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Rogue One (2016)
Rogue One is one with the Force, and the Force is with Rogue One.
Its hard for me to admit, but this film is better than Episode VII. Its got an original story, visually stunning shots, great choreography during every scene--especially battle scenes, and has a great ensemble cast.
First lets hit a few low points: (1) The cameo of R2 and C3PO is poorly timed. They're watching the ships launch to go to the final battle, which Leia's ship escapes from with the Death Star plans... they're supposed to be on that ship already! Their cameo should have been earlier. It would have been better utilized if C3PO would have ran into K2SO. Can you imagine that encounter? (2) Tarkin's height. If you've watched the behind the scenes material from Episode IV, you've heard that Peter Cushing wore slippers during filming. We'll come back to that later. My husband noticed during our second viewing that when CG Tarkin stands next to Krennic, he's a head taller than him. Fast-forward to the scene where Krennic stands next to Vader... and Krennic's merely a head shorter than the Dark Lord. Wait, what??? So Tarkin and Vader are both a head-length taller than Krennic? Was CG Tarkin wearing his 1970s moon boots during this film versus slippers? I cannot complain about the CG faces because I personally thought they were fine. It was Tarkin's height that did not quite "stand up" to the original. I'm funny... I know. (3) In terms of musical score, I wasn't a biggest fan. Without the opening crawl that we're used to, things start a bit suddenly. I felt the music to start things off was a bit overplayed as well as a poor copy of John Williams' brilliant compositions. Michael Giacchino was not up to the challenge, and this would be my biggest complaint. Giacchino has done some big films recently like Star Trek Beyond and Jurassic World, and he just has not quite held up to the original film scores. Zootopia: good. Star Wars: meh.
Back to the great stuff. I love Jyn. Its so great to have some strong female anchors in these films. And a female X-wing pilot? THANK YOU! I grew up idolizing Princess Leia. She was beautiful, tough, intelligent, and could also hold her own beside an entire rebellion full of men (outside of Mon Mothma and the "standby ion cannon" female). What other 80s/90s characters provided a young girl like me this kind of female strength? NONE. Even though Return of the Jedi placed Leia in the midst of the fighting, they still had to put her in a bikini, which is basically how that film markets her look! Frustrating. I grew up constantly annoyed with the female protagonists in sci-fi and action/adventure films. Episode VII and Rogue One has really given me a girl power thrill that I'm ecstatic to share with my daughter.
The other characters are also great. Are they super fleshed out, no. But you get enough, particularly with Captain Andor. Both Jyn and Andor go through a lot of development. Other characters help round out a diverse and varied cast which all have great chemistry. Two of my favorites are Chirrut Imwe, a blind holy man, and his crack-shot companion, Baze Malbus. Chirrut is a man who still holds onto faith. Baze has lost his, but stands by his friend through thick and even thicker. Watching their final scenes during my second viewing actually brought a few tears to my eyes. Their faith, moments both lost and found, were such highlights and a refreshing touch to Star Wars which has otherwise been absent: the power of faith. Being a Jedi is one thing, but believing in the Force, an energy field which Chirrut cannot touch, is something entirely different that this film explores. Even Jyn has a piece of Kyber that she grips to find strength during times of life and death.
This film is laugh-out-loud funny. There are a few moments in the other films, but this script is so sharp. K2SO is hysterical. So many other comical moments infuse this film. It definitely is what makes you want to see these characters again and again.
As stated in my summary above, the visuals are so beautiful. I first watched this film in 3D and would not recommend it. My second viewing in 2D allowed me to revel in the beautiful landscapes and special effect shots. The close ups of the Death Star, the reflection on the ships as they passed by planets, the planet-wide shield over Scarif, the attack runs of the X-Wings... so satisfying to long-time Star Wars fans who've watched the films become more beautiful. And the planet landscapes, particularly Jedha (I love those giant robed men laying in the sand, probably once revered Jedi), were gorgeous.
Of course, let's not forget Darth Vader. James Earl Jones is the master in the way Vader inflects his points and dominance. And that final scene where he throws around some Rebel fodder... yeah, I bet your jaw dropped just like mine. This was the Darth Vader we needed, the confident and sarcastic Vader from ESB.
Finally, the directing. Its so well done. Can this director do the rest of the Star Wars films, please? Each shot was captured stunningly. Two particularly chilling moments were when we first see Tarkin's face in the reflection of a window and when Vader is revealed as a large and looming shadow towering over Krennic.
