John M. Stahl’s superior melodrama is a focus point for the study of African-Americans in Hollywood. Businesswoman Claudette Colbert a housekeeper Louise Beavers raise their daughters together for a story that expresses the racial divide in simple terms. Determined to pass for white, Beavers’ daughter Fredi Washington rejects her mother outright. The tale of motherly sacrifice is in some ways more honest than later ‘social justice’ films about race, yet it sticks closely to Hollywood’s segregationist rules.
Imitation of Life
Blu-ray
The Criterion Collection 1167
1934 / B&W / 1:37 Academy / 110 min. / available through The Criterion Collection / Street Date January 10, 2023 / 39.95
Starring: Claudette Colbert, Warren William, Louise Beavers, Fredi Washington, Rochelle Hudson, Ned Sparks, Juanita Quigley, Alan Hale, Henry Armetta, Hattie McDaniel, Paul Porcasi, Teru Shimada, Madame Sul-Te-Wan, Jane Withers, Dorothy Black.
Cinematography: Merrit Gerstad
Costumes: Travis Banton
Art Director: Charles D. Hall
Film Editor: Philip Cahn, Maurice Wright
Original Music: Heinz Roemheld...
Imitation of Life
Blu-ray
The Criterion Collection 1167
1934 / B&W / 1:37 Academy / 110 min. / available through The Criterion Collection / Street Date January 10, 2023 / 39.95
Starring: Claudette Colbert, Warren William, Louise Beavers, Fredi Washington, Rochelle Hudson, Ned Sparks, Juanita Quigley, Alan Hale, Henry Armetta, Hattie McDaniel, Paul Porcasi, Teru Shimada, Madame Sul-Te-Wan, Jane Withers, Dorothy Black.
Cinematography: Merrit Gerstad
Costumes: Travis Banton
Art Director: Charles D. Hall
Film Editor: Philip Cahn, Maurice Wright
Original Music: Heinz Roemheld...
- 1/17/2023
- by Glenn Erickson
- Trailers from Hell
Racial passing occurs when a member of one racial group is either believed to be or accepted as a member of another. In the U.S., it generally means someone who is Black or of multi-racial heritage, “passing” as a White person. It’s the subject of Rebecca Hall’s well-received directorial debut “Passing,” currently streaming on Netflix. Hall, who is the daughter of the late director Peter Hall and opera singer Maria Ewing is of Dutch, Native American, African American and Scottish heritage. She adapted Nella Larsen’s 1929 novel about two African American friends: one (Tessa Thompson) is married to a prominent doctor and the other (Ruth Negga) has passed for white for years and is married to a wealthy racist (Alexander Skarsgard). Hall was nominated for the Grand Jury Prize dramatic at Sundance; “Passing” currently is nominated for five Gotham Awards including Best Picture and Breakthrough Director.
Racial...
Racial...
- 11/24/2021
- by Susan King
- Gold Derby
Coming to Film Forum in New York City is “Black Women,” a 70-film screening series that spotlights 81 years – 1920 to 2001 – of trailblazing African American actresses in American movies.
Scheduled to run from January 17 to February 13, the series is curated by film historian and professor Donald Bogle, author of six books concerning blacks in film and television, including the groundbreaking “Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films” (1973).
“Last year, Bruce Goldstein, the repertory programmer at Film Forum, asked me if there was something I was interested in doing, and this was a topic that I had been thinking about, because I recently updated my book on the subject, ‘Brown Sugar,’ which dealt with African American women in entertainment from the early years of the late 19th century to the present,” said Bogle. “That’s really the way it came about, and it just developed from there.
Scheduled to run from January 17 to February 13, the series is curated by film historian and professor Donald Bogle, author of six books concerning blacks in film and television, including the groundbreaking “Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films” (1973).
“Last year, Bruce Goldstein, the repertory programmer at Film Forum, asked me if there was something I was interested in doing, and this was a topic that I had been thinking about, because I recently updated my book on the subject, ‘Brown Sugar,’ which dealt with African American women in entertainment from the early years of the late 19th century to the present,” said Bogle. “That’s really the way it came about, and it just developed from there.
