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10/10
A genuine and beautiful experience
31 May 2023
I don't understand why this episode gets bad reviews for its simple story while other simple episodes (like The Tall Grass or Jibaro) are not faulted for that. The dialogue was simple, but carried more meaning than the pompous talks in other episodes, which is an approach I vastly prefer. The visuals are among the best in the entire series, with a beautiful art style and smooth animation. The whole thing felt like a cohesive and genuine experience, telegraphing clearly what's going to happen and executing it with confidence, which in my opinion is more commendable than relying on cheap plot twists.

This episode made me think about life and death, but in a comforting way, which is nice sometimes between all the depressing, existential crisis type of stories. It's slow paced, yes, but I never felt like it was wasting my time or using filler content. In my opinion, it is one of the more mature episodes despite (or maybe because of it) not featuring gore, sex or a bucket of swearing.
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Love, Death & Robots: Jibaro (2022)
Season 3, Episode 9
7/10
Toeing the line between artistic weirdness and silliness
31 May 2023
There's a lot to like about this episode and it's obviously a neatly crafted experience. However I wasn't as fascinated by it as other people. The cuts and noises, while probably necessary to hide how silly what was happening could look like, were pretty annoying. I did not care for any of the characters and I didn't need to see that much of the violence to get the idea, so the runtime felt a bit too long to me because of it.

Overall it's a very basic story, elevated by some details and dragged down by others. What this episode really wants (and accomplishes) to be is a weird spectacle and that's perfectly fine, but some sequences felt too self-indulging and silly at times, even with the careful editing.
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Love, Death & Robots: The Drowned Giant (2021)
Season 2, Episode 8
3/10
Pretentious garbage
31 May 2023
This episode has a lot to say, but it does it in the worst way possible - by having one character monologue everything with pompous words and comparisons, in an accent that is meant to sound intellectual. Most of what he says barely has anything to do with what's happening (if you can say that anything is happening in the first place), which is a clunky way to integrate those themes in the episode, and isn't anything groundbreaking.

This is an episode where a lot of effort went into relying its message, but that's all. Don't let the physiognomy talk and the pretentious enunciation and words trick you into thinking this episode is any deeper than philosophy student level. As for the visuals, they are good, but they have no style and are nothing special after so many other CGI episodes. Perhaps the point was to highlight the sad banality of tragedy, but either way I was not impressed.
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Love, Death & Robots: Pop Squad (2021)
Season 2, Episode 3
8/10
Great episode, annoyingly one sided message
30 May 2023
Warning: Spoilers
The episode is pretty good, even though it suffers a bit from the fact that it's a short and not a full movie (Why did that kid made the protag question everything suddenly? Why is having kids not only looked down upon, but illegal? What kid of society is there between the degraded houses and the luxury parties? What happens to these kids if they end up growing up, how do they integrate in society? All this is being hidden under the shock value of kids being killed so we stop thinking too much about it). The voice acting is perfect, the moments of silence are used in a haunting way, the visuals are good and not too uncanny valley. However the subject itself is treated in a pretty shallow way, which usually I wouldn't hold against it when it comes to short animation, but I think it's warranted in this case. It's hard to not see this as a political statement when the stance it takes is made so clear.

Without any explanation of why society is this way, we have to take the message at face value. The episode is telling us that people who want to live forever are cruel, selfish and dead inside, while people who have kids are selfless and truly live. That is a very shallow and incorrect view of humanity. For some people, having kids is the way to be happy, for others isn't. Some people would find meaning in art, science, travelling, charity work etc. Even if they lived forever, others would need a biological family. Both options are valid, there is nothing inherently morally superior about having kids, there are plenty of parents who had kids for selfish reasons.

I admit there would be no way for a short to get into that conversation, but then maybe it should have kept the pro-kids arguments to personal choice and not a mean-spirited generalization of childfree people? I mean the mother at the end says that the ones who chose to live forever are in love with themselves (after she went ahead and created a mini version of herself) and that isn't questioned in the slightest. It's all very one sided.

Overall I recognize the objective quality of the episode, but I think it's fair to criticize the way the message was handled as well since the story is relying so much on it.
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Love, Death & Robots: Blindspot (2019)
Season 1, Episode 15
8/10
Some episodes are meant to be just fun Sci-Fi and that's fine
30 May 2023
Warning: Spoilers
A fun small-scale heist with nice music, very good and action packed animation, decent jokes and characters, plus it's short enough to not overstay its welcome. My biggest criticism is that I wasn't a big fan of the ending, it felt a bit cheap to only then reveal that they all have back ups.

