He was born Archibald Alec Leach in South West England on January 18, 1904. As a teen, he became attracted to show biz at an early age, becoming friends with a troupe of acrobats and doing odd jobs while hanging out backstage at theaters. At 16, he would travel by ship to the United States, where he would eventually change his name to Cary Grant after signing his first movie contract in 1931. He became one of the most admired and beloved leading men that Hollywood would ever produce.
Grant’s suave looks and elegant voice served him well when he started acting in films, but his artistry and nuance on screen matured considerably over the years. He would work with the master Alfred Hitchcock several times, including “North by Northwest,” “Notorious” and “To Catch a Thief.” Grant was also quite deft with comedy roles, including “His Girl Friday,” “The Awful Truth,” “Arsenic and Old Lace...
Grant’s suave looks and elegant voice served him well when he started acting in films, but his artistry and nuance on screen matured considerably over the years. He would work with the master Alfred Hitchcock several times, including “North by Northwest,” “Notorious” and “To Catch a Thief.” Grant was also quite deft with comedy roles, including “His Girl Friday,” “The Awful Truth,” “Arsenic and Old Lace...
- 1/12/2024
- by Susan Wloszczyna, Misty Holland and Chris Beachum
- Gold Derby
Closing out a year in which we’ve needed The Criterion Channel more than ever, they’ve now announced their impressive December lineup. Topping the highlights is a trio of Terrence Malick films––Badlands, Days of Heaven, and The New World––along with interviews featuring actors Richard Gere, Sissy Spacek, and Martin Sheen; production designer Jack Fisk; costume designer Jacqueline West; cinematographers Haskell Wexler and John Bailey; and more.
Also in the lineup is an Afrofuturism series, featuring an introduction by programmer Ashley Clark, with work by Lizzie Borden, Shirley Clarke, Souleymane Cissé, John Akomfrah, Terence Nance, and more. There’s also Mariano Llinás’s 14-hour epic La flor, Bill Morrison’s Dawson City: Frozen Time, Ken Loach’s Sorry We Missed You, Jennie Livingston’s Paris Is Burning, plus retrospectives dedicated to Mae West, Cary Grant, Barbra Streisand, and more.
Check out the lineup below and return every Friday for our weekly streaming picks.
Also in the lineup is an Afrofuturism series, featuring an introduction by programmer Ashley Clark, with work by Lizzie Borden, Shirley Clarke, Souleymane Cissé, John Akomfrah, Terence Nance, and more. There’s also Mariano Llinás’s 14-hour epic La flor, Bill Morrison’s Dawson City: Frozen Time, Ken Loach’s Sorry We Missed You, Jennie Livingston’s Paris Is Burning, plus retrospectives dedicated to Mae West, Cary Grant, Barbra Streisand, and more.
Check out the lineup below and return every Friday for our weekly streaming picks.
- 11/24/2020
- by Leonard Pearce
- The Film Stage
He was born Archibald Alec Leach in South West England on January 18, 1904. As a teen, he became attracted to show biz at an early age, becoming friends with a troupe of acrobats and doing odd jobs while hanging out backstage at theaters. At 16, he would travel by ship to the United States, where he would eventually change his name to Cary Grant after signing his first movie contract in 1931. He became one of the most admired and beloved leading men that Hollywood would ever produce.
SEEAlfred Hitchcock movies: 25 greatest films ranked from worst to best
Grant’s suave looks and elegant voice served him well when he started acting in films, but his artistry and nuance on screen matured considerably over the years. He would work with the master Alfred Hitchcock several times, including “North by Northwest,” “Notorious” and “To Catch a Thief.” Grant was also quite deft with comedy roles,...
SEEAlfred Hitchcock movies: 25 greatest films ranked from worst to best
Grant’s suave looks and elegant voice served him well when he started acting in films, but his artistry and nuance on screen matured considerably over the years. He would work with the master Alfred Hitchcock several times, including “North by Northwest,” “Notorious” and “To Catch a Thief.” Grant was also quite deft with comedy roles,...
