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Reviews
Outland (1981)
OK for a seventies style sci-fi
Suitably tense, and I can see why the others reference High Noon. However, that's already been done, though perhaps the writers thought it deserved a repeat/cross genre treatment. The location is handled well, with miners sleeping in what look like battery cages, a seemingly endless nightclub party going on with sex acts that apparently never need sleep or run out of energy. There is a lot lacking in the scifi tech and conceptual thinking. Considering 2001 introduced us to AI (Hal) the dated MSDOS computer concept is hopelessly outdated. Sean Connery & other cowboys running around firing shotguns in a compression-dependent environment thankfully doesn't rupture the shell of the station, which in reality it would - leading to mass death - though possibly the endless partying and sex acts could do with the rest. Hilarious amount of smoking (in an oxygen-rationed environment no less), not even equalled in even the old spaghetti western saloons. The acerbic Dr Lazarus is much under-used - she's a breath of fresh air (and the set definitely needed it). There is a lack of realistic world-building and attention to detail - what are these people mining? When will we see any actual work (possibly all too busy in the nightclub)? Hopefully they're not mining anything too combustible due to all the smoking. Plenty of exploding heads though. One of the bad guys does eventually blow up and of course decompress a gigantic greenhouse, yet hilariously the 24 hour party nightclub denizens don't seem to notice and no alarms appear to exist in the place. Sadly the makers of the movie did not pick up on the futuristic tech explored in Star Trek (movie), Alien, Blade Runner (yes, just a little later) or 2001 and the movie does suffer from this poor conceptualisation. The ending is poor, but they'd probably understood the movie's shortcomings by that point and just gave up. It's worth watching, if only to appreciate the value of the best movies in the genre and why they are good. Love Sean Connery but he was probably too old for action movies at this point, and was also let down by some really poor acting, direction, concept etc etc. I gave it six because we had a good laugh at any rate. Can't put it down to being dated because there are equally poor offerings these days, will people ever learn?
Luther: The Fallen Sun (2023)
Almost a ten, but a great movie anyway
What more can I say. The Luther series was always brilliant, gritty & dark, I mean what other kind of person could take on the sick psychos like John Luther. A little sad that Ruth Wilson as Alice Morgan didn't make a reappearance, but at the end we realised this wasn't the end at all, just a new beginning. Best bit is the bit with the coat - if you watch it you'll know what I mean. Andy Serkis is great (if a little unbelievable) as this offering's psycho who we quickly realise knows how to make money & doesn't care how he makes it. Of course we know from the very first episode of Luther it takes one to catch one, but Luther does have some kindness & scruples & this is what keeps him good at what he does. Neil Cross must have done some heavy psychologist research to so fully understand the depths of the sociopath/psychopath mindset, and this is what is explored in David Robey/Andy Serkis' motivation. Ordinary empathic people cannot deal with or understand psychopaths whilst psychopaths being arch manipulators are very good at acting empathically in order to gain trust and victimise their prey. The plot is suitably twisty, tense, shocking. I understand the comments about the Bond movie ending which is where it started to come apart a bit, almost like this was an add on part way through production. I am not a great fan of the OTT Bond formula, with its one dimensional bad guys. The dark psychological aspect and in-depth characterisations of Luther was always its selling point. But, whatever the arguments, this was entertaining from start to finish, and I'm glad we rescued our dark hero from jail - it felt wrong ending the series there, but I guess Idris has been busy elsewhere. If he is about to embark on a 007-type franchise (no-one can play anything other than a younger version of Bond because he was irretrievably killed off in the last movie) then he'll be utterly brilliant, looking forward to whatever comes next.
