As expansive and iconic as its title suggests, Sergio Leone’s Once Upon a Time in the West certainly seemed to be written in John Ford’s blood, from the vast wide-angle visions of Monument Valley that Leone and cinematographer Tonino Delli Colli luxuriated in, to the railroad-based, future-of-America economic landscape that serves as a backdrop to a number of bandit-versus-bandit power plays. Henry Fonda, with that methodical, stately stroll of his and those killer blue eyes barely visible from under the rim of his hat, can be seen and heard throughout, sending a shiver of great nostalgia up one’s spine. Ripened and tanned by years of desert sunlight, Ford’s Wyatt Earp is back in the saddle again.
But that particular pace and posture that Fonda had become known for in such films as My Darling Clementine, matched with the devious glint in those baby blues, now took...
But that particular pace and posture that Fonda had become known for in such films as My Darling Clementine, matched with the devious glint in those baby blues, now took...
- 5/21/2024
- by Chris Cabin
- Slant Magazine
James Stewart, more affectionately known as “Jimmy” to his fans, was an Oscar-winning performer who became famous for his polite, gentle screen persona, often playing the aww-shucks boy next door. Yet he also showed his range with a series of performances that found him playing against type. Let’s take a look back at 25 of his greatest films, ranked worst to best.
Born in 1908, Stewart earned his first Oscar nomination as Best Actor for playing an idealistic young senator in “Mr. Smith Goes to Washington” (1939), which firmly established him as the patron saint of the common man. He clinched his one and only victory the very next year for “The Philadelphia Story” (1940), playing a tabloid reporter who stumbles into the marital strife of a high society couple (Katharine Hepburn and Cary Grant).
After serving in WWII, Stewart returned home to play George Bailey, a businessman contemplating suicide on Christmas Eve,...
Born in 1908, Stewart earned his first Oscar nomination as Best Actor for playing an idealistic young senator in “Mr. Smith Goes to Washington” (1939), which firmly established him as the patron saint of the common man. He clinched his one and only victory the very next year for “The Philadelphia Story” (1940), playing a tabloid reporter who stumbles into the marital strife of a high society couple (Katharine Hepburn and Cary Grant).
After serving in WWII, Stewart returned home to play George Bailey, a businessman contemplating suicide on Christmas Eve,...
- 5/18/2024
- by Zach Laws and Chris Beachum
- Gold Derby
“When we leap into the unknown, we prove that we are free,” says Cesar Catalina, the futuristic architect at the beating heart of Francis Ford Coppola’s Megalopolis (to give it its full title), a mad eco-sci-fi blockbuster some 40 years in the making. Catalina says it several times, and it’s one of the more succinct aphorisms that he spouts in a script that is stuffed with seemingly random literary allusions from the likes of Petrarch, Crassus and Marcus Aurelius to Goethe, Shakespeare, H.G. Wells and Ralph Waldo Emerson. Watching Anthony Mann’s The Fall of the Roman Empire and eating cheese afterwards would be the only way to replicate its fever-dream grandeur, a series of stunning images, carried along by the loosest of plots, that pontificate on the self-destructive nature of humankind, the only species capable of civilizing itself to death.
True to the advance gossip, Megalopolis is something of a mess — unruly,...
True to the advance gossip, Megalopolis is something of a mess — unruly,...
- 5/16/2024
- by Damon Wise
- Deadline Film + TV
The days are getting longer everywhere, except Palm Springs, where darkness is on the ascent each May. That’s when the city plays host to the Arthur Lyons Film Noir Festival, which is celebrating its 25th anniversary May 9-12 with a program of a dozen classic films from the 1940s and ’50s. Great directors like Alfred Hitchcock, Robert Rossen, Andre de Toth and Anthony Mann and stars like Humphrey Bogart, John Garfield, Barbara Stanwyck and Robert Ryan will have desert dwellers and visitors alike eager to blot out the sun for four days, culminating in the festival’s customary Mother’s Day crime spree.
As always, the festival is curated and hosted by a face familiar to any serious modern-day noir aficionado, Alan K. Rode, one of the principals of the Film Noir Foundation and a co-host of the Noir City festival every April in Hollywood. Rode’s Noir City cohort,...
As always, the festival is curated and hosted by a face familiar to any serious modern-day noir aficionado, Alan K. Rode, one of the principals of the Film Noir Foundation and a co-host of the Noir City festival every April in Hollywood. Rode’s Noir City cohort,...
- 5/6/2024
- by Chris Willman
- Variety Film + TV
Obviously it wasn’t by design, but the early-1950s renewal of the western genre, aided in large part by the success of Winchester ’73, which heralded a career second act for both its director, Anthony Mann, and its star, James Stewart, was answered in other quarters of the industry by multiple endeavors to take the once disreputable genre, previously dismissed as Roy Rogers/Saturday-matinee bunkum, all the way into the hallowed halls of state-sanctioned, capital-a art. And, as it happened, the two westerns that made a big runner-up showing at the 1952 and 1953 Oscars, High Noon and Shane, respectively, also served, by virtue of holding what wide swaths of the future cinephile demographic would come to view as Vichy letters of transit, as high-value targets for skeptics of the official cultural narrative.
These auteurist critics and film buffs, whose philosophy acquired definite contours some 10-odd years later, observed a different watershed moment: Rio Bravo.
These auteurist critics and film buffs, whose philosophy acquired definite contours some 10-odd years later, observed a different watershed moment: Rio Bravo.
- 5/3/2024
- by Jaime N. Christley
- Slant Magazine
In Golden Age Hollywood, it was common for a director to be fired in the middle of shooting. Moreover, only the one who finished the movie had a chance to be in the credits.
So Spartacus went down in history as a Stanley Kubrick movie, even though Anthony Mann started making it. And The Honeymoon Killers’ credits did not reflect Martin Scorsese's contribution at all – all the praise went to Leonard Kastle, who came after him.
For directors, especially debutants, such situations turned into career disasters: the half-finished movie was taken away from them, the footage was used without their participation, and after that it was not easy to find a new job – after all, the entire Hollywood knew about such dismissals, and no matter what the reason for the disagreement between the parties turned out to be, such stories did not bring positive reputation to the fired director.
So Spartacus went down in history as a Stanley Kubrick movie, even though Anthony Mann started making it. And The Honeymoon Killers’ credits did not reflect Martin Scorsese's contribution at all – all the praise went to Leonard Kastle, who came after him.
For directors, especially debutants, such situations turned into career disasters: the half-finished movie was taken away from them, the footage was used without their participation, and after that it was not easy to find a new job – after all, the entire Hollywood knew about such dismissals, and no matter what the reason for the disagreement between the parties turned out to be, such stories did not bring positive reputation to the fired director.
- 5/2/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Clint Eastwood was already 30 years old when he landed his breakout role in the CBS Western "Rawhide." The actor had spent much of the 1950s getting by on bit parts in B movies (most notably the Jack Arnold monster duo of "Revenge of the Creature" and "Tarantula"), and guest roles on TV series like "Maverick" and "Death Valley Days," so you'd think he would've been thrilled. But Eastwood was displeased with his character Rowdy Yates, who, early on in the series' run, was a wet-behind-the-ears ramrod. At his age, he was eager to play a grown, capable man with enough years behind him to allow for a bit of mystery.
Eastwood's restlessness coincided with a shift in filmmakers' approach to the Western genre. Though maestros like John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher had allowed for moral ambiguity in their movies, the vast majority of Westerns were white...
Eastwood's restlessness coincided with a shift in filmmakers' approach to the Western genre. Though maestros like John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher had allowed for moral ambiguity in their movies, the vast majority of Westerns were white...
- 4/28/2024
- by Jeremy Smith
- Slash Film
There wasn't a more capable director of massive, widescreen Westerns working in Hollywood during the 1950s and '60s than John Sturges. Whether classical ("Gunfight at the O.K. Corral") or somewhat unconventional ("Bad Day at Black Rock"), Sturges could frame a mountainous expanse or stage a gunfight with the best of them. He thrived when working with big casts and specialized in discovering stirring nuances in characters that would've been walking cliches in more typical genre flicks.