I don't understand people acting like all the stories in this show so far had some deep meaning and like this is a big disappointment because of it. Execution matters as much as a good idea, and this episode nailed the execution of its admittedly unambitious idea. I doubt the ratings would be as harsh if this didn't came out after Zima Blue, which is not really fair for this episode.
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Love, Death & Robots: Alternate Histories (2019)
Season 1, Episode 17
4/10
Failed to avoid feeling repetitive
30 May 2023
Warning: Spoilers
The animation and art style stand out among the others this season and really fits the story, so no complaints there. Some of the jokes were a bit enjoyable (though the sex jokes took me out of it, felt even more like a low hanging fruit than the rest) and the idea is not bad, I don't even mind that it's only about Hitler dying over and over again (though I found the idea at the end of a simulation of Lincoln shooting first funnier than anything else in this episode). However it really gets old fast since in every single scenario Hitler dies around the same 5 minutes time span (could have been in different moments of the same day at least) so we have to see the same scenes over and over again. Also the way they escaladed the ridiculousness didn't really work for me, it felt both too slow (because of the short runtime overall) and too sudden.
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Love, Death & Robots: Fish Night (2019)
Season 1, Episode 12
7/10
Liked it until the ending
29 May 2023
Warning: Spoilers
I didn't mind a feel good episode about some people enjoying a beautiful sight without any story and with basic dialogue. I didn't mind a metaphor for whatever idea this episode might have tried to convey (there's a few theories that could fit, but probably nothing very substantial). I didn't mind watching a night in the dessert gone wrong in some way. But all these together just don't mesh well... The ending especially does not fit at all - the tonal whiplash from the abrupt ending frankly killed my interest in trying to interpret this episode in any way (so yeah, maybe this episode is better that I give it credit for, but it didn't make me care about it by the time it was finished). The story feels not only like a first draft, but unfinished because of the cut to black just as I began to get into the episode. Could have been great or at least a very nice spectacle, but it ended up as just disappointing.
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Love, Death & Robots: Sucker of Souls (2019)
Season 1, Episode 5
3/10
Lacking in most departaments
28 May 2023
Warning: Spoilers
The animation: not bad, but it's missing something, even if this is just an art style choice it feels unfinished. It looks fine overall, especially when it comes to the monster, but a bit of a letdown after the animation of the previous episodes.

The story: basic, but serviceable, even though I found the ending to be clashing with the humorous action-adventure tone up until then (despite the horror elements). However I have an issue with this baffling interpretation of Dracula (that goes beyond the classic vampire and historically inaccurate version) and the lack of care for the inspiration material. They didn't have to name the monster "the Impaler" or to pretend it's speaking Romanian, yet they did so I can judge them for the gibberish they use and the random elements they added. A lack of care for details is often a good indicator of the overall quality of a product and it applies here.

The humor: this is probably the strongest point of the episode since it made me chuckle internally a few times. However it's still pretty juvenile and often undercuts the moments of horror. I'm not saying you can't have both humor and tension/fear, not at all, but they didn't pull it off here.

Not a complete waste of time, especially since it was on the shorter side, but the few decent aspects are not enough to make it good. The cats gave it an extra point at least.
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Leverage: The Office Job (2011)
Season 4, Episode 12
6/10
A misplaced parody
19 January 2023
Warning: Spoilers
This episode prioritizes jokes over the plot making sense. I understand this is a parody of The Office and I must admit some of the scenes, especially the interviews, are very funny, but all together doesn't really work as a Leverage episode. The presentation style made me constantly wonder "why is Nate allowing this filming crew to do their own thing instead of sending them away somehow, as usual?" The way they solve cases does usually involve some amount of luck, but rarely as much as in this episode. The way the crew completed this job felt very sloppy, which fit with the sitcom vibe, but not with the rest of the show and made the characters not be at their best. The movie producer is being actually creepy towards Parker and constantly dismissing her wish to not be filmed, but that is ignored by everyone else, which is weird considering how Sophie and Hardison usually really care about her well being.

If you like The Office a lot, you might get a kick out of this episode. But if you want to just watch Leverage, this is not a good episode for it and you're better off just skipping every scene that is not filmed in the interview style and not Hardison and Eliot banter since those are the only scenes that brought me joy while watching this.
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Supernatural: Man's Best Friend with Benefits (2013)
Season 8, Episode 15
6/10
It's alright but not quite fitting in
10 July 2022
Warning: Spoilers
I love Familiars and I love this kind of witches. However these are not the witches we have been shown up to this point or after this point in this show. Sam and Dean don't even acknowledge any difference so I wonder if the writers expected the viewers to just overlook this. These witches have powers closer to the pagan gods than the witches in the show. Their lore is not even explained properly so how are we supposed to connect them to the show?

