This is a little cryptic but I don't want to give anything away, just watch it.
Grim might be the most convenient word to describe this series. It is, however, anything but. Perhaps seedy would be the mood but the destination is a wider affirmation of motherhood in all forms. Motherhood also means resolution which a mini series such as Top of Lake takes full advantage of--a relief from abusive cliffhangers that make a mediocre TV show seem wonderful. The script is dense with double entendres that operate as both a source of suspense of unverified premonitions and of emotional nuance between caregivers, bodies, mothers and of course their children. Comedy also finds it's place thanks to the almost terrifying delicacy of Gwendoline Christie's performance. Visually, the series is indulgent: we see more than we want to see from hallucinations, to nightmares, to daydreams which miraculously, give nothing away. What is left is a handful of deep characters played by a group of actors that render human complication innate.
All this to say, how did we get to all these points when I thought I was watching a police procedural? Bravo!
Also what's with Elisabeth Moss and plot lines around babies?
Grim might be the most convenient word to describe this series. It is, however, anything but. Perhaps seedy would be the mood but the destination is a wider affirmation of motherhood in all forms. Motherhood also means resolution which a mini series such as Top of Lake takes full advantage of--a relief from abusive cliffhangers that make a mediocre TV show seem wonderful. The script is dense with double entendres that operate as both a source of suspense of unverified premonitions and of emotional nuance between caregivers, bodies, mothers and of course their children. Comedy also finds it's place thanks to the almost terrifying delicacy of Gwendoline Christie's performance. Visually, the series is indulgent: we see more than we want to see from hallucinations, to nightmares, to daydreams which miraculously, give nothing away. What is left is a handful of deep characters played by a group of actors that render human complication innate.
All this to say, how did we get to all these points when I thought I was watching a police procedural? Bravo!
Also what's with Elisabeth Moss and plot lines around babies?
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