Sturges was also efficient, which came in handy when managing expensive studio productions populated with big egos. His biggest challenge in this department might've been "The Magnificent Seven," the 1960 remake of Akira Kurosawa's masterpiece "Seven Samurai." Yul Brynner, then a hugely popular movie star (largely on the strength of his Academy Award-winning performance in "The King and I" and his portrayal of Ramses in Cecil B. DeMille's "The Ten Commandments"), controlled...
Sturges was also efficient, which came in handy when managing expensive studio productions populated with big egos. His biggest challenge in this department might've been "The Magnificent Seven," the 1960 remake of Akira Kurosawa's masterpiece "Seven Samurai." Yul Brynner, then a hugely popular movie star (largely on the strength of his Academy Award-winning performance in "The King and I" and his portrayal of Ramses in Cecil B. DeMille's "The Ten Commandments"), controlled...
- 4/28/2024
- by Jeremy Smith
- Slash Film
Less bleak than Anthony Mann’s westerns with James Stewart, including Winchester ’73 and Bend of the River, The Tin Star still wastes little time sketching an unwelcoming vision of the Old West. It begins with bounty hunter Morgan Hickman (Henry Fonda) riding into a small town with his latest deceased prize in tow. The townspeople gather around him in the street like pigeons, though the open hostility and disapproval in their faces undermines the sense that they’re in any way titillated by the sight of a dead body or a grizzled gunslinger. Forced to wait for the paperwork to clear for his payout, Morgan settles in for a few days of frosty reception that the townsfolk extend to any outsider, including those within their community who violate the narrow-minded boundaries of accepted behavior.
Perhaps inevitably, Morgan becomes briefly attached to Nora (Betsy Palmer), a local woman ostracized to...
Perhaps inevitably, Morgan becomes briefly attached to Nora (Betsy Palmer), a local woman ostracized to...
- 4/12/2024
- by Jake Cole
- Slant Magazine
While it was fascinating to see the results of the 2022 Sight & Sound poll, we’re just as curious to see what lies outside the established canon. As part of a comprehensive project at the essential resource They Shoot Pictures, Don’t They?, Ángel González polled nearly 839 critics on the best films that didn’t receive a single vote on the Sight & Sound poll, which they’ve now compiled into a massive Beyond the Sight & Sound Canon, which initially features 1,030 films but expands to a whopping 14,558 total films.
As a preview, we’ve collected the films that received at least 20 votes in this new poll, which is 263. It’s led by Spike Jonze’s Her, and they’ve also noted the directors that were most represented. Fritz Lang leads the pack with eight films mentioned, while François Truffaut has seven, and Anthony Mann, Clint Eastwood, Eric Rohmer, John Ford, Samuel Fuller,...
As a preview, we’ve collected the films that received at least 20 votes in this new poll, which is 263. It’s led by Spike Jonze’s Her, and they’ve also noted the directors that were most represented. Fritz Lang leads the pack with eight films mentioned, while François Truffaut has seven, and Anthony Mann, Clint Eastwood, Eric Rohmer, John Ford, Samuel Fuller,...
- 4/8/2024
- by Jordan Raup
- The Film Stage
Martin Scorsese‘s “Killers of the Flower Moon” opens with a flurry of images and incidents that quickly establish the world and era of the film. Moving from an Osage pipe ceremony to a slow-motion shot of characters dancing in gushing oil and then a newsreel recreation that acclimates the viewer to the historical context, Scorsese and co-screenwriter Eric Roth create one of the most immediately involving openings in recent movies. Yet according to Scorsese, a completely different prologue was initially planned.
“Eric and I originally had the idea that we should do the Oklahoma land rush,” Scorsese told IndieWire. “He had written a five- or seven-page description with beautiful vignettes, and I was going to shoot it all in one take. We had it all worked out that it would take another month with a separate unit.” Shooting the sprawling action sequence would have allowed Scorsese to pay tribute...
“Eric and I originally had the idea that we should do the Oklahoma land rush,” Scorsese told IndieWire. “He had written a five- or seven-page description with beautiful vignettes, and I was going to shoot it all in one take. We had it all worked out that it would take another month with a separate unit.” Shooting the sprawling action sequence would have allowed Scorsese to pay tribute...
- 11/15/2023
- by Jim Hemphill
- Indiewire
There are ghosts on and off the screen in Ridley Scott’s 28th feature, chief among them being Stanley Kubrick’s unrealized biopic of Napoleon Bonaparte, the Corsican military strategist who inveigled his way up through the ranks of the military to become the leader of France not once but twice. That at the age of nearly 86 Scott has stepped up to finish what Kubrick couldn’t is something the British director will no doubt relish. But though his take on the story is his own, there’s still something elusive about Bonaparte’s story that doesn’t make a coherent whole: as is consistent with history, Scott’s Napoleon is a lover and a fighter, an incongruity that leads to sharp changes in tone and a restlessly episodic narrative that can be overwhelming in its dates, names and places.
For Napoleon to work at all, it needs an imposing but charismatic presence,...
For Napoleon to work at all, it needs an imposing but charismatic presence,...
- 11/15/2023
- by Damon Wise
- Deadline Film + TV
Among the myriad reasons we could call the Criterion Channel the single greatest streaming service is its leveling of cinematic snobbery. Where a new World Cinema Project restoration plays, so too does Tales from the Crypt: Demon Knight. I think about this looking at November’s lineup and being happiest about two new additions: a nine-film Robert Bresson retro including L’argent and The Devil, Probably; and a one-film Hype Williams retro including Belly and only Belly, but bringing as a bonus the direct-to-video Belly 2: Millionaire Boyz Club. Until recently such curation seemed impossible.
November will also feature a 20-film noir series boasting the obvious and the not. Maybe the single tightest collection is “Women of the West,” with Johnny Guitar and The Beguiled and Rancho Notorious and The Furies only half of it. Lynch/Oz, Irradiated, and My Two Voices make streaming premieres; Drylongso gets a Criterion Edition; and joining...
November will also feature a 20-film noir series boasting the obvious and the not. Maybe the single tightest collection is “Women of the West,” with Johnny Guitar and The Beguiled and Rancho Notorious and The Furies only half of it. Lynch/Oz, Irradiated, and My Two Voices make streaming premieres; Drylongso gets a Criterion Edition; and joining...
- 10/24/2023
- by Nick Newman
- The Film Stage
One of the pleasures of Telluride is watching a master auteur accept the Silver Medallion. Telluride Executive Director Julie Huntsinger was shocked to discover that in the 50 years of the festival, no Silver Medallion was ever awarded to German filmmaker Wim Wenders. So this year, he brought his two Cannes selections, 3D documentary “Anselm” (Sideshow and Janus) and Competition title “Perfect Days” (Neon), whose star Koji Yakusho (“Shall We Dance?”) won Best Actor at Cannes. Despite its German director, Japan has chosen to submit the film for the Oscar.
At Thursday night’s first tribute, Werner Herzog dug into his pocket to fish out the Silver Medallion, and placed it around his old friend’s neck. “The same time several years ago Tom Luddy put this on my neck,” said Herzog. “I kept thinking, ‘this is an injustice if you hadn’t received this medallion in 1978, and 1981, and 1995, and 2015.’ Because...
At Thursday night’s first tribute, Werner Herzog dug into his pocket to fish out the Silver Medallion, and placed it around his old friend’s neck. “The same time several years ago Tom Luddy put this on my neck,” said Herzog. “I kept thinking, ‘this is an injustice if you hadn’t received this medallion in 1978, and 1981, and 1995, and 2015.’ Because...