The characters are yet again dumbed down for the plot. Sam and Dean are ready to kill James despite the pile of evidence that it's not him doing the murders and that he is using his abilities only for good purposes. Why witches are inherently and always evil in their mind goes unaddressed despite the fact that this episode is all about a good witch. No, actually this episode is about Portia, the witch's Familiar. I do like Portia, but she was not a good character to focus on, despite the fact that all the murders were committed for a lame reason connected to her. Neither her or James learn anything in this episode and they are not interesting enough on their own.

The one thing that really fit the episode was the subplot involving Dean trusting Sam to finish the trials, but it felt half baked. Dean's motivation to want to take on the trials himself was never just that he doesn't trust Sam or anyone else (except Benny for some reason) but that he wants to keep Sam safe as always and that he doesn't care if he suffers and dies himself. The reason Dean changed his mind about trusting Sam was ridiculously simplified and not even shown directly to the audience, ignoring all the details that make their brotherly bond so complicated and interesting. Also Dean already accepted last episode that Sam will be the one taking on the trials, him showing valid concern over Sam's health should not be the catalyst for a discussion about trust. Dean not trusting Sam has often been a problem between the two of them, but this time it didn't feel like that would be the case.

It was an enjoyable episode overall and Sam and Dean had likeable interactions with each other and with Portia, but that doesn't excuse it for not fitting into this show's lore and atmosphere.
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Supernatural: Swan Song (2010)
Season 5, Episode 22
10/10
A perfect Supernatural episode, it deserves an 11
13 June 2022
Warning: Spoilers
There isn't a single scene in this episode that is wasted and, while I hate Chuck after the later seasons, his framing focused on the Impala worked really well. So many great scenes, stunning acting and perfect balance of drama and comedy, culminating in Sam's sacrifice for his redemption and Dean having to let go of his little brother. I'm always impressed by the quality of this episode on rewatching it and I wish the finale 10 seasons later would have had the same effort put into it and such good writing.

To be fair, I can point out two 3 details I wasn't truly on board with, but that I can't call "flaws". Dragging Adam in the cage too felt poetic, but also very cold and unfair for him. The fakeout deaths in here were simply irrelevant, both in the episode alone and in the long run. Sam being shown out of the cage was a huge cliffhanger that showcases the impossible task the ending had - to not ruin the impact of Sam's sacrifice and not leave viewers completely hopeless about Sam's eternal fate, at the same time. I like the way they chose to reconciliate that in seasons 6 and 7, but if this was truly the end for the show, that final scene would have bugged me out a lot.

That being said, this is one of the best Supernatural episodes, if not the best, and that's not a hot take.
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Supernatural: The Born-Again Identity (2012)
Season 7, Episode 17
9/10
Some wasted potential, but still really good
13 June 2022
Warning: Spoilers
Sam's mental wall fully breaking down was built up for so long that it would have been more interesting as a season finale than the actual finale this season, but it still managed to kind of feel that way. The scenes with Sam and Hallucifer, and then those with Dean trying to find a cure for him were great and mirrored the time when Dean was the one dying and Sam the one saving him. Unfortunately the episode gets sidetracked by unnecessary plot points that could have been replaced with just Sam and Dean scenes or maybe with some deeper dive into how did Sam's mental state got this bad. I think it would have been cool to see as an introduction Dean actually getting worried for Sam after the last episode way before Sam ended up in the hospital.

Instead we have a lot of scenes wasted with Marin and Emanuel. It's cool that Sam helped Marin, but it was painfully straightforward and predictable without offering a real either break or support for the desperate feeling of the episode. Castiel having amnesia barely made any sense. If smiting demons awakened all his memories, why didn't healing people do the same thing or at least half of it since both of these are Cas using his angel powers? At least it was great to see Dean open up to Emanuel about what happened in a way that he couldn't towards Castiel. Also the solution for Sam's mind was alright, even though it was too clean and close ended for my taste considering how underutilized all that was.

The worst part though was the demons attacking plot line. While you can justify the Marin and Emanuel scenes as nice character moments, the demons attacking Cas and Sam felt just like a justification to have Meg ally with Dean... even though they already offered a good enough reason on it's own - Meg wanting to be on an angel's good terms to have protection from Crowley. Oh, and also the demons offered the only action scenes in the episodes, but they were weak and not every episode needs that to be good.