This film is satisfying on so many levels: great cast, great special effects, funny, and excellent characters that provide humor and heart. I really wish SOMEONE could have survived, but that is sometimes the price of freedom. Freedom isn't free. And many heroes are often unsung. Despite the heart-wrenching ending (yep, everyone dies), it ends with the theme of the entire film: Hope. And the final shot - loved it!
Mystery Science Theater 3000: Pod People (1991)
"It stinks!" Wait, not the episode, no. Its rather hilarious actually!
Part E.T. rip off, part B-movie horror flick, part stupid teen movie, "Pod People" is a steaming pile of you-know-what that only serves to bring out the best for the crew of the Satellite of Love (SOL). Joel and the bots, Crow and Tom Servo, riff this movie at all the right points. Non-stop hilarity ensues.
JOEL: "Trumpy, you can do stupid things!"
One of the best segments (in my opinion) of MST3K is during Segment Two when Joel and the bots sing their own version of the song from the movie, titled by our trio as "Idiot Control Now." Its best described as pee-your-pants hilarious if you listen to the lyrics, finished off perfectly by Joel's cheesy "It stinks!" Making fun of a completely ludicrous moment in the movie, Joel and crew spoof it perfectly! Segment Four also provides a goofy but funny scene in which Trumpy's magic causes total mayhem on the SOL, illustrating what bad movies can do to good people. I'd probably go loopy if I had to watch this movie without the riff trax playing alongside it. All great stuff.
CROW: "Now this guy's got renaissance festival written all over him." ALL: "HUZZAH!"
Does every joke work? No; however, you'll be laughing so hard at the other jokes, you'll need a break eventually just to breathe! The 'Chief!? McCloud!?' sequence gets old after a few times, sure. But otherwise, all great fun. Find out more on the obscure references here: http://mst3k.wikia.com/wiki/Pod_People
So put on that flannel shirt, watch out for the Trumpy dumpy as you head over to the flannel-covered couch, and turn on this episode. Sure, the movie stinks, but the SOL crew is fantastic! One of my top 3 MST3K episodes!
Mystery Science Theater 3000: Cave Dwellers (1991)
"It's the speedy delivery guy and has he got a package!"
I love this episode so much. Its one of my top 3 picks of MST3K best episodes ever.
From simulating sounds to added dialogue to overall comments about the ridiculous filmmaking, Joel and bots are on top of their game with this installment of MST3K. Their reenactment of the opening credits in segment 2 is fantastic.
The movie's plot, per the below-listed website, is: Ator (Miles O'Keeffe) is a renowned swordsman / body builder / scholar / scientist / healer / warrior whose trademarks include a well-developed fat-free physique, little pants, a resplendent mane of freshly-shampooed locks complete with adorable Samurai top-knot, leather accessories (including leather-fringed leg warmers), a pointy little visor and the ability to fight - poorly - with two swords at once. He is a one-time disciple of Akronas and dwells in a remote castle/cave of his own "at the edge of the Earth." Ator sets out to aid Akronas who's castle has been overrun by the evil faux-Asian warlord Zor (David Brandon) and his henchmen. But he's in no particular hurry and leaves with no visible supplies for the journey except a fabulous floor-length lavender cape, aided of Thong and Mila.
Honestly, there are a few jokes that still fly over my head. Some of the jokes are going to be outdated for my kids. But the overall mayhem in this episode will delight viewers!
There are just too many quotes to pick from in the hilarious riffing, but one of my favorites is, "by the stubbing of my thumb, something stupid this way comes." What's yours? MST3K is at its finest with this episode.
Learn more about this episode here: http://mst3k.wikia.com/wiki/Cave_Dwellers
Prometheus (2012)
Fascinating conceptual film but a bit too vague at the end
Ridley Scott again proves himself as a master of suspense. It's not jump-out-of-your seat scary, but its grip-the-edges-of-your-seat heart- pounding! And while it satisfies you as an audience member in some ways, it leaves you hanging in others.
First of all, casting is excellent. Fassbender proves himself an amazingly versatile actor in this film. His character, a robot, showed many subtle emotions in his face even though he's not supposed to be able to experience emotion. Yet he seeks what all humans seek, acceptance. He has character development as he interacts with the different characters and their emotions. And I really have no idea why the characters would want to mock the android. People, you should never anger the android with superior strength and intellect. I thought the character of David was an excellent propellant for the story line. He really stole the show. And some of those lines he delivered!
