It was almost exactly one year ago when we learned that Hugh Grant – whose credits include Notting Hill, Love Actually, Wonka, and Unfrosted – had signed on to star in the A24 horror film Heretic, which is coming our way from the writing and directing duo of Scott Beck and Bryan Woods. Now Deadline reports that A24 is planning to give Heretic a wide theatrical release on November 15th.
Details are scarce, but the story has something to do with two missionaries that attempt to convert a dangerous man. Here’s how Deadline describes it: Two young missionaries become ensnared in a deadly game of cat-and-mouse after they knock on the wrong front door.
There’s no word on who Grant plays in this scenario, but it would be very cool to see him take on the role of the dangerous man, and it seems likely that we’re going to.
Details are scarce, but the story has something to do with two missionaries that attempt to convert a dangerous man. Here’s how Deadline describes it: Two young missionaries become ensnared in a deadly game of cat-and-mouse after they knock on the wrong front door.
There’s no word on who Grant plays in this scenario, but it would be very cool to see him take on the role of the dangerous man, and it seems likely that we’re going to.
- 5/31/2024
- by Cody Hamman
- JoBlo.com
Here we are with another case of “Wait, that was a book first?” Although, having watched the movie for the first time and seeing its reputation online, this is also a case of “Wait, that was a movie?” William Friedkin was a master filmmaker and although most of his stone-cold classics happened before 1990, he proved he still had plenty in the tank with things like The Hunted and Bug to name a couple. He was a replacement director which seems surreal considering his talents and he was one of 3 credited writers on a little remembered horror movie adaptation from 1990. The Guardian (watch it Here) is based on The Nanny from 1987 and it’s a strange pairing of source material and finished product. Both pieces of media are mostly slept on in their respective fields but how close did Friedkin and the other writers come to matching the book? Always do...
- 5/29/2024
- by Andrew Hatfield
- JoBlo.com
Looking back at the legendary Queen of Rock and Roll, and Grammy winner Tina Turner’s career, we can certainly agree that the late icon not only dominated the music industry but also portrayed her versatility in a few critically acclaimed projects. However, despite her serious acting aspirations, Turner felt limited by opportunities for Black women as well as the type of roles she was being offered.
The legendary Queen of Rock and Roll, Tina Turner | image: Philip Spittle/ Wikimedia Commons
Addressing how she was offered a leading role in Steven Spielberg’s The Color Purple, featuring Whoopi Goldberg, who later scored an Academy Award nomination for her role, Tina Turner mentioned rejecting the part. However, in a surprising turn of events, the late legend noted accepting George Miller’s Mad Max sequel, Beyond Thunderdome.
Tina Turner Turned Down Steven Spielberg’s The Color Purple
Debuting with Ken Russell’s 1975 film Tommy,...
The legendary Queen of Rock and Roll, Tina Turner | image: Philip Spittle/ Wikimedia Commons
Addressing how she was offered a leading role in Steven Spielberg’s The Color Purple, featuring Whoopi Goldberg, who later scored an Academy Award nomination for her role, Tina Turner mentioned rejecting the part. However, in a surprising turn of events, the late legend noted accepting George Miller’s Mad Max sequel, Beyond Thunderdome.
Tina Turner Turned Down Steven Spielberg’s The Color Purple
Debuting with Ken Russell’s 1975 film Tommy,...
- 5/18/2024
- by Krittika Mukherjee
- FandomWire
Prolific actor James Laurenson, who played Doctor Weir in the royal period drama The Crown, has died. He was 84. His passing was reported by multiple U.K. news outlets on Friday, May 10. A cause of death has not yet been provided. Born on February 17, 1940, in Marton, North Island, New Zealand, Laurenson made his acting career in the United Kingdom after moving there in the mid-1960s. He made his on-screen film debut in 1969 in Ken Russell’s romantic drama Women in Love. Throughout his career, Laurenson has had guest roles in numerous classic TV series such as Coronation Street, Z-Cars, The Professionals, Hammer House of Horror, Cagney and Lacey, Remington Steele, Bergerac, Midsomer Murders, Prime Suspect, Silent Witness, Hustle, Endeavour, Spooks, and many more. In more recent years, he played Earl of Westmoreland in the BBC adaptations of William Shakespeare’s Henry IV, Parts I and II and starred in...
- 5/13/2024
- TV Insider
A few months ago, I wrote an article listing ten movies that – despite being well known – were difficult to find (legally) on any streaming service or even on disc. Those titles ranged from Ron Howard’s Cocoon to movies like Dawn of the Dead (the original). In the comments, many of our readers chimed in with their two cents on films they’ve found difficult to find over the years, so here are a few more challenging-to-find flicks, some of which may surprise you.
Panic Room:
The fact that David Fincher’s Panic Room has never been issued on Blu-ray blows me away. It’s been announced a few times, but a physical release never seems to happen (although you can stream it in HD pretty easily). What gives? You’d think the fact that it has Fincher’s name on it, and stars Jodie Foster, Kristen Stewart, Forest Whitaker,...
Panic Room:
The fact that David Fincher’s Panic Room has never been issued on Blu-ray blows me away. It’s been announced a few times, but a physical release never seems to happen (although you can stream it in HD pretty easily). What gives? You’d think the fact that it has Fincher’s name on it, and stars Jodie Foster, Kristen Stewart, Forest Whitaker,...
- 5/10/2024
- by Chris Bumbray
- JoBlo.com
The red carpet will soon roll out for the 77th Festival de Cannes. The international film festival, playing out May 14-25, has a distinct American voice this year. “Barbie” filmmaker Greta Gerwig is the first U.S. female director name jury president. Many veteran American helmers are heading to the French Rivera resort town. George Lucas, who turns 80 on May 14, will receive an honorary Palme d’Or. Francis Ford Coppola’s much-anticipated “Megalopolis” is screening in competition, as is Paul Schrader’s “Oh Canada.” Kevin Costner’s new Western “Horizon, An American Saga” will premiere out of competition and Oliver Stone’s “Lula” is part of the special screening showcase.
Fifty years ago, Coppola was the toast of the 27th Cannes Film Festival. His brilliant psychological thriller “The Conversation” starring Gene Hackman won the Palme D’Or and well as a Special Mention from the Ecumenical Jury. The film would earn three Oscar nominations: picture,...
Fifty years ago, Coppola was the toast of the 27th Cannes Film Festival. His brilliant psychological thriller “The Conversation” starring Gene Hackman won the Palme D’Or and well as a Special Mention from the Ecumenical Jury. The film would earn three Oscar nominations: picture,...
- 4/25/2024
- by Susan King
- Gold Derby
Certainly one definition of great music might include an ability to meet the present – and the future – head-on and come out unbruised, even triumphant. By that standard and many more, The Who’s Tommy, opening tonight on Broadway, is thrilling proof that the premiere concept album of 1969 is great music indeed.
Gloriously directed by Des McAnuff and updated by him and composer-lyricist Pete Townshend from their own 1993 original Broadway staging, The Who’s Tommy is a non-stop surge of electrified energy, a darting pinball of a production that syncs visual panache with 55-year-old songs that sound as vital today as they must have at Woodstock. Themes of enlightenment and connection, trauma and recovery, truth and lies and blinkered hero worship feel more relevant in the 21st Century than Townshend could possibly have imagined way back in the waning days of the ’60s.
With a...
Gloriously directed by Des McAnuff and updated by him and composer-lyricist Pete Townshend from their own 1993 original Broadway staging, The Who’s Tommy is a non-stop surge of electrified energy, a darting pinball of a production that syncs visual panache with 55-year-old songs that sound as vital today as they must have at Woodstock. Themes of enlightenment and connection, trauma and recovery, truth and lies and blinkered hero worship feel more relevant in the 21st Century than Townshend could possibly have imagined way back in the waning days of the ’60s.
With a...
- 3/29/2024
- by Greg Evans
- Deadline Film + TV
This article contains spoilers for "Immaculate."
