Neben einer Reihe weiterer, zum Teil fest erwarteter Titel bestätigt Variety, dass „Joker: Folie A Deux“ bereits fix ist für die diesjährige 81. Mostra in Venedig. Der Vorgänger, „Joker“, konnte 2019 den Goldenen Löwen gewinnen. Außerdem ausgewählt sind wohl bereits neue Arbeiten von Luca Guadagnino, Pablo Larraín, Julian Schnabel, Johnny Depp und Jon Watts.
Nach Cannes ist vor Venedig. Gerade einmal wurden die Palmen vergeben, richtet man den Blick bereits an das zweite ganz große europäische A-Festival, das aktuell von Alberto Barbera zusammengestellt wird: Die 81. Mostra in Venedig findet vom 28. August bis 7. September auf dem Lido statt. Über viele Titel wird seit Längerem spekuliert. Nun soll es laut Variety erste Entscheidungen geben.
Wenig überraschend ist die Einladung von „Joker: Folie A Deux“ von Todd Phillips mit Joaquin Phoenixund Lady Gaga. Der erste Teil hatte 2019 unerwartet aber nicht unverdient von der Jury unter der damaligen Präsidentin Lucrecia Martel den Goldenen Löwen als bester...
Nach Cannes ist vor Venedig. Gerade einmal wurden die Palmen vergeben, richtet man den Blick bereits an das zweite ganz große europäische A-Festival, das aktuell von Alberto Barbera zusammengestellt wird: Die 81. Mostra in Venedig findet vom 28. August bis 7. September auf dem Lido statt. Über viele Titel wird seit Längerem spekuliert. Nun soll es laut Variety erste Entscheidungen geben.
Wenig überraschend ist die Einladung von „Joker: Folie A Deux“ von Todd Phillips mit Joaquin Phoenixund Lady Gaga. Der erste Teil hatte 2019 unerwartet aber nicht unverdient von der Jury unter der damaligen Präsidentin Lucrecia Martel den Goldenen Löwen als bester...
- 5/30/2024
- by Thomas Schultze
- Spot - Media & Film
With the 2024 Cannes Film Festival now over, it’s time for cinephiles to look ahead to the year’s next premier festival: Venice, which runs from August 28-September 7. Festival chief Alberto Barbera won’t announce the lineup of the Venice’s 81st edition until the last week of July, but Variety reports he already has his eyes on a few buzzy titles. Among them? The much-anticipated sequel to the 2019 Golden Lion winner.
Continue reading Venice 2024: ‘Joker: Folie á Deux,’ Pablo Larraín’s ‘Maria,’ & More Likely To Premiere In Competition At Festival at The Playlist.
Continue reading Venice 2024: ‘Joker: Folie á Deux,’ Pablo Larraín’s ‘Maria,’ & More Likely To Premiere In Competition At Festival at The Playlist.
- 5/30/2024
- by Ned Booth
- The Playlist
2024’s Venice Film Festival isn’t far away. Last year’s event was one that was slightly cut down due to the ongoing strikes that had befallen Hollywood and prevented a number of actors from attending for the promotion of their films. The films that screened last year included David Fincher’s The Killer, Yorgos Lanthimos’ Poor Things, Ava DuVernay’s Origin, Michael Mann’s Ferrari and Bradley Cooper’s Maestro. The line-up for films out of competition featured such big names as Woody Allen, Wes Anderson, William Friedkin, Richard Linklater and Roman Polanski.
The 81st Annual Venice Film Festival is set for August 28 to September 7. Variety is reporting that among the films that are being rumored for screenings is the Todd Phillips follow-up to the Joaquin Phoenix reimagining of DC’s Clown Prince of Crime. Joker: Folie à Deux, which co-stars Lady Gaga as Harley Quinn, is said to...
The 81st Annual Venice Film Festival is set for August 28 to September 7. Variety is reporting that among the films that are being rumored for screenings is the Todd Phillips follow-up to the Joaquin Phoenix reimagining of DC’s Clown Prince of Crime. Joker: Folie à Deux, which co-stars Lady Gaga as Harley Quinn, is said to...
- 5/30/2024
- by EJ Tangonan
- JoBlo.com
The upcoming Venice Film Festival is shaping up to be a star-studded affair with Lady Gaga, Joaquin Phoenix, Angelina Jolie, Daniel Craig, Johnny Depp, George Clooney, Brad Pitt, Gal Gadot and Ana de Armas among top Hollywood talents likely to be launching high-profile titles from the Lido.
Though festival chief Alberto Barbera has yet to see several submitted works that are likely to make the cut, a clutch of globally buzzy movies have already secured a coveted Venice berth, though some of the more mainstream entries will probably be bowing out-of-competition.
“Joker 2: Folie à Deux,” Todd Phillips’ edgy musical sequel to his 2019 Golden Lion prizewinning “Joker,” starring Gaga and Phoenix, is a competition shoo-in, along with Pablo Larraín’s Maria Callas biopic “Maria,” starring Jolie in the title role.
Larraín’s previous two tragic female biopics — “Spencer” starring Kristen Stewart as Princess Diana and “Jackie” with Natalie Portman as...
Though festival chief Alberto Barbera has yet to see several submitted works that are likely to make the cut, a clutch of globally buzzy movies have already secured a coveted Venice berth, though some of the more mainstream entries will probably be bowing out-of-competition.
“Joker 2: Folie à Deux,” Todd Phillips’ edgy musical sequel to his 2019 Golden Lion prizewinning “Joker,” starring Gaga and Phoenix, is a competition shoo-in, along with Pablo Larraín’s Maria Callas biopic “Maria,” starring Jolie in the title role.
Larraín’s previous two tragic female biopics — “Spencer” starring Kristen Stewart as Princess Diana and “Jackie” with Natalie Portman as...
- 5/30/2024
- by Nick Vivarelli
- Variety Film + TV
Lives of historical figures often get cinematic treatment to tell sweeping tales of real life events. From United States Presidents to their wives and First Ladies, to Supreme Court Justices to scientists and brilliant minds, nobody is off limits, especially if the stories are triumphant. Others have more tragic endings.
The 2024 Academy Awards showed just how popular a biopic can be amongst voters with Christopher Nolan’s Oppenheimer netting Best Picture, Best Director and Best Actor. Actors and actresses do almost anything to become the real-life person they portray in a biopic, from working with movement coaches to wearing prosthetics and makeup to enhance their facial features.
Those looking to learn about influential men and women over the years can find a list of historical biopics can read on for an immersive selection.
Photo : Weinstein Company Courtesy Everett Collection
The Imitation Game (2014)
Based on Alan Turing: The Enigma by Andrew Hodges,...
The 2024 Academy Awards showed just how popular a biopic can be amongst voters with Christopher Nolan’s Oppenheimer netting Best Picture, Best Director and Best Actor. Actors and actresses do almost anything to become the real-life person they portray in a biopic, from working with movement coaches to wearing prosthetics and makeup to enhance their facial features.
Those looking to learn about influential men and women over the years can find a list of historical biopics can read on for an immersive selection.
Photo : Weinstein Company Courtesy Everett Collection
The Imitation Game (2014)
Based on Alan Turing: The Enigma by Andrew Hodges,...
- 5/25/2024
- by Dessi Gomez
- Deadline Film + TV
The actor and film-maker talks from Cannes about swapping Rain Man and Hot Shots! for an arthouse epic about a pansexual femme fatale
Valeria Golino rolls into her Cannes hotel late, trailing cigarette smoke and apologies. She hasn’t even had time to check in when a publicist steers her into the garden and plumps her beneath an awning. She’s being rained on a little and has to reposition her chair. “Let us sit very close together,” she says, which is lovely when she is still and faintly alarming when she’s not. Her emphatic hand gestures almost take my nose off.