I was not a big fan of the costuming. I was not sure of the purpose of the bright blue and orange lined suits. Nor did I like Theron's outfits. They were supposed to a reflection of her personality, yes I get that, but they were really lackluster compared to the movie as a whole. Every other element of the film was well done. I can see the "Alien" technology in it (especially the ship's doors). I also liked the musical score. I think the best way to describe it would be ethereal. Its melodies really added wonder to the story's discoveries.
Everything is visually striking as well from the ship designs to the sets. And Scott finally answers the question of what the heck that thing was the Nostromo found at the beginning of "Alien." But while Scott adds brilliant details to his set, for some reason, the aliens have not discovered the use of colors. Okay, it was a place of mass destruction, but still. The aliens don't like to be visually stimulated besides ginormous busts of their heads in the center of a room? I found subtle tie ins to "Alien" that I wonder if Scott put them in on purpose or was just coincidence. The biggest one was that David calls the leader of the journey "mother." Whereas in "Alien," Ripley calls the ship's computer Mother. I caught onto that right away. Yes, his creator was Weyland who ends up being Vicker's father, and it's a little creepy that he's calling, technically, his sister his mother. A lot of character relationships seemed to hearken to "Alien" as well.
Whereas "Alien" was just about monsters that killed the crew of the Nostromo, "Prometheus" has a much deeper plot to it. It's about the simple question about finding out who we are and why we are -- age- old questions that drive our race to explore and dream. Such simple questions yet sometimes so profound as well. The "Alien" series needed a revival. I prefer to deny the last two movies even exist
But as this film does have more to it than its genetic roots, we do also expect more from it. It would have been nice to address a few of the questions it brings to light. What was the point of the first scene, how did all the aliens die but one, and why are the aliens now bent on destruction? In "Alien," it was a thriller, and the expectation for explanation was just not there. This one, you expect a little more give and take. It definitely engages the audience, but it needed to give a more back
. A lot more.
I think one of the themes of the movie is being who you are and not giving up. The characters are tested in terms of their beliefs and choices. It's those who can learn to adapt and not lose who they are as a person who will survive (and of course, who didn't anger the android too much). Scott is a mastermind behind creating some really strong female characters throughout his movies and building characters through their relationships. Rapace was excellent in her role as both vulnerable and determined. It was beautiful to see her character, a scientist, wearing a cross around her neck in such a meaningful way. I loved how that piece of jewelry kept re- entering the story in small ways. I also noticed that Rapace's character pointedly uses the phrase "the year of our Lord" in the voice-over narration in the end, just as Weyland did in his introduction. She sees horrible things, but she does not give up on her beliefs and who she is. I think that is what is at the heart of this film. Hence, what do you choose to believe?
Here are some conclusions I have come to: (1) The alien from the beginning was on Earth. Though the scene really has no relevance to the movie. (2) I believe the aliens created life only to learn how to more effectively destroy it. To paraphrase a great line in the movie, they're not stupid enough to make weapons of mass destruction on their own doorstep. Perhaps, as humanity had created robots and were "playing god," so too had the alien race. But there is also something much darker to be explored. (3) There should be a Prometheus 2, but I doubt there will be. Scott will leave the questions to us to fill in the blanks. That last narrative though leaves us wanting more discovery!
Very fascinating conceptual film. Why are we here? What does this mean for us? What will the human race evolve into? This is what sci-fi is best at: asking questions and making you think. Welcome back, Mr. Scott. Now would you mind providing for us a few answers? You left us too small of a bite!
Star Trek Into Darkness (2013)
Masterful editing, excellent humor, great characters, but the women need pants by now. Its an alternate timeline!
Now I know that Trek fans are going to have to cope with parallels and alternate plot flows as this universe is a skewed reality (a concept that is probably best described by Dr. Brown in Back to the Future II), but this Khan was just not the same at all. Cumberbatch was done a bit of a disservice by this because he is otherwise amazing.