True Detective: Night Country: Part 6 (2024)
Spooky, tense, possibly misunderstood
Wow. The reviews for this are a lot worse than the actual programme deserved. Yes, Fortitude meets The Terror, maybe, but the final reveal had an interesting feminist/Native Alaskan slant that was surprising. It's probably one that needs a second viewing to check the clues but of course evidence/DNA etc are only as reliable (and trustworthy) as the humans whose hands it goes through. The cover ups were intriguing but there were some loose ends not tied up that possibly led to the vented frustration on here. I was pleased there was an attempt to encapsulate the Native Alaskan worldview/mindset, in that the world we know and the spirit world overlap and the latter can't be ignored. Hard to help that come across to others who don't understand that. Out in the wilderness, in the dark perceptions alter. Perhaps some of the reviewers should read 'The Wendigo' by Algernon Blackwood (it still creeps me out). All the actors did a good job. Yes, there were some tie-ups that could have done better, and we probably needed more back-tracking to see the state of minds of the researchers that would send them crazy like that. What exactly was it in the ice (scientific name)? What was the deal with 'the pollution'? (more details needed). Definitely that place and the constant dark would affect people's minds (and does, statistically). Definitely the question of how humans act in a pack as in Nature, just like the elk right at the beginning needed more explanation for those who have never seen it in action/experienced it themselves. Interesting to see Dirvla Kirwan as Kate McKitterick, but we just needed a bit more indication of ruthlessness, and yes, more detail. I think part of the problem was that the scriptwriters maybe didn't get the concepts they were supposed to be illustrating and did their best, but it was a tough ask, plus there may have been production and actor availability issues that made it seem rushed at the end. In truth, this could have done better with 8 episodes, but they may have had no choice. We enjoyed it, did feel a bit 'oh, OK,' at the end, but it was OK. Maybe not a great advertisement for Alaskan tourism though :)
Paranormal: The Girl, the Ghost & the Gravestone (2023)
Disrespectful treatment of family
To be honest, the first one grabbed me, but the treatment of this family by a young production team and a girl more interested in her own image and air time than in helping this mystery be solved was awful. It was not reviewed completely scientifically, or with any respect for the family's feelings, they must have been horrified. A number of possible leads were ignored, disrupted by utter silliness & shots of her down the pub with mates or uttering 'Most Haunted' type nonsense in a yurt, not even in the alleged haunted house. Though she struck at the notion that some of it could have been mischief that got out of hand, the son (with learning disabilities) was not considered in a rather offhand, ignorant kind of way as if he'd not have been capable. In fact, it wasn't reviewed thoroughly to start with originally and it's all rather too late now. A much more objective treatment was required, but as the family relationships and dynamics at the time can't be examined now, it would have been better certainly for them, if this matter had not been dredged up in such a puerile fashion. The media are not to be trusted in such delicate matters & this proved that. I wish them peace and happiness & to be able to put it all behind themselves, particularly after these idiots' input. Some things are just not meant to be explained.
Dark Winds (2022)
Moody and moreish
I did love this, just watched the first series, looking forward to the next. All the actors were great and it was good to explore a Native American storyline, hopefully they'll keep this going. There were some issues & inconsistencies with script they need to iron out though. There were some plotlines they forgot about, like the gang member who sold out to the mining boss (what happened?), the witch woman's vague motives, and just letting her daughter be taken in by Joe's wife. The actress who played her had a real presence, but not much to play with and her character needed more definition, particularly as she was actually so integral to the opening sequences. There was also a plot strand there that didn't seem to work or make sense, you may see what I mean. The character change in the antagonist who masqueraded as a priest at the end was completely unconvincing as he really was a stone cold killer. If they were going to explore the subject of the so called reform schools then that deserved more attention than a few lines thrown in on the last episode. However, that rich landscape and culture was so wonderful a watching experience I can forgive, and look forward to more.
Star Trek: Strange New Worlds (2022)
Series 1 was amazing, Series 2 a mess.
Series 1 introduced some great story arcs which needed fleshing out & at the point it finished I would have awarded 10 stars. I'm going to make a guess that Series 2 was badly affected by the writers' dispute & mini rooms, AI, actor autonomy or some other reason being responsible for the mish mash of the 2nd series. The 'Ad Astra etc.' episode was repetitive & over-egged, though there were aspects & premise that were laudable. The Illyrian arc was interesting but then forgotten by what may have been a lack of continuity in script writing. The musical episode was a mistake, as most might have seen or imagine - perhaps it's an object lesson in stronger direction & not giving a few actors who have fond memories of a cult teen show which did it well long ago too much indulgence. At least it may provide a cure for that ever happening again. Spock's characterisation & cool input for his Captain/s is pivotal to the show & got mucked about in an unconvincing fashion though Ethan Peck is great in the role. Personally, I would have liked an interesting continued arc with Captain Angel/Jesse Keitel but the lack of continuity/writing mish mash meant they were forgotten. The underlying humour is very welcome/familiar & would have provided great underpinning for a continuity of darker themes, like the Gorn. However, the Gorn - I wonder if any sense of logic with the series flew west on these. Fine, that they are reptilian, not so fine that they are completely 2 dimensional and savage - one often wonders how such unthinking creatures achieved interstellar travel capability, let alone be responsible for scientific creation/reasoning of any kind. We're back to the untutored mindset of the fifties with these, though it's probably just another symptom of lack of screenwriter continuity. The sophistication of series 1 was completely lacking in 2. I love the crew's characterisation & M'Benga particularly, though 2 points - his line delivery is often unclear, and his story arc also became unbelievable (S2, ep 8). The cliffhanger ending on 2 was poor, a real lack of imagination and good scriptwriting. In fact I started to wonder about AI being used, as it was all so clumsy. BTW, I have no vested interest in the current strike dispute & there were plenty of botched series & inexperienced writers uninterested in the genre before this. I hope this series gets another chance. Though a lot of damage has been done, the basic premise, humour and camaraderie between the actors shines, when not hampered by whatever it was in Series 2 that broke it. It is worth it I believe. PS - like the actor playing Scott, but didn't we hear him also on the Enterprise in a previous episode? A lot of scriptwriter amnesia & continuity errors/holes which need recognition, insight & intelligence to avoid in future, take note CBS Studios.
