IMDb RATING
4.4/10
1.3K
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On assignment in Bangkok to interview the King of Thailand, photojournalist Emanuelle becomes entangled in political intrigue and sexual encounters with old and new lovers.On assignment in Bangkok to interview the King of Thailand, photojournalist Emanuelle becomes entangled in political intrigue and sexual encounters with old and new lovers.On assignment in Bangkok to interview the King of Thailand, photojournalist Emanuelle becomes entangled in political intrigue and sexual encounters with old and new lovers.
Giuseppe Marrocco
- Restaurant Guest
- (uncredited)
Anna Maria Perego
- Guest at Restaurant
- (uncredited)
Lanfranco Spinola
- Guest at Restaurant
- (uncredited)
Sandra Wolff
- Guest at Restaurant
- (uncredited)
Storyline
Did you know
- TriviaWhen Black Emanuelle (1975) was a smash hit, Laura Gemser signed a contract with director Joe D'Amato (aka Aristide Massaccesi) for five more Emanuelle films. Gemser said years later that being nude and filming sex scenes for Black Emanuelle were awkward for her because she was very shy, but they got much worse working for D'Amato. He was an infamous director of sleazy exploitation films in 1970s Italy, and churned out hundreds of low budget films that left audiences in awe of how perverse and depraved they were. He ended up having Gemser filming every possible sex (straight and lesbian) and nude scene he could think of and filmed her from every possible angle,
- GoofsIn the English print opening credits, Venantino Venantini's surname is misspelled 'Venantim'.
- Alternate versionsThe version distributed by City Nights Films (which is the version most often shown on US cable television) replaces the title and end credit sequences of Laura Gemser wandering around various locales with a sequence of titles on a black background. The love scenes are also majorly (and quite sloppily) cut, as are some more violent sequences.
- ConnectionsFeatured in Joe Bob's Drive-In Theater: Episode dated 2 July 1994 (1994)
Featured review
Exotic Scenery Can't Save a Disjointed Plot
Emanuelle Nera: Orient Reportage (1976), directed by Joe D'Amato, continues the saga of the enigmatic photojournalist Emanuelle, played by Laura Gemser. This installment takes Emanuelle on a journey through the Far East, promising a blend of adventure, eroticism, and cultural exploration. While the film's exotic locales and Gemser's captivating presence add some allure, the overall execution falls flat. The narrative struggles to maintain coherence, often veering off into tangents that detract from the central story.
Laura Gemser remains the standout element of the film, embodying Emanuelle with her signature blend of sensuality and intelligence. However, the supporting cast fails to match her charisma, delivering performances that range from mediocre to outright wooden. This disparity in acting quality undermines the film's potential to create compelling interpersonal dynamics, leaving the interactions feeling hollow and unconvincing.
Visually, Emanuelle Nera: Orient Reportage benefits from its stunning cinematography, capturing the vibrant and diverse landscapes of the Far East with an eye for beauty. The film's depiction of cultural settings adds a layer of visual interest, providing a rich backdrop that could have elevated the story. Unfortunately, the inconsistent editing and erratic pacing disrupt the visual storytelling, making it difficult for viewers to stay engaged with the plot. Scenes that should build tension or develop characters often feel rushed or poorly connected.
Ultimately, Emanuelle Nera: Orient Reportage is a film that promises much but delivers little. The exotic settings and Laura Gemser's performance offer glimpses of what could have been a captivating erotic adventure. However, the weak script, uneven acting, and disjointed narrative prevent the film from achieving its potential. For fans of the Emanuelle series or those with a particular interest in 1970s erotic cinema, it might hold some nostalgic value.
Laura Gemser remains the standout element of the film, embodying Emanuelle with her signature blend of sensuality and intelligence. However, the supporting cast fails to match her charisma, delivering performances that range from mediocre to outright wooden. This disparity in acting quality undermines the film's potential to create compelling interpersonal dynamics, leaving the interactions feeling hollow and unconvincing.
Visually, Emanuelle Nera: Orient Reportage benefits from its stunning cinematography, capturing the vibrant and diverse landscapes of the Far East with an eye for beauty. The film's depiction of cultural settings adds a layer of visual interest, providing a rich backdrop that could have elevated the story. Unfortunately, the inconsistent editing and erratic pacing disrupt the visual storytelling, making it difficult for viewers to stay engaged with the plot. Scenes that should build tension or develop characters often feel rushed or poorly connected.
Ultimately, Emanuelle Nera: Orient Reportage is a film that promises much but delivers little. The exotic settings and Laura Gemser's performance offer glimpses of what could have been a captivating erotic adventure. However, the weak script, uneven acting, and disjointed narrative prevent the film from achieving its potential. For fans of the Emanuelle series or those with a particular interest in 1970s erotic cinema, it might hold some nostalgic value.
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- MajesticMane
- Jun 3, 2024
Details
- Release date
- Country of origin
- Language
- Also known as
- Black Emanuelle 2
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 27 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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