Reviews

As a long-time HP Lovecraft fan, I tend to consume with an open mind as much of the related content as I can, and this was no different. I understand a lot of what is out there has only the most tenuous relationship to any Lovecraft story or mythos and the whole 'nameless horror' thing is simply used as a device. And this in many ways is no different.

So, anyone expecting a full on Cthulhu Experience (tm) will be disappointed: Cthulhu itself is referred to in only the most general terms and only directly spoken of once; the Cult of Dagon an easily missed, fleeting reference early in the film; and the acolytes themselves, while not over-done, much to their credit, could easily be avid followers of any cult or fringe religion.

There are many references to entities coming from or going back to the sea, to horrors committed by and to the locals, but again these are mostly indistinct mentions with no real fleshing-out to make the feeling of creeping dread really take ahold which just left me itching for more of the old fisherman and more backstory. Having said that, there are moments during the film of desolate foreboding that work, and at brief times reminded me of the first Silent Hill game, which for anyone whose played it is high praise indeed! And these points are to the films credit. Same too with some of the other cinematography, with good use of the seascape and threatening clouds, as well as the town itself to create the impression of a coastal colonial American town with some of the history that you might expect of a Lovecraftian horror.

However, there were certain points that admittedly other reviewers have covered that I feel genuinely detracted from the film, not least the whole sexual aspect of it. The fact that the main protagonist was gay was semi-relevant to the storyline, so I can grant that, but the amount of time spent on it was inordinate to the amount of time spent on other, more important things like developing tension and moving the plot along. A few minutes less of him making cow-eyes at a truck driver and a few minutes more backstory would have paid dividends! Also, the sexual aggressiveness of Tori Spelling's character, while well done and performed well, smacked just a little of misogyny, as well as a huge missed opportunity for a grander plot device. I similarly felt other female characters were somewhat sidelined, with the sister given only the most cursory of parts. Given the set-up, I would imagine the protagonist and sister to have spent a LOT more time together, or at least that time to be much more emotional.

In general, I had no massive problem with the film in that I have certainly seen worse Lovecraft adaptations and much worse acting. But considering how many of these get made that are at best amateur and at worst throwaway projects, seeing that this seemed to at least have the makings of a decent version is a sadly wasted chance at submitting to a niche genre already bloated with half-hearted attempts. Having said that, it by no means sinks without trace and does stand up by itself as a half-way decent film. Unfortunately that is mostly because it's pitched itself at a subgenre with precious little competition. It is ultimately worth watching, but as a Lovecraft fan there are other films I would get to first.