- 1/17/2020
- by Tambay Obenson
- Indiewire
Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round...
- 11/5/2015
- by Andre Soares
- Alt Film Guide
Imitation of Life
Written by William Hurlbut
Directed by John M. Stahl
USA, 1934
Written by Eleanore Griffin and Allan Scott
Directed by Douglas Sirk
USA, 1959
The debate about the necessity and worth of continual remakes rages on every year. Will the new version be as good as the original? Or even better? Should it have even been made to begin with? While we do seem to hear more about this recently, the concept of a remark is, of course, nothing new. Examples go back to the very dawn of cinema. What makes a remake particularly worthwhile, however, is when the films involved are dissimilar in certain aspects yet notably congruent in other areas: just enough to keep the basic premise or theme consistent, but varied enough to keep it up to date and original in one way or another. If both versions have their merits, a considerate comparison and contrast...
Written by William Hurlbut
Directed by John M. Stahl
USA, 1934
Written by Eleanore Griffin and Allan Scott
Directed by Douglas Sirk
USA, 1959
The debate about the necessity and worth of continual remakes rages on every year. Will the new version be as good as the original? Or even better? Should it have even been made to begin with? While we do seem to hear more about this recently, the concept of a remark is, of course, nothing new. Examples go back to the very dawn of cinema. What makes a remake particularly worthwhile, however, is when the films involved are dissimilar in certain aspects yet notably congruent in other areas: just enough to keep the basic premise or theme consistent, but varied enough to keep it up to date and original in one way or another. If both versions have their merits, a considerate comparison and contrast...
- 4/15/2015
- by Jeremy Carr
- SoundOnSight
Oscar-nominated ‘Imitation of Life’ actress Juanita Moore has died Juanita Moore, Best Supporting Actress Academy Award nominee for the 1959 blockbuster Imitation of Life, died on New Year’s Day 2014 at her home in Los Angeles. According to various online sources, Juanita Moore (born on October 19, 1922) was 91; her step-grandson, actor Kirk Kahn, said she was 99. (Photo: Juanita Moore in the late ’50s. See also: Juanita Moore and Susan Kohner photos at the 50th anniversary screening of Imitation of Life at the Academy of Motion Picture Arts and Sciences.) Juanita Moore movies The Los Angeles-born Juanita Moore began her show business career as a chorus girl at New York City’s Cotton Club. According to the IMDb, Moore was an extra/bit player in a trio of films of the ’40s, including Vincente Minnelli’s all-black musical Cabin in the Sky (1942) and Elia Kazan’s socially conscious melodrama Pinky (1949), in which Jeanne Crain plays a (very,...
- 1/2/2014
- by Andre Soares
- Alt Film Guide
Lana Turner movies: Scandal and more scandal Lana Turner is Turner Classic Movies’ "Summer Under the Stars" star today, Saturday, August 10, 2013. I’m a little — or rather, a lot — late in the game posting this article, but there are still three Lana Turner movies left. You can see Turner get herself embroiled in scandal right now, in Douglas Sirk’s Imitation of Life (1959), both the director and the star’s biggest box-office hit. More scandal follows in Mark Robson’s Peyton Place (1957), the movie that earned Lana Turner her one and only Academy Award nomination. And wrapping things up is George Sidney’s lively The Three Musketeers (1948), with Turner as the ruthless, heartless, remorseless — but quite elegant — Lady de Winter. Based on Fannie Hurst’s novel and a remake of John M. Stahl’s 1934 melodrama about mother love, class disparities, racism, and good cooking, Imitation of Life was shown on...
- 8/11/2013
- by Andre Soares
- Alt Film Guide
Douglas Sirk movies: ‘Imitation of Life,’ ‘Written on the Wind’ (photo: Lana Turner, Juanita Moore, Karin Dicker in ‘Imitation of Life’) Douglas Sirk is Turner Classic Movies’ Director of the Evening. The German-born (April 26, 1897, in Hamburg) filmmaker has developed a cult following in recent decades after his "women’s pictures" were reappraised by some critics as works of profound social criticism filled with auteuristic touches. Why it would take years (or decades) for people to realize the obvious is a little mind-boggling, until you remember that movies about women and their issues have been, for the most part, relegated to the sidelines. A stupid prejudice that continues to this very day. My statement, by the way, has nothing to do with yikesy political correctness; if you don’t believe me, just check out the Best Picture Academy Award winners or Palme d’Or winners or Golden Lion winners or Golden...