- 1/18/2019
- by Susan Wloszczyna
- Gold Derby
By Lee Pfeiffer
Those of us who share the rather unusual- and sometimes bizarre-profession of reviewing films for a living all share a nasty little secret: there are countless classic movies that we haven't seen. I'm not alone in making this mea culpa. No less than the late, great Robert Osborne, whose insightful introductions on Turner Classic Movies helped launch that channel's success, once confided in me that even he could list numerous classic movies that he had yet to catch up with. When he confessed this to Lauren Bacall, she told him that she envied him because she wish she could recapture the sheer joy of seeing a great film for the first time. I've never seen the 1942 musical "Holiday Inn". I can't say why but perhaps it's because that as a boy growing up in the Sixties, such productions seemed quaint and unappealing when I had a celluloid tidal wave of WWII flicks,...
Those of us who share the rather unusual- and sometimes bizarre-profession of reviewing films for a living all share a nasty little secret: there are countless classic movies that we haven't seen. I'm not alone in making this mea culpa. No less than the late, great Robert Osborne, whose insightful introductions on Turner Classic Movies helped launch that channel's success, once confided in me that even he could list numerous classic movies that he had yet to catch up with. When he confessed this to Lauren Bacall, she told him that she envied him because she wish she could recapture the sheer joy of seeing a great film for the first time. I've never seen the 1942 musical "Holiday Inn". I can't say why but perhaps it's because that as a boy growing up in the Sixties, such productions seemed quaint and unappealing when I had a celluloid tidal wave of WWII flicks,...
- 12/2/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
This unusually sensitive, overlooked WW2 romance skips the morale-boosting baloney of the day. Two people meet on a train, each with a personal shame they dare not speak of. Ginger Rogers and Joseph Cotten are excellent under William Dieterle’s direction, and Shirley Temple doesn’t do half the damage you’d think she might.
I’ll Be Seeing You
Blu-ray
Kl Studio Classics
1944 / B&W / 1:37 flat Academy / 85 min. / Street Date November 21, 2017 / available through Kino Lorber / 29.95
Starring: Ginger Rogers, Joseph Cotten, Shirley Temple, Spring Byington, John Derek, Tom Tully, Chill Wills, Kenny Bowers.
Cinematography: Tony Gaudio
Film Editor: William H. Zeigler
Special Effects: Jack Cosgrove
Original Music: Daniele Amfitheatrof
Stunt Double: Cliff Lyons
Written by Marion Parsonette from a play by Charles Martin
Produced by Dore Schary
Directed by William Dieterle
Aha! A little research explains why several late-’40s melodramas from David O. Selznick come off as smart productions,...
I’ll Be Seeing You
Blu-ray
Kl Studio Classics
1944 / B&W / 1:37 flat Academy / 85 min. / Street Date November 21, 2017 / available through Kino Lorber / 29.95
Starring: Ginger Rogers, Joseph Cotten, Shirley Temple, Spring Byington, John Derek, Tom Tully, Chill Wills, Kenny Bowers.
Cinematography: Tony Gaudio
Film Editor: William H. Zeigler
Special Effects: Jack Cosgrove
Original Music: Daniele Amfitheatrof
Stunt Double: Cliff Lyons
Written by Marion Parsonette from a play by Charles Martin
Produced by Dore Schary
Directed by William Dieterle
Aha! A little research explains why several late-’40s melodramas from David O. Selznick come off as smart productions,...
- 11/4/2017
- by Glenn Erickson
- Trailers from Hell
The icon-establishing performances Marilyn Monroe gave in Howard Hawks’ Gentlemen Prefer Blondes (1953) and in Billy Wilder’s Some Like It Hot (1959) are ones for the ages, touchstone works that endure because of the undeniable comic energy and desperation that sparked them from within even as the ravenous public became ever more enraptured by the surface of Monroe’s seductive image of beauty and glamour. Several generations now probably know her only from these films, or perhaps 1955’s The Seven-Year Itch, a more famous probably for the skirt-swirling pose it generated than anything in the movie itself, one of director Wilder’s sourest pictures, or her final completed film, The Misfits (1961), directed by John Huston, written by Arthur Miller and costarring Clark Gable and Montgomery Clift.