Everything Everywhere All at Once (2022)
Crazy Mess Stream of Consciousness
Well, there goes several hours of my life I'll never get back. I gave it three stars because the bit at the beginning with the Cantonese family life was great, till the rest of the rubbish. I doubt there was a script as such. This had potential - the family, the tax assessor, the mother who can't show she cares without criticism, the breakneck speed of a woman trying to keep the family finances afloat. I recognised these people (I lived in the Far East & they were so wonderfully typical). So much potential, and they did this. What a shame. Finding it hard to understand the critic accolades other than they needed some representation from an alternative ethnic group. The actors were too good to waste on the end result, and what could have been a mad, funny film full of acute observation & pathos.
Night Sky (2022)
What on earth (no pun) were Amazon doing cancelling this one?
Firstly, not all your viewers are silly impatient teenagers. There are a huge amount of us looking for a slower burn and more relatable characters, and this had that. Quality acting from Spacek and Simmonds. Yes, there were times when I fast-forwarded, I do understand the wish for this to speed up sometimes (even at my age) and perhaps given time, they'd have gotten the feedback to understand how to tweak it but it would have been worthwhile. Just a touch of humour is a must despite a serious message - it's worked for so many lasting series. Amazon can afford some more patience, and definitely needs, like so many others to listen to what viewers are saying, not just look at meaningless startup figures. Many of us are frustrated with the great series we've loved then got cancelled. This was a great premise and plot. What a shame.
The Lord of the Rings: The Rings of Power (2022)
Enjoyed, over too soon
We enjoyed this very much, but the Sauron storyline probably needed more time and possibly worked out better. The 'scam' he pulled needed more time, maybe a couple more episodes to make it more believable. The stirring up of the volcano had little plot-laying or explanation, and the story arc with Adar often seemed disconnected and lacking explanation. The hobbits arc was good, but again, we needed more explanation of what exactly the witch-like creatures following them and the Stranger were, where they came from, what was motivating them. Some reference to Morgoth, the Silmarils, Beren and Luthien would have been faithful to the tale and Tolkien. There are some elements they will have trouble with - in Tolkien's books the dwarves certainly mined and made items from mithril (Bilbo's mail vest), but introducing the Balrog now seems problematic to that plus other plot complications - they stopped mining it due to the unearthing of the Balrog. Also - Celebrimbor is old, and of course, Elves don't age like humans - that was poor adherence to Tolkien and frankly made no sense. The anger of the Numenoreans towards the Elves seemed to have no explanation either. Despite these and other issues, there was much to enjoy - Morfydd Clarke was wonderfully intense. The greater role for Dwarf women well done - singing to the mountain - fascinating. The role of dark skinned hobbits - very true to Tolkien's descriptions actually. Bigger role for female warriors like Eowyn, again very Tolkien - his references to her would have been unusual against the society standards he wrote within but intrinsic to his tales, similarly with Luthien (Silmarillion), so Galadriel's early role as a Commander is consistent. Sorry to sound like a Tolkien nerd! He was a great world builder in a way that had never been done before and hasn't been equalled since, so that deserves respect. It's all there, so much of the writers' work was done for them. On the whole though, we enjoyed it, thought it ended a little early but will look forward to the new series (even though it's so far away). Would recommend.