Golino won the best actress prize at Venice (for Francesco Maselli’s A Tale of Love) when she was still a teenager. She has appeared in arthouse European films and Hollywood spectaculars alike. These days she’s primarily known as a film-maker, having played in Cannes with her first two features.
Valeria Golino rolls into her Cannes hotel late, trailing cigarette smoke and apologies. She hasn’t even had time to check in when a publicist steers her into the garden and plumps her beneath an awning. She’s being rained on a little and has to reposition her chair. “Let us sit very close together,” she says, which is lovely when she is still and faintly alarming when she’s not. Her emphatic hand gestures almost take my nose off.
Golino won the best actress prize at Venice (for Francesco Maselli’s A Tale of Love) when she was still a teenager. She has appeared in arthouse European films and Hollywood spectaculars alike. These days she’s primarily known as a film-maker, having played in Cannes with her first two features.
- 5/24/2024
- by Xan Brooks
- The Guardian - Film News
Swedish director Ruben Östlund, who won Cannes Film Festival’s Palme d’Or for “The Square” and “Triangle of Sadness,” was among the guests at the German Films and Medienboard Reception on May 18 in the garden of the Mondrian Hotel in Cannes.
Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.)
German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus. Variety was the media partner for the reception.
Among the other guests attending were Karim Aïnouz, director of “Motel Destino,” which plays in this year’s Competition section at Cannes.
Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.)
German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus. Variety was the media partner for the reception.
Among the other guests attending were Karim Aïnouz, director of “Motel Destino,” which plays in this year’s Competition section at Cannes.
- 5/21/2024
- by Leo Barraclough
- Variety Film + TV
Chilean producer Tomas Gerlach Mora of A Simple Vista has struck a deal in the Cannes Marché for Colombia’s Rhayuela Films to join as co-producer on the upcoming genre film Dog Legs (Patas De Perro) starring Chilean A-lister Alfredo Castro.
Matías Rojas Valencia will direct and established his reputation with San Sebastián Horizontes Latinos 2013 selection Root and Tallinn 2021 entry A Place Called Dignity.
Based on the 1960 novel by Chilean literary giant Carlos Droguett, Dog Legs follows a lonely man who adopts a child born with the legs of a dog and is met with escalating violence when he tries...
Matías Rojas Valencia will direct and established his reputation with San Sebastián Horizontes Latinos 2013 selection Root and Tallinn 2021 entry A Place Called Dignity.
Based on the 1960 novel by Chilean literary giant Carlos Droguett, Dog Legs follows a lonely man who adopts a child born with the legs of a dog and is met with escalating violence when he tries...
- 5/21/2024
- ScreenDaily
Criterion and its sister distribution arm Janus Films each have a new owner: Indian Paintbrush founder Steven Rales.
Rales has acquired both Criterion and Janus in a private transaction, IndieWire has learned according to two individuals, giving the home for classic and art house films a new leader.
However, as Screen Daily first reported, leadership, including Criterion and Janus Films president Peter Becker, is expected to remain in place, and the overall mission of both companies is not expected to change, per a source.
“We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” Becker said in a statement to Screen. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Reps for Janus Films...
Rales has acquired both Criterion and Janus in a private transaction, IndieWire has learned according to two individuals, giving the home for classic and art house films a new leader.
However, as Screen Daily first reported, leadership, including Criterion and Janus Films president Peter Becker, is expected to remain in place, and the overall mission of both companies is not expected to change, per a source.
“We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” Becker said in a statement to Screen. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Reps for Janus Films...
- 5/20/2024
- by Brian Welk
- Indiewire
Launched last year by Wes Anderson’s producing partners at Indian Paintbrush, Galerie has emerged as a well-curated film club publishing unique selections of films from artists with their personal annotations. With past lists from the likes of James Gray, Ed Lachman, Mike Mills, Karyn Kusama, Ethan Hawke, and more, today we’re pleased to exclusively share a sneak peek from the lists of two celebrated Chilean filmmakers, Pablo Larraín and Sebastián Lelio, which have recently landed on the site.
Both filmmakers are currently working on their latest projects: Larraín is helming the Angelina Jolie-led Maria Callas drama, while Lelio is handling the musical The Wave, inspired by Chile’s “feminist May” movement in 2018. While in post-production on the projects, they’ve shared their curated collections.
The Spencer and El Conde director features Apichatpong Weerasethakul’s Cemetery of Splendor and Joshua Oppenheimer’s The Act of Killing on his list,...
Both filmmakers are currently working on their latest projects: Larraín is helming the Angelina Jolie-led Maria Callas drama, while Lelio is handling the musical The Wave, inspired by Chile’s “feminist May” movement in 2018. While in post-production on the projects, they’ve shared their curated collections.
The Spencer and El Conde director features Apichatpong Weerasethakul’s Cemetery of Splendor and Joshua Oppenheimer’s The Act of Killing on his list,...
- 5/17/2024
- by Jordan Raup
- The Film Stage
Iair Said’s first fiction feature, “Most People Die on Sundays,” will world premiere in this year’s Acid section at Cannes, although until recently, the filmmaker knew little about the platform.
“It was something new to me,” he told Variety in a recent interview when asked about being picked for this year’s lineup. “I’m not very informed about these kinds of industry things; I just make films to express myself.”
Although the Acid sidebar is new to Said, this isn’t his first time at Cannes. The director’s second short film, “Presente imperfecto,” screened in the festival’s main short film competition in 2015.
Loosely based on Said’s real-life experiences when his own father died, “Most People Die on Sunday” is the story of David, a chubby, promiscuous, gay, middle-class Jewish man from Buenos Aires in his 30s who lives in a state of arrested development.
“It was something new to me,” he told Variety in a recent interview when asked about being picked for this year’s lineup. “I’m not very informed about these kinds of industry things; I just make films to express myself.”
Although the Acid sidebar is new to Said, this isn’t his first time at Cannes. The director’s second short film, “Presente imperfecto,” screened in the festival’s main short film competition in 2015.
Loosely based on Said’s real-life experiences when his own father died, “Most People Die on Sunday” is the story of David, a chubby, promiscuous, gay, middle-class Jewish man from Buenos Aires in his 30s who lives in a state of arrested development.
- 5/17/2024
- by Jamie Lang
- Variety Film + TV
Chilean actor Alfredo Castro will make his directorial debut with the psychological thriller “Los Trabajadores de la Muerte,” which translates to “the workers of death.”
Based on Diamela Eltit’s novel of the same title, the film is penned by Castro and Pablo Valledor. Chile’s Storyboard Media and Les Films de l’Âge d’Or in France co-produce.
Producer and co-writer Valledor tells Variety the project is representative of his larger goal to ramp up international co-productions: “As a producer, my intention is to get involved in projects that present a radical approach and an attractive cinematic language,” he explained. “The aim of Les Films de l’Âge d’Or is to establish a structure dedicated to projects of this nature, creating a bridge between the Americas and Europe to ensure that funds are obtained and that these films are made through well-established international co-productions.”
Set during Chile’s economic crisis...
Based on Diamela Eltit’s novel of the same title, the film is penned by Castro and Pablo Valledor. Chile’s Storyboard Media and Les Films de l’Âge d’Or in France co-produce.