Despite how much I complained about this episode in here, I think its weaknesses get overshadowed by its strengths, having one of the best core ideas in this season (and one of my personal favorites in the whole show). Jared really sells the role of a Sam more tired and weakened than ever before, a Sam that's ready to slowly die after fighting it for so long, but without forgetting his humanity or forgetting himself. Sam's strength shined through even when he was in one of his lowest points, but it didn't minimize at all how desperate his situation was. That was the best part of this episode for me and it's worth a high score in itself.
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Supernatural: The Slice Girls (2012)
Season 7, Episode 13
5/10
Stop pretending that morally grey monsters are just pure evil
12 June 2022
Warning: Spoilers
The plot of this episode is... fine, but only if you don't think about it at all. At the end of the day the Amazons are indoctrinating 2-3 days old girls into their creepy society and our takeaway is supposed to be that they are just evil and deserve to all die? What? Even worse is that they waste our time with showing Emma and Lydia being unhappy about this lifestyle just to do nothing with it, except maybe tricking us for a second that Emma isn't trying to kill Dean.

The narrative that Amazons should all die seemed to be pushed just to say "Dean was right to kill Amy since Sam also kills Emma and they are now on the same page that it was the right thing to do" but that's obviously such a flawed idea. Emma as a character is even more grey than Amy and deserved even less to die. No matter how hard they try to make her eager to kill, she is just a child with 0 life experience that was taught 0 morals in her short life. Sam killing her despite being the one who asks first and shoots later (plus knowing the pain of Dean killing Amy) doesn't work. The boys barely tried to convince Emma to abandon the weird Amazon society despite the fact she is just a very impressionable child. How was killing her instead of incapacitating her the right choice?

Dean's nonchalant reaction to Emma's death doesn't help either and it feels unnatural. "Monster" or not, she was still his daughter and he was shown before yearning for that connection with a child. They really missed the opportunity to give Dean an estranged and independent Amazon daughter that he wouldn't have to worry much about, but whom he could help every now and then to pass on his teachings.

Even outside of that, the episode is not great. The Amazon leader running away with most Amazons was deeply unsatisfying and weird for a clan of powerful, proud, fearless warriors. My best guess is that they want to avoid more hunters, but that feels off considering they weren't worried about Sam and Dean at all. Why do Amazons hook up with rich guys if they are not going to profit of it at all, since they kill the fathers? Why mark each other in such an obvious spot if they are trying to keep a low profile? We are not talking about some instinct driven monster that can do whatever the plot demands, this is a society of basically smart and powerful superhumans who have a leader, so what they do needs to have some logic to it.

I liked the brutal deaths and most scenes with only Sam and Dean, but that's not enough to save an episode with such a terrible and inconsistent message (at least throughout the whole series).
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Supernatural: Repo Man (2012)
Season 7, Episode 15
9/10
Great episode that proves that we needed more Hallucifer
12 June 2022
Warning: Spoilers
I'm rewatching this show and I'm disappointed by how little they used Hallucifer over all. He is an amazing character that singlehandedly improves the episode by a lot every time he is on screen. The dynamic he has with Sam is very interesting and seeing how the hallucinations affect Sam from this perspective is much better than just hearing about it every few episodes. It's also a shame they didn't use it for more than Sam having hallucinations and feeling terrible after this episode showed that Hallucifer could become a part of his subconsciousness and influence the way he acts directly. Despite the fact that you can see Sam observing and processing the crucial details at the same time Hallucifer is talking about them, it's easy to be fooled into thinking that it was something else than his own mind giving him hints, which makes this Lucifer feel much more real and harder to ignore by Sam - a clever way to have Hallucifer reenter the scene and not go away anymore. What I'm trying to say is that this was a great reopening of that great, but underused plot line. Also the A plot, Jeffrey and the demon, had an great earlier Supernatural vibe with something fresh added.

There's really just 3 problems I kind of have with this episode. Starting with the least important one, I don't understand how did they paint the last devil's trap, it makes absolutely 0 sense. It's not the only time this show just dumps a surprise pentagram on you, but they didn't even try to explain how they drew it without Jeffrey hearing or seeing them. The red herrings around Jeffrey worked well and it was heartbreaking to see such a good guy turning out to be a serial killer obsessed with the demon that possessed him. However some of his lines towards the end were weird. How would he know how Dean is feeling about saving the world and why would that be what is he talking about? It felt shoehorned in. Also this episode should have been a wake up call for the brothers about how their actions can impact normal people after the monster is sent away, but that is never brought up again, so focusing on it this episode seemed counterintuitive. But these are just small details, not enough to bring down the episode significantly.
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Supernatural: The Girl Next Door (2011)
Season 7, Episode 3
8/10
Baffling ending
8 June 2022
Warning: Spoilers
The episode was mostly nice and I really liked the flashbacks, I thought Sam's past friendship with Amy worked really well and was cute. Dean beginning to trust Sam despite his worries would have been a great lesson for him this episode. Unfortunately the ending ruined everything.

