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Migration (2023)
Theres a moment an hour in
It's got Kumail Nanjiani the guy's a natural. He brings this whole new layer of charm to what could've been just another talking duck. But the film? It's got its ups and downs. I found myself fast-forwarding through some of those cookie-cutter parts - you know, the typical, predictable stuff.
But, hey, there's this one bit, this real gem of a moment where the little duck gives her brother a hug. It's like, amidst all the formulaic fluff, they snuck in this beautifully genuine scene. It's heartwarming, really sticks with you. Sure, the rest of the movie might not be rewriting the animation playbook, but moments like that? The salt bae influencer looking bad guy is well thought up.
Saiki Kusuo no Psi Nan (2016)
Saiki's contradictory nature and unpleasant demeanor create a disconnect
From the outset, the protagonist is as annoying as he is unappealing. Saiki, with his psychic powers, claims immunity to surprise and emotion, presenting a facade of indifference and arrogance. This detachment, however, seems inconsistent. Early in the first episode, his surprised reaction to a coffee pudding contradicts his alleged foresight, hinting at a deeper complexity or a flaw in character development.
His claim of being devoid of joy because he cannot feel sadness is equally perplexing. His monologue, intended to be emotionless, ironically comes off as one of the saddest and most downbeat dialogues, like a smart-aleck teenager in denial about his feelings. This might be relatable to some, but it's far from enjoyable to watch.
Saiki's interactions with his parents are concerning. Despite their apparent love and care, he thinks about them with disdain and insults. It makes it challenging for the audience to empathize with him.
Pantheon: Deep Time (2023)
The dynamics between the real and virtual worlds are explored in a way that's both fresh and thought-provoking
It's not every day you see a show tackling simulation theory like this.
This episode is a philosophical playground that challenges the mind while tugging at the heartstrings. It's not just a finale; it's a thought-provoking exploration of life's intrinsic values wrapped in a narrative that's as engaging as it is profound.
Animation-wise, there are subtle call backs to the digimon movie and Dragon Ball Z
It features not just a clever storytelling technique; but a nod to the endless human desire for the unexpected amidst the expected. A reminder that the chase, the struggle, the unknown is where life really gets juicy.
The Flash (2023)
Worth the watch
The emotionally charged final scene with Flash and his mother salvages the film, tugging on your heartstrings.
While the CGI largely fails to impress, it's Sasha Calle's Supergirl that lights up the screen. Radiant and compelling, Calle offers more depth than Kal-El ever had in 'Man of Steel'. If you can endure the film's slower first half, you'll be rewarded by her stellar performance and undeniable on-screen presence.
Matthew Broderick's brief appearance as papa Flash was a delightful touch, and the film's highlights are enriched by such cameos.
The film also makes a laudable attempt to weave in various iterations of DC characters, setting the stage for what's to come in the DC Cinematic Universe.
While it may not be a masterpiece or entirely true to the Flashpoint narrative, the film serves up a balanced blend of action, coherent storytelling, humor, and emotional depth, making for an overall satisfying experience.
Archer: London Time (2021)
Lana almost kills Archer
The plot was absurd and the characters were completely out of character.
The character of Lana, not Archer, has become an exaggerated version of herself. Lana's decision to drop Archer off a ferris wheel at the end just because he slightly irked her is ridiculous.
The fact that Archer is able to survive such a fall by sheer luck only further demonstrates the absurdity of the situation and the toxicity of recent Lana.
It's hard to believe that this is the same level-headed and intelligent character we have come to know over the course of the show. Instead, she has become an exaggerated version of herself, prone to rash and irrational actions.