Producer and co-writer Valledor tells Variety the project is representative of his larger goal to ramp up international co-productions: “As a producer, my intention is to get involved in projects that present a radical approach and an attractive cinematic language,” he explained. “The aim of Les Films de l’Âge d’Or is to establish a structure dedicated to projects of this nature, creating a bridge between the Americas and Europe to ensure that funds are obtained and that these films are made through well-established international co-productions.”
Set during Chile’s economic crisis...
- 5/17/2024
- by Jamie Lang
- Variety Film + TV
Exclusive: Activist Artists Management has signed Chilean actress Renata González Spralja (The Wave) for representation, with Bernie Cahill and Justin Deanda to run point for the new client.
Most recently, Spralja wrapped production on The Wave (La Ola), a musical feature directed by Oscar and Goya winner Sebastián Lelio (A Fantastic Woman). Produced by Pablo Larraín’s Fabula, the film inspired by a true story from 2018 tells the story of a Chilean student who gets involved in a feminist movement on her university. Suddenly, she finds herself becoming a central figure in the movement.
Previously, Spralja worked with Larraín and Fabula on Llévame al Cielo (Take Me to Heaven), the first Chilean Disney+ series, which is slated for release worldwide this year. She made her screen debut opposite Giancarlo Esposito in Blackbird, a four-episode English-language marketing miniseries produced by Fabula for Nissan, and continues to be represented by Constanza Arena...
Most recently, Spralja wrapped production on The Wave (La Ola), a musical feature directed by Oscar and Goya winner Sebastián Lelio (A Fantastic Woman). Produced by Pablo Larraín’s Fabula, the film inspired by a true story from 2018 tells the story of a Chilean student who gets involved in a feminist movement on her university. Suddenly, she finds herself becoming a central figure in the movement.
Previously, Spralja worked with Larraín and Fabula on Llévame al Cielo (Take Me to Heaven), the first Chilean Disney+ series, which is slated for release worldwide this year. She made her screen debut opposite Giancarlo Esposito in Blackbird, a four-episode English-language marketing miniseries produced by Fabula for Nissan, and continues to be represented by Constanza Arena...
- 5/15/2024
- by Matt Grobar
- Deadline Film + TV
“The Hyperboreans,” the Cannes Directors’ Fortnight entry from Chile, defines the inventive works that have emerged from this small nation. Many of its films touch on traumatic national events of the past but play with rarely explored genres in the region. Case in point: the country’s recent Oscar submission, “The Settlers,” about Chile’s bloody colonial 1901 battle in its south, is a neo-Western.
Helmed by animation mavens Cristóbal León and Joaquín Cociña, “The Hyperboreans” (“Los Hiperbóreos”) combines live action and stop-motion animation in a story that also stands out for its singularity. In it, Chilean actress and psychologist Antonia Giesen films a script from her patient’s mind, leading to a reality-bending spiral when she discovers it originates from Nazi poet Miguel Serrano.
“We planned this as an exhibition of the filming process at an art gallery in Chile, so we filmed this in a single space and with only one actress,...
Helmed by animation mavens Cristóbal León and Joaquín Cociña, “The Hyperboreans” (“Los Hiperbóreos”) combines live action and stop-motion animation in a story that also stands out for its singularity. In it, Chilean actress and psychologist Antonia Giesen films a script from her patient’s mind, leading to a reality-bending spiral when she discovers it originates from Nazi poet Miguel Serrano.
“We planned this as an exhibition of the filming process at an art gallery in Chile, so we filmed this in a single space and with only one actress,...
- 5/14/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Italian producers Mario Gianani and Lorenzo Mieli are entering the Mediawan fold after recently exiting Fremantle to jointly form a new independent outfit.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
- 5/14/2024
- by Nick Vivarelli and Elsa Keslassy
- Variety Film + TV
Catalan titles will be in no short supply at this year’s Cannes Festival and Marché du Film. Below, a near dozen titles that hope to impress at this year’s event.
“Blue Sun Palace,” (Constance Tsang)
Tsang’s debut feature, shot in New York, world premieres at this year’s Critics’ Week. Field Trip Media and Big Buddha Prods. produce this film about two migrants who work at a massage parlor in Queens. Co- produced by Catalonia’s Marta Cruañas (“Creature”).
Sales: Charades
“Daniela Forever,” (Nacho Vigalondo)
Vigalondo helms this English language romantic drama about loss and memory, reminiscent of “Eternal Sunshine of the Spotless Mind.” Producers include Mediacrest, Sayaka, XYZ Films, Wrong Men and Señor & Señora.
Sales: XYZ Films
“Misericordia,” (Alain Guiraudie)
French director Guiraudie, behind 2013 Queer Palm winner “Stranger by the Lake,” will bow his latest film in the Cannes Premiere section. This French-Catalan co-production received...
“Blue Sun Palace,” (Constance Tsang)
Tsang’s debut feature, shot in New York, world premieres at this year’s Critics’ Week. Field Trip Media and Big Buddha Prods. produce this film about two migrants who work at a massage parlor in Queens. Co- produced by Catalonia’s Marta Cruañas (“Creature”).
Sales: Charades
“Daniela Forever,” (Nacho Vigalondo)
Vigalondo helms this English language romantic drama about loss and memory, reminiscent of “Eternal Sunshine of the Spotless Mind.” Producers include Mediacrest, Sayaka, XYZ Films, Wrong Men and Señor & Señora.
Sales: XYZ Films
“Misericordia,” (Alain Guiraudie)
French director Guiraudie, behind 2013 Queer Palm winner “Stranger by the Lake,” will bow his latest film in the Cannes Premiere section. This French-Catalan co-production received...
- 5/14/2024
- by Jamie Lang
- Variety Film + TV
Despite the glass-ceiling-smashing success of Greta Gerwig’s Barbie, gender parity in the global film sector remains a distant goal. Re-Framing the Picture, a recent study from an international and multidisciplinary research team looking at the German, British and Canadian film industries, projects that, at the current rate of progress, true 50-50 equality in key creative positions won’t be reached until 2041 in Germany, 2085 in the U.K., and 2215 (!) in Canada. It’s not an optimistic forecast for the producers, managers, film executives and talents picked by THR as the most influential women in international cinema, but they continue to find new models to produce, finance and distribute movies that amplify diverse voices. More than ever, it’s their efforts that are required if the promise of a more representative and inclusive film industry is ever to be realized.
Mo Abudu
CEO, EbonyLife Media (Nigeria)
Africa’s production industry was...
Mo Abudu
CEO, EbonyLife Media (Nigeria)
Africa’s production industry was...
- 5/13/2024
- by Patrick Brzeski, Scott Roxborough and Georg Szalai
- The Hollywood Reporter - Movie News
Paul Walter Hauser has added another project to a packed upcoming slate.
The Emmy and Golden Globe winner, who in the last few weeks alone has been tapped to play Chris Farley in Josh Gad’s biopic and has joined the cast of both “Fantastic Four” and the “Naked Gun” reboot, is to lead “Press Your Luck,” a drama-thriller based on the true story of Michael Larson. Protagonist Pictures has unveiled the drama-thriller — from Plenty Good in co-production with Fabula — alongside a first look image and will handle international sales, while CAA Media Finance represents North American rights.
Set in 1984, “Press Your Luck” follows Larson, an unemployed truck driver from Ohio who stepped onto the game show “Press Your Luck” harbouring a secret: the key to endless amounts of money. But his winning streak gets threatened when the executives in the control room start to uncover his real motivations.
The...
The Emmy and Golden Globe winner, who in the last few weeks alone has been tapped to play Chris Farley in Josh Gad’s biopic and has joined the cast of both “Fantastic Four” and the “Naked Gun” reboot, is to lead “Press Your Luck,” a drama-thriller based on the true story of Michael Larson. Protagonist Pictures has unveiled the drama-thriller — from Plenty Good in co-production with Fabula — alongside a first look image and will handle international sales, while CAA Media Finance represents North American rights.