Dean killing Amy and leaving her kid an orphan is something that makes sense but only barely, and ignores a lot of Dean's character development. It's even worse on a rewatch, knowing the infuriating way they ended this chapter and what Dean ends up doing in season 8. What was even the purpose of it when all it did was making Dean a much worse character for a few episodes? Amy was a grey character who deserved better despite what a future episode will try to tell you about it.
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Supernatural: Meet the New Boss (2011)
Season 7, Episode 1
9/10
Great introduction to a mixed season
8 June 2022
Warning: Spoilers
Say what you want about season 7, but the introduction to it is pretty great. It's definitely not flawless, but it's flaws come from underusing some strong concepts and not building up to it properly in season 6, which is not this episode's fault. With a proper build up, seeing Cas becoming an arrogant God could have been great (it still has some great moments in this episode though). God Castiel was painfully underutilized in the show, but at least the beginning of his redemption arc is convincing and appropriately cold. Seeing all hell break loose in Sam's head was something that I was waiting to see for so many episodes now and Lucifer is still great. Death is an amazing character as always. Dean now giving up on Castiel while Sam isn't is ironic but it really works with what happened to them last episode.

Most of all though, the Leviathan actually seem like a fun and scary threat in this episode, which is something the rest of the season fails at. Leviathan Castiel is great to see and fits better than what they actually did with the Leviathan later on.
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Supernatural: Slash Fiction (2011)
Season 7, Episode 6
8/10
A strong episode despite its unoriginal premise
8 June 2022
Warning: Spoilers
As far as Leviathan episodes go, this is one of the best ones. Frank is a great, underappreciated character. The Winchesters being followed by the police is never a plot line that interests me because they always have to get out of it in an unconvincing way (no way they would be able to just walk around and talk to police officers with all those charges on them, regardless if they are considered officially dead or not), but at least this time it gets fixed quickly and we get some interesting action and dialogue out of it. And Dean's secret being revealed to Sam is good since the faster they are done with that misused plot line, the better.
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Supernatural: The Mentalists (2011)
Season 7, Episode 7
3/10
Very lazy and infuriating writing
8 June 2022
Warning: Spoilers
It's good to have a break from the leviathan, but why did it have to be such a mediocre episode using a twist you could see from miles away that they used before? Also this episode had some terrible jokes like the necrophilia ones.

But the worst crime of this episode is the infuriating way Sam and Dean "solve" the Amy conflict. Basically it boils down to Sam being reasonably angry for a while, Dean saying Sam is wrong, and Sam realizing that Dean was "right" to kill Amy and that's it. There is soooo much wrong with it. Killing Amy served no purpose for Dean's character other than making him a huge hypocrite yet again, he learnt no lesson from it and Sam was just forced to get over it randomly because the writers didn't knew what to do with it. I expected better after being showed before in this show that monsters can be good people. Amy only killing bad people to save her kid makes her a grey character so her killing being treated as just morally right was extremely infuriating and that's without even getting into the way Dean did that because he didn't trust Sam yet again and then hid it from his brother after complaining every time Sam hid something from him. Also Dean trying to act like everything is okay between them this episode doesn't help. Dean complaining about Sam being too much of a jerk to him and saying hurtful things regarding his mental state didn't help either.

The lessons Sam and Dean learn this episode don't stick either way. Shifting the narrative to Dean's suffering over lying to his brother and being betrayed by Castiel doesn't work considering that Dean has no problem lying to Sam in the rest of the series and that we don't see that torment over what Cas did afterwards more than once or twice. It's just an obvious attempt to distract us from Sam's reasonable feelings of hurt so we will buy him forgetting Dean despite Dean not even saying one genuine "sorry". The only good thing about it is that we can now get the misused Amy drama out of the way and try to forget about it, at least until another monster friend appears.
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Supernatural: Defending Your Life (2011)
Season 7, Episode 4
9/10
Great concept that was misused by the end
7 June 2022
Warning: Spoilers
The threat this episode felt genuinely interesting and like a great way to explore a hunter's guilt, unlike the witnesses episode which indirectly did blamed the hunters for the victims they couldn't save, which wasn't fair at all. I also liked the way they left Sam's mistakes and his guilt behind in a way that didn't let him off the hook too easily and redeemed him properly, in my opinion. Sam as a witness and as a wannabe lawyer was a great way to accentuate the life he had before becoming a hunter with Dean. The (im)morality of killing criminals who already atoned for their sins was underutilized, but at least mentioned. Osiris was a fun, arguably neutral enemy.

