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Network (1976)
10/10
One of the rare, perfect matches of acting, directing, and screen writing
30 June 2005
Network is an absolute masterpiece. Very few movies can match the depth and artistic craft of this cinematic work. Paddy Chayefsky's screenplay is magnificently sharp, tactful, and bold, attacking subjects that we don't enjoy talking about. Sidney Lumet's directing is magnificent from his lighting schemes to the masterful performances that he gained from his ensemble cast.

There were six exceptional acting performances. Oscar-winner Peter Finch gave a spine-tingling performance as mentally disturbed anchorman Howard Beale. Oscar-nominee William Holden should have shared the Academy Award with Finch for his portrayal of Max Schumacher, a network executive suffering severely from a midlife crisis. Academy Award winner Faye Dunaway provides a stellar performance as cold-hearted programmer, Diana Christensen. Robert Duvall's solid performance of power-hungry Frank Hackett is notable as well as Oscar-nominee Ned Beatty's portrayal of a maniacal corporate executive. Beatrice Straight received an Oscar for her limited yet unforgettably powerful role as Max's hurting wife.

Network's finest aspects are four potent monologues. Each are delivered with such ferocity and prowess in acting, leaving the viewer overwhelmed by the sheer intensity of the writing. Mr. Chayefsky's award-winning screenplay is an absolute delight for those interested in a rich and significant screenplay.
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The Graduate (1967)
10/10
Timeless masterpiece
28 September 2004
Dustin Hoffman is outstanding in his breakthrough role as a troubled young adult who is worried about his future. His awkwardness is endearing and universal. To this day, there are people who can relate to his Ben Braddock.

The music is one of the biggest accomplishments of this film. Simon and Garfunkel perfectly depict Ben's moods throughout the movie with their timeless classics.

Overall, this movie is well-written, well-played, and well-directed. It is a humorous and sensitive account of the difficulties of a young adult. It is definitely worth viewing.
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10/10
Outstanding acting, heart-wrenching screenplay, and superb directing
16 September 2004
Warning: Spoilers
Could contain SPOILERS

This movie is one of the most underrated films of all time. This tear-jerker about a family in turmoil is superbly written by Alvin Sargent. His adaptation of Judith Guest's bestseller added more emotional depth and realistic dialogue to provide extreme credibility to the story.

The acting is exceptional. Timothy Hutton's performance of a young man struggling with the guilt of surviving is heartfelt and real. Mary Tyler Moore, who is more accustomed to playing more emotional roles, does a fine job as a mother who is almost incapable of displaying affection after a personal tragedy. Donald Sutherland's portrayal of a father who is trying to keep his broken family together is earnest and impressive.

The best performance must have come from Judd Hirsch who plays a sharp-tongued psychiatrist, Dr. Berger who tries to explain to Conrad (Hutton) that its acceptable to feel pain. In the most poignant scene of the movie, Conrad doubts the goodness of life, but Berger reaffirms its goodness. When Conrad asks how he knows this, Berger simply replies, "Because I'm your friend."

Good acting does not come without good directing. Robert Redford handled Sargent's script beautifully and brought career performances from each of the four main characters. You would have to be a good director to get an Oscar-nominated performance from Judd Hirsch. Ordinary People established Redford as an actor's director.
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Pulp Fiction (1994)
10/10
Excellence accompanied with scathing originality
15 September 2004
Warning: Spoilers
SPOILERS in this summary

This film is arguably the most well-written of all time. Quentin Tarantino's screenplay includes everyday conversation that enhances character development. There are no lulls since every piece of dialogue has a certain significance to the entire film.

Pulp Fiction is also not as violent as some critics think. Take for instance the scene at Lance's house when Mia is suffering from a heroin overdose. Vincent stabs Mia with an adrenaline needle to jump start her heart. However, (thanks to brilliant directing from Tarantino) the viewer never actually sees the needle penetrate Mia's chest.

The best scene in Pulp Fiction has to be the end scene in which Jules (played by Samuel L. Jackson in his career role) negotiates with Pumpkin and Hunnybunny with regards to saving their lives. His last lines interpreting Ezekiel 25:17 are powerful and spine-tingling, especially his last sentence.

"You're the weak, and I am the tyranny of evil men, but I'm trying', Ringo, I'm trying real hard to be a shepherd." This speech makes Pulp Fiction one of the greatest and most unique stories of redemption.

Pulp Fiction is personally my favorite film. The movie earned its Oscar for Tarantino's screenplay, but was denied Oscars it should have won, especially best picture, best director (Tarantino), and best supporting actor (Samuel L. Jackson). Regardless, this film is extremely important with blazing originality similar to Citizen Kane. It is a film that will continue to thrive for many decades to come.
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