Set in 1984, “Press Your Luck” follows Larson, an unemployed truck driver from Ohio who stepped onto the game show “Press Your Luck” harbouring a secret: the key to endless amounts of money. But his winning streak gets threatened when the executives in the control room start to uncover his real motivations.
The...
- 5/9/2024
- by Alex Ritman
- Variety Film + TV
Lost a bit in last year’s Cannes shuffle was Karim Aïnouz’s Firebrand, a period piece starring (who else to put their superb skills into costume dramas) Alicia Vikander and Jude Law. With Roadside Attractions handling distribution, it arrives on June 14 and there’s now a trailer.
We were mixed-positive on Aïnouz’s film out of Cannes. As Savina Petkova said, “Even if Firebrand prefers to stay on the safe side of period cinema about the British monarchy––unlike Yorgos Lanthimos’ The Favourite or Pablo Larraín’s Spencer––Karim Aïnouz doesn’t fail his audiences. Maybe the ones who’d expect something more of his auteur touch would face some disappointment, but the general audience wouldn’t mind an exciting, superbly acted tale of emancipation and revenge.”
Find the preview below:
In blood-soaked Tudor England, twice married, accomplished, and educated Katherine Parr (Vikander), reluctantly agrees to become the sixth...
We were mixed-positive on Aïnouz’s film out of Cannes. As Savina Petkova said, “Even if Firebrand prefers to stay on the safe side of period cinema about the British monarchy––unlike Yorgos Lanthimos’ The Favourite or Pablo Larraín’s Spencer––Karim Aïnouz doesn’t fail his audiences. Maybe the ones who’d expect something more of his auteur touch would face some disappointment, but the general audience wouldn’t mind an exciting, superbly acted tale of emancipation and revenge.”
Find the preview below:
In blood-soaked Tudor England, twice married, accomplished, and educated Katherine Parr (Vikander), reluctantly agrees to become the sixth...
- 5/8/2024
- by Leonard Pearce
- The Film Stage
In this episode, the acting profession is discussed as a permanent quest to suspend time.Luis Gnecco is a Chilean actor with an extensive career in theater and television since the 1990s. In the last decade, his versatility has been recognized internationally for collaborating with important Latin American directors such as Rodrigo Sepúlveda, Fernando Meirelles, and Carlos Carrera. In Pablo Larraín's Neruda and Matías Lira's El bosque de Karadima, he played two well-known and controversial characters in Chilean history, sparking interesting discussions about the fictionalization of reality and the representation of horror. On the other hand, Esteban Bigliardi is an Argentine actor with a diverse filmography spanning various dramatic styles. His collaborations with directors such as Lisandro Alonso, Romina Paula, Alejandro Fadel, and María Alché have allowed him to explore genres as diverse as family drama, thriller, experimental narratives, and even horror.In the last year, he starred...
- 5/1/2024
- MUBI
We’re just two weeks away from the 77th Cannes Film Festival, and this morning the august French institution revealed who will determine the winners of this year’s awards. A cross-section of international talent will join “Barbie” and “Lady Bird” director Greta Gerwig, who will lead the panel, in an effort to undoubtedly compare apples to oranges and try to make sense of a diverse slate of films from directors like David Cronenberg, Francis Ford Coppola, Sean Baker, Ali Abbasi, and many others.
Lily Gladstone, who won several Best Actress awards last year (but not the Oscar!) for her revolutionary turn in “Killers of the Flower Moon,” is the other American joining Gerwig. The actress, currently seen on FX/Hulu’s “Under the Bridge,” is returning to Cannes one year after Martin Scorsese and Apple Original Films brought “Flower Moon” to the French Riviera festival for its out-of-competition debut.
Lily Gladstone, who won several Best Actress awards last year (but not the Oscar!) for her revolutionary turn in “Killers of the Flower Moon,” is the other American joining Gerwig. The actress, currently seen on FX/Hulu’s “Under the Bridge,” is returning to Cannes one year after Martin Scorsese and Apple Original Films brought “Flower Moon” to the French Riviera festival for its out-of-competition debut.
- 4/29/2024
- by Jordan Hoffman
- Gold Derby
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
The Cannes Film Festival has named the eight members of its main Competition jury who will join previously announced president Greta Gerwig in deciding the Palme d’Or and other key prizes at 77th edition running from May 14 to 25.
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
- 4/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
J.A. Bayona’s Netflix epic Society of the Snow swept Saturday night’s Platino Awards, picking up a total of six trophies including the top award of the night for best Ibero-American fiction film.
Bayona’s film follows the tragic events that take place after Uruguayan Air Force flight 571, chartered to fly a rugby team to Chile, crashes on a glacier in the heart of the Andes in 1972. Only 16 of the 45 passengers ultimately made it out alive as a handful of others perished on the mountain during the 72 days from the time of the crash until rescuers arrived.
Bayona also made his way to the stage to accept a trophy for best director, and his film’s haul also included best male performance for star Enzo Vogrincic, best editing for Jaume Marti and Andres Gil, best cinematography for Pedro Luque, and best sound for Oriol Tarragó, Marc Orts and Jorge Adrados.
Bayona’s film follows the tragic events that take place after Uruguayan Air Force flight 571, chartered to fly a rugby team to Chile, crashes on a glacier in the heart of the Andes in 1972. Only 16 of the 45 passengers ultimately made it out alive as a handful of others perished on the mountain during the 72 days from the time of the crash until rescuers arrived.
Bayona also made his way to the stage to accept a trophy for best director, and his film’s haul also included best male performance for star Enzo Vogrincic, best editing for Jaume Marti and Andres Gil, best cinematography for Pedro Luque, and best sound for Oriol Tarragó, Marc Orts and Jorge Adrados.
- 4/23/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
In a triumphant night for Spain, J.A. Bayona’s Oscar-nominated “Society of the Snow” swept the top prizes at Platino Xcaret, named after the venue of the annual Platino Awards this year, which took place at the Xcaret Park, Riviera Maya, Mexico.
Argentina cinema’s plight, exacerbated by far-right president Javier Milei’s closure of its film institute, Incaa, was also on many people’s minds.
Citing veteran Argentine filmmaker Adolfo Aristarain as one of his inspirations, Bayona said upon receiving his best director award: “Argentina, we are here standing by your side, you’re not alone.”
Bayona’s harrowing account of the 1972 Uruguayan Air Force Flight 571 crash, from which only 16 people survived after 72 days stranded in the Andes, became Netflix’s second most-viewed non-English film of all time. “I wouldn’t be here without the book that Pablo Vierci wrote,” said Bayona, who also thanked his cast and crew,...
Argentina cinema’s plight, exacerbated by far-right president Javier Milei’s closure of its film institute, Incaa, was also on many people’s minds.
Citing veteran Argentine filmmaker Adolfo Aristarain as one of his inspirations, Bayona said upon receiving his best director award: “Argentina, we are here standing by your side, you’re not alone.”
Bayona’s harrowing account of the 1972 Uruguayan Air Force Flight 571 crash, from which only 16 people survived after 72 days stranded in the Andes, became Netflix’s second most-viewed non-English film of all time. “I wouldn’t be here without the book that Pablo Vierci wrote,” said Bayona, who also thanked his cast and crew,...
- 4/21/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Standout Paris-based sales outfit Luxbox (“1976”) has acquired international sales rights to the debut solo feature effort from Chilean multi-hyphenate Vinko Tomičić Salinas(“Durmiente”),“The Dog Thief” (“El Ladrón de Perros”), which bows in the international narrative competition at this year’s Tribeca Film Festival, running June 5-16.