However some things were ruined by the last 10 minutes of the episode. How come Jo became the executioner after Dean seemed to understand it was not his fault she died? Why not Amy or someone else? This episode was the perfect time to reveal Dean's secret and begin to resolve it, I don't understand why they chose a different episode for it when this one would have been so fitting.

I would give it an 8.5 if I could.
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Supernatural: Shut Up, Dr. Phil (2011)
Season 7, Episode 5
7/10
Cute and funny, but not offering anything else
7 June 2022
Warning: Spoilers
It's a mostly comedic witches episode that it's enjoyable, especially towards the end, but doesn't feel at home in this show. Could have been a great filler episode with some tweaking, but it's just slightly above average.

And this might be a nitpick to some, but if you're going to use witches from another country, do more research and effort than just translating a generic sentence ("The power of black magic condemns you to suffering and death"? Really? Was that all they could come up with as an incantation?) and then having actors who clearly never heard that language read it in a really forced and botched way. It's not the first time the show doesn't research the culture that it's using, just the one time it used my own culture so I knew how much they messed up.
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The Wheel of Time (2021– )
4/10
Average fantasy show at best and horrible adaptation
5 February 2022
I let my feelings and thoughts settle for a while, but it's really one of those shows that gets dumber the more you think about. The individual ratings I gave to every episode of season one are slightly higher, but the problem is that they lead nowhere in the finale and I see no way for them to retroactively fix that in season 2.

I was thinking of starting with the good things, but they really don't matter in front of the glaring issues. It doesn't matter if the casting is overall good and the acting decent to good if the writing for almost all the characters is abysmal. It doesn't matter if some of the production elements like costumes are good and if the CGI is good in some episodes if in others it looks very fake and underwhelming. It doesn't matter that I like the intro and theme song if they are forgettable and followed by awful stuff. And so on...

It's so obvious that this show is bad fanfiction made by people who think they are injecting progressive ideas into an old story. Aside from the fact that the story in the show is overall worse than the one in the books (not because it's different, but because it's inconsistent, has terrible pacing, doesn't have compelling and complex characters, doesn't build arcs properly and many other issues), this story is overall NOT more progressive than the one in the books. The show is so set on lifting up women, but at the cost of bringing down men which is not what feminism is about and contradicts a core part of the story - that men and women need to learn to work together and treat each other as equals. It takes away all the accomplishments and positive traits of men and turns them into useless wimps. And then it turns the women into laughable Mary Sues who constantly act stupid but save the day because they are so powerful without any training. I don't understand why, in the books the women were already more powerful and respected than men in society, but they had limits to keep them grounded. And while in the books men are basically facing sexism at times, they are constantly overcoming their fears to survive and protect the people they care about so they are strong and imperfect characters. So instead of turning feminism into anti-feminism by accident, why not change only the lack of LGBT+ representation of the source material (but in a way that doesn't worsen the story, of course) ? Also don't let some people trick you into thinking that the book is full of white people and the show improved on racial diversity, the book obviously has different races and cultures in a way that makes sense.

The only significantly good thing about this show was reviving the interest in the book series and bringing in new readers. I know plenty of book readers like it a lot, but my guess is that's because they are excited about seeing the story on a screen more than them actually liking the show in itself. And if you enjoy it for whatever reason that's great, good for you, just don't tell people that only book purists dislike this show, there's plenty of valid reasons to not like it.

If you haven't read the books, I recommend the books but not the show - it's not a great fantasy show, barely even good. If you read the books, I don't recommend the show unless you can separate the books from the show completely (especially if you like Perrin, they ruined him)... only then it could be a fun watch for either good or bad reasons. But don't go into this expecting a faithful adaptation in the slightest! It's amateur fanfiction from a Moiraine lover and that's it.

And before saying that it doesn't matter if it's a bad adaptation, think about it. They are relying on the WOT name to attract the book lovers for ratings, but don't respect the books. They chose a story with clear core themes and completely tried to change them in the adaptation and it doesn't work on any level, the end result is a mess of inconsistent worldbuilding and magic rules and overbearing new ideas like "the world needs no help from men to be saved from the Dark One" which the source material doesn't support at all. What do you have left if you strip a story of everything that made it good in the first place anyway? Just make an original fantasy story if you're not going to care about the books you're "adapting".
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The Wheel of Time: The Eye of the World (2021)
Season 1, Episode 8
6/10
It wasn't very bad, but it was very underwhelming
12 January 2022
Warning: Spoilers
You would think that they would give a fantasy show a big enough budget for the season finale, but no. I can forgive them cutting out some of the best parts (in my opinion) about the ending, for example the Green Man or the run on horses in the Blight. Fine. But then the remaining scenes of fights and channeling look lame anyway, there's nothing exciting about them and they end right when they start getting interesting. If that would be a normal episode I would be fine with that, but this is the season finale, it should feel epic and grand!