The Sydney Sweeney nunsploitation flick "Immaculate" is having one hell of an opening weekend. Not only does the film now hold the distinction of earning Neon's biggest opening weekend ever domestically, but the borderline Satanic panic coming from evangelical conservatives losing their minds over the film has been the type of grassroots marketing campaign a PR can only dream of. After the now-deleted account @AuroraFaced posted the best possible pull quote for the film by writing on X (formerly Twitter), "Libs saw how the anti-woke crowd embraced Sydney Sweeney as their new darling and right away had to shove her in this blasphemous, Satanic, feminist, pro-abortion, anti-life movie degrading Christians! This movie also debases Mary, Mother of the Christ!", Neon, who distributed the film, quickly turned the post into a viral poster, and most certainly inspired some ticket purchases in the process.
"Immaculate...
The Sydney Sweeney nunsploitation flick "Immaculate" is having one hell of an opening weekend. Not only does the film now hold the distinction of earning Neon's biggest opening weekend ever domestically, but the borderline Satanic panic coming from evangelical conservatives losing their minds over the film has been the type of grassroots marketing campaign a PR can only dream of. After the now-deleted account @AuroraFaced posted the best possible pull quote for the film by writing on X (formerly Twitter), "Libs saw how the anti-woke crowd embraced Sydney Sweeney as their new darling and right away had to shove her in this blasphemous, Satanic, feminist, pro-abortion, anti-life movie degrading Christians! This movie also debases Mary, Mother of the Christ!", Neon, who distributed the film, quickly turned the post into a viral poster, and most certainly inspired some ticket purchases in the process.
"Immaculate...
- 3/25/2024
- by BJ Colangelo
- Slash Film
“Immaculate” marks the latest project to star Sydney Sweeney, who is known for television shows like “Euphoria” and “The White Lotus” and Sony’s latest superhero endeavor “Madame Web.” Sweeney also made up half of the dynamic duo — alongside Glen Powell — that brought “Anyone but You” to box office success, and just as she produced that rom-com, she’s a producer on the horror film “Immaculate.”
Director Michael Mohan had high praises for Sweeney, whom he has worked with before. The director was inspired by “The Devils” (1971) directed by Ken Russell as well as other Italian horror films to shape the story of Sweeney’s Cecelia.
For those in the Sydney Sweeney fandom or avid horror fans, we’ve rounded up the details of how to watch “Immaculate” below:
When does “Immaculate” come out?
After world premiering at the SXSW Film Festival in March, the Neon movie arrives in theaters on Friday,...
Director Michael Mohan had high praises for Sweeney, whom he has worked with before. The director was inspired by “The Devils” (1971) directed by Ken Russell as well as other Italian horror films to shape the story of Sweeney’s Cecelia.
For those in the Sydney Sweeney fandom or avid horror fans, we’ve rounded up the details of how to watch “Immaculate” below:
When does “Immaculate” come out?
After world premiering at the SXSW Film Festival in March, the Neon movie arrives in theaters on Friday,...
- 3/22/2024
- by Dessi Gomez
- The Wrap
Between The Nun II, Sister Death, Consecration, the upcoming The First Omen, and the newly released Immaculate, starring Sydney Sweeney, it’s safe to say that nuns are having a moment in horror. So often, fear thrives in the unlit nooks of the unknown, and for many of us, that includes those who dedicate themselves to religious orders. Shrouded in intrigue and literal fabric, the combo of unwavering religious devotion and rejection of various worldly pleasures makes nuns ripe for genre exploration. While nuns are certainly trending, this is by no means the first time horror has blessed us with terrifying tales featuring such religious women.
In Häxan (1922), possessed nuns mingle with witches as director Benjamin Christensen explores the connection between mental health and mass hysteria. With movies like Alucarda (1975), Ms. 45 (1981), and St. Agatha (2018), the subgenre of nunsploitation comes into play to further explore themes of religious and sexual oppression.
In Häxan (1922), possessed nuns mingle with witches as director Benjamin Christensen explores the connection between mental health and mass hysteria. With movies like Alucarda (1975), Ms. 45 (1981), and St. Agatha (2018), the subgenre of nunsploitation comes into play to further explore themes of religious and sexual oppression.
- 3/22/2024
- by Rachel Reeves
- bloody-disgusting.com
It doesn’t take a theologist to see that “Immaculate” director Michael Mohan probably grew up a devout Catholic.
His new horror movie stars Sydney Sweeney as a flung-from-innocence novice nun who arrives at a Roman convent bubbling with religious fealty — only to become the vessel for an immaculate conception gone horrifically wrong. Taking advantage of the film’s on-location shoot, Mohan, who previously directed the “Euphoria” and “Anyone but You” breakout in his erotic thriller “The Voyeurs,” steeps the shocker in religious iconography that veers from the saintly to the satanic.
“I grew up super devout Catholic,” Mohan told IndieWire. And “every Catholic person has guilt and trauma.” That’s for sure, as the Neon release mashes references to Ken Russell’s “The Devils,” Roman Polanski’s “Rosemary’s Baby,” and even Darren Aronofsky’s “mother!” in charting Sister Cecilia’s (Sweeney) psychological undoing in the process of being emblemized...
His new horror movie stars Sydney Sweeney as a flung-from-innocence novice nun who arrives at a Roman convent bubbling with religious fealty — only to become the vessel for an immaculate conception gone horrifically wrong. Taking advantage of the film’s on-location shoot, Mohan, who previously directed the “Euphoria” and “Anyone but You” breakout in his erotic thriller “The Voyeurs,” steeps the shocker in religious iconography that veers from the saintly to the satanic.
“I grew up super devout Catholic,” Mohan told IndieWire. And “every Catholic person has guilt and trauma.” That’s for sure, as the Neon release mashes references to Ken Russell’s “The Devils,” Roman Polanski’s “Rosemary’s Baby,” and even Darren Aronofsky’s “mother!” in charting Sister Cecilia’s (Sweeney) psychological undoing in the process of being emblemized...
- 3/19/2024
- by Ryan Lattanzio
- Indiewire
Nunsploitation appears to be alive and well in 2024 with this week’s arrival of Immaculate, a convent-set horror movie that borrows heavily from ’70s Italian horror, the peak era of the exploitation film. Nunsploitation, a subgenre of exploitation films that hit its prime in the late ’70s and early ’80s, often features nuns behaving badly. More importantly, nunsploitation films explore themes of sexual or religious repression, frequently unleashing scathing critiques of the Church through blasphemous imagery and nuns behaving badly.
This week’s streaming picks are dedicated to nunsploitation horror. These taboo-shattering horror movies have more on their mind than their low-budget exploitation origins suggest.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Alucarda – Cultpix
Directed and co-written by Juan López Moctezuma, this English-language Mexican horror film stars Tina Romero as Alucarda, who was raised by nuns at a repressive Catholic convent.
This week’s streaming picks are dedicated to nunsploitation horror. These taboo-shattering horror movies have more on their mind than their low-budget exploitation origins suggest.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Alucarda – Cultpix
Directed and co-written by Juan López Moctezuma, this English-language Mexican horror film stars Tina Romero as Alucarda, who was raised by nuns at a repressive Catholic convent.
- 3/18/2024
- by Meagan Navarro
- bloody-disgusting.com
William Hurt died on March 13, 2022, at age 71, just a week short of his 72nd birthday. The Oscar-winning actor starred in a variety of movies over the last four decades, but how many of those titles remain classics? Let’s take a look back at 15 of his greatest films, ranked worst to best.
Born in 1950, Hurt made his movie debut with a starring role in Ken Russell‘s psychedelic thriller “Altered States” (1980), quickly followed by Lawrence Kasdan‘s classic neo-noir “Body Heat” (1981). He won the Oscar as Best Actor just four years later for Hector Babenco‘s “Kiss of the Spider Woman” (1985), playing a transgender inmate at a South American prison who forms a bond with his cellmate (Raul Julia), a political prisoner. The role brought him additional prizes at BAFTA and the Cannes Film Festival.
Hurt followed up his Oscar victory with two more consecutive Best Actor bids: first for...
Born in 1950, Hurt made his movie debut with a starring role in Ken Russell‘s psychedelic thriller “Altered States” (1980), quickly followed by Lawrence Kasdan‘s classic neo-noir “Body Heat” (1981). He won the Oscar as Best Actor just four years later for Hector Babenco‘s “Kiss of the Spider Woman” (1985), playing a transgender inmate at a South American prison who forms a bond with his cellmate (Raul Julia), a political prisoner. The role brought him additional prizes at BAFTA and the Cannes Film Festival.
Hurt followed up his Oscar victory with two more consecutive Best Actor bids: first for...