The film follows an adolescent shoe shining orphan, Martín (Franklin Aro Huasco), in his quest to get closer to Mr. Novoa, a lonely tailor in town whom he believes is his father.
After a twisted ruse is hatched to excuse his further prying, the teen winds up against a wall in a situation that could cause him to lose the nascent, yet budding, relationship.
Novoa, played by Pablo Larraín regular Alfredo Castro, last seen in “El Conde,” reluctantly opens-up to the youngster and the two form an undeniable bond in this drama that takes quotidian life to new heights by infusing it with...
The film follows an adolescent shoe shining orphan, Martín (Franklin Aro Huasco), in his quest to get closer to Mr. Novoa, a lonely tailor in town whom he believes is his father.
After a twisted ruse is hatched to excuse his further prying, the teen winds up against a wall in a situation that could cause him to lose the nascent, yet budding, relationship.
Novoa, played by Pablo Larraín regular Alfredo Castro, last seen in “El Conde,” reluctantly opens-up to the youngster and the two form an undeniable bond in this drama that takes quotidian life to new heights by infusing it with...
- 4/19/2024
- by Holly Jones
- Variety Film + TV
Fremantle and Fabula have renewed their first-look partnership with an agreement they say will result in them working even more closely to develop a fresh slate of original dramas and films.
Under the accord, Fremantle’s international sales wing, Fmi, will distribute the drama projects worldwide.
Global production and distribution company Fremantle and Pablo and Juan de Dios Larraín’s Santiago, Chile-based banner Fabula struck their original first-look deal in 2019.
Under the accord, Fabula has produced prize-winning series La Jauría and Señorita 89 as well as the upcoming Midnight Family for Apple TV+, a 10-episode medical drama inspired by the award-winning documentary of the same name.
On the feature film front, Fabula and Fremantle have just wrapped production on Sebastián Lelio’s film musical The Wave, in partnership with Participant Media.
The drama tells the story of the mass university rallies that took place during Chile’s so-called “Feminist May” in...
Under the accord, Fremantle’s international sales wing, Fmi, will distribute the drama projects worldwide.
Global production and distribution company Fremantle and Pablo and Juan de Dios Larraín’s Santiago, Chile-based banner Fabula struck their original first-look deal in 2019.
Under the accord, Fabula has produced prize-winning series La Jauría and Señorita 89 as well as the upcoming Midnight Family for Apple TV+, a 10-episode medical drama inspired by the award-winning documentary of the same name.
On the feature film front, Fabula and Fremantle have just wrapped production on Sebastián Lelio’s film musical The Wave, in partnership with Participant Media.
The drama tells the story of the mass university rallies that took place during Chile’s so-called “Feminist May” in...
- 4/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
Fremantle has renewed its first-look deal with Fabula, the production company set up by Pablo Larraín and his producer brother Juan de Dios Larraín. According to the companies, the new partnership will see the two work more closely together, developing a slate of original dramas and films, which Fremantle’s international sales wing Fmi will distribute worldwide.
Under the original first-look partnership, signed in 2019, Fabula produced the award-winning series “La Jauría” and “Señorita 89” and the upcoming “Midnight Family” for Apple TV+, a 10-episode medical drama inspired by the award-winning documentary of the same name.
Fabula and Fremantle have just wrapped production on Sebabstián Lelio’s film musical “The Wave,” in partnership with Participant Media. “The Wave” tells the story of the mass protests that took place during the so-called “feminist May” in 2018, which created an iconic moment in the Chilean consciousness and reverberated across the region.
Later this year,...
Under the original first-look partnership, signed in 2019, Fabula produced the award-winning series “La Jauría” and “Señorita 89” and the upcoming “Midnight Family” for Apple TV+, a 10-episode medical drama inspired by the award-winning documentary of the same name.
Fabula and Fremantle have just wrapped production on Sebabstián Lelio’s film musical “The Wave,” in partnership with Participant Media. “The Wave” tells the story of the mass protests that took place during the so-called “feminist May” in 2018, which created an iconic moment in the Chilean consciousness and reverberated across the region.
Later this year,...
- 4/16/2024
- by Alex Ritman
- Variety Film + TV
Fremantle has renewed its first-look deal with Fabula, the Chilean production company run by acclaimed director Pablo Larrain and brother Juan de Dios Larrain.
Fabula’s filmography includes Larrain’s Oscar-winning A Fantastic Woman and the Oscar-nominated Jackie as well as Spencer and El Conde.
The agreement will see Fremantle and Fabula continue to work together with Fremantle’s CEO, global drama, Christian Vesper and Seb Shorr, COO, global drama, to develop a slate of original films and TV dramas. Fremantle’s international sales wing, Fmi, will handle distribution on all the small-screen projects.
Upcoming features produced under the Fabula-Fremantle deal, first inked in 2019, include Larrain’s Maria, a biopic of opera star Maria Callas starring Angelina Jolie, produced together with Fremantle and Komplizen Film; and Sebabstián Lelio’s feminist protest musical The Wave, made in partnership with Participant Media.
On the TV side, Fabula has produced the Spanish-language thriller...
Fabula’s filmography includes Larrain’s Oscar-winning A Fantastic Woman and the Oscar-nominated Jackie as well as Spencer and El Conde.
The agreement will see Fremantle and Fabula continue to work together with Fremantle’s CEO, global drama, Christian Vesper and Seb Shorr, COO, global drama, to develop a slate of original films and TV dramas. Fremantle’s international sales wing, Fmi, will handle distribution on all the small-screen projects.
Upcoming features produced under the Fabula-Fremantle deal, first inked in 2019, include Larrain’s Maria, a biopic of opera star Maria Callas starring Angelina Jolie, produced together with Fremantle and Komplizen Film; and Sebabstián Lelio’s feminist protest musical The Wave, made in partnership with Participant Media.
On the TV side, Fabula has produced the Spanish-language thriller...
- 4/16/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Fremantle has renewed its first-look partnership with Chilean production company Fabula in a deal that will see the companies develop a slate of original dramas and films. Fremantle’s international sales wing, Fmi, will distribute the drama projects worldwide.
Fabula and Fremantle have just wrapped production on Sebabstián Lelio’s film musical The Wave, in partnership with Participant Media, which tells the story of the mass protests and university rallies that took place during Chile’s so-called “feminist May” in 2018.
Later this year they will launch Pablo Larraín’s Maria starring Angelina Jolie as Maria Callas, produced alongside Fremantle and Germany’s Komplizen Film.
Fabula and Fremantle have just wrapped production on Sebabstián Lelio’s film musical The Wave, in partnership with Participant Media, which tells the story of the mass protests and university rallies that took place during Chile’s so-called “feminist May” in 2018.
Later this year they will launch Pablo Larraín’s Maria starring Angelina Jolie as Maria Callas, produced alongside Fremantle and Germany’s Komplizen Film.
- 4/16/2024
- ScreenDaily
The 2025 Oscars ceremony is months away, but we already know some things about the show, the potential nominees and who may host it.
Read on below for answers to your questions about the 2025 Academy Awards.
When Are The 2025 Oscars?
The Oscars will be handed out Sunday, March 2 — a week earlier than the March 10, 2024 show. The ceremony will start at 4 p.m. Pt/7 p.m. Et — a welcome time change that began with the 96th Academy Awards last March. The show had typically run from 5 p.m./8 p.m. (and often much later depending on speeches).
Who Is Hosting The 2025 Oscars?