Cumberbatch was a seriously good villain, but he's just not Khan. There is no similarity in speech patterns or movement styles. You can see the original characters in the new actors. Cumberbatch was great, and what a rich voice! His acting was brilliantly chilling and mesmerizing, but he should have been an entirely different villain. Montalbom's Khan was just too defining. In ST:II he was driven by grief and anger over the death of his wife. He lived and loved. This was not the same character.
My other gripes: the women are still in skirts (WHY? Its not the 60s anymore) and the STUPIDLY pointless Markus "bikini" shot. Why was she undressing? Kirk was not accompanying her to the planet. It was an idiotic, pathetic scene.
Overall, I found Markus a bit distracting and not overly necessary. I understand her significance in alternate-timeline Kirk's life, but I would have rather had Christine Chapel (pardon any misspellings). The Markus thread watered things down a bit. The original crew could have easily accomplished what she did in the film.
Now that that's out of the way, this movie was pretty awesome. Very strong plot threads and character development, which is hard to do since the original Trek had three seasons to develop these characters. We have two movies, and the journeys of the various characters were great.
I did not want this movie to be ST:II, but I did like the parallels in this version. Now, sadly, Kirk in this one did not defeat Khan with his intellect. In ST:II, Kirk was up to the challenge of wits. But, of course, he was older in that version. His experience was so much broader. So I will allow the lack of tech smarts Kirk showed in this one.
Sulu and Chekov are getting a bit lost in the shuffle, sadly, but I think Abrams did his best to give them some significance to the plot. McCoy has his amusing metaphors and constant fretting, Chekov and his accent get their moment of heroics, Sulu gets to sit in the chair for a brief period, and Scotty gets a serious increase in screen time from the first film which is a major plus. Saldana has always been a worthy presence in this male-driven series. She holds her own with integrity as well as femininity. I thoroughly enjoyed her breakout performance in the first and again appreciate her continued strength in this second Trek installment. Greenwood and Weller are also fantastic.
Kirk was portrayed with strength, charisma, and surprising yet refreshing vulnerability. Pine's casting has been pure perfection in both films.
James T. Kirk: I have no idea what I'm supposed to do, I only know what I can do!
The chemistry delivered between Kirk the other actors/characters is flawless. It fits with each different personality and situation he encounters. I especially loved when he turns to Khan, who's been smugly poking about how he knows all the answers, and Kirk just lets him have it with such intensity not only in his voice but also in his eyes.
James T. Kirk (to Khan): Let me explain what's happening here: you are a criminal! I watched you murder innocent men and women! I was authorized to END you! And the only reason why you are still alive is because I am allowing it. So SHUT YOUR MOUTH!
Damn.
Klingons come out to play! They had a very good tribal look. It made sense for their primal-driven society (as I look at them with the eye of someone who loves studying ancient history). I liked their look in this film. And, of course, you cannot have Klingons and Kirk without Tribbles. Fantastic little plug.
The action: Wow. When Spock and Khan are running between vehicles? Holy wicked fight choreography. Khan handing a squad of Klingons their butts? Holy smokes. Of course, there were bloodier beatings than I would have preferred. Made me cringe a little. But while the action and fights were intense, it was all very true to the characters. Space battles – the FX are gorgeous eye candy!
The musical score was very well done. It enhanced the moods to a "T." It helped build plot points and gave the film a smooth flow. Of course, the main theme, which rises, literally, when the Enterprise does, is always one that gives me goosebumps of awesomeness.
I also want to give props to the editors who pieced this film together. Transitions between people and places are done to keep up the suspense and intensity but also move things along seamlessly. Everything fit together quite harmoniously at a break-neck speed that is immensely compelling and somehow never jarring.
To again comment on the humor: Perfection. It really enhanced the character relationships. The chemistry with Spock was powerful. All this really helps transition fans from the originals to this new cast. You see the long-standing relationships that fans are used to, but it also works for new fans unfamiliar with Trek. There is enough spunk and subtle quirks that define these characters to make them familiar to old fans and still delightfully unpredictable.
Star Trek: Into Darkness combines visual wizardry with a compelling/clever narrative and multidimensional characters with a Next Gen-like team spirit. The ideas of friendship, family, and humanity are woven through this movie with subtle perfection. A truly spectacular, inventive, and unpredictable voyage. I might as well just give Abrams my wallet. I will be going back for more
again and again!
Star Wars: Episode VII - The Force Awakens (2015)
There has been an awakening... for the franchise!
"You must unlearn what you have learned."