- 9/3/2023
- by Anne Thompson
- Indiewire
The bread and butter of film festivals is the unveiling of new movies. And in the case of the major festivals taking place in the late summer and early fall — Venice, Telluride, Toronto and New York — the selections offer a preview of potential Oscar nominees and winners. Remember the eight-minute standing ovation Brendan Fraser received last year at Venice for “The Whale”? It kicked off his comeback and journey to a best Oscar win this year.
And with the 50th annual Telluride Film Festival kicking off August 31 at in the picturesque Colorado mountain burg, let’s take the cinematic time machine back 1993 when the fest was a mere 20 years old. John Boorman of “Deliverance” and “Hope and Glory” fame was the guest director of the festival. Jennifer Jason Leigh, then just 31 and whose latest film was Robert Altman’s “Short Cuts,” was honored with a tribute as was socialist British director Ken Loach,...
And with the 50th annual Telluride Film Festival kicking off August 31 at in the picturesque Colorado mountain burg, let’s take the cinematic time machine back 1993 when the fest was a mere 20 years old. John Boorman of “Deliverance” and “Hope and Glory” fame was the guest director of the festival. Jennifer Jason Leigh, then just 31 and whose latest film was Robert Altman’s “Short Cuts,” was honored with a tribute as was socialist British director Ken Loach,...
- 8/31/2023
- by Susan King
- Gold Derby
(Welcome to Did They Get It Right?, a series where we look at Oscars categories from yesteryear and examine whether the Academy's winners stand the test of time.)
Few directors hold as large a place in the hearts of cinephiles as Stanley Kubrick. The mythology of the director as this reclusive, micromanaging perfectionist who would drive people insane by doing 100 takes of a scene has become the stuff of legend. Some people stand in awe of what he was able to accomplish throughout his career on such a grand scale, and some, naturally, want to take him down a peg because of his godlike status amongst a certain sector of film fans. I don't hold Kubrick up as god. He wouldn't be on my Mt. Rushmore of directors. But the man did direct some of the best films ever made. That's a little difficult to deny.
Because of this revered status,...
Few directors hold as large a place in the hearts of cinephiles as Stanley Kubrick. The mythology of the director as this reclusive, micromanaging perfectionist who would drive people insane by doing 100 takes of a scene has become the stuff of legend. Some people stand in awe of what he was able to accomplish throughout his career on such a grand scale, and some, naturally, want to take him down a peg because of his godlike status amongst a certain sector of film fans. I don't hold Kubrick up as god. He wouldn't be on my Mt. Rushmore of directors. But the man did direct some of the best films ever made. That's a little difficult to deny.
Because of this revered status,...
- 8/20/2023
- by Mike Shutt
- Slash Film
In fashion, credits are everything.
This week in Cannes, French fashion house Saint Laurent graduated beyond “who are you wearing?” to “who made that movie?” courtesy of the world premiere of Pedro Almodovar’s gay Western Strange Way of Life starring Ethan Hawke and Pedro Pascal.
Because credits are crucial, now is the time to point out that not only is the 30-minute gay Western presented by the house, Saint Laurent received associate producer credit while creative director Anthony Vaccarello served as the costume designer for the 1910-set pic.
Strange Way of Life stars Ethan Hawke and Pedro Pascal, wearing the green jacket similar to the one from Bend of the River.
There’s one more: The collaboration serves as the official debut of Saint Laurent Prods., an expansion that gives the house bragging rights as the first brand fully invested in producing films. Per official intel from Saint Laurent,...
This week in Cannes, French fashion house Saint Laurent graduated beyond “who are you wearing?” to “who made that movie?” courtesy of the world premiere of Pedro Almodovar’s gay Western Strange Way of Life starring Ethan Hawke and Pedro Pascal.
Because credits are crucial, now is the time to point out that not only is the 30-minute gay Western presented by the house, Saint Laurent received associate producer credit while creative director Anthony Vaccarello served as the costume designer for the 1910-set pic.
Strange Way of Life stars Ethan Hawke and Pedro Pascal, wearing the green jacket similar to the one from Bend of the River.
There’s one more: The collaboration serves as the official debut of Saint Laurent Prods., an expansion that gives the house bragging rights as the first brand fully invested in producing films. Per official intel from Saint Laurent,...
- 5/19/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
The great Spanish filmmaker Pedro Almodóvar is a rabid fan of the Western genre but until now he had never made one. He had also only dabbled in directing an English-language film with the exception of the 2020 short The Human Voice, which starred Tilda Swinton.
His latest movie is also a short, just 31 minutes, but he finally got to do his Western in English. It’s a nice homage to the form and those great directors who created it, but it is safe to say this homage could only have come from this master of cinema.
Almodóvar brought the finished product to its world premiere at the Cannes Film Festival on Wednesday and, if flattered by the attention, the ghosts of John Ford, Howard Hawks, John Sturges, Anthony Mann, Raoul Walsh and Sam Peckinpah may be surprised at the twist that this 73-year-old fanboy has given Strange Way of Life.
His latest movie is also a short, just 31 minutes, but he finally got to do his Western in English. It’s a nice homage to the form and those great directors who created it, but it is safe to say this homage could only have come from this master of cinema.
Almodóvar brought the finished product to its world premiere at the Cannes Film Festival on Wednesday and, if flattered by the attention, the ghosts of John Ford, Howard Hawks, John Sturges, Anthony Mann, Raoul Walsh and Sam Peckinpah may be surprised at the twist that this 73-year-old fanboy has given Strange Way of Life.
- 5/17/2023
- by Pete Hammond
- Deadline Film + TV
A couple months after spotlighting the world’s greatest actress, the Criterion Channel have taken a logical next step towards America’s greatest actress. May (or: next week) will bring an eleven-film celebration of Jennifer Jason Leigh, highlights including Verhoeven’s Flesh + Blood, Miami Blues, Alan Rudolph’s Mrs. Parker, her directorial debut The Anniversary Party, and Synecdoche, New York, and a special introduction from Leigh. Another actor’s showcase localizes directorial collaborations: Jimmy Stewart’s time with Anthony Mann, an eight-title series boasting the likes of Winchester ’73 and The Man from Laramie. Two more: a survey of ’80s Asian-American cinema (Chan Is Missing being the best-known) and 14 movies by Seijun Suzuki.
That would be enough for one month (or two), but No Bears and Cette maison will have their streaming premieres, while Criterion Editions offers the Infernal Affairs trilogy (plus its packed set), Days of Heaven, and the aforementioned Chan Is Missing.
That would be enough for one month (or two), but No Bears and Cette maison will have their streaming premieres, while Criterion Editions offers the Infernal Affairs trilogy (plus its packed set), Days of Heaven, and the aforementioned Chan Is Missing.
- 4/20/2023
- by Nick Newman
- The Film Stage
The Western is back, again. After it died. Prior to which it came back again.
As film historian and co-host of the How the West was Cast podcast, Andrew Patrick Nelson argues, journalists and historians love to write about the Western being dead just as much as they enjoy writing about its resurgence. However, this ebb and flow is part of a predictable life cycle that has kept the genre alive for over a century.
The origins of the frontier narrative on our public consciousness dates to 1845, when John L. O’Sullivan coined the phrase “manifest destiny” in an essay about America’s perceived right to expansion. As the Wild West came to an end and the frontier became settled, Frederick Jackson Turner introduced his “frontier thesis” in 1893. Turner hit on the binary conflicts that make the Western as a mythological place so engaging. The frontier, as he defined it,...
As film historian and co-host of the How the West was Cast podcast, Andrew Patrick Nelson argues, journalists and historians love to write about the Western being dead just as much as they enjoy writing about its resurgence. However, this ebb and flow is part of a predictable life cycle that has kept the genre alive for over a century.
The origins of the frontier narrative on our public consciousness dates to 1845, when John L. O’Sullivan coined the phrase “manifest destiny” in an essay about America’s perceived right to expansion. As the Wild West came to an end and the frontier became settled, Frederick Jackson Turner introduced his “frontier thesis” in 1893. Turner hit on the binary conflicts that make the Western as a mythological place so engaging. The frontier, as he defined it,...
- 3/21/2023
- by Chris Yogerst
- The Hollywood Reporter - Movie News
Somewhere in between his Oscar-winning portrayal of a gay lawyer dying of AIDS in "Philadelphia" and his performance as the mild-mannered captain of an Army detachment ordered to rescue the sole surviving son of a family that lost three of their children to the Normandy Invasion in "Saving Private Ryan," Tom Hanks was declared the James Stewart of his generation. The evidence was compelling. As Forrest Gump, astronaut Jim Lovell, and Sheriff Woody, Hanks had come to exemplify all that is right and decent about America. We saw the best of ourselves in his characters, while, off-screen, he exuded good, clean charm whenever he turned up on a talk show or a red carpet. He seemed affable, erudite, and kind. But to call him the Baby Boomer James Stewart was to ignore Stewart's willingness to play hard against type.
It is 2023, and Hanks has just delivered his first truly...
It is 2023, and Hanks has just delivered his first truly...
- 3/17/2023
- by Jeremy Smith
- Slash Film
Daniel Day-Lewis is a method actor's method actor. He burrows so deep into his characters he becomes them for a time. When he portrayed Abraham Lincoln, he would text Sally Field, who played Mary Todd Lincoln, in the voice of the Great Emancipator. Given his knockout good looks and palpable screen presence, Day-Lewis could've made a killing as a movie star, but he understood his value as a performer, and carefully called his shots after winning his first Academy Award for Best Actor as artist Christy Brown, who famously created while having cerebral palsy, in Jim Sheridan's "My Left Foot."
Over his 20 credited performances, Day-Lewis has only made two movies that could be considered pure genre efforts: Michael Mann's frontier adventure "The Last of the Mohicans" and Rob Marshall's godawful adaptation of the musical "Nine." But even these are deep-tissue immersions. Day-Lewis has resisted the temptation to be Day-Lewis.
Over his 20 credited performances, Day-Lewis has only made two movies that could be considered pure genre efforts: Michael Mann's frontier adventure "The Last of the Mohicans" and Rob Marshall's godawful adaptation of the musical "Nine." But even these are deep-tissue immersions. Day-Lewis has resisted the temptation to be Day-Lewis.
- 3/9/2023
- by Jeremy Smith
- Slash Film
MGM head Dore Schary essentially co-opted one of Anthony Mann’s Eagle-Lion projects, hiring Mann, writer John Higgins and the great cinematographer John Alton away from the low budget factory and giving them more money to work‚ with. As‚ in their earlier T-Men, government agents infiltrate a crime ring, this time‚ one exploiting migrant farm workers. Surprisingly violent for Metro, this is one of the greatest looking ‚ black-and-white movies.
The post Border Incident appeared first on Trailers From Hell.
The post Border Incident appeared first on Trailers From Hell.
- 3/1/2023
- by TFH Team
- Trailers from Hell
Before James Stewart became one of the most beloved stars in Hollywood history, he was -- believe it or not -- a struggling contract player at MGM. During the golden age of cinema, the small-town boy from Pennsylvania had found his way to Los Angeles, where he was churning out films as part of the studio system. It wasn't until Stewart stunned audiences with his turn as Senator Jefferson Smith in Frank Capra's 1939 comedy-drama "Mr. Smith Goes to Washington" that his star seriously began to rise.
Considering how much work Stewart put into the part, the praise he received was well-deserved. Aside from breaking his rule regarding rushes for the great Capra, the actor also ingested mercury dichloride to give himself a sore throat and make his performance in the famous 24-hour filibuster scene more believable. Amazingly, after wrapping the movie, Stewart was far from "licked," as Senator Smith would say.
Considering how much work Stewart put into the part, the praise he received was well-deserved. Aside from breaking his rule regarding rushes for the great Capra, the actor also ingested mercury dichloride to give himself a sore throat and make his performance in the famous 24-hour filibuster scene more believable. Amazingly, after wrapping the movie, Stewart was far from "licked," as Senator Smith would say.
- 1/26/2023
- by Joe Roberts
- Slash Film
Western films have been a staple of American cinema for practically as long as movies have been made.
Movies in the Western genre are set in the American West, typically between the 1850s to the end of the 19th century. While it has been a stable genre — no pun intended! — it has also been the starting ground for several hybrid genres like Western comedies, Western musicals and horror Westerns.
No other genre’s history goes back quite as far as that of Westerns. According to documentarian David Gregory, “It has been estimated that up to 40 percent of all films made before 1960 were Westerns.”
Although the category reached its greatest popularity in the early and middle decades of the 20th century, with several becoming cult classics, films continued to be made even through droughts for Westerns in the late ‘70s, ‘80s and ‘90s. Actors have also made their name starring in Western films,...
Movies in the Western genre are set in the American West, typically between the 1850s to the end of the 19th century. While it has been a stable genre — no pun intended! — it has also been the starting ground for several hybrid genres like Western comedies, Western musicals and horror Westerns.
No other genre’s history goes back quite as far as that of Westerns. According to documentarian David Gregory, “It has been estimated that up to 40 percent of all films made before 1960 were Westerns.”
Although the category reached its greatest popularity in the early and middle decades of the 20th century, with several becoming cult classics, films continued to be made even through droughts for Westerns in the late ‘70s, ‘80s and ‘90s. Actors have also made their name starring in Western films,...
- 1/1/2023
- by Carly Thomas
- The Hollywood Reporter - Movie News
Director Luca Guadagnino discusses a few of his favorite films with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Bones And All (2022)
A Bigger Splash (2015)
Suspiria (2018)
Call Me By Your Name (2017)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Salò, or the 120 Days of Sodom (1975)
Amarcord (1973) – Bernard Rose’s trailer commentary
Lawrence of Arabia (1962)
Jason And The Argonauts (1963) – Ernest Dickerson’s trailer commentary, Charlie Largent’s review
After Hours (1985) – Brian Trenchard-Smith’s trailer commentary
Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary, Dennis Cozzalio’s review
Journey To Italy (1954)
Empire Of The Sun (1987)
The Flower Of My Secret (1995)
The Last Emperor (1987) – John Landis’s trailer commentary
1900 (1976)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Psycho (1960) – John Landis’s trailer commentary, Randy Fuller’s wine pairing, Glenn Erickson’s Blu-ray review
Suspiria (1977) – Edgar Wright’s U.S. and international trailer commentaries,...
Show Notes: Movies Referenced In This Episode
Bones And All (2022)
A Bigger Splash (2015)
Suspiria (2018)
Call Me By Your Name (2017)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Salò, or the 120 Days of Sodom (1975)
Amarcord (1973) – Bernard Rose’s trailer commentary
Lawrence of Arabia (1962)
Jason And The Argonauts (1963) – Ernest Dickerson’s trailer commentary, Charlie Largent’s review
After Hours (1985) – Brian Trenchard-Smith’s trailer commentary
Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary, Dennis Cozzalio’s review
Journey To Italy (1954)
Empire Of The Sun (1987)
The Flower Of My Secret (1995)
The Last Emperor (1987) – John Landis’s trailer commentary
1900 (1976)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Psycho (1960) – John Landis’s trailer commentary, Randy Fuller’s wine pairing, Glenn Erickson’s Blu-ray review
Suspiria (1977) – Edgar Wright’s U.S. and international trailer commentaries,...
- 12/13/2022
- by Kris Millsap
- Trailers from Hell
Holidays loom, but don’t fear TBS marathons of A Christmas Story. If, like me, you once enacted some good and let studio classics stream on Criterion during family Christmas, you know the trip home will be easier with December’s additions. (People at Criterion: please don’t report me for logging into multiple devices.) As family arrives, drinks are downed, and questions about what you’ve been up to are stumbled through it’ll be nice to stream their “Screwball Comedy Classics” series—25 titles meeting some deep cuts (10 via Venmo if you’ve recently watched It Happens Every Spring).