- 3/15/2024
- by Zach Laws and Chris Beachum
- Gold Derby
There’s nothing quite like a nun horror movie to remind us that the line between the sacred and the terrifying is thinner than a communion wafer. In this unholy listicle, we’re diving deep into the cloistered corners of horror cinema to bring you the ultimate guide to nunsploitation. So, whether you’ve taken your holy orders or you’re just a horror enthusiast looking for your next sacrilegious scare, join us on this divine journey through some of the most unholy tales ever told on screen.
From demonic possessions to gothic tales of madness and despair unfolding on hallowed ground, nun horror movies have a unique way of getting under our skin. Maybe it’s the way they juxtapose the purity of the habit with the darkness of the supernatural, or perhaps it’s just that nuns have always had a knack for knowing what’s lurking in the shadows.
From demonic possessions to gothic tales of madness and despair unfolding on hallowed ground, nun horror movies have a unique way of getting under our skin. Maybe it’s the way they juxtapose the purity of the habit with the darkness of the supernatural, or perhaps it’s just that nuns have always had a knack for knowing what’s lurking in the shadows.
- 3/11/2024
- by Kimberley Elizabeth
Helen Mirren ripped AI to shreds while being honored Thursday night at the American Cinematheque Awards.
After being presented with the lifetime achievement award by her “Mosquito Coast” and “1923” co-star Harrison Ford at the Beverly Hilton gala, Mirren began to read her acceptance speech from a piece of a paper.
“Ladies and gentlemen and esteemed guests and dear friends, I am deeply humbled, profoundly honored to stand before you today accepting this extraordinary award. To be recognized for a lifetime devoted to the craft of acting is a privilege beyond words,” she said dramatically. “First and foremost, I want to express my heartfelt gratitude to the industry and the individuals who have supported me throughout this incredible journey. It is has been a life filled with passion, challenges and above all, an unyielding love for the art of storytelling.”
Then she added, “And that was written by AI,” before...
After being presented with the lifetime achievement award by her “Mosquito Coast” and “1923” co-star Harrison Ford at the Beverly Hilton gala, Mirren began to read her acceptance speech from a piece of a paper.
“Ladies and gentlemen and esteemed guests and dear friends, I am deeply humbled, profoundly honored to stand before you today accepting this extraordinary award. To be recognized for a lifetime devoted to the craft of acting is a privilege beyond words,” she said dramatically. “First and foremost, I want to express my heartfelt gratitude to the industry and the individuals who have supported me throughout this incredible journey. It is has been a life filled with passion, challenges and above all, an unyielding love for the art of storytelling.”
Then she added, “And that was written by AI,” before...
- 2/16/2024
- by Marc Malkin
- Variety Film + TV
2021’s Dune may have missed out on the Oscar for Best Costume Design, but if there was an honor given out for red carpet wardrobe, the cast of Dune: Part Two might have it in the bag – but they couldn’t have done it without Zendaya.
We here at JoBlo.com don’t normally hit on fashion (you should see our closets!), but Zendaya’s get-up is just too incredible not to highlight. Appearing in an outfit that was part Metropolis, part Barbarella and part space cowboy in assless chaps, Zendaya’s digs felt like something that might have caused C-3Po to pose for this card…It has been identified as a piece from Mugler’s 1995 collection, but no doubt remains a futuristic look that stole pretty much all of the attention. Zendaya would make a wardrobe change that found her in a sleek black dress, but the statement...
We here at JoBlo.com don’t normally hit on fashion (you should see our closets!), but Zendaya’s get-up is just too incredible not to highlight. Appearing in an outfit that was part Metropolis, part Barbarella and part space cowboy in assless chaps, Zendaya’s digs felt like something that might have caused C-3Po to pose for this card…It has been identified as a piece from Mugler’s 1995 collection, but no doubt remains a futuristic look that stole pretty much all of the attention. Zendaya would make a wardrobe change that found her in a sleek black dress, but the statement...
- 2/16/2024
- by Mathew Plale
- JoBlo.com
The BBC is celebrating the art of the literary adaptation by screening a variety of classics on BBC Four. More details here.
The BBC is quite rightly celebrated for its rich history of book to screen adaptations, such as the iconic 1995 version of Jane Austen’a Pride And Prejudice to Cbbc’s hugely successful adaptation of Dame Jacqueline Wilson’s Tracy Beaker series.
It has now put together a season of 14 adaptations from the BBC archive, some of which have rarely been seen since their original broadcast.
The dramas are:
The Great Gatsby
Toby Stephens, Mira Sorvino and Paul Rudd lead the cast in this 2000 BBC adaptation of F Scott Fitzgerald’s classic novel on the American dream in the jazz age.
Small Island
Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch and Ashley Walters star in this 2009 TV version of Andrea Levy’s novel focusing on the lives and...
The BBC is quite rightly celebrated for its rich history of book to screen adaptations, such as the iconic 1995 version of Jane Austen’a Pride And Prejudice to Cbbc’s hugely successful adaptation of Dame Jacqueline Wilson’s Tracy Beaker series.
It has now put together a season of 14 adaptations from the BBC archive, some of which have rarely been seen since their original broadcast.
The dramas are:
The Great Gatsby
Toby Stephens, Mira Sorvino and Paul Rudd lead the cast in this 2000 BBC adaptation of F Scott Fitzgerald’s classic novel on the American dream in the jazz age.
Small Island
Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch and Ashley Walters star in this 2009 TV version of Andrea Levy’s novel focusing on the lives and...
- 2/6/2024
- by Jake Godfrey
- Film Stories
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
“Never Look Away: Serge Daney’s Radical 1970s” brings films by Kurosawa, Bresson, Tati, Godard and more.
IFC Center
As Francis Ford Coppola’s latest recut, One from the Heart: Reprise, continues, Bertrand Bonello’s masterpiece Coma gets a New York premiere; Ken Russell’s Whore, Saw III, and Mad Max: Beyond Thunderdome also have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings The Driver on 35mm and Partners, while Cronenberg’s Crash shows on a print; City Dudes returns on Saturday and Sunday brings a puppet program and the Iranian feature Downpour plays on Sunday.
Film Forum
A 4K restoration of The Pianist begins a run while I Heard It Through the Grapevine and The Third Man continue; The Sunshine Boys plays on Sunday.
Museum of the Moving Image
A retrospective of snubbed performances brings films by Howard Hawks,...
Film at Lincoln Center
“Never Look Away: Serge Daney’s Radical 1970s” brings films by Kurosawa, Bresson, Tati, Godard and more.
IFC Center
As Francis Ford Coppola’s latest recut, One from the Heart: Reprise, continues, Bertrand Bonello’s masterpiece Coma gets a New York premiere; Ken Russell’s Whore, Saw III, and Mad Max: Beyond Thunderdome also have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings The Driver on 35mm and Partners, while Cronenberg’s Crash shows on a print; City Dudes returns on Saturday and Sunday brings a puppet program and the Iranian feature Downpour plays on Sunday.
Film Forum
A 4K restoration of The Pianist begins a run while I Heard It Through the Grapevine and The Third Man continue; The Sunshine Boys plays on Sunday.
Museum of the Moving Image
A retrospective of snubbed performances brings films by Howard Hawks,...
- 1/26/2024
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
IFC Center
Francis Ford Coppola’s latest recut, One from the Heart: Reprise, begins a run; Ken Russell’s Whore, Saw III, Die Hard with a Vengeance, Donnie Darko, and Spongebob Squarepants have late showings.
Roxy Cinema
A Ryan O’Neal retrospective brings Barry Lyndon and Tough Guys Don’t Dance on 35mm, while Peter Bogdanovich’s cut of Nickelodeon also screens.
Museum of Modern Art
One of the year’s great series, “To Save and Project,” continues.
Film Forum
I Heard It Through the Grapevine and Artie Shaw: Time Is All You Got begin runs, the former bringing with it a three-film program and I Am Not Your Negro; The Third Man continues a 75th-anniversary 35mm engagement; Sounder plays on Sunday.
Anthology Film Archives
Films by Skip Norman play through the weekend; Eisenstein’s Old and New plays on Saturday.