The host usually isn’t announced until November or December, but given the show is on ABC through 2028 and given Jimmy Kimmel’s well-received efforts earlier this month, he may well be back again. If so, it will be his fifth time hosting, putting him in company with the great Johnny Carson.
Read on below for answers to your questions about the 2025 Academy Awards.
When Are The 2025 Oscars?
The Oscars will be handed out Sunday, March 2 — a week earlier than the March 10, 2024 show. The ceremony will start at 4 p.m. Pt/7 p.m. Et — a welcome time change that began with the 96th Academy Awards last March. The show had typically run from 5 p.m./8 p.m. (and often much later depending on speeches).
Who Is Hosting The 2025 Oscars?
The host usually isn’t announced until November or December, but given the show is on ABC through 2028 and given Jimmy Kimmel’s well-received efforts earlier this month, he may well be back again. If so, it will be his fifth time hosting, putting him in company with the great Johnny Carson.
- 4/10/2024
- by Tom Tapp
- Deadline Film + TV
Oscar-winning Chilean director Sebastián Lelio has wrapped production on the newly announced musical film “The Wave,” inspired by the mass protests and university rallies that took place during Chile’s so-called “feminist May” movement in 2018.
The film — starring newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés — centers on Julia, a dedicated music student who gets involved in the growing feminist movement on her university campus — a group effort where women step up to bring attention to the widespread harassment and abuse suffered by many of their peers. Amid the excitement of protest marches, she joins her friends in dancing and singing, revisiting her own experiences of mistreatment. But as she gathers the courage to share her story, she unexpectedly becomes a central figure in the movement. It’s a role she didn’t foresee, but one which forces her to address her identity as a survivor in a...
The film — starring newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés — centers on Julia, a dedicated music student who gets involved in the growing feminist movement on her university campus — a group effort where women step up to bring attention to the widespread harassment and abuse suffered by many of their peers. Amid the excitement of protest marches, she joins her friends in dancing and singing, revisiting her own experiences of mistreatment. But as she gathers the courage to share her story, she unexpectedly becomes a central figure in the movement. It’s a role she didn’t foresee, but one which forces her to address her identity as a survivor in a...
- 4/10/2024
- by Alex Ritman
- Variety Film + TV
Oscar-winning director Sebastián Lelio has wrapped production and released first images on his new musical film The Wave (La Ola), inspired by the protests and university rallies that took place in Chile during the so-called “feminist May” in 2018.
The film, which stars newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés, shot on location in Chile for nine weeks.
It centres on Julia, a dedicated music student, who gets involved in the growing feminist movement on her university campus to protest widespread harassment and abuse suffered by many of their peers. Julia joins her friends in dancing and singing,...
The film, which stars newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés, shot on location in Chile for nine weeks.
It centres on Julia, a dedicated music student, who gets involved in the growing feminist movement on her university campus to protest widespread harassment and abuse suffered by many of their peers. Julia joins her friends in dancing and singing,...
- 4/10/2024
- ScreenDaily
Oscar-winning filmmaker Sebastián Lelio has wrapped production on musical film The Wave (La Ola) inspired by the wave of feminist civil disobedience that swept Chile in the spring of 2018.
The mass protests and university rallies, sparked by a collective desire to bring attention to widespread harassment and abuse against women in Chile, came to be known as the “Feminist May”.
The movement was seen as a turning point for Chilean consciousness around women’s rights, reverberated across the world.
The movie’s original musical compositions have been created collaboratively by 17 female Chilean musicians including Ana Tijoux, Camila Moreno and Javiera Parra, as well as the film’s award-winning composer Matthew Herbert, whose credits include Lelio’s The Wonder, A Fantastic Woman, Gloria Bell and Disobedience.
The choreographer is award-winning Ryan Heffington who has worked with recording artists including Sia, Florence and the Machine and Christine and the Queens as well...
The mass protests and university rallies, sparked by a collective desire to bring attention to widespread harassment and abuse against women in Chile, came to be known as the “Feminist May”.
The movement was seen as a turning point for Chilean consciousness around women’s rights, reverberated across the world.
The movie’s original musical compositions have been created collaboratively by 17 female Chilean musicians including Ana Tijoux, Camila Moreno and Javiera Parra, as well as the film’s award-winning composer Matthew Herbert, whose credits include Lelio’s The Wonder, A Fantastic Woman, Gloria Bell and Disobedience.
The choreographer is award-winning Ryan Heffington who has worked with recording artists including Sia, Florence and the Machine and Christine and the Queens as well...
- 4/10/2024
- by Melanie Goodfellow
- Deadline Film + TV
Chilean director Sebastián Lelio has revealed details of his new film, The Wave, a Spanish-language production the director of The Wonder and A Fantastic Woman has shot under the radar in Chile over the past nine weeks.
A musical, The Wave was inspired by the mass demonstrations protesting violence against women that swept Chile in 2018, galvanizing the feminist movement in the country and leading to constitutional reform on the rights of women.
The film follows Julia (newcomer Daniela López), a Chilean music student who gets involved in the growing feminist movement on her university campus. While joining her friends in dancing and singing as part of the protests against gender-based violence, Julia revisits her own experiences of mistreatment. She unexpectedly becomes a central figure in the movement that is pushing for change in a society that is resistant to it. Produced by Juan de Dios Larraín, Pablo Larraín, Rocío Jadue and Lelio,...
A musical, The Wave was inspired by the mass demonstrations protesting violence against women that swept Chile in 2018, galvanizing the feminist movement in the country and leading to constitutional reform on the rights of women.
The film follows Julia (newcomer Daniela López), a Chilean music student who gets involved in the growing feminist movement on her university campus. While joining her friends in dancing and singing as part of the protests against gender-based violence, Julia revisits her own experiences of mistreatment. She unexpectedly becomes a central figure in the movement that is pushing for change in a society that is resistant to it. Produced by Juan de Dios Larraín, Pablo Larraín, Rocío Jadue and Lelio,...
- 4/10/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Sebastián Lelio is setting the soundtrack of a feminist revolution with musical film “The Wave (La Ola)” — it just wrapped production.
The Academy Award-winning director helms the film that follows music student Julia (Daniela López) who gets involved in the growing feminist #MeToo movement on her university campus. Amid the excitement of protest marches, per the official synopsis, Julia joins her friends in dancing and singing, revisiting her own experiences of mistreatment. As she gathers the courage to share her own abuse story, she unexpectedly becomes a central figure in the movement — a role she didn’t foresee, which forces her to address her identity as a survivor in a society that promises change but remains resistant to it.
Avril Aurora, Lola Bravo, and Paulina Cortés also star. See below for first-look images.
Lelio co-wrote the screenplay with Manuela Infante, Josefina Fernández, and Paloma Salas. The writer/director/producer was...
The Academy Award-winning director helms the film that follows music student Julia (Daniela López) who gets involved in the growing feminist #MeToo movement on her university campus. Amid the excitement of protest marches, per the official synopsis, Julia joins her friends in dancing and singing, revisiting her own experiences of mistreatment. As she gathers the courage to share her own abuse story, she unexpectedly becomes a central figure in the movement — a role she didn’t foresee, which forces her to address her identity as a survivor in a society that promises change but remains resistant to it.
Avril Aurora, Lola Bravo, and Paulina Cortés also star. See below for first-look images.
Lelio co-wrote the screenplay with Manuela Infante, Josefina Fernández, and Paloma Salas. The writer/director/producer was...