But in Don’t Bother to Knock (1952) she delivers a powerful dramatic performance as Nell, a psychologically devastated, delusional, perhaps psychotic young woman apparently on...
But in Don’t Bother to Knock (1952) she delivers a powerful dramatic performance as Nell, a psychologically devastated, delusional, perhaps psychotic young woman apparently on...
- 4/11/2016
- by Dennis Cozzalio
- Trailers from Hell
The miniseries saga of Don, Betty, Roger, Joan, Peggy and Bert deserved a terrific finish, and at the end of seven plus one seasons, creator Matthew Weiner delivers in fine style. The agency undergoes a major transformation, but each of our favorites moves on to a thoughtful, better-than-acceptable resolution -- all except for Don. He is given one of the more interesting character finales in TV history, even better than Robert Morse's topper at the end of Season Seven Part 1. Mad Men: The Final Season Part 2 Blu-ray Lionsgate 2015 / Color / 1:78 widescreen / 352 min. / Street Date October 13, 2015 / 39.98 Starring Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones, John Slattery, Christina Hendricks, Kiernan Shipka, Jessica Paré, Jay R. Ferguson, Julia Ormond, Aaron Staton, Rich Sommer, Kevin Rahm, Christopher Stanley, Maggie Siff, Diana Bauer, Alison Brie, Caity Lotz.. Written by Matthew Weiner, Tom Smuts, Jonathan Igla, Erin Levy, Semi Chellas, Carly Wray. Creator...
- 10/20/2015
- by Glenn Erickson
- Trailers from Hell
Cary Grant movies: 'An Affair to Remember' does justice to its title (photo: Cary Grant ca. late 1940s) Cary Grant excelled at playing Cary Grant. This evening, fans of the charming, sophisticated, debonair actor -- not to be confused with the Bristol-born Archibald Leach -- can rejoice, as no less than eight Cary Grant movies are being shown on Turner Classic Movies, including a handful of his most successful and best-remembered star vehicles from the late '30s to the late '50s. (See also: "Cary Grant Classic Movies" and "Cary Grant and Randolph Scott: Gay Lovers?") The evening begins with what may well be Cary Grant's best-known film, An Affair to Remember. This 1957 romantic comedy-melodrama is unusual in that it's an even more successful remake of a previous critical and box-office hit -- the Academy Award-nominated 1939 release Love Affair -- and that it was directed...
- 12/9/2014
- by Andre Soares
- Alt Film Guide
Randy’s building something special.
I’ll bet if a poll were taken to determine which movie star would be the most popular companion for drinks, it would be Cary Grant. Maybe Ray Milland. Maybe I should go to the internet and find the conclusive answer.
Thanks for waiting. It didn’t take long. You know how fast that internet is. A poll showing which celebrity is the people’s choice to spend time with had Ted Nugent holding a slight edge over Anthony Bourdain, and “Storage Wars” star Barry Weiss close behind. So, I guess there’s a pretty big difference between “movie stars” and “celebrities” these days. Of course, being alive may make it easier to score well in those polls. I’m sure breathing and bowhunting are all Ted Nugent has on Cary Grant. I’ll keep looking, though. If Mr. Grant turns up, I’ll let you know.
I’ll bet if a poll were taken to determine which movie star would be the most popular companion for drinks, it would be Cary Grant. Maybe Ray Milland. Maybe I should go to the internet and find the conclusive answer.
Thanks for waiting. It didn’t take long. You know how fast that internet is. A poll showing which celebrity is the people’s choice to spend time with had Ted Nugent holding a slight edge over Anthony Bourdain, and “Storage Wars” star Barry Weiss close behind. So, I guess there’s a pretty big difference between “movie stars” and “celebrities” these days. Of course, being alive may make it easier to score well in those polls. I’m sure breathing and bowhunting are all Ted Nugent has on Cary Grant. I’ll keep looking, though. If Mr. Grant turns up, I’ll let you know.
- 9/6/2012
- by admin
- Trailers from Hell
Latest Additions Include Star-Studded Appearances, Noted Film Historians,
An Opening-Night Poolside Screening of High Society (1956)
And a Vanity Fair Showcase of Architecture in Film
Complete Schedule for 2012 TCM Classic Film Festival
Now Available at http://www.tcm.com/festival
With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:
On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...
An Opening-Night Poolside Screening of High Society (1956)
And a Vanity Fair Showcase of Architecture in Film
Complete Schedule for 2012 TCM Classic Film Festival
Now Available at http://www.tcm.com/festival
With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:
On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...
- 3/28/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Myrna Loy biography: The Only Good Girl in Hollywood Many believe that Myrna Loy is the best American actress never to have been nominated for an Academy Award. Despite having played leads and supporting roles in more than 100 movies (in addition to a few dozen bit parts during the silent era), Loy was invariably bypassed by the Academy of Motion Picture Arts and Sciences. But that's the Oscar and the Academy's loss. For starters, Loy was a delightful light comedienne in movies such as W.S. Van Dyke's The Thin Man and Jack Conway's Libeled Lady. One of the greatest — and most beautifully politically incorrect — dialogue exchanges in movies can be heard in Rouben Mamoulian's 1932 musical Love Me Tonight: Jeanette MacDonald: "Don't you think of anything but men, dear?" Myrna Loy: "Oh yes, schoolboys." Loy could be a remarkable dramatic actress as well, as can...
- 3/12/2012
- by Andre Soares
- Alt Film Guide
You can’t overlook the truly debonair!
It’s, as you might have realized, Cary Grant week over here at Trailers From Hell. Allan Arkush’s commentary for Only Angels Have Wings has just gone up. On Wednesday, Dan Ireland stops by with An Affair to Remember. And on Friday, “[someone to be named]” (aka John Landis) brings us The Philadelphia Story.
But you aren’t satisfied with those three titles as your sole dosage of Cary Grant this week, are you? Of course not! Neither were we, so we combed the archives to ressurect and collect Mr. Grant’s previous appearances across our library. A little shockingly, it’s only four other titles.
John Landis on Arsenic and Old Lace Allan Arkush on His Girl Friday Mark Pellington on Mr. Blandings Builds His Dream House and John Landis (again) on To Catch a Thief
We’ve collected these titles (as well as Allan Arkush...
It’s, as you might have realized, Cary Grant week over here at Trailers From Hell. Allan Arkush’s commentary for Only Angels Have Wings has just gone up. On Wednesday, Dan Ireland stops by with An Affair to Remember. And on Friday, “[someone to be named]” (aka John Landis) brings us The Philadelphia Story.
But you aren’t satisfied with those three titles as your sole dosage of Cary Grant this week, are you? Of course not! Neither were we, so we combed the archives to ressurect and collect Mr. Grant’s previous appearances across our library. A little shockingly, it’s only four other titles.
John Landis on Arsenic and Old Lace Allan Arkush on His Girl Friday Mark Pellington on Mr. Blandings Builds His Dream House and John Landis (again) on To Catch a Thief
We’ve collected these titles (as well as Allan Arkush...
- 1/24/2012
- by Danny
- Trailers from Hell
I've always liked Kevin Bacon. What's not to like? Over a 30+ year career, he's managed to be prolific without being overexposed. But it wasn't until I saw the trailer for the Footloose remake last night that I realized just how much I like Kevin Bacon. He's good in nearly everything he's in (and this late career turn into villainy has been grand). And when you put Kevin Bacon up against some punk kid named Kenny Wormald with a shitty Boston accent, you begin to realize how phenomenal Kevin Bacon really was in a role that didn't give him a lot to work with. This Wormald kid, though? Kind of makes you wish they'd gone with their original choice, in Zac Efron. Or a human-sized boil.
There have obviously been a number of bad remakes over the years, but -- inspired by the Footloose remake -- what we're looking at today...
There have obviously been a number of bad remakes over the years, but -- inspired by the Footloose remake -- what we're looking at today...
- 6/22/2011
- by Dustin Rowles
No one was really surprised when Arnold Schwarzenegger announced by Twitter he was going back to acting last week. Let's face it. His political career wasn't a complete Pluto Nash style disaster. He had a few political victories here and there. But it certainly wasn't a smash hit, either. So a return to acting is really the only logical choice for the former box-office champ.
Once he made that choice the question becomes how many roles are out there for the 63-year-old action star? It's one thing for Fred Thompson to return to playing the older curmudgeonly Da in films and TV but he wasn't fighting a Predator with a howitzer slung over his arm.
It's true that Schwarzenegger has only been the governor of California for the last seven years and his last major role was Terminator 3: Rise of the Machines was less than 10 years ago in the...
Once he made that choice the question becomes how many roles are out there for the 63-year-old action star? It's one thing for Fred Thompson to return to playing the older curmudgeonly Da in films and TV but he wasn't fighting a Predator with a howitzer slung over his arm.
It's true that Schwarzenegger has only been the governor of California for the last seven years and his last major role was Terminator 3: Rise of the Machines was less than 10 years ago in the...
- 2/18/2011
- by Bill Cody
- Rope of Silicon
'Everybody wants to be Cary Grant," the iconic actor is supposed to have once joked. "Even I want to be Cary Grant."
The suave Grant (1904-1986), born Archibald Leach in England, is the subject of a rare retrospective opening tonight at the Bam Rose Cinemas with one of his earliest leading-man assignments.
He's a playboy dallying with married woman Marlene Dietrich in Josef von Sternberg's outrageous pre-code gem "Blonde Venus" (1932), which is best remembered for her appearance in a...
The suave Grant (1904-1986), born Archibald Leach in England, is the subject of a rare retrospective opening tonight at the Bam Rose Cinemas with one of his earliest leading-man assignments.
He's a playboy dallying with married woman Marlene Dietrich in Josef von Sternberg's outrageous pre-code gem "Blonde Venus" (1932), which is best remembered for her appearance in a...
- 8/3/2009
- by By LOU LUMENICK
- NYPost.com
Mr. Cube builds his dream house in Are We Done Yet? which essentially takes the Are We There Yet? characters and grafts them into the basic plot line for the classic RKO comedy Mr. Blandings Builds His Dream House, in which Cary Grant played Mr. Blandings, a man who predated "Green Acres' " Oliver Douglas by a couple of decades.
While the refurbished version would never be taken as an improvement over the original, it makes for a generally inoffensive hour-and-a-half, and with a certifiably gonzo John C. McGinley providing the bulk of the laughs, it is definitely less obnoxious than those Cheaper by the Dozen remakes.
It also is better than the 2005 Ice Cube comedy that still managed to gross a highly respectable $82 million. Given the new film's pre-Easter weekend release strategy, it should play well with kids and home improvement fanatics, though others could find themselves relating to the title on more than one occasion.
The last time we saw Ice Cube's Nick Persons, he was trapped in an SUV with two kids traveling from Portland to Vancouver. Now fully domesticated, Nick, his bride, Suzanne (Nia Long), and her two growing children (Aleisha Allen, Philip Daniel Bolden) are finding his former bachelor pad a little cramped, and with twins on the way, bigger quarters are required sooner rather than later.
They find the sprawling house of their dreams in the rural Pacific Northwest (courtesy of British Columbia), which affords lots of fresh air and lakeside views. It also proves to be a major money pit, but Persons is so taken in by a local real estate agent's (Scrubs regular McGinley) slick sales pitch, he fails to notice all the telltale signs.
As it turns out, McGinley's ingratiating Chuck Mitchell Jr. wears a number of hats, including building inspector and contractor, and before Nick knows what has hit him, Chuck has moved his Airstream trailer into the Persons' yard to oversee the neverending renovations.
Directed by Steve Carr, who helmed Ice Cube's Next Friday, and adapted by Hank Nelken (Saving Silverman), the picture delivers the requisite number of pratfalls, and the genial Ice Cube makes for a credibly hapless everyman, but the comedy still feels a little too safely soft around the edges. A little more inspiration could have made it something enjoyable instead of simply innocuous.
Visually, cinematographer Jack Green, a frequent Clint Eastwood collaborator, effectively captures all those unobstructed, picture-perfect vistas. Production designer Nina Ruscio rightfully lends the house a distinctive character of its own.
Should the Persons family return for another sequel, here's hoping they at least don't take another dip into the RKO vault and turn Citizen Kane into "Are We Rich Yet?"