- 1/18/2024
- by Nick Newman
- The Film Stage
Character actor known for a host of TV roles and for her award-winning work in the films of Ken Russell
In 2010, Kevin Younger began an article in the Guardian with the words: “Recognise the faces but can’t place the names?” Among the list of Britain’s top 10 great unsung television character actors that followed was Georgina Hale. “This slinky, adenoidal, estuarine glamour-puss oozed naughtiness in some interesting films and some classic television in the 70s,” he wrote. “She has latterly cornered the market in nouveau riche languor and middle-aged decadence.”
Although most of her screen roles were on television, Hale, who has died aged 80, was a favourite of the flamboyant film director Ken Russell, who once said she was “an actress of such sensitivity that she can make the hair rise on your arms”.
In 2010, Kevin Younger began an article in the Guardian with the words: “Recognise the faces but can’t place the names?” Among the list of Britain’s top 10 great unsung television character actors that followed was Georgina Hale. “This slinky, adenoidal, estuarine glamour-puss oozed naughtiness in some interesting films and some classic television in the 70s,” he wrote. “She has latterly cornered the market in nouveau riche languor and middle-aged decadence.”
Although most of her screen roles were on television, Hale, who has died aged 80, was a favourite of the flamboyant film director Ken Russell, who once said she was “an actress of such sensitivity that she can make the hair rise on your arms”.
- 1/10/2024
- by Anthony Hayward
- The Guardian - Film News
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All Dirt Roads Taste of Salt (Raven Jackson)
A film that feels uprooted from deep beneath the earth, Raven Jackson’s poetic, patient debut is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Tethered around the life of Mack, a Black woman from Mississippi, as we witness glimpses of her childhood, teenage years, and beyond, All Dirt Roads Taste of Salt becomes a sensory experience unlike anything else this year. Shot in beautiful 35mm by Jomo Fray and edited by Apichatpong Weerasethakul’s collaborator Lee Chatametikool, there’s a reverence for nature and joy for human connection that seems all too rarified in today’s landscape of American filmmaking. – Jordan R.
Where to Stream: VOD...
All Dirt Roads Taste of Salt (Raven Jackson)
A film that feels uprooted from deep beneath the earth, Raven Jackson’s poetic, patient debut is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. Tethered around the life of Mack, a Black woman from Mississippi, as we witness glimpses of her childhood, teenage years, and beyond, All Dirt Roads Taste of Salt becomes a sensory experience unlike anything else this year. Shot in beautiful 35mm by Jomo Fray and edited by Apichatpong Weerasethakul’s collaborator Lee Chatametikool, there’s a reverence for nature and joy for human connection that seems all too rarified in today’s landscape of American filmmaking. – Jordan R.
Where to Stream: VOD...
- 1/5/2024
- by Jordan Raup
- The Film Stage
Experimental French filmmaker Bertrand Mandico isn’t for everyone — i.e. an acquired taste whose visions push boundaries of cinematic expression — but he’s achieved something of a cult fandom over the last three decades. After last pairing with the director on 2022’s “After Blue” and 2017’s uninhibited Venice winner “The Wild Boys” — Cahiers du Cinéma’s top film of 2018 — the distributor Altered Innocence again teams with Mandico on another provocation. His 2023 Cannes premiere “She Is Conann,” nominated for the Queer Palm before going on to play at other festivals including Locarno, is an acid-trip transgressive riff on the Conan the Barbarian myth. IndieWire shares the trailer here.
Influences on the film include Tony Scott’s “The Hunger,” the works of Rainer Werner Fassbinder, Liliana Cavani’s “The Night Porter,” and Fellini’s “Satyricon.” Throw Ken Russell in there for good measure, with profane images in “She Is Conann” reminiscent of “The Devils.
Influences on the film include Tony Scott’s “The Hunger,” the works of Rainer Werner Fassbinder, Liliana Cavani’s “The Night Porter,” and Fellini’s “Satyricon.” Throw Ken Russell in there for good measure, with profane images in “She Is Conann” reminiscent of “The Devils.
- 1/4/2024
- by Ryan Lattanzio
- Indiewire
If it’s been a patchy few years for Errol Morris––one solid doc in-between a bad Steve Bannon portrait and iffy look at John le Carré––our interest in his thorough, startling oeuvre remains strong, and it’s naturally a thrill to hear word of two new features. On the documentary front he’s been adapting, for Netflix, Tom O’Neill’s Chaos: Charles Manson, the CIA, and the Secret History of the Sixties, which quickly engendered great attention for challenging standard Manson Family narratives; and there’s a feature screenplay about Ed Gein, who Morris interviewed in 1975 for a never-completed documentary. If it doesn’t feature that footage and opts for a biopic / procedural path, it would make Morris’ first narrative since 1991’s The Dark Wind. [Screen Daily]
Meanwhile, Michael Almereyda has found his first feature since Tesla. Per Deadline, he and Courtney Stephens are developing an untitled documentary about John C. Lilly,...
Meanwhile, Michael Almereyda has found his first feature since Tesla. Per Deadline, he and Courtney Stephens are developing an untitled documentary about John C. Lilly,...
- 12/20/2023
- by Leonard Pearce
- The Film Stage
Exclusive: Indie filmmakers Courtney Stephens and Michael Almereyda are teaming to direct a new documentary about controversial scientist John C. Lilly, Deadline has learned.
Funded by a grant from the Alfred P. Sloan Foundation, the project will look at the countercultural figure’s work as the inventor of the isolation tank, as well as his pioneering studies of dolphin intelligence and support of psychedelics as a positive means for expanding consciousness. The storytelling will be supported by interviews with Lilly’s contemporaries and colleagues, as well as extensive archival records.
Stephens was drawn to Lilly, having grown up near Marine World in the Bay Area, where the scientist worked with trained dolphins and computers in the early 1980s, hoping to teach the animals an Esperanto-like language that would allow for interspecies communication. Apple donated equipment to the lab, which was visited by figures ranging from Ram Dass to Olivia Newton John.
Funded by a grant from the Alfred P. Sloan Foundation, the project will look at the countercultural figure’s work as the inventor of the isolation tank, as well as his pioneering studies of dolphin intelligence and support of psychedelics as a positive means for expanding consciousness. The storytelling will be supported by interviews with Lilly’s contemporaries and colleagues, as well as extensive archival records.
Stephens was drawn to Lilly, having grown up near Marine World in the Bay Area, where the scientist worked with trained dolphins and computers in the early 1980s, hoping to teach the animals an Esperanto-like language that would allow for interspecies communication. Apple donated equipment to the lab, which was visited by figures ranging from Ram Dass to Olivia Newton John.
- 12/19/2023
- by Matt Grobar
- Deadline Film + TV
Catering directly to my interests, the Criterion Channel’s January lineup boasts two of my favorite things: James Gray and cats. In the former case it’s his first five features (itself a terrible reminder he only released five movies in 20 years); the latter shows felines the respect they deserve, from Kuroneko to The Long Goodbye, Tourneur’s Cat People and Mick Garris’ Sleepwalkers. Meanwhile, Ava Gardner, Bertrand Tavernier, Isabel Sandoval, Ken Russell, Juleen Compton, George Harrison’s HandMade Films, and the Sundance Film Festival get retrospectives.
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
Restorations of Soviet sci-fi trip Ikarie Xb 1, The Unknown, and The Music of Regret stream, as does the recent Plan 75. January’s Criterion Editions are Inside Llewyn Davis, Farewell Amor, The Incredible Shrinking Man, and (most intriguingly) the long-out-of-print The Man Who Fell to Earth, Blu-rays of which go for hundreds of dollars.
See the lineup below and learn more here.
Back By Popular Demand
The Graduate,...
- 12/12/2023
- by Nick Newman
- The Film Stage
Plot: A woman (Emma Stone) is revived and given a new brain by a mad doctor (Willem Dafoe). Initially childlike and naive, she’s seduced into a sexual journey of discovery by a lothario (Mark Ruffalo), only to eventually come into her own as a woman.
Review: Poor Things is similar – in many ways – to Barbie. Well, ok, Barbie didn’t flirt with the boundaries of an R-rating or feature a deformed Willem Dafoe, but it was about a woman who was ostensibly a naive creation coming into her own as a person. Like that movie, Poor Things, which is based on the book by Alasdair Gray, feels like a film very much of its time without making the message at its heart overly didactic. More than anything, Poor Things is delirious, provocative entertainment.
It’s the kind of movie only someone like Yorgos Lanthimos could have ever gotten made,...
Review: Poor Things is similar – in many ways – to Barbie. Well, ok, Barbie didn’t flirt with the boundaries of an R-rating or feature a deformed Willem Dafoe, but it was about a woman who was ostensibly a naive creation coming into her own as a person. Like that movie, Poor Things, which is based on the book by Alasdair Gray, feels like a film very much of its time without making the message at its heart overly didactic. More than anything, Poor Things is delirious, provocative entertainment.
It’s the kind of movie only someone like Yorgos Lanthimos could have ever gotten made,...
- 12/5/2023
- by Chris Bumbray
- JoBlo.com
While there’s plenty to be said and appreciated about cozy, comforting horror that offers catharsis, the genre’s ultimate aim is to terrify, shock, and even repulse. Of course, there is no shortage of ways that filmmakers accomplish this, frequently through gore, violence, and potent scare tactics, but transgressive horror is in a league of its own.
More than just gore, transgressive horror films revel in the taboo. Transgressive horror shatters cultural norms and seeks to explore beyond the boundaries of taste and social sensibilities, challenging viewers with shocking and sacrilegious imagery and themes. And yet, it’s not solely for shock value; transgressive horror has more on its mind than simply gore and depictions of depravity. There’s a purpose behind the pain. This week’s streaming picks are for the seekers of extreme cinema, unafraid to test their limits.
Here’s where you can stream them this week.
More than just gore, transgressive horror films revel in the taboo. Transgressive horror shatters cultural norms and seeks to explore beyond the boundaries of taste and social sensibilities, challenging viewers with shocking and sacrilegious imagery and themes. And yet, it’s not solely for shock value; transgressive horror has more on its mind than simply gore and depictions of depravity. There’s a purpose behind the pain. This week’s streaming picks are for the seekers of extreme cinema, unafraid to test their limits.
Here’s where you can stream them this week.
- 11/13/2023
- by Meagan Navarro
- bloody-disgusting.com
Gotta feeling ’24 is gonna be a good year, at least for fans of The Who’s Tommy: The acclaimed Chicago stage production directed by Des McAnuff is heading to Broadway.
The newly reimagined production, produced by Stephen Gabriel and Ira Pittelman, will begin previews March 8, 2024, at the Nederlander Theatre, with an opening night set for March 28.
In a statement, Pete Townshend, who wrote the music, lyrics and co-wrote the book with McAnuff, said, “In 1969, when I originally wrote Tommy with The Who, nobody had ever written popular music songs about trauma, nobody talked about bullying, domestic sexual abuse was a subject that was virtually censored.
“Then, in 1993,” he continued, “working with Des on the staged theatre piece, we broke the established rules for a musical show. Now, the current generation is breaking all of those rules again – and what Des has achieved with this incredible new production honors them and their courage and audacity.
The newly reimagined production, produced by Stephen Gabriel and Ira Pittelman, will begin previews March 8, 2024, at the Nederlander Theatre, with an opening night set for March 28.
In a statement, Pete Townshend, who wrote the music, lyrics and co-wrote the book with McAnuff, said, “In 1969, when I originally wrote Tommy with The Who, nobody had ever written popular music songs about trauma, nobody talked about bullying, domestic sexual abuse was a subject that was virtually censored.
“Then, in 1993,” he continued, “working with Des on the staged theatre piece, we broke the established rules for a musical show. Now, the current generation is breaking all of those rules again – and what Des has achieved with this incredible new production honors them and their courage and audacity.
- 10/26/2023
- by Greg Evans
- Deadline Film + TV
The 50th anniversary extended director’s cut of the 1973 tale of teenage possession still shocks
William Friedkin’s deadly serious contemporary horror, adapted for the screen from the bestseller by novelist William Peter Blatty, is back now in cinemas for its 50-year anniversary in the extended director’s cut. This is the film that whispered its evil into the ears of US audiences traumatised by political and generational upheaval. It is also the great ancestor of the entire horror genre: a 132-minute jump scare – with horribly malign slow sections – taking place in upper-middle class America rather than some exotic central European locale.
Ellen Burstyn plays movie actor Chris MacNeil, a single mother ordinarily resident in California but currently renting a handsome townhouse in Washington as she shoots a film called Crash Course; she is playing a liberal academic at odds with the student body who are violently possessed with revolutionary ideas.
William Friedkin’s deadly serious contemporary horror, adapted for the screen from the bestseller by novelist William Peter Blatty, is back now in cinemas for its 50-year anniversary in the extended director’s cut. This is the film that whispered its evil into the ears of US audiences traumatised by political and generational upheaval. It is also the great ancestor of the entire horror genre: a 132-minute jump scare – with horribly malign slow sections – taking place in upper-middle class America rather than some exotic central European locale.
Ellen Burstyn plays movie actor Chris MacNeil, a single mother ordinarily resident in California but currently renting a handsome townhouse in Washington as she shoots a film called Crash Course; she is playing a liberal academic at odds with the student body who are violently possessed with revolutionary ideas.
- 9/28/2023
- by Peter Bradshaw
- The Guardian - Film News
The 2023 Venice Film Festival persevered despite a dimmed Hollywood presence, with much of the onscreen talent sitting this year’s Lido event out due to the strikes. There in Italy, however, were directors like Michael Mann, David Fincher, Yorgos Lanthimos, Ava DuVernay, Wes Anderson, Ryusuke Hamaguchi, Richard Linklater, Sofia Coppola, and even Woody Allen to present their latest films and do the talking on behalf of their sidelined actors.
Saturday at the Sala Grande, the jury headed up by president Damien Chazelle revealed the winners of the 2023 competition awards. Jurors including Martin McDonagh, Jane Campion, and Mia Hansen-Løve saw 23 movies over the last week and a half, including Lanthimos’ raved-about “Poor Things,” Coppola’s well-liked “Priscilla,” Bertrand Bonello’s daring “The Beast,” Fincher’s assassin thriller “The Killer,” Bradley Cooper’s Oscar hopeful “Maestro,” Mann’s gripping “Ferrari,” and more.
Word on the Lido was highest for eventual Golden Lion winner “Poor Things,...
Saturday at the Sala Grande, the jury headed up by president Damien Chazelle revealed the winners of the 2023 competition awards. Jurors including Martin McDonagh, Jane Campion, and Mia Hansen-Løve saw 23 movies over the last week and a half, including Lanthimos’ raved-about “Poor Things,” Coppola’s well-liked “Priscilla,” Bertrand Bonello’s daring “The Beast,” Fincher’s assassin thriller “The Killer,” Bradley Cooper’s Oscar hopeful “Maestro,” Mann’s gripping “Ferrari,” and more.
Word on the Lido was highest for eventual Golden Lion winner “Poor Things,...
- 9/9/2023
- by Ryan Lattanzio
- Indiewire
It says a lot about the history of nunsploitation cinema that “The Nun II,” which opens with a scary ghost nun levitating a priest and setting him spectacularly on fire, is one of the more understated entries in the genre.
That’s not to say “The Nun II” is a subtle film, or a thoughtful film, or even a good film. It’s just that when you share space on the video store shelf with Ken Russell’s “The Devils” and Bruno Mattei’s “The Other Hell,” a bunch of cheesy random jump scares wrapped around a tepid storyline just doesn’t stand out much.
Even compared to Corin Hardy’s first “The Nun” movie — itself the fifth entry in the “Conjuring” franchise, with “The Nun II” now the ninth — Michael Chaves’s sequel is a major step down. Hardy’s stylish horror adventure was energetic enough to entertain despite its egregious silliness.
That’s not to say “The Nun II” is a subtle film, or a thoughtful film, or even a good film. It’s just that when you share space on the video store shelf with Ken Russell’s “The Devils” and Bruno Mattei’s “The Other Hell,” a bunch of cheesy random jump scares wrapped around a tepid storyline just doesn’t stand out much.
Even compared to Corin Hardy’s first “The Nun” movie — itself the fifth entry in the “Conjuring” franchise, with “The Nun II” now the ninth — Michael Chaves’s sequel is a major step down. Hardy’s stylish horror adventure was energetic enough to entertain despite its egregious silliness.
