriage!

Amidst all this irritatingly puerile crap, some website described this film as "…a cross between Jackie Chan & Guy Ritchie…". Has this man ever sat down and watched a Jackie Chan film?! Chan shows more dexterity taking a dump than Stan did doing…, well, ANYTHING! And Guy Ritchie is the crime-film Messiah, and you're comparing him to Salik Silverstein!? This film is more like a mix between "Pizza" and "Enter The Ninja".

Now, where do you thing the whole "Trojan Warrior" title comes from? Ajax's fierce fighting skills like that of an Ancient Greek Warrior? No. The gangsters' unification to find Theo, like that of the Trojan Empire? No. It's because… wait for it… Theo carries a condom around with him. Yes, that right, because THEO is ALWAYS PREPARED with a Trojan BRAND RUBBER in his pocket, he is a Trojan WARRIOR!

I had the displeasure of seeing "Trojan Warrior" on DVD, as well as it's "special" features:

• Video clip of "Chop Chop", a rap song by Mark "Chopper" Read: Chopper did this for the sole purpose of proving that ANYONE can rap. The funny thing was Chopper just rapped for 30 seconds and then threw it over to these two albino teens from Doncaster, using such words as "dis" and "dope" etc in their Australian accents. Face it people, rap was developed in the States, LEAVE IT THERE! The clip looked like something a Channel 31 cameraman on ecstasy put together.

• Bloopers: There was no real difference between these and the actual film.

• Stan "The Man" Longinidis Kickboxing Featurette: This wasn't too bad, considering it was just 6 or 7 different fights shown from different angles (I think I saw Dennis Alexio fall over about 15 times in that 3 minute montage).

I don't want to say this film contributes to the reason this country is going to hell when it comes to film, but... oh wait, I just did. My advice to anyone reading this is for you to go out and buy 4 or 5 copies of "Trojan Warrior", tape them together, and use it for a paperweight, because this movie is just that damn bad.
5 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
You need to be on mushrooms to truly appreciate it...
2 March 2004
We were introduced to this film as having an "abstract" appeal, and was defined as a "trippy" film, therefore it was implied that you need to be on some kind of narcotic to get the full viewing pleasure of this 3 minute array of shots which are thrown together with a soundtrack of a Beatles song.

The only thing this had going for it was the syncronization of shots with the progression of the music. Other than that, this film personifies the real bottom line of abstract art: lazy and pointless. If you're some kind of "casual" drug taker which doesn't have a particular standard when it comes to films, then this will be highly recommended for you.
2 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
An interesting look at the role of a mother
25 January 2004
This is indeed one of the most interesting and entertaining documentaries I have seen, however I can't say that everything in this film was accurate.

I'm not Jewish, I'm Greek. I can definitely relate to the stuff they presented in reference to the personification of a stereotypical Jewish mother, however I cannot agree that this image was started by Jews.

What was lacking was the fact that this supposed mother (whether she be overbearing, nagging, melodramatic etc) exists outside the Jewish religion. I've seen these examples of unorthodox mothering from various cultures, including Indian, Italian, and of course my culture, Greek. The documentary implies that these cultures forged this image from the Jews, however I totally disagree.

Other than this, I found the documentary to be very entertaining as it displayed various clips from all walks of cinema involving the Jewish mother, including "Come Blow Your Horn", "Where's Poppa?" and "My Favourite Year". It also focused on various rare Israeli films as well as Hollywood, and such a unique blend made this documentary a must see for all mothers (not just Jewish ones).
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Rocky (1976)
10/10
His whole life was a million-to-one shot...
28 December 2003
When I was a kid there were only three major things in my life: food, wrestling and `Rocky'. My brother and I followed the numerous Rocky Balboa struggles religiously, and even today, there is no exception. Although the latest efforts of Stallone have been pitiful, the movie that made his career is the 1977 Academy Award Winner for Best Picture, `Rocky'. On top of that, `Rocky' also earned two more Academy Awards for Best Film-Editing and Best Director (John G. Avildsen).

This movie is unlike any other ever put on film. It's films like this that remind us of the beauty that is going to the cinema, and if only I was around during that year when such films as `Close Encounters of the Third Kind', `Jaws', `Saturday Night Fever' and `Network' were all playing in cinemas. The storyline takes place in Philadelphia, where Rocky Balboa (Sylvester Stallone) struggles to make a living as both a small-time boxer, and the brawn of a loan shark. Until one day, a sudden opportunity is handed to Rocky to compete for the World Heavy-Weight Title against the champion, Apollo Creed (Carl Weathers), a charismatic and flamboyant fighter labelled as `The King of Sting' and `The Master Of Disaster'. Attracted to Rocky's reputation as "The Italian Stallion", a match between Creed and the unknown boxer is set, which is subsequently advertised as a fight where a "nobody" can become a "somebody". Mickey (Burgess Meredith), is the owner of the gym where Rocky trains and later becomes Rocky's manager. Mickey is passionate about the world of boxing, and believes that Rocky has the potential to go the distance, instead of being `a cheap second rate loan-shark'. However, the central character in Rocky's life is Adrian (Talia Shire), a shy pet-store clerk, who acts awkwardly when Rocky even breathes in her direction. However, these almost completely distant outcasts are strangely drawn to each other. While one `didn't have much of a brain', the other `didn't have much of a body', so they worked on their opposites, only to end up together. The legend of this film when it was first released in the mid-70's was: `His whole life was a-million-to-one shot', but what Stallone did was prove to the world that `Rocky' is one-in-a-million.

Seeing `Rocky' is both a cinematic experience and a religious experience. When first released, the film appealed to the widest audience, and all felt the emotion and intense passion which passed from the film, to them. The film's possession of realistic acting, superb dialogue and the most phenomenal music score by Bill Conti to date, indeed transformed the face of cinema. Stallone's wholesome performance of his own screenplay is electrifying as the film celebrates of the underdog battling to beat the odds. Fans of cinema aren't manipulated into thinking that the inevitable will happen as it does in every other tedious hero drama.

Over 25 years on, `Rocky' still manages to let the audience's emotions explode; Rocky's blossoming relationship with Adrian, the seedy worlds of Mickey and Adrian's alcoholic brother, Paulie (Burt Young), and the affirmation of Rocky's inability to overcome Creed. And who could forget the excruciatingly compelling Balboa / Creed confrontation? Rocky's determination overturns the boxing fraternity, and supplies cinemaphiles with one of the greatest moments in cinematic history, as a body of spectators both on-screen and off applaud and chant for Rocky in unison. The following four Rocky sequels attempted to deliver the same magic as the original, however failed to convey it's message. `Rocky' illustrates how life itself is stifling and perplexing, but sometimes when you lose your way as well as your original intentions, you may just find something better.

Simply put, if anyone has a free Friday / Saturday night, this is the film to go out and borrow from the local video store. It's unbelievable that this film was only voted in at #78 on the AFI Top 100 films of all time, and worse yet, was voted in at the SECOND best sports film of all time (the first went to `Hoosiers', starring Gene Hackman). C'mon people, be you black or white or brown or any other skin colour we have yet to discover, get out there and be inspired by Stallone's masterpiece, `Rocky'.
205 out of 235 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed