The story of how writer Herman Mankiewicz penned Citizen Kane.
I had huge hopes for this film, and as it began, my heart sank with excitement, those black and white, soft visual sequences looked sublime, and the opening moments had me captivated, sadly it never really gets going, and ultimately disappoints.
Visually, it is rather breathtaking, 1930's Hollywood is reinvented, the soft lighting, camera work, costumes, cars, even the language are all on paint, pain staking efforts were clearly put into making this film a visual marvel.
Sadly the visuals alone weren't enough to save it, the story itself is interesting, but it's delivered in a way that'll have you yawning and fidgeting, it's too slow, too self indulgent.
The flashback sequences are distracting, and fail to enhance the film, just slowing down any momentum, if used sparingly, they can work, just too many here.
I must give huge credit to Gary Oldman, as always his performance is heart felt, sincere and terrific, and along with the visuals, simply not enough to save the film.
I can appreciate the production and visuals, I can certainly admire the acting, not just Oldman, the whole cast are excellent, but what I cannot forgive is the agonising pacing, and ultimately the boredom I experienced throughout most of it.
It is watchable, but I was glad to see the credits roll, 6/10.
I had huge hopes for this film, and as it began, my heart sank with excitement, those black and white, soft visual sequences looked sublime, and the opening moments had me captivated, sadly it never really gets going, and ultimately disappoints.
Visually, it is rather breathtaking, 1930's Hollywood is reinvented, the soft lighting, camera work, costumes, cars, even the language are all on paint, pain staking efforts were clearly put into making this film a visual marvel.
Sadly the visuals alone weren't enough to save it, the story itself is interesting, but it's delivered in a way that'll have you yawning and fidgeting, it's too slow, too self indulgent.
The flashback sequences are distracting, and fail to enhance the film, just slowing down any momentum, if used sparingly, they can work, just too many here.
I must give huge credit to Gary Oldman, as always his performance is heart felt, sincere and terrific, and along with the visuals, simply not enough to save the film.
I can appreciate the production and visuals, I can certainly admire the acting, not just Oldman, the whole cast are excellent, but what I cannot forgive is the agonising pacing, and ultimately the boredom I experienced throughout most of it.
It is watchable, but I was glad to see the credits roll, 6/10.