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The Wild Life (1984)
8/10
"...after Les Girls, you'll never be the same again."
24 March 2005
While I hold its predecessor, "Fast Times At Ridgemont High," as a standard to which other teen comedies should be compared, "The Wild Life" is one of the better lesser known films from that time-and a worthy sequel, if you can call it that. I believe its tagline reads, "From the makers of FTARH, something even faster." This definitely holds true. Though it may lack the depth of the former which tackles issues like first dates, teen sex, and abortions, "The Wild Life" is, nonetheless, a great flick. It's pure chaotic fun, especially due to Chris Penn's over-the-top character, Thomas Drake. If Spicolli was high on coke instead of weed, he would be Drake. Eric Stoltz, in his first major role, is great as the straight-laced Bill Conrad. The two characters work well off one another. Think a younger, hipper Odd Couple, complete with 80's gloss. Outside of them there are so many other great things about this film worth mentioning. Lea Thompsom has never looked cuter, especially during the scenes of her working at the donut shop. Jenny Wright is just delectable and fun to watch. Rick Moranis plays a great nerd/perv who is dying to get in her pants. Thomas Drake's wrestler buddies are hysterical, especially Benny, the little Puerto Rican guy, who says some pretty memorable lines. One in particular that he yells out during a night out at a strip club had me on the floor the first time I saw it. That's saying something! Finally, the movie ends with one of the best 80's party scenes on film, ever. Look out for special appearances by Ron Wood of the Rolling Stones, Leo Penn (Sean and Chris Penn's dad), and a random Michael Jackson look-alike at the party. Throw in a score by none other than the man himself, Eddie Van Halen, and you can't go wrong. For Van Hagar fans, keep your ears open for riffs that would be found on such albums as 5150, OU812, and For Unlawful Carnal Knowledge.

If anything disrupts the flow of the movie it is a small subplot involving Randy Quaid as a burned out Vietnam vet. It just seems out of place and unnecessary. Other than that, it's near perfect. If your a fan of mindless but fun 80's movies and have not yet seen this one, you're in for something special. RENT IT NOW!!!

p.s.-The credits say Cameron Crowe has a cameo as one of the cops in the film. Does he have his back turned during his scene because I have yet to find him. Someone please help me.
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The Big Mouth (1967)
7/10
"It certainly is smooth. Yes, a man can faint from such smoothness."
24 March 2005
"The Big Mouth" is one of the better Jery Lewis movies out there. While I have yet to see ALL of Lewis's earlier works, I have seen a good handful of the better known titles including "The Family Jewels" and "The Nutty Professor." This one is better than both. I always felt that it deserved more attention and props than "NP" (his most well known) simply because the humor was more consistent throughout and the comedic timing, especially with Jerry as Gerald Clamson, couldn't have been better. Some great examples include him and the bellhop during an awkward moment involving a tip. Another one involves him and an elderly Chinese man at the pearl shop at Sea World. His remark about Confucious is the stuff of legend. So is the man's reaction. I also felt that "NP" was lacking in good supporting characters that were wacky enough to hold there own against Clamson. This is why the movie fizzles and becomes somewhat stale early on. Nothing for him to play off of. "FJ" had plenty of characters, but they were all played by Jerry Lewis. In other words, that movie suffered from Lewis overload. "The Big Mouth" is a perfect balance of all these elements. Though it may lose some of its pacing around the second half, the movie is well worth at least a rental simply for the first. If you suddenly crave some good silliness that will actually make you laugh from time to time, this is the Jerry Lewis movie for you, if you can find it.

p.s.-for Hojean, this is the one you're thinking of.
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