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5/10
Jar Jar Binks of the Hidden Fortress
3 December 2013
Warning: Spoilers
Let's face it, Kurosawa's masterpieces are dated. The movies, though brilliant, must seem slow and overlong to so many of today's younger audiences. The majority of the audience today would not be able to appreciate the nuances of any foreign movie produced in the 1950s. But that is a poor excuse to "modernize" a classic in this fashion.

"The Hidden Fortress" became an inspiration for "Star Wars". "The Last Princess" looks like a second rate ripoff of "The Phantom Menace". Watch for the bad guy duplicating one of Darth Vader's lines.

Misa Uehara's princess Yuki in the original movie had an ethereal quality that made her seem like a unicorn among human characters. Masami Nagasawa's updated princess Yuki channels Princess Leia and fights with the boys weapon in hand. This means that she can display more emotional range but it reduces the character to a cliché.

The two peasants are given more screen time and fleshed out more, but not to any productive effect. In the original they were the model for R2D2 and C3PO. In the updated version, they become Jar Jar Binks with sappy emotions.

Hiroshi Abe is given the impossible task of filling in for Toshiro Mifune. He gives it an admirable try, but one is left with the feeling that he might have done better if the script had been better written. The film notably under utilizes his comedic talent.

Kippei Shiina, usually a reliable bad guy, seems straight jacketed in his samurai armor and scarface makeup.

It is a shame because in the hands of a more competent screen writer and director, this could have been a better film. I just caters to the market too much. Movie producers should realize that the viewers also want to be surprised. They want to see something they have never seen before. Not just something that market research says they do.
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The Grey (2011)
8/10
Good Horror but Not a Wolf Film
26 March 2013
An airplane loaded with roughneck oilmen crashes in Alaska and the survivors trek through a snow storm to survive while a pack of wolves kill them off one by one.

Some reviewers loved it. Some hated it. Those who loved it saw a competently directed action horror film in a realistic setting filled with real people facing real threats. Those who hated it saw an unrealistic depiction of wildlife behavior and unworkable outdoor skills. People who loved it thought the movie was realistic. People who hated it thought it was ridiculous.

Without giving away the story, let me tell you that this is not a story about actual wolf behavior. This is more like the numerous movies of the produced through the '70s, '80s and '90s about a group of people picked off one by one by unseen creatures lurking in the dark. In the '70s, they were natural animals like sharks, killer whales, reptiles, furry animals and insects. In the '80s they were space aliens and robots. In the '90s they were super assassins. Lately they are vampires and zombies. Now we are back to furry animals. But the overall theme is the same.

It is refreshing to see this theme played out in the Alaskan wilderness rather than on a space ship or an underground city overrun by zombies. In that sense, this movie is realistic. But the furry animals in the movie behave more like space aliens than actual wolves. The "expert hunter" in the movie is not actually giving you wisdom that will be useful in the Alaskan wilderness. He is more of a generic zombie hunter. In that sense, this movie is unrealistic.

So whether you like this movie or not depends entirely on what you are in the mood to see. If you want Discovery Channel, look elsewhere. If you want to see good acting in a scenic backdrop with lots of scary moments, you will like this movie. You don't have to really check in your brain at the door. Like so many Ridley Scott movies, this one is also a meditation on the nature of fate. This movie is a good piece of fiction. Just a bad documentary.
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