- 4/10/2024
- by Samantha Bergeson
- Indiewire
For actress Kristen Stewart, starring in “Twilight” has been both a blessing and a curse. On the one hand, the worldwide popularity of the five-film vampire series helped to make Stewart one of the most recognizable actresses on the planet. Unfortunately, with that fame came the tabloids, and before long, Stewart became better known for being in gossip magazines than for her considerable skills as an actress, seemingly destined to be tagged forever as “that girl from ‘Twilight.'” Fortunately, a number of international directors such as Olivier Assayas and Pablo Larrain came to the rescue, looking past the gossip to see the potential and creating roles for Stewart that were finally worthy of her talents.
Stewart’s filmography encompasses a wide range of genres, from biopics and mother/daughter dramas (“Still Alice”) to romantic comedies and nail-biting thrillers (“Panic Room”). While she has inhabited a wide variety of characters,...
Stewart’s filmography encompasses a wide range of genres, from biopics and mother/daughter dramas (“Still Alice”) to romantic comedies and nail-biting thrillers (“Panic Room”). While she has inhabited a wide variety of characters,...
- 4/3/2024
- by Tom O'Brien, Misty Holland and Marcus James Dixon
- Gold Derby
In 2006, Stephen King's "Lisey's Story" won the Bram Stoker Award for its meticulous exploration of the art of writing, entwined with how repressed memories burst to the surface and begin to define who we are. King's novel examines what it means to be an author, where a mythical pool is likened to a wellspring of creativity, with the ability to both agonize and heal. Compared to most of King's works, "Lisey's Story" is a tad harder to breeze through — however, the halting nature of the story perfectly encapsulates the complexities of writing about something personal, along with the myriad emotions it evokes. This story in particular also holds deep personal meaning for King, contributing to the fact that it is still one of his favorite works.
The novel's focus is Pulitzer Prize-winning novelist Scott Landon, but the vignettes of his life are recounted through the eyes of Lisey, Scott's wife,...
The novel's focus is Pulitzer Prize-winning novelist Scott Landon, but the vignettes of his life are recounted through the eyes of Lisey, Scott's wife,...
- 3/30/2024
- by Debopriyaa Dutta
- Slash Film
Italian film and TV orgs will hold an emergency press conference in Rome next week to discuss the damage being done to their sectors by uncertainty over the future of direct funding and tax credits.
The meeting on April 5 in Rome’s Cinema Adriano will gather the members of 14 professional bodies including filmmakers’ org 100 Autori, producer groups Anica and Agici, Cartoon Italia and the actors’ association Unita.
“The first quarter of 2024 saw an abrupt halt in film and audiovisual production, due to uncertainty and the continued delay in the implementation of public support measures for the sector,” said the film and TV orgs in a statement announcing the conference.
Italy’s right-wing government has been making noises for months about its reform of the country’s Cinema Law, first mooted prior to its arrival in power in 2022.
The legislation covers direct film and TV funding, as well as the 40% tax...
The meeting on April 5 in Rome’s Cinema Adriano will gather the members of 14 professional bodies including filmmakers’ org 100 Autori, producer groups Anica and Agici, Cartoon Italia and the actors’ association Unita.
“The first quarter of 2024 saw an abrupt halt in film and audiovisual production, due to uncertainty and the continued delay in the implementation of public support measures for the sector,” said the film and TV orgs in a statement announcing the conference.
Italy’s right-wing government has been making noises for months about its reform of the country’s Cinema Law, first mooted prior to its arrival in power in 2022.
The legislation covers direct film and TV funding, as well as the 40% tax...
- 3/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
Exclusive: After strong start to 2024 with Masters of the Air and Dune Part 2, Oscar-nominee Austin Butler is looking to build on that success and is teaming up with another Oscar-nominated director. Sources tell Deadline Butler is set to star in Academy Award nominee Darren Aronofsky’s crime thriller Caught Stealing for Sony Pictures. The studio recently landed the package which is based on the book by Charlie Huston. The script will be written by Huston with Protozoa producing.
“I am excited to be teaming up with my old friends at Sony Pictures to bring Charlie’s adrenaline-soaked roller coaster ride to life. I can’t wait to start working with Austin and my family of NYC filmmakers,” said Aronofsky.
Written by and based on the books by Huston, Caught Stealing follows Hank Thompson, a burned-out former baseball player, as he’s unwittingly plunged into a wild...
“I am excited to be teaming up with my old friends at Sony Pictures to bring Charlie’s adrenaline-soaked roller coaster ride to life. I can’t wait to start working with Austin and my family of NYC filmmakers,” said Aronofsky.
Written by and based on the books by Huston, Caught Stealing follows Hank Thompson, a burned-out former baseball player, as he’s unwittingly plunged into a wild...
- 3/27/2024
- by Justin Kroll
- Deadline Film + TV
Academy Award-winning producer Daniel Dreifuss (“All Quiet on the Western Front”) has boarded “Red Men,” the latest feature from Mexico’s Hari Sama, best known for his lauded autobiographical pic “This is not Berlin,” which world premiered at Sundance in 2019.
Described as an “edgy and provocative coming-of-age story” about the life of Austrian expressionist painter Egon Schiele, “Red Men” hones in on Schiele’s role in reshaping European aesthetics through his intimate relationship with lover and muse, Dominik Van Osen.
Their bond inspired Schiele’s pioneering Expressionist style while also compelling the young artist to confront his sexually fluid identity amidst repressive laws banning homosexuality in turn-of-the-century Vienna. This romantic saga delves into the emotional complexities of two artistic companions turned lovers, which drove Egon’s artistic vision while he struggled to navigate society’s norms. Schiele, whose provocative art was known for its contorted body shapes and dramatic lines,...
Described as an “edgy and provocative coming-of-age story” about the life of Austrian expressionist painter Egon Schiele, “Red Men” hones in on Schiele’s role in reshaping European aesthetics through his intimate relationship with lover and muse, Dominik Van Osen.
Their bond inspired Schiele’s pioneering Expressionist style while also compelling the young artist to confront his sexually fluid identity amidst repressive laws banning homosexuality in turn-of-the-century Vienna. This romantic saga delves into the emotional complexities of two artistic companions turned lovers, which drove Egon’s artistic vision while he struggled to navigate society’s norms. Schiele, whose provocative art was known for its contorted body shapes and dramatic lines,...
- 3/12/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Non-English-language movies stormed the Oscars this year, with five films taking home statuettes — the most ever in one ceremony.
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
- 3/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
Fremantle is getting into the Rachel Weisz business.
The international production powerhouse has signed a first-look and development deal with Astral Projection, the production company run by the Oscar-winning actress and her Dead Ringers producer Polly Stokes.
The three-year deal will see Fremantle become the primary home for all of Astral Projection’s TV and film projects. Astral will work closely with Fremantle’s Global Drama division under Global Drama CEO Christian Vesper and COO Seb Shorr, as well as its international distribution team.
“We are thrilled to have found such experienced and trusting partners in Fremantle,” said Weisz in a statement. “As soon as we met Christian and Seb, we knew they were a perfect fit for our taste and energy and that this would be a brilliant home for Astral.”
Added Stokes: “We want to tell stories that are surprising and affirming — that find joy in unexpected and daring places.
The international production powerhouse has signed a first-look and development deal with Astral Projection, the production company run by the Oscar-winning actress and her Dead Ringers producer Polly Stokes.
The three-year deal will see Fremantle become the primary home for all of Astral Projection’s TV and film projects. Astral will work closely with Fremantle’s Global Drama division under Global Drama CEO Christian Vesper and COO Seb Shorr, as well as its international distribution team.