There were many surprises in this film. There were also some earth-shattering shocks.
I loved both Finn and Rey (especially Rey). They were a great duo. Of course, another great duo truly led this film to greatness
as Han and Chewie stepped onto the Millennium Falcon, the theater audience clapped and cheered. And the two really stepped up their game. They were hilarious in their banter and charming in their camaraderie throughout the movie.
Ace pilot Poe Dameron did not make much of an impression on me. He had some attitude, and his wit when confronting Kylo played well. I can tell he'll be featured more as the story progresses, but for this film, he was totally outshone by his other half of this third duo: Poe & BB-8.
BB-8: Wow. My favorite part of the film was BB-8 giving a thumbs up. Hilarious! It's amazing how a character that speaks no English is easily understood just by the tilt of the head or the energy behind their mechanical beeps.
I think Phasma and Hux were two characters that should have been combined into one. I found Hux to be a worthless character who whined and held almost no significance to the plot line. He gave an order. Yippee. He made a speech. Not impressive. We're not talking Grand Moff Tarkin here who oozed power and malevolence in Episode IV. He carried no significance and just felt like wasted space.
Speaking of Kylo
when you have a new character kill a beloved original, there is no redemption. While Darth Vader killed off the Jedi (a feat Kylo is hoping to complete), including children in training, as well as Obi-Wan, his motivation initially was to save the woman he loved. He truly believed he was doing what was necessary to save Padme from death. You could see in Anakin's eyes that it hurt him to do these things, but he did it with the belief it would help him save Padme. Anakin was not able to save his mother in time. For Padme, he would do whatever was in his power to do. Kylo comes off as a spoiled child who throws tantrums when he does not get his way. The audience has not been told of his motivations thus its impossible to relate.
But the moment I had been waiting for was Princess Leia. I was also hoping that Leia would be an active force user. Luke said in ROJ that she would learn to use her power as he did. Sure, she'd still lead the resistance as their general, but she could wield with a light saber now versus a gun, right? Unfortunately, none of this really came to fruition.
Rey is the best addition to the SW canon since Mara Jade. After seeing the film, everyone in my family agreed that Rey was the best character of the movie. What's great about her is that she's tough, independent, loyal, and still vulnerable. She goes through quite the journey in "The Force Awakens." Her battle with Kylo Ren is definitely the perfect climax to the film.
There was a lot of hype around another female character in the film, Captain Phasma. Unfortunately, her role was rather underutilized. I hope her role finds substance in the next film. Perhaps she can shove Hux down a trash compactor.
Han and Chewie steal the show with their team performance. But Rey and Finn are close by and lead the plot along through many great character moments. Both have to closely evaluate who they are and how they want to live their lives. There are also those "moments of awesome" that help to define the Star Wars movies. My favorite part was definitely near the end when Rey called Anakin's light saber. There is great power in this moment. First, Anakin's life was not only darkness. The legacy he would have wanted when he returned to the Force would be one that Rey was following and not Kylo. Secondly, Kylo spent a few moments during the movie talking with the remains of Vader's helmet and asked for guidance. All Kylo's training was nothing compared to Rey's strength of character. And his anger towards her only seems to weaken him. This is a subtle point that I think is easily missed: Kylo wants to find strength, but his anger has not been enough to gain him victory.
Overall, there were a few other standout disappointments for me with this film: (1) John William's score was less than impressive. It's the same music as the past films, but that's also the drawback. There was nothing new and fresh for this film. "Empire Strikes Back" introduced the world to "The Imperial March." "The Phantom Menace" had "Duel of Fates" which blew your mind. We're back once more for "Star Wars," and the music did not feel as if it captured many moments. There were a few times when it played up a scene or two, but overall, the music did little to enhance the overall film. (2) The Dark Lord "Gollum." What. The. Hell was up with this character? Snoke was such a disappointment visually.
"Try not. Do or do not, there is no try."
In the end, the movie was great. I cannot rank it over the original movies; however, it definitely stands out as a great film in the franchise. As Yoda indicates in this above great quote (which I use often), "try" assumes a level of uncertainty in a task. I believe J.J. Abrams is definitely "doing" great work. I know there is more to come that's going to be fantastic. I think characters and relationships are going to make the story lines even better going forward.