But how's the plot? Well, it's fine. Is it worth all the insulting changes and character assassinations? Absolutely not, it's really not better overall than the book ending and it's not a great season finale by other fantasy TV shows standards. A lot of unhappy book fans, including myself, would have forgiven all the changes if the end result was amazing, but it really wasn't and I watched it trying to like it. It is a satisfying open end for the story they set in this show? Maybe, I think it ties some of the threads nicely within the time limit.

I'll even say that I really liked the beginning of the episode, it had a nice aesthetic and I love the fact that they used that language and that we finally saw Lews Therin (though they really choose a very confusing and bland scene for that setting, why not just have the prologue from the book in that setting?), and that while watching I didn't have more than 2-3 issues with what was happening, which isn't a bad number. And in their defense, the book ending has some issues that they tried to fix, but I wouldn't say that they succeeded in that. But the more I think about it, the more issues I have with it, which doesn't happen when the writing is good. A lot of people already covered well some issues (like how ridiculous it was that 5 women (not even trained Aes Sedai) defeated the troloc army and how pointless the men's sacrifice was) so I'll just talk about what bothered me the most.

There is no excuse for how they treat the male characters in this episode. I used to roll my eyes when hearing about this show hating men, but after this episode I don't know what to say anymore. The women are actually being useful, even if they make huge sacrifices for it, while the men are useless and/or wimps - the only exception is of course Rand because otherwise they would have had to make a woman the Dragon, but even then Rand is less useful in the show than in the books. The worst cases of that are Lan and Perrin. Lan spends the entire action of the episode trying to get to Moiraine and once he does, the battle is already over, so it would have been better to just leave him behind to defend from the trolocs at that point. Perrin spends the episode talking about the flaws of the way of the leaf and about how bad he feels standing around and doing nothing, only to stand around and just watch while Padan Fain kills (or at least tries to kill since Judkins had to say in an interview that Loial isn't dead) everyone there. What a joke! Perrin's arc of accepting to fight when needed should have started there by defending Loial. Can they stop making Perrin's character in the show worse and worse every episode? He was actually a good character in the book whose worst flaw was that some people would find him boring - that's much better than this Perrin.

The last 5-10 minutes pretty much promise us that the future season will respect the books even less. I said it before and I'll say it again. This isn't an adaptation, this is fanfiction, and it's not even good fanfiction!

I don't think I'll watch season 2. With this season finale, they proved that they didn't have any amazing ideas to show within the WoT universe.

This show needs a lot of work to fix some big issues. It's still not a great show, and even less of a good adaptation. It's not too late to turn this into something amazing for both book readers and non readers, but that would be very hard to do and I am skeptical that they will even try to pull it off.
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The Wheel of Time: The Dark Along the Ways (2021)
Season 1, Episode 7
6/10
It was just fine
12 January 2022
Warning: Spoilers
Slow but acceptable pacing, decent special effects. The scenes between Lan and Nynaeve continue to be nice and I don't mind these 2 characters being different in the show compared to the books because the differences are either neutral or for the better (though I think them already doing more than kissing still makes no sense and it's highly irresponsible given the circumstances). But other than that I wasn't excited or emotional about anything else in this episode.

However I'm still baffled at some of the choices. It became obvious in this episode how often character A asks something but character B doesn't answer and we're supposed to just move on from it. If you didn't read the books then you won't know what Machin Shin is, despite the characters asking twice what it is. Do they not have 10 extra seconds in the episode for a brief explanation? Moiraine is becoming more and more annoying with her stupid answers. Why not just say that it's too risky to reopen the Waygate and that Mat wouldn't help them anyway instead of the unhelpful "he made his choice and he wouldn't handle it anyway"? Yeah, Aes Sedai aren't always straigthforward, but she's been less vague with questions that were less important for the safety of the group (for example when talking about Min). Her words and actions are really illogical sometimes and it shouldn't be that way because she is supposed to be a smart character.

Rand finally got his book 1 character arc, the problem is that he got it all at once for a cheap plot twist for the non readers. He had nothing going on for him except worrying for Egwene and looking like an Aiel (an they didn't really explained in the show why that would matter so who cares if he's an Aiel or not) since they cut everything else from the book, so honestly I don't think that it was a big surprise either way. The way Min confirmed it as well was a bit weird and forced, but whatever, it was fine yet again. I'm still not sure if non readers understand why being the Dragon Reborn would be crushing news anyway because the show skipped the chilling prologue and didn't explain why can't the Dragon be just a more powerful Aes Sedai.

