Yesterday we shared the news of the three-disc special edition 4K release Severin Films is planning for the 1981 film Nightmare, a.k.a. Nightmares in a Damaged Brain. Now we have another awesome Severin Films release to let you know about, as they will be giving legendary director Lucio Fulci‘s 1977 film The Psychic a four-disc special edition 4K release!
Described as Fulci’s “ultimate giallo masterpiece”, The Psychic was scripted by Fulci, Roberto Gianviti, and Dardano Sacchetti, and is also known as Seven Notes in Black or Murder to the Tune of the Seven Black Notes. Apparently Quentin Tarantino entertained the idea of remaking the film with Bridget Fonda in the lead role back in the ’90s. Fulci’s film stars Jennifer O’Neill (Scanners) as a woman tormented by violent visions of past slayings. Or are they premonitions of murders still to come?
O’Neill is joined in the cast...
Described as Fulci’s “ultimate giallo masterpiece”, The Psychic was scripted by Fulci, Roberto Gianviti, and Dardano Sacchetti, and is also known as Seven Notes in Black or Murder to the Tune of the Seven Black Notes. Apparently Quentin Tarantino entertained the idea of remaking the film with Bridget Fonda in the lead role back in the ’90s. Fulci’s film stars Jennifer O’Neill (Scanners) as a woman tormented by violent visions of past slayings. Or are they premonitions of murders still to come?
O’Neill is joined in the cast...
- 6/27/2023
- by Cody Hamman
- JoBlo.com
Jennifer O’Neill stars as a fabulously dressed clairvoyant in Fulci’s revived 1977 thriller that looks amazing, even if the sexual politics are dodgy
Italian director Lucio Fulci’s dusty giallo thriller from 1977 – also known as Murder to the Tune of the Seven Black Notes – has been retrieved from the shelf of some rights holder’s back catalogue and spruced up for rerelease. That gives us all a chance to appreciate, either anew or for the first time, its glorious deployment of tacky camera zooms, lurid colours and dubbed dialogue – the latter being a particularly evocative hallmark of 1970s Italian cinema, just a fraction out of sync with the actors’ lip movements. And like many other so-called classics from the giallo cupboard, the script is cheesy tosh with a nasty taste for violence against women; you have to put it down as par for the course given the time it was made.
Italian director Lucio Fulci’s dusty giallo thriller from 1977 – also known as Murder to the Tune of the Seven Black Notes – has been retrieved from the shelf of some rights holder’s back catalogue and spruced up for rerelease. That gives us all a chance to appreciate, either anew or for the first time, its glorious deployment of tacky camera zooms, lurid colours and dubbed dialogue – the latter being a particularly evocative hallmark of 1970s Italian cinema, just a fraction out of sync with the actors’ lip movements. And like many other so-called classics from the giallo cupboard, the script is cheesy tosh with a nasty taste for violence against women; you have to put it down as par for the course given the time it was made.
- 8/3/2021
- by Leslie Felperin
- The Guardian - Film News
Luchino Visconti’s handsome final feature adapts a classic Italian novel about an arrogant aristocrat whose selfish double-standard philosophy causes ruin and misery. The 19th century villas and ornate costumes dazzle, but the depressingly fated story will be tough going for sensitive audiences. This new disc encoding highlights the intoxicating atmosphere, and the intense performances of Giancarlo Giannini, Laura Antonelli and Jennifer O’Neill.
L’innocente
Blu-ray
Film Movement Classics
1976 / Color / 2:35 widescreen / 129 112 min. / Street Date July 14, 2020 / 29.95
Starring: Giancarlo Giannini, Laura Antonelli, Jennifer O’Neill, Rina Morelli, Massimo Girotti, Didier Haudepin, Marie Dubois, Roberta Paladini, Claude Mann, Marc Porel.
Cinematography: Pasqualino De Santis
Film Editor: Ruggero Mastroianni
Original Music: Franco Mannino
Production Design: Mario Garbuglia
Costumes: Piero Tosi
Written by Suso Cecchi D’Amico, Enrico Medioli, Luchino Visconti from the novel by Gabriele D’Annunzio
Produced by Giovanni Bertolucci
Directed by Luchino Visconti
The availability of European art cinema became spotty in the 1970s,...
L’innocente
Blu-ray
Film Movement Classics
1976 / Color / 2:35 widescreen / 129 112 min. / Street Date July 14, 2020 / 29.95
Starring: Giancarlo Giannini, Laura Antonelli, Jennifer O’Neill, Rina Morelli, Massimo Girotti, Didier Haudepin, Marie Dubois, Roberta Paladini, Claude Mann, Marc Porel.
Cinematography: Pasqualino De Santis
Film Editor: Ruggero Mastroianni
Original Music: Franco Mannino
Production Design: Mario Garbuglia
Costumes: Piero Tosi
Written by Suso Cecchi D’Amico, Enrico Medioli, Luchino Visconti from the novel by Gabriele D’Annunzio
Produced by Giovanni Bertolucci
Directed by Luchino Visconti
The availability of European art cinema became spotty in the 1970s,...