Full review posted in 12/2015 at: http://teasippinnerdymom.blogspot.com
Ghostbusters (2016)
Ghostbusters Gets Girl Empowered (and not man-hating either)
Was this a man-hating cartoonish reboot? No. In the 80s, no one seemed
to have a problem with Peter Venkmann creepily stalking of Dana. Let's
consider how Dana was treated in the original film. She asks for help
when she discovers a hell beast in her fridge. Venkmann comes over to
examine everything in her apartment except the fridge but including her
bedroom. He stands too close. He doesn't listen. He makes inappropriate
comments. He just wants to get in her pants. Eventually, she shoves him
out but later accepts his offer to go on a date. Huh? Later, a demon
possesses Dana's body, makes her proposition her body and make out with
one guy and subsequently causes her to have sex with a neighbor guy she
dislikes - yet this is a "joke" for the movie. I didn't know sexual
assault by any means (in this case, by the supernatural) was a joke.
Don't get me wrong, I grew up on the Ghostbusters movie and cartoon. I
remember quoting Bill Murray often ("...dogs and cats living
together... mass hysteria!"), and I don't think that movie would have
been as successful without Bill Murray's oft ad-libbed lines.
But let's be fair when we compare these movies, shall we? If this is
considered man-hating, the original should be considered woman-hating.
The original had an all-male team with a female villain who was wearing
a bubbly outfit and high heels. Interesting. Kind of like this film as
an all-female team and a male villain? Not sure how that's man-hating.
More like completely turning the tables. Also of note, have the 50
different Spiderman reboots ruined the franchise? No. Batman reboots?
No. So this should not be considered a franchise killer either.
I was thoroughly entertained by this movie. It was funny, it was well
cast, it had special effects that worked with the technology used, and
it had some kick butt moments. But one of my favorite aspects was the
fact that a group of four women were the main characters in an action
film.
Growing up, I saw groupings/teams of men who saved the day with maybe a
"girl" or two as a sidekick: the A-Team, the original Ghostbusters,
Back to the Future, Star Trek (original and somewhat TNG), Battlestar
Galactica, Indiana Jones, Knight Rider, He-Man, X-Men, Smurfs, GI
Joe... *sigh* Very few movies, TV shows, or cartoons had more than one
female (or any) helping to overcome the odds. Typically females were
blonde bombshells who screamed and needed to be rescued (i.e., the
super annoying Vicky Vale in Batman).
These women are not always pretty, and they do not mind getting messy.
They dress in jumpsuits and casual clothes. They're intelligent. They
dive headlong into their work and are not waylaid by danger (or threats
from the mayor). And check out the movie posters! Is anyone turned
around showing off their butt or zipping down their suits? NO! Because
women are more than just the display of their parts! Sorry, that got a
little crude there
I'm just really excited about women as scientists.
Talk about new ground being broken!
I felt like I could relate to the different characters, more than just
one, and I could see my friends as other characters. I mean, those
thoughts alone were like revelations. Look at that: me and my girls
could bust some ghosts instead of be a romantic interest in some other
hero's action movie (though if it's Captain America doing the asking -
call me!).
There were many excellent scenes that built up the characters and their
relationships. And the scene where the team interviews Kevin (Chris
Hemsworth) is fantastic. Everything with Wiig trying to flirt with
Hemsworth cracked me up (because that would so be me - all awkward and
geeky). Yet there was no need for a romantic subplot in this movie.
Those scenes were just fun. The story focused on the team working
together to uncover who was bringing ghosts into the city and why.
While the main villain is not terribly scary, this movie doesn't
pretend he is either. The villain is unveiled very early on. Is his
motivation earth-shattering or full of depth and backstory? No, but
neither is the movie. It's a good balance of serious and funny moments.
Plus, the women kick ass at the end. I loved the proton whips that came
out, the musical score rising in awesomeness, and ghosts being sent
back to their maker. I enjoyed how the proton packs were used a little
differently not only to catch but also to throw ghosts out of the way.
I liked the team using skills with their physical weapons along with
their intelligence to defeat the main villain. There are great dynamics
and humor between the four women, and the relationship building adds to
the appeal of the film.
This movie re-invents a franchise and has a good time doing so. I felt
it was done well. I'm waving my nerd flag high! Rock on, Ghostbusters.
I hope to see you again. It's not going to be hard to surpass
Ghostbusters II! Because women can be comedy and action stars too.