- 9/7/2023
- by William Bibbiani
- The Wrap
Director Yorgos Lanthimos’ “female Frankenstein” story Poor Things, which stars Emma Stone (Cruella), just made its world premiere at the Venice Film Festival, and the reviews that are coming out of that screening are raves that are calling the film a weird, hilarious, raunchy awards contender. Poor Things has debuted on the Rotten Tomatoes site with a 100% fresh rating, and we have gathered some of the social media reactions together for you to check out right here:
Poor Things is a truly phenomenal adaptation that is both loyal & unrestrained. Emma Stone delivers an utterly enchanting career-best performance with Mark Ruffalo not far behind. This is Lanthimos operating at his very finest level of artistic expression #Venezia80 pic.twitter.com/sCpYDRMgaT
— yasmine kandil @ Venezia (@filmwithyas) September 1, 2023
Poor Things is the most magical odyssey of humanity, science, & liberation that anyone could think of—so it makes sense that genius yorgos lanthimos is behind it.
Poor Things is a truly phenomenal adaptation that is both loyal & unrestrained. Emma Stone delivers an utterly enchanting career-best performance with Mark Ruffalo not far behind. This is Lanthimos operating at his very finest level of artistic expression #Venezia80 pic.twitter.com/sCpYDRMgaT
— yasmine kandil @ Venezia (@filmwithyas) September 1, 2023
Poor Things is the most magical odyssey of humanity, science, & liberation that anyone could think of—so it makes sense that genius yorgos lanthimos is behind it.
- 9/1/2023
- by Cody Hamman
- JoBlo.com
”It’s all about enthusiam, stubborness and determination,” he says.
Aged 85, Roger Gibson is preparing for his final edition as artistic director of the Chichester International Film Festival. He has built it into one of the UK’s leading regional film festivals since launching it in 1992.
Over the years guests travelling to the south of England festival have included Alec Guinness, Stephen Poliakoff, Kathleen Turner, Ken Russell, Mike Leigh and Ralph Fiennes. This year’s guest list is equally impressive: the festival has programmed retrospectives of work by Cate Blanchett and Hugh Bonneville, and both actors are set to attend,...
Aged 85, Roger Gibson is preparing for his final edition as artistic director of the Chichester International Film Festival. He has built it into one of the UK’s leading regional film festivals since launching it in 1992.
Over the years guests travelling to the south of England festival have included Alec Guinness, Stephen Poliakoff, Kathleen Turner, Ken Russell, Mike Leigh and Ralph Fiennes. This year’s guest list is equally impressive: the festival has programmed retrospectives of work by Cate Blanchett and Hugh Bonneville, and both actors are set to attend,...
- 8/1/2023
- by Tim Dams
- ScreenDaily
Greta Gerwig’s “Barbie” is destined to be a classic in its own right, already garnering nearly half a billion dollars at the box office in under a week. The film, about a stereotypical Barbie (Margot Robbie) in the grips of an existential crisis that sees her going to the Real World, is all manner of fun and wacky, with a number of Old Hollywood influences.
Gerwig herself has cited a number of features that either directly or indirectly inspired “Barbie,” starting with the 1939 Technicolor classic, “The Wizard of Oz.” That film, with its now iconic transition between Kansas and the land of Oz, no doubt factored into how the feature approaches color. The idea of a character transitioning from one world to another draws comparisons to “The Truman Show” and “Heaven Can Wait.”
Among the more nuanced, less obvious films, Gerwig took inspiration from “Women on the Verge of a Nervous Breakdown,...
Gerwig herself has cited a number of features that either directly or indirectly inspired “Barbie,” starting with the 1939 Technicolor classic, “The Wizard of Oz.” That film, with its now iconic transition between Kansas and the land of Oz, no doubt factored into how the feature approaches color. The idea of a character transitioning from one world to another draws comparisons to “The Truman Show” and “Heaven Can Wait.”
Among the more nuanced, less obvious films, Gerwig took inspiration from “Women on the Verge of a Nervous Breakdown,...
- 7/28/2023
- by Kristen Lopez
- The Wrap
The Who‘s Tommy has a number of unique casting choices. For example, a classic rock star plays a priest in the film. That star later played a priest in the music video for a famous band.
The singer behind The Crazy World of Arthur Brown’s ‘Fire’ is in The Who’s ‘Tommy’
Tommy includes a number of celebrities in its cast, including Ann-Margret, Jack Nicholson, Oliver Reed, Elton John, Tina Turner, and Eric Clapton. In addition, Arthur Brown played The Priest in the film. Brown is known as the lead singer of The Crazy World of Arthur Brown, the band behind the hit single “Fire.”
During a 2022 interview with NME, Brown explained why he appeared in Tommy. “Pete Townshend wanted me to play various parts in the film at various times, and eventually I ended up as The Priest, helping to run a Marilyn Monroe-themed cult,” he said.
The singer behind The Crazy World of Arthur Brown’s ‘Fire’ is in The Who’s ‘Tommy’
Tommy includes a number of celebrities in its cast, including Ann-Margret, Jack Nicholson, Oliver Reed, Elton John, Tina Turner, and Eric Clapton. In addition, Arthur Brown played The Priest in the film. Brown is known as the lead singer of The Crazy World of Arthur Brown, the band behind the hit single “Fire.”
During a 2022 interview with NME, Brown explained why he appeared in Tommy. “Pete Townshend wanted me to play various parts in the film at various times, and eventually I ended up as The Priest, helping to run a Marilyn Monroe-themed cult,” he said.
- 7/18/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
The Who‘s Tommy has a number of unique casting choices. For example, a classic rock star plays a priest in the film. That star later played a priest in the music video for a famous band.
The singer behind The Crazy World of Arthur Brown’s ‘Fire’ is in The Who’s ‘Tommy’
Tommy includes a number of celebrities in its cast, including Ann-Margret, Jack Nicholson, Oliver Reed, Elton John, Tina Turner, and Eric Clapton. In addition, Arthur Brown played The Priest in the film. Brown is known as the lead singer of The Crazy World of Arthur Brown, the band behind the hit single “Fire.”
During a 2022 interview with NME, Brown explained why he appeared in Tommy. “Pete Townshend wanted me to play various parts in the film at various times, and eventually I ended up as The Priest, helping to run a Marilyn Monroe-themed cult,” he said.
The singer behind The Crazy World of Arthur Brown’s ‘Fire’ is in The Who’s ‘Tommy’
Tommy includes a number of celebrities in its cast, including Ann-Margret, Jack Nicholson, Oliver Reed, Elton John, Tina Turner, and Eric Clapton. In addition, Arthur Brown played The Priest in the film. Brown is known as the lead singer of The Crazy World of Arthur Brown, the band behind the hit single “Fire.”
During a 2022 interview with NME, Brown explained why he appeared in Tommy. “Pete Townshend wanted me to play various parts in the film at various times, and eventually I ended up as The Priest, helping to run a Marilyn Monroe-themed cult,” he said.
- 7/18/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
While the 1970s was known as a wild, bold, experimental time in modern cinema—which extended to all genres, including science fiction—the 1980s were best known for… well, we don’t know what, exactly. The rise of the erotic thriller, the action superstar, and cookie-cutter safe high-concept star vehicles, perhaps? As for sci-fi, the decade was marked by both undisputed blockbusters, including the Star Wars and Star Trek sequels, Aliens, and E.T.: The Extra-Terrestrial, as well as some inarguable classics like The Thing, Tron, and Blade Runner. Intriguingly, the more risky ones needed years to find their audience and critical acclaim.
At the same time, sci-fi began to rely less on literary adaptations of the previous decade and more on crossing its streams with other genres, like horror, the Western, and the action thriller—making somewhat of a turn away from the idea-driven films that had come before.
At the same time, sci-fi began to rely less on literary adaptations of the previous decade and more on crossing its streams with other genres, like horror, the Western, and the action thriller—making somewhat of a turn away from the idea-driven films that had come before.
- 7/4/2023
- by Don Kaye
- Den of Geek
Long before Live Nation, Clear Channel, Ticketmaster, Stubhub, service fees, gold-circle seats, and anything that even resembles the live music industry as we know it today, there was Ron Delsener. The 87-year-old concert promoter has been booking shows in New York City going all the way back to the summer of 1964, when he brought the Beatles to Forest Hills Tennis Stadium for two nights. (Tickets were $5.50 plus a 45-cent federal tax.)
In the decades that followed, Delsener grew into the undisputed live music kingpin of New York, booking thousands upon...