Personally I’m most excited about the 11 movies in “Snow Westerns,” going as far back as The Secret of Convict Lake, as recently as Ravenous, with the likes of Wellman, Peckinpah, and Corbucci in-between. I personally cannot stand soccer but I appreciate the World Cup giving occasion for a series...
Personally I’m most excited about the 11 movies in “Snow Westerns,” going as far back as The Secret of Convict Lake, as recently as Ravenous, with the likes of Wellman, Peckinpah, and Corbucci in-between. I personally cannot stand soccer but I appreciate the World Cup giving occasion for a series...
- 11/22/2022
- by Nick Newman
- The Film Stage
Despite the cultural differences, there has been a long and fascinating dialog between Japanese and western cinema. Just take "Yurusarezaru Mono," or "Unforgiven" as it is known by its English title, a remake of Clint Eastwood's Oscar-winner focusing on a former samurai instead of a former gunslinger. "Unforgiven" was Eastwood's rumination on his "Man With No Name" persona, which he first established in "A Fistful of Dollars," Sergio Leone's unofficial remake of Akira Kurosawa's "Yojimbo" where Eastwood played a gunslinger instead of a samurai. Kurosawa was a big western fan and an admirer of John Ford; you can see elements of this in his seminal "Seven Samurai," not least the small band of protagonists steeling themselves against overwhelming odds.
That's before you get into the American remakes of Japanese films. You have Roland Emmerich's godawful "Godzilla" and the surge in J-horror rehashes after the success...
That's before you get into the American remakes of Japanese films. You have Roland Emmerich's godawful "Godzilla" and the surge in J-horror rehashes after the success...
- 11/15/2022
- by Lee Adams
- Slash Film
Old Hollywood actor and activist Marsha Hunt has died at the age of 104.
Best known for her roles in films such as These Glamour Girls, Pride and Prejudice and Raw Deal, Hunt fell into obscurity after being blacklisted from the industry during the McCarthy communist witchhunts.
Roger C Memos, the writer and director of the 2014 documentary Marsha Hunt’s Sweet Adversity, confirmed news of her death to The Hollywood Reporter.
Hunt died of natural causes at her home in Sherman Oaks, California.
She started her career as a model, before being signed to Paramount Pictures studio at the age of 17.
Her breakthrough came in MGM’s These Glamour Girls in 1939, in which she featured opposite Lana Turner.
A number of other well-received roles followed, including in Anthony Mann’s Raw Deal in 1948.
Hunt’s career took a turn in 1947, when she and her second husband, screenwriter Robert Presnell Jr, joined...
Best known for her roles in films such as These Glamour Girls, Pride and Prejudice and Raw Deal, Hunt fell into obscurity after being blacklisted from the industry during the McCarthy communist witchhunts.
Roger C Memos, the writer and director of the 2014 documentary Marsha Hunt’s Sweet Adversity, confirmed news of her death to The Hollywood Reporter.
Hunt died of natural causes at her home in Sherman Oaks, California.
She started her career as a model, before being signed to Paramount Pictures studio at the age of 17.
Her breakthrough came in MGM’s These Glamour Girls in 1939, in which she featured opposite Lana Turner.
A number of other well-received roles followed, including in Anthony Mann’s Raw Deal in 1948.
Hunt’s career took a turn in 1947, when she and her second husband, screenwriter Robert Presnell Jr, joined...
- 9/10/2022
- by Louis Chilton
- The Independent - Film
Click here to read the full article.
Marsha Hunt, the bright-eyed starlet who stood out in such films as These Glamour Girls, Pride and Prejudice and Raw Deal before her career came unraveled by the communist witch hunt that hit Hollywood, has died. She was 104.
She died Wednesday of natural causes at her Sherman Oaks home, where she had lived since 1946, Roger C. Memos — writer-director of the documentary Marsha Hunt’s Sweet Adversity — told The Hollywood Reporter.
Hunt also appeared opposite Mickey Rooney in the best picture Oscar nominee The Human Comedy (1943) during a period in which she was known as “Hollywood’s Youngest Character Actress.”
A former model who signed with Paramount Pictures at age 17, the Chicago native made her first big splash as a suicidal co-ed opposite Lana Turner in MGM’s These Glamour Girls (1939).
Playing Walter Brennan’s sweetheart in Joe and Ethel Turp Call on the...
Marsha Hunt, the bright-eyed starlet who stood out in such films as These Glamour Girls, Pride and Prejudice and Raw Deal before her career came unraveled by the communist witch hunt that hit Hollywood, has died. She was 104.
She died Wednesday of natural causes at her Sherman Oaks home, where she had lived since 1946, Roger C. Memos — writer-director of the documentary Marsha Hunt’s Sweet Adversity — told The Hollywood Reporter.
Hunt also appeared opposite Mickey Rooney in the best picture Oscar nominee The Human Comedy (1943) during a period in which she was known as “Hollywood’s Youngest Character Actress.”
A former model who signed with Paramount Pictures at age 17, the Chicago native made her first big splash as a suicidal co-ed opposite Lana Turner in MGM’s These Glamour Girls (1939).
Playing Walter Brennan’s sweetheart in Joe and Ethel Turp Call on the...
- 9/10/2022
- by Maureen Lee Lenker
- The Hollywood Reporter - Movie News
The origin of United Artists is well-known to any passingly devoted Hollywood history buff, and it can be found Tin Balio's book "United Artists, Volume 1, 1919 - 1950: The Company Built by the Stars." In 1918, Mary Pickford, Carlie Chaplin, Douglas Fairbanks, and D.W. Griffith — four of the biggest celebrities of their time — felt something fishy was happening with each of their respective studio contracts. Each of their tenures was due to end soon, and none of them had yet received any offer of renewal. In order to find out what was happening, the quartet hired a private investigator (!) to look into what was going on. The P.I. found that the separate companies that each of them worked for planned on a giant merger, which would lock in standard five-year contracts.
The stars were not interested in such shenanigans and elected, instead, to simply form their own production company. As it was founded by artists,...
The stars were not interested in such shenanigans and elected, instead, to simply form their own production company. As it was founded by artists,...
- 8/30/2022
- by Witney Seibold
- Slash Film
Sergio Leone's filmmaking instincts were unerring. Once he got his feet under him with "A Fistful of Dollars," he made masterfully composed widescreen Western epics that were dense with references to their genre predecessors. You don't have to be a movie buff to fall in love with a Leone film, but your enjoyment is certainly enhanced, particularly on multiple viewings, when you realize how deftly he's integrated the works of John Ford, Howard Hawks, Anthony Mann and so on into his mythic vision of the West. And while his Italian perspective, which spawned the label "Spaghetti Western," gave these films a vaguely European sensibility, he largely connected with audiences the world over because he spoke fluently the language of cinema.
Leone might've been an articulate filmmaker, but he was far from loquacious. He only spoke when he had something to say. This is why, after the completion of "Duck, You Sucker...
Leone might've been an articulate filmmaker, but he was far from loquacious. He only spoke when he had something to say. This is why, after the completion of "Duck, You Sucker...
- 8/22/2022
- by Jeremy Smith
- Slash Film
Sergio Leone's "Once Upon a Time in the West" is an elegy for a genre that has died countless deaths. The Western has passed in and out of favor many times since the advent of the motion picture, and is currently ticking anew thanks to Taylor Sheridan's "Yellowstone" franchise. But as the 1970s approached, there was a realization that the stars and filmmakers who'd transformed the oater into the most American of movie genres were on their way out. John Ford had been driven into retirement. John Wayne was dying. Anthony Mann was dead. A glorious, yet complicated era was drawing to a close.
This was the perfect moment for Sergio Leone to go once more to the Western well with a mythic send-off to the films on which he'd built his international reputation. But his scope wasn't limited to "A Fistful of Dollars," "For a Few Dollars More...