“We are thrilled to have found such experienced and trusting partners in Fremantle,” said Weisz in a statement. “As soon as we met Christian and Seb, we knew they were a perfect fit for our taste and energy and that this would be a brilliant home for Astral.”
Added Stokes: “We want to tell stories that are surprising and affirming — that find joy in unexpected and daring places.
- 3/7/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Following multiple nominations for “Anatomy of a Fall” and “The Zone of Interest,” industry insiders are excited for more “international” Academy Awards.
“The Oscars have been opening up to international filmmakers in recent years. I am happy to be one of them,” says Kaouther Ben Hania, nominated for doc “Four Daughters.”
“The Academy has made efforts to diversify its membership and nominations, leading to increased recognition for films from around the world. The expansion of categories like international feature film — formerly foreign-language film — and the inclusion of more international voices in other categories demonstrate a growing appreciation for global cinema,” Ben Hania adds.
“Let’s hope this becomes a trend, as audiovisual productions are increasingly global not only in their themes but also in their production models, which involve various countries for financing, artistic talents and technical expertise,” says Gabriela Sandoval, producer and president of Chile’s Assn. of Film and Television Producers.
“The Oscars have been opening up to international filmmakers in recent years. I am happy to be one of them,” says Kaouther Ben Hania, nominated for doc “Four Daughters.”
“The Academy has made efforts to diversify its membership and nominations, leading to increased recognition for films from around the world. The expansion of categories like international feature film — formerly foreign-language film — and the inclusion of more international voices in other categories demonstrate a growing appreciation for global cinema,” Ben Hania adds.
“Let’s hope this becomes a trend, as audiovisual productions are increasingly global not only in their themes but also in their production models, which involve various countries for financing, artistic talents and technical expertise,” says Gabriela Sandoval, producer and president of Chile’s Assn. of Film and Television Producers.
- 3/6/2024
- by Marta Balaga
- Variety Film + TV
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
For the first time since 2017, the Oscar cinematography nominees match the nominees for the American Society of Cinematographers (ASC): the frontrunning “Oppenheimer,” “Killers of the Flower Moon,” “Maestro,” Poor Things,” and the surprising “El Conde.” They are represented by cinematographers Hoyte van Hoytema, Rodrigo Prieto, Matthiew Libatique, Robbie Ryan, and Ed Lachman.
Van Hoytema won his first Feature Film prize at the 38th ASC Awards March 3 at the Beverly Hilton Hotel, putting him in the Oscar driver’s seat. Significantly, four out of the five Oscar nominees were shot...
The State of the Race
For the first time since 2017, the Oscar cinematography nominees match the nominees for the American Society of Cinematographers (ASC): the frontrunning “Oppenheimer,” “Killers of the Flower Moon,” “Maestro,” Poor Things,” and the surprising “El Conde.” They are represented by cinematographers Hoyte van Hoytema, Rodrigo Prieto, Matthiew Libatique, Robbie Ryan, and Ed Lachman.
Van Hoytema won his first Feature Film prize at the 38th ASC Awards March 3 at the Beverly Hilton Hotel, putting him in the Oscar driver’s seat. Significantly, four out of the five Oscar nominees were shot...
- 3/4/2024
- by Bill Desowitz
- Indiewire
Fremantle has appointed new heads for its Italian labels The Apartment and Wildside and has agreed a co-production deal with their former CEOs Lorenzo Mieli and Mario Gianani.
Film and TV producer Annamaria Morelli becomes CEO of The Apartment while former Sky Italia exec Sonia Rovai has been named CEO of Wildside.
Their appointments follow the recent departures of The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani from the Fremantle-owned companies.
Mieli and Gianani are launching a new company together, full details of which will be announced in the near future. Fremantle has signed a co-production agreement with...
Film and TV producer Annamaria Morelli becomes CEO of The Apartment while former Sky Italia exec Sonia Rovai has been named CEO of Wildside.
Their appointments follow the recent departures of The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani from the Fremantle-owned companies.
Mieli and Gianani are launching a new company together, full details of which will be announced in the near future. Fremantle has signed a co-production agreement with...
- 2/29/2024
- ScreenDaily
Fremantle has appointed new bosses for its Italian production subsidiaries The Apartment and Wildside but will continue to work with outgoing CEOs Lorenzo Mieli and Mario Gianani.
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
- 2/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Well-established Italian producers Mario Gianani and Lorenzo Mieli — who left their Fremantle-owned banners, Wildside and The Apartment, respectively, earlier this year — are returning to the growing TV and film powerhouse with their new scripted outfit.
The duo — who co-founded “The Young Pope” and “My Brilliant Friend” production house Wildside in 2009 before Mieli exited to set up The Apartment, which was behind the recent hit “Priscilla” — are yet to reveal details of their new company. But the pair have now signed a co-production deal with Fremantle that will see them collaborate on several projects.
Among those in production and post-production from the two producers are Paolo Sorrentino’s latest film, Kirill Serebrennikov’s “Limonov -The Ballad,” “Queer” by Luca Guadagnino starring Daniel Craig, the new film by Gabriele Mainetti, “Maria” by Pablo Larraín starring Angelina Jolie, plus the TV series “M. The Son of the Century” by Joe Wright and “Il Mostro” by Stefano Sollima.
The duo — who co-founded “The Young Pope” and “My Brilliant Friend” production house Wildside in 2009 before Mieli exited to set up The Apartment, which was behind the recent hit “Priscilla” — are yet to reveal details of their new company. But the pair have now signed a co-production deal with Fremantle that will see them collaborate on several projects.
Among those in production and post-production from the two producers are Paolo Sorrentino’s latest film, Kirill Serebrennikov’s “Limonov -The Ballad,” “Queer” by Luca Guadagnino starring Daniel Craig, the new film by Gabriele Mainetti, “Maria” by Pablo Larraín starring Angelina Jolie, plus the TV series “M. The Son of the Century” by Joe Wright and “Il Mostro” by Stefano Sollima.
- 2/29/2024
- by Alex Ritman
- Variety Film + TV
Following their departures as CEOs of Fremantle’s Wildside and The Apartment, Mario Gianani and Lorenzo Mieli have struck a co-production deal with their old employer Fremantle on several projects as they unveil their new company.
More details about the new company, whose name was not revealed today, will be “announced in the near future.”
Gianani and Mieli departed Fremantle in mid-January.
The Fremantle pact will lead to a new film from Paolo Sorrentino, Limonov – The Ballad, by Kirill Serebrennikov; Queer from Luca Guadagnino and starring Daniel Craig; a new film by Gabriele Mainetti, Maria by Pablo Larraín starring Angelina Jolie; and the TV series M. The Son of the Century by Joe Wright and Il Mostro by Stefano Sollima.
Fremantle continues to operate Wildside and The Apartment with new leadership in place.
Andrea Scrosati, Group COO and CEO, Continental Europe, Fremantle said: “I am really happy to continue collaborating...
More details about the new company, whose name was not revealed today, will be “announced in the near future.”
Gianani and Mieli departed Fremantle in mid-January.
The Fremantle pact will lead to a new film from Paolo Sorrentino, Limonov – The Ballad, by Kirill Serebrennikov; Queer from Luca Guadagnino and starring Daniel Craig; a new film by Gabriele Mainetti, Maria by Pablo Larraín starring Angelina Jolie; and the TV series M. The Son of the Century by Joe Wright and Il Mostro by Stefano Sollima.
Fremantle continues to operate Wildside and The Apartment with new leadership in place.
Andrea Scrosati, Group COO and CEO, Continental Europe, Fremantle said: “I am really happy to continue collaborating...
- 2/29/2024
- by Anthony D'Alessandro
- Deadline Film + TV
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