- 8/1/2013
- by Andre Soares
- Alt Film Guide
As a trivia follow-up to those new pictures of Zoe Saldana as Nina Simone, a commenter asked if there was a precedent for this - that is, putting a black actress in dark makeup and prosthetics to play a black woman. Tambay also asked Emmanuel and I if we knew of such an example, and the only one I could think of, without the prosthetics however, was Fredi Washington in Paul Robeson's 1933 film The Emperor Jones. Washington, who died in 1994 at the age of 90, was one of those many black actresses who never found any real place or real lasting success in Hollywood. During her brief time as a Hollywood actress, she appeared in only a few films, the most famous of which was her...
- 10/28/2012
- by Sergio
- ShadowAndAct
As a trivia followup to those new pictures of Zoe Saldana as Nina Simone a commenter asked if there was a prescedent for this. That is putting a black actress in dark makeup and prothetics to play a black woman? Tambay also asked me and Emmanuel if we knew of such an example and the only one I could think of, without the prothetics however, was Fredi Washington in the Paul Robeson's 1933 film The Emperor Jones. Washington, who died in 1994 at the age of 90, was one of those many black actresses who never found any real place or real lasting success in Hollywood. During her brief time as an Hollywood actress she played only in a few films, the most famous of which was her role...
- 10/28/2012
- by Sergio
- ShadowAndAct
The Oscar-winning success of last year's "The Help" was a throwback in many ways, principally to the socially-conscious melodramas of Stanley Kramer, like "Guess Who's Coming To Dinner." Another comparison point that came up frequently in reviews of Tate Taylor's film was "Imitation Of Life," the 1959 film by director Douglas Sirk, but it's scarcely fair: over fifty years on, Sirk's picture stands head and shoulders above virtually every other melodrama.
The story follows widow and aspiring actress Lora (Lana Turner), whose daughter Susie goes missing at the beach, and is found by an African-American divorcee, Annie Johnson (Juanita Moore), there with her own light-skinned daughter, Sarah Jane. The two become friends, Lora taking Annie in as a housekeeper, and Annie's care helping Lora achieve her dream of becoming a Broadway star. Eleven years later, however, their children have grown up, and Susie (Sandra Dee) develops a crush on her mother's boyfriend Steve,...
The story follows widow and aspiring actress Lora (Lana Turner), whose daughter Susie goes missing at the beach, and is found by an African-American divorcee, Annie Johnson (Juanita Moore), there with her own light-skinned daughter, Sarah Jane. The two become friends, Lora taking Annie in as a housekeeper, and Annie's care helping Lora achieve her dream of becoming a Broadway star. Eleven years later, however, their children have grown up, and Susie (Sandra Dee) develops a crush on her mother's boyfriend Steve,...
- 4/17/2012
- by Oliver Lyttelton
- The Playlist
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly Ioncinephile profile, we ask the filmmaker the incredibly arduous task of identifying their top ten list of favorite films. This November, we profile first-time filmmaker Damien Chazelle whose micro-budgeted Guy and Madeline on a Park Bench has charmed critics and found itself on several Best Undistributed Films Lists of 2009. Via Variance Films, his film is finally receiving its theatrical debut this November 5th at the Cinema Village in New York City. Below, you'll find Damien's top ten list as of November 2010 -- a nice mix of films of retro and contemporary films ranging between studio films and obscure short film titles. Here is Damien Chazelle's Top Ten in his own words. Barry Lyndon - Stanley Kubrick (1975) "Ok, here’s a thing that really bothers me: the rap on Kubrick’s cinema as unemotional.
- 11/1/2010
- IONCINEMA.com
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