This was the perfect moment for Sergio Leone to go once more to the Western well with a mythic send-off to the films on which he'd built his international reputation. But his scope wasn't limited to "A Fistful of Dollars," "For a Few Dollars More...
- 8/19/2022
- by Jeremy Smith
- Slash Film
The Criterion Channel’s July lineup is an across-the-board display of strengths, ranging as it does from very specific programming cues to actor retrospectives and hardly ignoring the strength of Criterion Editions. Surely much fun’s to be had with “In the Ring,” a decade-spanning, 16-film curation of boxing pictures—Raging Bull and Fat City, of course, with some you forget are boxing movies (Rocco and His Brothers) and others you’ve likely never seen at all (count me excited for King Vidor’s The Champ). “Noir in Color” brilliantly upends common conception of a drama (and gives you excuse to see Nicholas Ray’s Party Girl); Setsuko Hara films are gathered into a handy collection; and Blake Edwards gets six.
On the Criterion Editions front they’ve gone all out: the Before trilogy, Alex Cox’s Walker, Leave Her to Heaven, Shaft, Destry Rides Again, Raging Bull, Hedwig and the Angry Inch,...
On the Criterion Editions front they’ve gone all out: the Before trilogy, Alex Cox’s Walker, Leave Her to Heaven, Shaft, Destry Rides Again, Raging Bull, Hedwig and the Angry Inch,...
- 6/21/2022
- by Leonard Pearce
- The Film Stage
Antonio Campos, creator of the new HBO Max miniseries The Staircase, walks hosts Josh Olson and Joe Dante through his favorite films noir.
Show Notes: Movies Referenced In This Episode
Afterschool (2008)
The Devil All The Time (2020)
Rashomon (1950) – Brian Trenchard-Smith’s trailer commentary, Glenn Erickson’s Blu-ray review
The Typewriter, the Rifle & the Movie Camera (1996)
Raw Deal (1948) – Glenn Erickson’s Blu-ray review
T-Men (1947) – Glenn Erickson’s Blu-ray review
A Personal Journey with Martin Scorsese Through American Movies (1995)
House of Bamboo (1955) – Allan Arkush’s trailer commentary
Pickup On South Street (1953) – Sam Hamm’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
The Naked Kiss (1964)
Reign of Terror (1949)
Detour (1945) – Glenn Erickson’s Criterion Blu-ray review
Scarlet Street (1945)
The House on 92nd Street (1945) – Glenn Erickson’s Blu-ray review
Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review
The Killing (1956) – Michael Lehmann’s trailer commentary
Kiss of Death (1947) – Glenn Erickson’s Blu-ray review
Kiss of Death...
Show Notes: Movies Referenced In This Episode
Afterschool (2008)
The Devil All The Time (2020)
Rashomon (1950) – Brian Trenchard-Smith’s trailer commentary, Glenn Erickson’s Blu-ray review
The Typewriter, the Rifle & the Movie Camera (1996)
Raw Deal (1948) – Glenn Erickson’s Blu-ray review
T-Men (1947) – Glenn Erickson’s Blu-ray review
A Personal Journey with Martin Scorsese Through American Movies (1995)
House of Bamboo (1955) – Allan Arkush’s trailer commentary
Pickup On South Street (1953) – Sam Hamm’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
The Naked Kiss (1964)
Reign of Terror (1949)
Detour (1945) – Glenn Erickson’s Criterion Blu-ray review
Scarlet Street (1945)
The House on 92nd Street (1945) – Glenn Erickson’s Blu-ray review
Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review
The Killing (1956) – Michael Lehmann’s trailer commentary
Kiss of Death (1947) – Glenn Erickson’s Blu-ray review
Kiss of Death...
- 5/31/2022
- by Alex Kirschenbaum
- Trailers from Hell
The Stranger Wore a GunIn the pantheon of great Western collaborations sits three mantels: John Wayne and John Ford, James Stewart and Anthony Mann, Randolph Scott and Budd Boetticher. There is another mantelpiece, unvarnished and dirty from disuse: Randolph Scott and André De Toth. Does it belong there? Elements, directions, suits in a deck—the trappings of the West always come in fours. Why does this cycle of films lack a reputation, good standing, or even a quick moniker? Skronky where Ford is rhythmic, constricted where Mann is open, jagged where Boetticher is smooth, the De Toth films, six all told with Scott, give, rather than a cohesive persona or moral treatise, a cluster of pictures and ideas on a centerless society. Brass lanterns blown dark, drawn-out fistfights, flaming wagons streaking across the plains, gunfights in pitch-black bars; these images run across the sextet, fogging the hopeful vision of the American West.
- 2/11/2022
- MUBI
Westerns are populated with cowboys, gunslingers, bandits, Native American, horses, cows and buffalos. But the genre is much more complex than shoot-‘em-ups. In fact, the best Westerns are Shakespearean in nature exploring such universal subjects as love, hate, revenge, greed, power and good versus evil. One of the most popular sub-genres is the “ranch” Western where the patriarch or matriarch — remember Barbara Stanwyck in “The Big Valley”– governs with a strict and often violent hand. They act like they are above the law and often take legal matters into their own hand. They are often widowers or widows and have sons who run the spectrum from hero to villain.
Jane Campion’s highly acclaimed Netflix Oscar-contender “The Power of the Dog” falls into this sub-genre. Set in Montana in 1925, the story revolves around the charismatic but sadistic Phil Burbank (Benedict Cumberbatch) who relishes being the master of a cattle rancher.
Jane Campion’s highly acclaimed Netflix Oscar-contender “The Power of the Dog” falls into this sub-genre. Set in Montana in 1925, the story revolves around the charismatic but sadistic Phil Burbank (Benedict Cumberbatch) who relishes being the master of a cattle rancher.
- 1/7/2022
- by Susan King
- Gold Derby
Based upon the kudos count to date, Jane Campion’s “The Power of the Dog” clearly ranks as one of the top awards-contending films of 2021. For those fascinated by that raucous, rowdy, storm-the-barricades Hollywood moment known as the “New Hollywood,” which started roughly in the mid-’60s and was exhausted or vanquished — depending upon who’s telling the history — by the end of the 1970s, it’s also the perfect embodiment of that era’s fondness for revisionism, both historical and cinematic, as well as sexual frankness wherever the filmmakers could find it.
Which shouldn’t be surprising, given that the film’s taut, deadly source material is Thomas Savage’s piercing 1967 modern Western, “The Power of the Dog.” Set in 1925, a little over a decade past the 1913 setting of Sam Peckinpah’s revolutionary 1969 revisionist Western, “The Wild Bunch,” “Dog,” like “Bunch,” skewers the American Dream along with myths of...
Which shouldn’t be surprising, given that the film’s taut, deadly source material is Thomas Savage’s piercing 1967 modern Western, “The Power of the Dog.” Set in 1925, a little over a decade past the 1913 setting of Sam Peckinpah’s revolutionary 1969 revisionist Western, “The Wild Bunch,” “Dog,” like “Bunch,” skewers the American Dream along with myths of...
- 1/3/2022
- by Steven Gaydos
- Variety Film + TV
With fears our winter travel will need a, let’s say, reconsideration, the Criterion Channel’s monthly programming could hardly come at a better moment. High on list of highlights is Louis Feuillade’s delightful Les Vampires, which I suggest soundtracking to Coil, instrumental Nine Inch Nails, and Jóhann Jóhannson’s Mandy score. Notable too is a Sundance ’92 retrospective running the gamut from Paul Schrader to Derek Jarman to Jean-Pierre Gorin, and I’m especially excited for their look at one of America’s greatest actors, Sterling Hayden.
Special notice to Criterion editions of The Killing, The Last Days of Disco, All About Eve, and The Asphalt Jungle, and programming of Ognjen Glavonić’s The Load, among the better debuts in recent years.