ARE WE DONE YET?
Columbia Pictures
Revolution Studios presents an RKO Pictures/Cube Vision production
Credits:
Director: Steve Carr
Screenwriter: Hank Nelken
Based on characters created by: Steven Gary Banks, Claudio Grazioso
Based on the motion picture "Mr. Blandings Builds His Dream House," screenplay by Norman Panama and Melvin Frank
Producers: Ted Hartley, Ice Cube, Matt Alvarez, Todd Garner
Executive producers: Heidi Santelli, Aaron Ray, Steve Carr, Derek Dauchy, Neil Machlis
Director of photography: Jack Green
Production designer: Nina Ruscio
Editor: Craig P. Herring
Music: Teddy Castellucci
Cast:
Nick Persons: Ice Cube
Suzanne Persons: Nia Long
Chuck Mitchell Jr.: John C. McGinley
Lindsey Persons: Aleisha Allen
Kevin Persons: Philip Daniel Bolden
Running time -- 92 minutes
MPAA rating: PG...
While the refurbished version would never be taken as an improvement over the original, it makes for a generally inoffensive hour-and-a-half, and with a certifiably gonzo John C. McGinley providing the bulk of the laughs, it is definitely less obnoxious than those Cheaper by the Dozen remakes.
It also is better than the 2005 Ice Cube comedy that still managed to gross a highly respectable $82 million. Given the new film's pre-Easter weekend release strategy, it should play well with kids and home improvement fanatics, though others could find themselves relating to the title on more than one occasion.
The last time we saw Ice Cube's Nick Persons, he was trapped in an SUV with two kids traveling from Portland to Vancouver. Now fully domesticated, Nick, his bride, Suzanne (Nia Long), and her two growing children (Aleisha Allen, Philip Daniel Bolden) are finding his former bachelor pad a little cramped, and with twins on the way, bigger quarters are required sooner rather than later.
They find the sprawling house of their dreams in the rural Pacific Northwest (courtesy of British Columbia), which affords lots of fresh air and lakeside views. It also proves to be a major money pit, but Persons is so taken in by a local real estate agent's (Scrubs regular McGinley) slick sales pitch, he fails to notice all the telltale signs.
As it turns out, McGinley's ingratiating Chuck Mitchell Jr. wears a number of hats, including building inspector and contractor, and before Nick knows what has hit him, Chuck has moved his Airstream trailer into the Persons' yard to oversee the neverending renovations.
Directed by Steve Carr, who helmed Ice Cube's Next Friday, and adapted by Hank Nelken (Saving Silverman), the picture delivers the requisite number of pratfalls, and the genial Ice Cube makes for a credibly hapless everyman, but the comedy still feels a little too safely soft around the edges. A little more inspiration could have made it something enjoyable instead of simply innocuous.
Visually, cinematographer Jack Green, a frequent Clint Eastwood collaborator, effectively captures all those unobstructed, picture-perfect vistas. Production designer Nina Ruscio rightfully lends the house a distinctive character of its own.
Should the Persons family return for another sequel, here's hoping they at least don't take another dip into the RKO vault and turn Citizen Kane into "Are We Rich Yet?"
ARE WE DONE YET?
Columbia Pictures
Revolution Studios presents an RKO Pictures/Cube Vision production
Credits:
Director: Steve Carr
Screenwriter: Hank Nelken
Based on characters created by: Steven Gary Banks, Claudio Grazioso
Based on the motion picture "Mr. Blandings Builds His Dream House," screenplay by Norman Panama and Melvin Frank
Producers: Ted Hartley, Ice Cube, Matt Alvarez, Todd Garner
Executive producers: Heidi Santelli, Aaron Ray, Steve Carr, Derek Dauchy, Neil Machlis
Director of photography: Jack Green
Production designer: Nina Ruscio
Editor: Craig P. Herring
Music: Teddy Castellucci
Cast:
Nick Persons: Ice Cube
Suzanne Persons: Nia Long
Chuck Mitchell Jr.: John C. McGinley
Lindsey Persons: Aleisha Allen
Kevin Persons: Philip Daniel Bolden
Running time -- 92 minutes
MPAA rating: PG...
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