In the decades that followed, Delsener grew into the undisputed live music kingpin of New York, booking thousands upon...
- 6/28/2023
- by Andy Greene
- Rollingstone.com
Julian Sands, the British actor who pivoted from the romantic lead in “A Room With a View” to playing sinister characters in films like “Warlock,” was confirmed dead Tuesday after being reported missing near Mt. Baldy in Southern California on Jan. 13. He was 65.
On Saturday morning, hikers found human remains in the Mt. Baldy wilderness and contacted the Fontana Sheriff’s Station.
“The identification process for the body located on Mt. Baldy on June 24, 2023, has been completed and was positively identified as 65-year-old Julian Sands of North Hollywood. The manner of death is still under investigation, pending further test results. We would like to extend our gratitude to all the volunteers that worked tirelessly to locate Mr. Sands,” the San Bernardino County Sheriff-Coroner Department wrote in a statement.
Sands had gone hiking in the snow-covered Baldy Bowl area, about 45 miles east of Los Angeles. He was an experienced mountaineer, but...
On Saturday morning, hikers found human remains in the Mt. Baldy wilderness and contacted the Fontana Sheriff’s Station.
“The identification process for the body located on Mt. Baldy on June 24, 2023, has been completed and was positively identified as 65-year-old Julian Sands of North Hollywood. The manner of death is still under investigation, pending further test results. We would like to extend our gratitude to all the volunteers that worked tirelessly to locate Mr. Sands,” the San Bernardino County Sheriff-Coroner Department wrote in a statement.
Sands had gone hiking in the snow-covered Baldy Bowl area, about 45 miles east of Los Angeles. He was an experienced mountaineer, but...
- 6/27/2023
- by Pat Saperstein
- Variety Film + TV
by Cláudio Alves
Women In Love (1969) Ken Russell
Some people feel like they'll never die, their presence bound to eternity, shackled to forever. Deep down, we know it's not true, that no one lives forever. Self-delusion is easier than questioning those innocent untruths that, like laws of the universe, make life seem less chaotic. For me, Glenda Jackson was one of those impossible constancies, someone who wouldn't, couldn't die. And yet, here we are. This past Thursday, June 15th, news broke that the two-time Oscar winner turned politician, turned back to actress, was gone. She died peacefully at her London home, leaving behind a legacy whose majesty is hard to overstate.
On this sad occasion, let's look back to that inheritance, remember the glorious Glenda Jackson and what made her so uniquely great…...
Women In Love (1969) Ken Russell
Some people feel like they'll never die, their presence bound to eternity, shackled to forever. Deep down, we know it's not true, that no one lives forever. Self-delusion is easier than questioning those innocent untruths that, like laws of the universe, make life seem less chaotic. For me, Glenda Jackson was one of those impossible constancies, someone who wouldn't, couldn't die. And yet, here we are. This past Thursday, June 15th, news broke that the two-time Oscar winner turned politician, turned back to actress, was gone. She died peacefully at her London home, leaving behind a legacy whose majesty is hard to overstate.
On this sad occasion, let's look back to that inheritance, remember the glorious Glenda Jackson and what made her so uniquely great…...
- 6/17/2023
- by Cláudio Alves
- FilmExperience
“She’s 100% a professional, and this is a great night for professionals,” said the actor Juliet Mills as she accepted Glenda Jackson’s first Best Actress Oscar on the absent winner’s behalf at the 1970 Academy Awards. On the face of it, it sounds an oddly impersonal thing to say in the circumstances — almost as if Mills knew nothing of Jackson, and opted for the vaguest praise possible.
It proved, however, a rather apt way for Jackson, then 34, to be welcomed into Hollywood’s inner circle. A proudly working-class Brit who didn’t look or act (on screen or off) like the blushing English roses typically imported from across the pond, Jackson had markedly more interest in being a professional actor than in being a movie star. That spared her, even as she racked up assignments and awards, much of the fuss and frippery associated with A-list status — going to the Oscars included.
It proved, however, a rather apt way for Jackson, then 34, to be welcomed into Hollywood’s inner circle. A proudly working-class Brit who didn’t look or act (on screen or off) like the blushing English roses typically imported from across the pond, Jackson had markedly more interest in being a professional actor than in being a movie star. That spared her, even as she racked up assignments and awards, much of the fuss and frippery associated with A-list status — going to the Oscars included.
- 6/15/2023
- by Guy Lodge
- Variety Film + TV
Glenda Jackson, a two-time Academy Award-winning performer who had a second career in politics as a British lawmaker before an acclaimed late-life return to stage and screen, has died at age 87.
Jackson’s agent Lionel Larner said she died Thursday at her home in London after a short illness. He said she had recently completed filming “’The Great Escaper”, in which she co-starred with 90-year-old Michael Caine.
Caine said Jackson was “one of our greatest movie actresses. I shall miss her.”
Born into a working-class family in Birkhenhead, northwest England, in 1936 Jackson trained at the Royal Academy of Dramatic Art in London. She performed with the Royal Shakespeare Company — where she starred in the cutting-edge drama “Marat/Sade” directed by Peter Brook — and became one of the biggest British stars of the 1960s and 70s, winning two Academy Awards, for the brooding D.H. Lawrence adaptation “Women in Love” in 1971 and the...
Jackson’s agent Lionel Larner said she died Thursday at her home in London after a short illness. He said she had recently completed filming “’The Great Escaper”, in which she co-starred with 90-year-old Michael Caine.
Caine said Jackson was “one of our greatest movie actresses. I shall miss her.”
Born into a working-class family in Birkhenhead, northwest England, in 1936 Jackson trained at the Royal Academy of Dramatic Art in London. She performed with the Royal Shakespeare Company — where she starred in the cutting-edge drama “Marat/Sade” directed by Peter Brook — and became one of the biggest British stars of the 1960s and 70s, winning two Academy Awards, for the brooding D.H. Lawrence adaptation “Women in Love” in 1971 and the...
- 6/15/2023
- by Melissa Romualdi
- ET Canada
Glenda Jackson, whose illustrious career spanned from classic feature films like Sunday Bloody Sunday, Women in Love and A Touch of Class to a political career at the British Parliament, passed peacefully this morning at her home in London. She was 87 years old. Jackson has been said to have been battling an illness recently. Although she had transitioned from movies to civil service, the actress will appear in one last film project as she just wrapped her scenes opposite Sir Michael Caine in a movie titled The Great Escaper.
Jackson’s agent Lionel Larner released an official statement according to Variety. In the statement, Larner declares, ”Glenda Jackson, two-time Academy Award-winning actress and politician, died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side. She recently completed filming The Great Escaper in which she co-starred with Michael Caine.”
In addition to films,...
Jackson’s agent Lionel Larner released an official statement according to Variety. In the statement, Larner declares, ”Glenda Jackson, two-time Academy Award-winning actress and politician, died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side. She recently completed filming The Great Escaper in which she co-starred with Michael Caine.”
In addition to films,...
- 6/15/2023
- by EJ Tangonan
- JoBlo.com
Glenda Jackson, the British actress who hit the snooze bar on her acting career for a 23-year career in politics, died on Thursday, as per her representatives. During her peak years in the 1970s and 80s, she won two Oscars (and was nominated for two more) and two Emmy Awards. She was nominated for four Tony Awards, finally winning one in 2018 after a late-in-life career resurgence. She was 87 years old.
Jackson, whose father was a bricklayer and whose mother was a barmaid and domestic, studied at the Royal Academy of Dramatic Art. She was told by the academy’s principal that, due to her looks, she would likely only find work as a character actress, and she shouldn’t depend on getting jobs after 40.
This proved to be the opposite of true. Her big break came when experimental theater director Peter Brook cast her in the Royal Shakespeare Company’s groundbreaking adaptation of “Marat/Sade.
Jackson, whose father was a bricklayer and whose mother was a barmaid and domestic, studied at the Royal Academy of Dramatic Art. She was told by the academy’s principal that, due to her looks, she would likely only find work as a character actress, and she shouldn’t depend on getting jobs after 40.
This proved to be the opposite of true. Her big break came when experimental theater director Peter Brook cast her in the Royal Shakespeare Company’s groundbreaking adaptation of “Marat/Sade.