See the full list of January titles below and more on the Criterion Channel.
-Ship: A Visual Poem, Terrance Day, 2020
5 Fingers, Joseph L. Mankiewicz, 1952
After Migration: Calabria,...
Special notice to Criterion editions of The Killing, The Last Days of Disco, All About Eve, and The Asphalt Jungle, and programming of Ognjen Glavonić’s The Load, among the better debuts in recent years.
See the full list of January titles below and more on the Criterion Channel.
-Ship: A Visual Poem, Terrance Day, 2020
5 Fingers, Joseph L. Mankiewicz, 1952
After Migration: Calabria,...
- 12/20/2021
- by Leonard Pearce
- The Film Stage
MGM sends James Stewart and Anthony Mann to Colorado high country locations for their third big-ticket western, a tight & tense psychological drama with a select cast: Janet Leigh, Robert Ryan, Ralph Meeker and Millard Mitchell. Stewart’s anguished bounty hunter is a sick man on a mission he knows is self-destructive and just plain wrong; it’s the actor’s most fraught western performance. The landscape itself is psychological, with treacherous rocky outcroppings and a dangerous river. Even more impressive is the new restoration from Technicolor elements: this is one of the most beautiful westerns yet out on disc.
The Naked Spur
Blu-ray
Warner Archive Collection
1953 / Color / 1:37 Academy / 91 min. / Available at Amazon.com / Street Date September 21, 2021 / 21.99
Starring: James Stewart, Janet Leigh, Robert Ryan, Ralph Meeker, Millard Mitchell.
Cinematography: William C. Mellor
Art Directors: Cedric Gibbons, Malcolm Brown
Film Editor: George White
Production Illustrator: Mentor Heubner
Stunt Performers: Virginia Bougas, Ted Mapes,...
The Naked Spur
Blu-ray
Warner Archive Collection
1953 / Color / 1:37 Academy / 91 min. / Available at Amazon.com / Street Date September 21, 2021 / 21.99
Starring: James Stewart, Janet Leigh, Robert Ryan, Ralph Meeker, Millard Mitchell.
Cinematography: William C. Mellor
Art Directors: Cedric Gibbons, Malcolm Brown
Film Editor: George White
Production Illustrator: Mentor Heubner
Stunt Performers: Virginia Bougas, Ted Mapes,...
- 11/6/2021
- by Glenn Erickson
- Trailers from Hell
Any WW2 action adventure involving the Norwegian resistance is Ok in my book, and this big-star saga about sabotage efforts to stop the Nazis’ atom research is a natural — much of what happens in the story is true. The show can boast marvelous locations and excellent action scenes but the script and characters aren’t very strong. Did Columbia curb epic director Anthony Mann’s greater ambitions, or did star Kirk Douglas interfere to enhance his leading character into a combo scientist, playboy and sure-shot action man? Also starring Ulla Jacobsson, Richard Harris, Michael Redgrave, and every over-fifty English name actor not nailed down.
The Heroes of Telemark
Blu-ray
Sony Home Entertainment
1965 / Color / 2:35 widescreen / 130 min. / Street Date January 8, 2019
Starring: Kirk Douglas, Richard Harris, Ulla Jacobsson, Michael Redgrave, David Weston, Roy Dotrice, Anton Diffring, Ralph Michael, Eric Porter, Karel Stepanek, George Murcell, Mervyn Johns, Barry Jones, Geoffrey Keen, Robert Ayres,...
The Heroes of Telemark
Blu-ray
Sony Home Entertainment
1965 / Color / 2:35 widescreen / 130 min. / Street Date January 8, 2019
Starring: Kirk Douglas, Richard Harris, Ulla Jacobsson, Michael Redgrave, David Weston, Roy Dotrice, Anton Diffring, Ralph Michael, Eric Porter, Karel Stepanek, George Murcell, Mervyn Johns, Barry Jones, Geoffrey Keen, Robert Ayres,...
- 9/11/2021
- by Glenn Erickson
- Trailers from Hell
Favorite director Don Siegel is in fine form in this 1967 TV movie, a keeper with qualities not seen in Hollywood’s mega-westerns of the day. Henry Fonda’s ragged drifter is hunted by a gang of railroad deputies, and chief deputy Michael Parks doesn’t intercede because he can’t control his own men. A great screenplay, Siegel’s direction, plus committed performances make it stand out: Anne Baxter, Dan Duryea, Sal Mineo, Bernie Hamilton and Madlyn Rhue.
Stranger on the Run
Blu-ray
Kl Studio Classics
1967 / Color / 1:37 flat Academy / 97 min. / Street Date July 27, 2021 / available through Kino Lorber / 24.95
Starring: Henry Fonda, Anne Baxter, Michael Parks, Dan Duryea, Sal Mineo, Tom Reese, Walter Burke, Lloyd Bochner, Michael Burns, Bernie Hamilton, Zalman King, Madlyn Rhue, Rodolfo Acosta, Rex Holman.
Cinematography: Bud Thackery
Art Director: William D. DeCinces
Stunts: Buddy Van Horn
Film Editor: Richard G. Wray
Original Music: Leonard Rosenman
Written by...
Stranger on the Run
Blu-ray
Kl Studio Classics
1967 / Color / 1:37 flat Academy / 97 min. / Street Date July 27, 2021 / available through Kino Lorber / 24.95
Starring: Henry Fonda, Anne Baxter, Michael Parks, Dan Duryea, Sal Mineo, Tom Reese, Walter Burke, Lloyd Bochner, Michael Burns, Bernie Hamilton, Zalman King, Madlyn Rhue, Rodolfo Acosta, Rex Holman.
Cinematography: Bud Thackery
Art Director: William D. DeCinces
Stunts: Buddy Van Horn
Film Editor: Richard G. Wray
Original Music: Leonard Rosenman
Written by...
- 6/26/2021
- by Glenn Erickson
- Trailers from Hell
The Criterion Channel has unveiled their lineup for next month and it’s another strong slate, featuring retrospectives of Carole Lombard, John Waters, Robert Downey Sr., Luis García Berlanga, Jane Russell, and Rob Epstein & Jeffrey Friedman. Also in the lineup is new additions to their Queersighted series, notably Todd Haynes’ early film Poison (Safe is also premiering in a separate presentation), William Friedkin’s Cruising, and Pier Paolo Pasolini’s Teorama.
The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.
See the lineup below and explore more on criterionchannel.com.
#Blackmendream, Shikeith, 2014
12 Angry Men, Sidney Lumet, 1957
About Tap, George T. Nierenberg, 1985
The AIDS Show, Peter Adair and Rob Epstein, 1986
The Assignation, Curtis Harrington, 1953
Aya of Yop City,...
The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.
See the lineup below and explore more on criterionchannel.com.
#Blackmendream, Shikeith, 2014
12 Angry Men, Sidney Lumet, 1957
About Tap, George T. Nierenberg, 1985
The AIDS Show, Peter Adair and Rob Epstein, 1986
The Assignation, Curtis Harrington, 1953
Aya of Yop City,...
- 5/24/2021
- by Jordan Raup
- The Film Stage
Above: Bone (1972) / The Furies (1950)In 1967, Barbara Stanwyck was looking back on a five-decade career, a feat few of her early Hollywood peers could match. Having spent much of the past decade working exclusively in television—she was an actress, she reasoned, so if movie scripts weren’t coming in, she would act on TV—she had found more failures than success. But by the late 60s, Stanwyck was finally where she wanted to be: the star of The Big Valley, an ABC Western that ran four seasons from 1965 - 1969. Stanwyck played matriarch Victoria Barkley on the series, which focused on the lives and loves of the millionaire Barkley ranching family.Like many series of the time, The Big Valley had a constant stream of guest stars, but one young actor stood out to Stanwyck when he guested on the show as an ex-slave serving as convict labor on the Barkley ranch.