Cosmos (2019)
I loved this, a must for space watch geeks
Yes, it's a bit slow to start (relationship stuff) , but who would have thought a seat of the pants car ride in a geek movie like this? My blood pressure rose by quite a few counts, Fast and Furious eat your heart out. There are creepy moments, Eureka moments, tension, good buddy moments and a big finale. Yes, some of it's hammy, and the budget was, apparently non-existent, but remarkably well done considering. I think Carl Sagan would have approved. To have achieved such a great, slick looking little movie with so little money is a wonderful achievement - imagine what the brothers could achieve properly backed with the usual scifi budget. Hope this isn't a one-off. Love the fact it's a Brit movie too. Not sure where the radio telescopes were - the Ryle array near Cambridge maybe? Very interesting science/astronomy explanations if you love looking up at the night sky. More please Weaver brothers!
Rocco Schiavone (2016)
Some middle-aged male fantasy idea of police drama
There was a good, atmospheric murder tale here, completely ruined by the unrealistic middle aged fantasy of some chain-smoking lush of an old guy (could definitely do with some gym time as well) being somehow irresistible to a never ending stream of young elegant models, endlessly tolerant of his philandering and always ready for 'action'. None of this contributes, but rather interferes with the plot. How on earth this idiot can concentrate on the crime he's meant to be solving (even without the weed) means some deus ex machina plot twist is definitely required. To be honest the guy was so irritating I had to switch off so never got to the end. All of particularly the Italian dramas have a bit of this rampant chauvinism (aging guys, young modelly girlfriends), but whereas it fits into the general flavour of Montalbano, in this it was laid on so thick it grated. I can only imagine a room full of aged male script writers, story editors, producers etc. Indulging their fantasies with no thought of the audience they're meant to be doing this for. You wouldn't want to be a lone woman meeting this lot in a pub, they'd surely think your telling them to get lost would simply be you playing hard to get :) I just wonder what Italian women think of this constant stream of chauvinism in their crime dramas?
Dune (2021)
Some problems with plot and development from the start
Enjoyed the lush visual spectacle, but a few major departures and omissions from the sense of the novel will put it out of balance in future . I never understand why mediocre script writers don't use more material from award winning novelists and insert their own weak, derivative dialogue- hubris, or to try and offer something new after a few versions of this epic? Tim Chalamet - perhaps he just considered himself too cool to try and develop the muscles for Paul's fighting prowess and Bene Gesserit-developed muscle tone and control? His and Rebecca Ferguson's performances and relationship also seemed unconvincing, which may have been poor directing, I can't say. The reviewer who mentioned the abrasive sound track wasn't wrong - less music and more desert silence/wind/sand sounds would have been better, it was a major issue and irritating rather than complementary. Was this really Hans Zimmer? There are some major plot and character screw-ups I'm afraid eg - Paul tells Jessica too early she's pregnant, yet she actually only realises when it's too late when drinking the Water of Life to become a Sayyadina. Other crucial plot explanations are either poorly executed or not properly explained to the audience, perhaps due to the scriptwriters lacking an indepth knowledge of the book.
To wind this up - I'm concerned for the next film and I don't think they're halfway through the plot yet. Really hoping they don't rush and totally mess up the final part like the 1984 film which was a real train crash.
Annika (2021)
Refreshing & watchable with a touch of humour
We love this series, but sad to see it's only 6 episodes. I didn't get the radio series but will. I think the Scottish setting is great and the script's brilliant. Sometimes the BBC can be a bit amateurish but this certainly wasn't (yes I know Alibi commissioned it but it originated on the Beeb). I like the unusual first person narration, it's different and always relevant. The settings are wonderful, I love anything maritime, add a touch of murder mystery & that's the icing on the cake. Please, please, please make some more!
The Watch (2020)
Fresh new take, and worth giving it time to develop
I turned this off to start - it's pretty different from our latter view of Pratchett's Discworld of Vimes and his crew, but honestly, eventually you notice in other ways it's much truer to the feel of Terry's inner musings on human frailty and humour than other offerings have been so far. I'm now hooked - love Jo Eaton Kent's take on Cheery (the female dwarf) which was always an aside on our reactions to sexual ambiguity. The Discworld's Watch was always meant to help us explore with humour how we can come through despite being kicked down for being a misfit (which of course all the members of The Watch are). Not so sure about any chemistry to come there might be between Vimes and Sybil - just seems unlikely given the actors cast in the parts. But the humour - from eighties' memes through to Carrot's uncanny recall for legal detail and the dark humour of everything Ankh Morpork, is all there and enough to keep you viewing through its formative flaws. After all, Terry's observations were mainly a gentle ribbing of our flaws, and I think he'd actually approve that it's a bit rough, like Ankh Morpork itself. I love the books but never felt other interpretations quite got there, so hope the tirade of criticism calms down and gives it a chance.