- 6/15/2023
- by Jordan Hoffman
- Gold Derby
The British actor was the epitome of countercultural chic in key 1970s films. It is just a shame she couldn’t be persuaded to do more of them when her political career ended
Glenda Jackson, fearless actor and politician, dies aged 87
For a brief, intense period in the 70s, Glenda Jackson was the very epitome of bohemian Brit chic in the movies: gamine in a worldly English way, intellectual, liberated and frank but with a capacity for demure naivety. This was a period that gloriously co-existed with her recurring appearances on The Morecambe and Wise Show. Jackson revered Eric and Ernie to the end of her life, because apart from their own value, her guest-spots on their programme led to her being cast in the 1973 Hollywood comedy A Touch of Class, which in turn gave Jackson her second Oscar, the title tacitly describing what this Rada-trained English actor was giving the movie.
Glenda Jackson, fearless actor and politician, dies aged 87
For a brief, intense period in the 70s, Glenda Jackson was the very epitome of bohemian Brit chic in the movies: gamine in a worldly English way, intellectual, liberated and frank but with a capacity for demure naivety. This was a period that gloriously co-existed with her recurring appearances on The Morecambe and Wise Show. Jackson revered Eric and Ernie to the end of her life, because apart from their own value, her guest-spots on their programme led to her being cast in the 1973 Hollywood comedy A Touch of Class, which in turn gave Jackson her second Oscar, the title tacitly describing what this Rada-trained English actor was giving the movie.
- 6/15/2023
- by Peter Bradshaw
- The Guardian - Film News
Glenda Jackson in Ken Russell's Women In Love
Glenda Jackson, who made her name in films like Women In Love, Sunday Bloody Sunday and A Touch Of Class before going on to spend 23 years as Labour MP for Hampstead and Highgate (later Hampstead and Kilburn), has died at the age of 87, it was announced today. The Birkenhead-born star, who won two Oscars, three Emmys and a Tony over the course of her career, made a late life return to acting and her final film, The Great Escaper, is expected to be released early next year.
A forthright woman who always put politics front and centre in her life and once described herself as an antisocial socialist, Jackson chose films which gave her the chance to address issues she felt passionate about, such as Ken Russell's The Music Lovers, which broke onscreen taboos about homosexuality and female sexual expression. Offscreen,...
Glenda Jackson, who made her name in films like Women In Love, Sunday Bloody Sunday and A Touch Of Class before going on to spend 23 years as Labour MP for Hampstead and Highgate (later Hampstead and Kilburn), has died at the age of 87, it was announced today. The Birkenhead-born star, who won two Oscars, three Emmys and a Tony over the course of her career, made a late life return to acting and her final film, The Great Escaper, is expected to be released early next year.
A forthright woman who always put politics front and centre in her life and once described herself as an antisocial socialist, Jackson chose films which gave her the chance to address issues she felt passionate about, such as Ken Russell's The Music Lovers, which broke onscreen taboos about homosexuality and female sexual expression. Offscreen,...
- 6/15/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Glenda Jackson, the two-time Oscar winner who walked away from a hugely successful acting career to spend nearly a quarter-century in the U.K. parliament, only to make a comeback on the stage, died Thursday. She was 87.
Jackson died peacefully after a brief illness at her home in Blackheath, London, and her family was at her side, her agent Lionel Larner said in a statement. “Today we lost one of the world’s greatest actresses, and I have lost a best friend of over 50 years,” he said.
She recently completed filming The Great Escaper opposite Michael Caine, Larner noted.
The British actress collected a slew of honors that included best actress Academy Awards for Women in Love (1969) and A Touch of Class (1973); two Emmys for her performance as Elizabeth I in the BBC miniseries Elizabeth R (a role she also played in the 1971 film Mary, Queen of Scots); and a...
Jackson died peacefully after a brief illness at her home in Blackheath, London, and her family was at her side, her agent Lionel Larner said in a statement. “Today we lost one of the world’s greatest actresses, and I have lost a best friend of over 50 years,” he said.
She recently completed filming The Great Escaper opposite Michael Caine, Larner noted.
The British actress collected a slew of honors that included best actress Academy Awards for Women in Love (1969) and A Touch of Class (1973); two Emmys for her performance as Elizabeth I in the BBC miniseries Elizabeth R (a role she also played in the 1971 film Mary, Queen of Scots); and a...
- 6/15/2023
- by Frank Scheck
- The Hollywood Reporter - Movie News
Glenda Jackson, the double Oscar-winning British actress and former Labour MP, has died. She was 87.
In a statement, her agent Lionel Larner said she died at her home in Blackheath, south-east London, following a “brief illness.”
Larner’s statement read: “Glenda Jackson, two-time Academy Award-winning actress, and politician, died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side.”
Statement continued: “She recently completed filming The Great Escaper in which she co-starred with Michael Caine.”
Jackson was perhaps best known for her two Oscar-winning performances in Ken Russell’s 1970’s pic Women in Love, a D. H. Lawrence adaptation, where she starred alongside Alan Bates and Oliver Reed and 1973’s A Touch of Class. Jackson also won a BAFTA Best Actress gong for Sunday Bloody Sunday (1971).
Jackson was born in 1936 in North West England. She studied at London’s prestigious Royal Academy of Dramatic Art...
In a statement, her agent Lionel Larner said she died at her home in Blackheath, south-east London, following a “brief illness.”
Larner’s statement read: “Glenda Jackson, two-time Academy Award-winning actress, and politician, died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side.”
Statement continued: “She recently completed filming The Great Escaper in which she co-starred with Michael Caine.”
Jackson was perhaps best known for her two Oscar-winning performances in Ken Russell’s 1970’s pic Women in Love, a D. H. Lawrence adaptation, where she starred alongside Alan Bates and Oliver Reed and 1973’s A Touch of Class. Jackson also won a BAFTA Best Actress gong for Sunday Bloody Sunday (1971).
Jackson was born in 1936 in North West England. She studied at London’s prestigious Royal Academy of Dramatic Art...
- 6/15/2023
- by Zac Ntim
- Deadline Film + TV
Jackson won Academy Awards for ’Women In Love’ and ’A Touch Of Class’.
UK actress Glenda Jackson, known for her Oscar-winning performances in Women In Love and A Touch Of Class, has died aged 87.
Jackson, who was also a former Labour MP, ”died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side,” according to her agent Lionel Larner.
Born in Birkenhead, UK, Jackson’s acting career began in theatre in the late 1950’s before she made her big screen debut with an uncredited role in Lindsay Anderson’s This Sporting Life...
UK actress Glenda Jackson, known for her Oscar-winning performances in Women In Love and A Touch Of Class, has died aged 87.
Jackson, who was also a former Labour MP, ”died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side,” according to her agent Lionel Larner.
Born in Birkenhead, UK, Jackson’s acting career began in theatre in the late 1950’s before she made her big screen debut with an uncredited role in Lindsay Anderson’s This Sporting Life...
- 6/15/2023
- by Ellie Calnan
- ScreenDaily
Glenda Jackson, who segued from a successful actress — Oscars for “Women in Love” and “A Touch of Class” and two Emmys for “Elizabeth R” — into a 23-year career as member of the U.K.’s House of Commons, has died. She was 87.
Jackson died after a brief illness at her home in London, her agent Lionel Larner said. “Glenda Jackson, two-time Academy Award-winning actress and politician, died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side. She recently completed filming ‘The Great Escaper’ in which she co-starred with Michael Caine,” Larner said in a statement.
Aside from her prize-winning roles, Jackson gave terrific performances in such films as 1967’s “Marat/Sade” (as Charlotte Corday), “Sunday Bloody Sunday” and on TV in “The Patricia Neal Story,” a 1981 work about that actress’s stroke and recovery with husband Roald Dahl. A defining role in...
Jackson died after a brief illness at her home in London, her agent Lionel Larner said. “Glenda Jackson, two-time Academy Award-winning actress and politician, died peacefully at her home in Blackheath, London this morning after a brief illness with her family at her side. She recently completed filming ‘The Great Escaper’ in which she co-starred with Michael Caine,” Larner said in a statement.
Aside from her prize-winning roles, Jackson gave terrific performances in such films as 1967’s “Marat/Sade” (as Charlotte Corday), “Sunday Bloody Sunday” and on TV in “The Patricia Neal Story,” a 1981 work about that actress’s stroke and recovery with husband Roald Dahl. A defining role in...
- 6/15/2023
- by Tim Gray
- Variety Film + TV
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