- 5/12/2021
- MUBI
Actor, producer and director Norman Lloyd, best known for his title role in Hitchcock’s “Saboteur” and as Dr. Daniel Auschlander on NBC’s “St. Elsewhere” and famously associated with Orson Welles’ Mercury Theater, died Tuesday at his home in Los Angeles. He was 106.
His friend, producer Dean Hargrove, confirmed his death and said “His third act was really the best time of his life,” referring to the many historical Hollywood retrospectives and events Lloyd had participated in over the past few decades. Lloyd often said his secret to his long and mostly illness-free life was “avoiding disagreeable people,” Hargrove recounted.
Lloyd was hand-picked by Alfred Hitchcock to play the title character and villain in 1942’s “Saboteur,” and it was his character who tumbled to his death from the top of the Statue of Liberty in the pic’s iconic conclusion.
But the hard-working multihyphenate gained his highest profile only...
His friend, producer Dean Hargrove, confirmed his death and said “His third act was really the best time of his life,” referring to the many historical Hollywood retrospectives and events Lloyd had participated in over the past few decades. Lloyd often said his secret to his long and mostly illness-free life was “avoiding disagreeable people,” Hargrove recounted.
Lloyd was hand-picked by Alfred Hitchcock to play the title character and villain in 1942’s “Saboteur,” and it was his character who tumbled to his death from the top of the Statue of Liberty in the pic’s iconic conclusion.
But the hard-working multihyphenate gained his highest profile only...
- 5/11/2021
- by Laura Haefner
- Variety Film + TV
Classic movie lovers, rejoice! Going virtual once again this year, the TCM Classic Film Festival will take place from May 6 to 9 and will be extended to HBO Max’s platform as well. The lineup has now been unveiled and there’s no shortage of both canonical classics and gems worth discovering.
Along with much-adored classics from Breathless to North by Northwest to Mean Streets, the lineup also features a Nichols and May documentary, a pair of Chantal Akerman films, Anthony Mann’s T-Men, Frank Borzage’s The Mortal Storm, Samuel Fuller’s Underworld U.S.A., Powell & Pressburger’s I Know Where I’m Going!, the world premieres of the new restorations of Irving Pichel’s noir gem They Won’t Believe Me, the French drama Princess Tam Tam, the Pre-Code film Her Man, and more.
There’s also a number of special events, including a star-studded Plan 9 From Outer Space table read,...
Along with much-adored classics from Breathless to North by Northwest to Mean Streets, the lineup also features a Nichols and May documentary, a pair of Chantal Akerman films, Anthony Mann’s T-Men, Frank Borzage’s The Mortal Storm, Samuel Fuller’s Underworld U.S.A., Powell & Pressburger’s I Know Where I’m Going!, the world premieres of the new restorations of Irving Pichel’s noir gem They Won’t Believe Me, the French drama Princess Tam Tam, the Pre-Code film Her Man, and more.
There’s also a number of special events, including a star-studded Plan 9 From Outer Space table read,...
- 4/15/2021
- by Jordan Raup
- The Film Stage
When not making tons of money collaborating with James Stewart, Anthony Mann directed some really grim westerns. This mini-epic spells out the ugly real-life Code of The West: seizing land and establishing private empires. Walter Huston’s T.C. Jeffords maintains his sprawling fiefdom through economic tyranny (he prints his own money and expects banks to accept it) — and by simple violence, murdering the people that have lived on ‘his’ land for generations. Barbara Stanwyck is the feisty heir who wages generational war on her piratical father. It’s the darkest and most subversive of Huac-era ‘noir’ westerns.
The Furies
Blu-ray
The Criterion Collection 435
1950 / B&w / 1:37 flat Academy / 109 min. / available through The Criterion Collection / Street Date April 20, 2021 / 39.95
Starring: Barbara Stanwyck, Wendell Corey, Walter Huston, Judith Anderson, Gilbert Roland, Thomas Gomez, Beulah Bondi, Albert Dekker, John Bromfield, Wallace Ford, Blanche Yurka.
Cinematography: Victor Milner
Film Editor: Archie Marshek
Original Music:...
The Furies
Blu-ray
The Criterion Collection 435
1950 / B&w / 1:37 flat Academy / 109 min. / available through The Criterion Collection / Street Date April 20, 2021 / 39.95
Starring: Barbara Stanwyck, Wendell Corey, Walter Huston, Judith Anderson, Gilbert Roland, Thomas Gomez, Beulah Bondi, Albert Dekker, John Bromfield, Wallace Ford, Blanche Yurka.
Cinematography: Victor Milner
Film Editor: Archie Marshek
Original Music:...
- 4/13/2021
- by Glenn Erickson
- Trailers from Hell
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Keeping up with new Criterion releases can feel like a spectator sport for cinephiles checking the site each month. To make Blu-Ray shopping a little easier for your, IndieWire put together a roundup of new Criterion releases that you can pre-order now.
All of the films listed below are available on Amazon, which means that Prime members will get free two-day shipping. In addition to shipping perks, an Amazon Prime membership (which costs $12.99 a month) gives you streaming access to Amazon’s massive library of film and TV shows. So even if you binge all of your new Criterion Blu-Rays in a single weekend, you won’t be left without something to watch.
Keeping up with new Criterion releases can feel like a spectator sport for cinephiles checking the site each month. To make Blu-Ray shopping a little easier for your, IndieWire put together a roundup of new Criterion releases that you can pre-order now.
All of the films listed below are available on Amazon, which means that Prime members will get free two-day shipping. In addition to shipping perks, an Amazon Prime membership (which costs $12.99 a month) gives you streaming access to Amazon’s massive library of film and TV shows. So even if you binge all of your new Criterion Blu-Rays in a single weekend, you won’t be left without something to watch.
- 4/12/2021
- by Christian Zilko
- Indiewire
As the Covid-19 crisis still roils around the world, Movistar Plus’ new banner series, Enrique Urbizu’s “Libertad,” opened day and date on March 26 in both Spanish theaters as 135-minute movie and on Movistar Plus’ pay/SVOD platform as a five-part series.
Handled by A Contracorriente Films, the film’s broad release is less of marketing ploy, more of a drive to boost Spain’s theatrical business over Holy Week and a response to a potential film version detected as Urbizu and fellow creatives were editing.
“Libertad” continues Movistar Plus’ large bet on its talent. The title could apply to both its characters as its creators. Renowned for the impact on his movies of classic cinema, Urbizu has finally been given the tools to make a title which enrolls Western tropes in a violent adventure set in the Spanish wilds that bears witness to the twilight years of Spain’s...
Handled by A Contracorriente Films, the film’s broad release is less of marketing ploy, more of a drive to boost Spain’s theatrical business over Holy Week and a response to a potential film version detected as Urbizu and fellow creatives were editing.
“Libertad” continues Movistar Plus’ large bet on its talent. The title could apply to both its characters as its creators. Renowned for the impact on his movies of classic cinema, Urbizu has finally been given the tools to make a title which enrolls Western tropes in a violent adventure set in the Spanish wilds that bears witness to the twilight years of Spain’s...
- 3/29/2021
- by Emiliano Granada
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Radu Jude's Bad Luck Banging or Loony Porn. Radu Jude's Bad Luck Banging or Loony Porn has won the Golden Bear at the 71st Berlinale. See the list of this year's award winners here. Recommended VIEWINGFeminist film journal Another Gaze has announced the upcoming launch of its free streaming platform, Another Screen, which will be available worldwide from March 12. Programming will begin with a retrospective dedicated to the late Italian filmmaker Cecilia Mangini. The official trailer for Roy Andersson's About Endlessness, which won Best Director at the Biennale in 2019. Read Leonardo Goi's Venice review of the film here.Janus Films has released its trailer for the restoration of Eric Rohmer's Tale of Four Seasons, an elegant cycle of moral parables. Until March 23, viewers have the opportunity to watch Tsai Ming-Liang's Madam...
- 3/11/2021
- MUBI
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