The InBetween (2019)
Very disappointed this was cancelled
Not sure why they do this - I start liking these series and then they drop them because of these alleged poor ratings. I did think it might be too like the over-long Ghost Whisperer or Medium, but it was thankfully fresh.
Sadly I suspect it was the gay parents theme which was refreshing and well-done but which I suppose in these days of intolerance was not popular. I'm a real fan of Paul Blackthorne whose other excellent series the Dresden Files was also cancelled and should have continued, we really missed it. I'll miss this too. Particularly frustrated as we'll now never find out exactly what was going on at the end of that last episode. Couldn't they just do a feature length special?
Britannia (2017)
Flawed but very watchable
I guess everything the previous reviewer says is correct, but I still enjoy watching this series. I would correct him in that this is not some version of Game of Thrones - Britain really was a pretty funky place during the times depicted, no exaggeration or fantasy required! It is not an epic fantasy but a rather colourful historical fantasy. Really makes me fed up when people compare everything with a fantasy element to GOT, it's getting pretty boring.
Agree though that the anachronisms are irritating. Ogham script (based on tree branches) would have been better - it wouldn't have taken too much research. The fact that Phelan advises that he 'has five minutes to spare' is also noted - the Celts didn't measure time the same way we do. That being said, there is a 'tongue in cheek' element occasionally to the story so I guess it's fine.
Realistically, this is entertainment - don't take it seriously, suspend the belief, enjoy the OTT costumes, characters and gratuitous violence and gore. Extra brownie points for using the spaced out Donovan 60s theme rather than some grand orchestral intro too.
American Gods (2017)
Disappointed
I loved this book. It's a rambling allegory of the cultures, hunger for power and the melting pot of everything that America is. There's pathos and humour, and a deep sense of the greater mysteries of life. Unfortunately, much of this was lost in the first episode. there's far too much, unnecessary gore a la Hannibal. That was fine for Hannibal, but distracts horribly from the underlying humanity of the book's story. The humour of the Techno Kid is completely lost in a departure from the book which ends instead - you guessed it - as a bloodfest lifted from Hannibal. What a turnoff. I would have said that in presenting this book, given the current craziness infesting American politics, it was actually pretty important to get it right, the effectiveness of TV in getting a message across should not be underestimated. So I feel this was a real let down. Another mess up was dragging out a totally gratuitous scene not in the book - Robbie's wife harassing Shadow over his dead wife's grave. It detracted from what could have been a poignant scene and I don't get why it was done this way. Yes, the American gods (who are actually from diverse cultures all over the world) and Odin himself are brutal, sexual creatures, much as the stories of them relate. But a little more subtlety, insight and recognising the strengths of the narrative, rather than the ego-driven need to 'improve' (which invariably fails to do so) was needed to make this complex book palatable on screen. Unfortunately it failed. Oh well. Fuller probably wasn't the producer for this.
SS-GB (2017)
Wonderful, atmospheric dramatisation
This was by far the best thing the BBC have done for a long time - great performances from the cast, in particular Sam Riley, a twist at the end, and it kept its mystique until the final fast paced episode. The music was amazing. I must admit I wasn't expecting much as it promised to be a rehash of the usual Nazi themes, but it wasn't. I was hooked from episode 1. Will be very disappointed if they just leave it at that - there was so much unresolved. For those who just want the usual pulp American action series that go on forever or who also watch reality TV (just outlining a psychological profile here) this may not appeal. It was cerebral, with plenty of twists and the action only really happened in the final episode. What it had in spades was wonderful attention to period detail and carefully understated acting that still managed to convey great tension and emotion. I'm not giving any further detail as it would be a shame to spoil it. There is a twist but you need a sense of subtlety to understand the full meaning. I really hope the full team who did this do more or do a follow up - they have a lot of talent (I don't know them by the way!)Still feeling a bit emotional about the ending as you can probably tell.