Perrin is the embodiment of the "stop, he's already dead" meme. They keep making his character worse! The forced love triangle with him being the sad puppy who also loves Egwene is not only stupid, but ruins half of the emotional impact the killing of his wife had. Without him loving Laila, it's just normal guilt over accidentally killing someone. Sure, that's still pretty bad, but not as interesting as accidentally killing someone you deeply love. And all that for what, to make him the unwanted third wheel in a pointless love triangle which probably no one will care about from the next episode onward? I'm aware that you can read Perrin as liking Egwene even in the book, but there it didn't matter much since he didn't have a wife, and a wife makes the whole situation gross. Not only did he killed his wife, but she was in a loveless marriage up until then. It's just sad and not something book 1 Perrin would ever do since he was genuinely a kind guy.
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Arcane (2021– )
10/10
I didn't want to give it a 10, but...
2 January 2022
I usually avoid giving a show a 10 because no show is perfect, but I honestly can't find enough flaws in Arcane to give it a 9. There could be some nitpicking about some cliche scenes or about the worldbuilding being just little bit lacking for those unfamiliar with League's universe or about, but these pale compared to the amazing art style and animation, interesting and exciting music choices, character building and arcs, intertwined plots making every character feel important to the world, plenty of emotional payoff and amazing attention to every detail for continuity and foreshadowing. Something else that I love is the stylish but not intrusive way they incorporated scenes that are pretty much music videos about the game, but manage to still be important scenes for the show full of both action and emotion. But most of all, I love that while you can find here villains and heroes judging by normal standards, no character is fully good or fully evil, they are just human and any of them are capable of both good and bad actions.

A possible significant issue is that the first 2 episodes are a bit slow and focused on kids, which can be annoying at times. However the payoff starting from episode 3 and onward is worth it and there's still plenty of interesting and charming moments in there. Also the first season does end in a cliffhanger, but season 2 got confirmed right away so we're eventually getting an answer to the big questions for sure, so as long as they don't keep ending seasons in a cliffhanger then it's cool.

The first 2-3 episodes are good, but what comes after it was great and left me impressed that this show is actually full of heart and passion and received the funds needed for creating it. It could have easily been a cash grab filled with obnoxious references and still do well enough, but instead we got one of the best video games adaptations ever made and an amazing show and story on its own as well. I hope Arcane will be very successful over the years and that we'll get to see more of League's champions on screen, with their own fascinating stories.
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The Wheel of Time: The Flame of Tar Valon (2021)
Season 1, Episode 6
7/10
Feels more like fanfiction than an adaptation
10 December 2021
Warning: Spoilers
The episode overall is not bad. But I don't think it's as good as the ones before either. It feels rushed, sometimes characters don't seem to be given enough time to react properly. All the plans are suddenly changing seemingly on a whim, making the arrival to Tar Valon have little importance on the story and I can't help but wonder what even was TV series Moiraine's plan by this point.

The direction of the acting is questionable, sometimes the Aes Sedai try to conceal their feelings, other times they emote more than the common people. Even in this series alone they were introduced as powerful mysterious women, but now they don't seem like that anymore. I understand it would be boring to have their faces being hard to read most of the time, like in the books, but they could be more subtle regarding their feelings in a way the audience can understand. They even had Moiraine being sad by herself right before facing the other Aes Sedai, and then she got teary eyes again anyway... why not hide her feelings in the second scenario, like an Aes Sedai would? Or at least don't have her say obviously compromising information out in public! But she's just lucky no one seems to pay attention when she says something suspicious, I guess...

Ogiers not only look awful, but they feel unimportant and not special at all. Loial feels more annoying than likeable because they don't give his scenes enough time and he rushes every line so his character building lines are unconvincing. They could have as well just cut him out of the story like they did with other characters for how much meaningful screen time he had - which is 0 so far.

I don't expect a 1:1 adaptation of such a huge story, but I expected something better than this. I understand skipping over a lot of things from the books and changing some of the story bits so you get some payoffs much faster, but this is not how you do it. They cut out very important parts to save time, but then they add nice, but pointless scenes like the one with Siuan at the beginning of this episode. They also added some sexy time between Moiraine and Siuan because... well, my guess is that they wanted more drama fuel for when Moiraine has to leave the tower. Their love scenes are fine and they have decent chemistry, but should that really be their priority when they are already struggling so much to fit their own script into the series?

They really should have settled for adapting just half of the first volume. Instead they are now rushing the arrival to the Eye of the World and... the start of a solo story for Mat which really shouldn't happen at the same time anyway for many reasons. The way they chose to adapt the story doesn't feel very professional at this point, which is a shame because I was starting to have some faith into this series since the previous episodes were pretty good.
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