Roots (2016)
A subtle rewriting of history and the book
Firstly, really shocked that this production not only rewrote Alex Haley's book but history too. In order to keep American audiences sweet it seems the baddie slave owners were given distinct Brit accents and there was even a complete rewrite with a trip to Britain rather than New Orleans, which is pretty ridiculous, particularly as British slavery reforms began before the setting of this book. We're used to the hackneyed Brit bad guy, American hero image US audiences seem to prefer, but what they've done to this production was silly, historically incorrect and obviously some sort of PR manipulation so the audience could defer the blame for the period in American history that is pretty shameful but that its important to accept rather than change like this. I wonder what the British actors who were used think about it in retrospect? It's an increasing trend, appealing to a public getting too used to 'alternative facts' but rewriting history is unforgivable. People were quick to point this out to the Japanese when they rewrote their historical role in WW2 within their education system, but this is just as bad. Shame on the producers of this version.
Second Chance (2016)
Copy of Previous Series
It was bothering me when I saw the description of this series, I knew I'd heard it before. Back in 1999 - 2000 there was a series starring Eric Close (had such a crush on him) called 'Now and Again'. A husband (played by John Goodman) is killed. He's brought back by a scientist in a younger, genetically enhanced form. Maybe the personal issues are different, I don't know but the premise is the same. I guess they thought they'd give the idea another outing. So although they have tried to make this into a bad guy going through a learning experience to become a good guy (as has been done before) the similarities to the previous series spoilt this for me. I guess I never got over Eric Close :) The smug-faced beefcake who's the main character just didn't cut it for me, not my type! Couldn't get into this at all.
The X Files: My Struggle (2015)
Enjoyed it while watching but puzzled about a few things
It was weird as an X Files fan realising after watching this that either Chris Carter or whatever the team are who produced this, appeared to have forgotten the complex of alien plots that had gone before. As a writer, you have to be fastidious. it's pretty unforgivable to forget your own plot strings. I can only presume that so many writers were involved in the various pathways through the alien/government conspiracy mythos that developed as the years and series passed by, that Chris Carter may not have been able to keep up. Or perhaps this first one was for the new viewers, I don't know. In this first episode, a chat show host/millionaire breaks the surprising news that the sightings of UFOs are actually some covert Government department that is using alien technology for various nefarious reasons, and, shock horror, the sightings and abductions are fake and this dark ops project is doing it. At this point, I thought Mulder and Scully would say - er yes, we know - however, there have been actual visitations and we have had first hand experience (e.g. first XFiles movie - Mulder rescuing Scully from a giant space ship in the Arctic amongst others) But no - they also appeared to have CC's amnesia and seemed as surprised as anyone. Admittedly, the pendulum swing of actual aliens vs Government fooling us all and Mulder into believing did get confusing in the old series as well, and some episodes contradicted others, but this one took the cake. In this one Mulder got angry that he'd been fooled by the fake alien scheme - yet in an episode in the old series, he did exactly the same. I don't know, maybe there'll be some revelation about Alzhiemers/Groundhog Day syndrome which will explain it all to us, and it will all make perfect sense. So, sloppy writing and forgetfulness aside, what exactly has Mulder been doing all these years to earn his dosh? No-one knows, not even the scriptwriter knows, it seems. Lottery winner, maybe. Did I forget to mention the wooden, over-melodramatic script? I'm sure Duchovny and Anderson would prefer to put it behind them. Or it could have been the directing (Oh, that was CC too) The fact of the matter is, the X Files was a brilliant creation, and a great effort by a talented crew. The adage 'the sum of the parts etc.' was never truer than when describing this project though, and Chris Carter should perhaps learn his lesson. His other sole enterprises have been similarly poorly received. I gather the next few episodes are better, and hopefully better performances can be coaxed out of the stars. Perhaps you should never go back. However, as a fan, it matters not - nostalgia will win out regardless.
One Hit Wonderland (2002)
Hilarious
Can't believe this was only on the Community Channel (mind you it is 2014 and it may have been on mainstream TV when it was made)This was a brilliant series, so funny, I laughed so much I cried. Tony and his friends (which seem to include some pretty famous musicians) were very entertaining, very watchable. I thought the Happy song had great potential as a charity song (stand aside Band Aid), I'm not sure what happened in the end as the channel didn't play the episodes in sync. The Pixie song was a killer. I couldn't stop singing it in my car, so it did what it was meant to I suspect (annoying yet addictive)It deserved to get in the charts - the bar isn't set too high so I don't see the problem. Go Tony!!!! Sorry I'm about ten years too late :)Now a firm fan.