- 8/4/2020
- by Glenn Erickson
- Trailers from Hell
This 1976 police thriller was gore-happy director Ruggero Deodato’s only foray into the genre but he leaves his fingerprints all over this brutal tale of a special squad of undercover cops given free reign in their strong armed tactics. It was familiar territory for both leading man Marc Porel (The Sicilian Clan) and co-star Adolfo Celi, the eye-patch wearing supervillain of 1965’s Thunderball.
- 12/15/2017
- by Charlie Largent
- Trailers from Hell
Review by Roger Carpenter
While Lucio Fulci made his reputation with a series of graphically violent horror movies like Zombie (Aka Zombi 2), City of the Living Dead (Aka The Gates of Hell), The House by the Cemetery, The Beyond, and The New York Ripper, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Fulci was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling.
As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy.
While Lucio Fulci made his reputation with a series of graphically violent horror movies like Zombie (Aka Zombi 2), City of the Living Dead (Aka The Gates of Hell), The House by the Cemetery, The Beyond, and The New York Ripper, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Fulci was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling.
As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy.
- 10/23/2017
- by Movie Geeks
- WeAreMovieGeeks.com
Lucio Fulci is known to most horror fans for his work in the fantastical, through his late career success with Zombie (1979), City of The Living Dead (1980), and The Beyond (1981). Certainly these are his most widely seen and cherished films, and for good reason – they blast through the screen in a feast of color, magic, and grue; short on logic, sure, but long on imagination and dread. But before he untethered his heart in a quest for purity, he engaged in his homeland’s horror sub-genre of giallo, including Don’t Torture a Duckling (1972), incredible, subversive proof that he could create something just as effective and decidedly much more earth bound.
Released late September back home in his native Italy, Duckling never received its due (or much attention at all, truthfully) on these shores until Fulci’s death in 1996 offered a re-evaluation of his body of work. Thanks to the internet,...
Released late September back home in his native Italy, Duckling never received its due (or much attention at all, truthfully) on these shores until Fulci’s death in 1996 offered a re-evaluation of his body of work. Thanks to the internet,...
- 4/1/2017
- by Scott Drebit
- DailyDead
By Lee Pfeiffer
By the late 1960s, Jacqueline Bisset was clearly one of the "It" girls among a bevy of starlets who crossed over from flash-in-the-pan status to becoming a genuine star in her own right. Her breakthrough role opposite Steve McQueen in the 1968 blockbuster "Bullitt" helped catapult the British beauty to the top ranks of actresses who were deemed to have international boxoffice appeal. Among her major Hollywood successes: "The Detective", "Airport" and "The Deep". In between, however, Bisset was open to appearing in off-beat films that were most suited for the art house circuit. One of the more unusual productions was "Secret World", a 1969 French film that was the antithesis of the commercial successes she was enjoying. The film was directed by Robert Freeman, a famed photographer who is credited with shooting many of the classic album covers for The Beatles. (Some sources credit Paul Feyder as co-director...
By the late 1960s, Jacqueline Bisset was clearly one of the "It" girls among a bevy of starlets who crossed over from flash-in-the-pan status to becoming a genuine star in her own right. Her breakthrough role opposite Steve McQueen in the 1968 blockbuster "Bullitt" helped catapult the British beauty to the top ranks of actresses who were deemed to have international boxoffice appeal. Among her major Hollywood successes: "The Detective", "Airport" and "The Deep". In between, however, Bisset was open to appearing in off-beat films that were most suited for the art house circuit. One of the more unusual productions was "Secret World", a 1969 French film that was the antithesis of the commercial successes she was enjoying. The film was directed by Robert Freeman, a famed photographer who is credited with shooting many of the classic album covers for The Beatles. (Some sources credit Paul Feyder as co-director...
- 3/9/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
There are a number of reasons why the gialli started to dwindle during the late 1970s. Television and the home video craze largely contributed to the marginalization of Italy's film market, isolating art house and genre films to brief theatrical runs (if that), and then a jump to the boob tube. As Italy's once vibrant film scene faded into the 1980s, filmmakers were left to compete for attention — especially once the era of American slashers started to take root with John Carpenter's Halloween. Graphic sex and violence was relatively cheap and easy to produce, but the gialli had to up the ante. Enzo Milioni's 1978 film The Sister of Ursula goes for broke — and it's amusing in its absurdity, albeit lacking in most areas. There's full-frontal nudity within the first three minutes of the movie. The sex is plentiful and ultra sleazy — similar to the notorious Giallo a Venezia.
- 7/27/2013
- by Alison Nastasi
- FEARnet
What is a ‘giallo’? – Giallo is Italian for yellow; a term which came from crime/mystery paperbacks with the yellow toned covers. In turn, highly stylized films of the same genre with elements of eroticism became known as ‘giallo’ films themselves.
Why did you pick this film? – This was on my 31 Days Of Horror list for 2011 and due to illness I wasn’t able to watch it. So I figured for 2012’s 31 Days I would put this to watch early on so I could finally watch this one, plus who wouldn’t want to watch a film with such a cool title?
Who is behind this one? – The film was written and directed by Italian horror legend Lucio Fulci. He is best known for films such as The Beyond, Zombi 2 and City Of The Living Dead. The man was really great at his craft, and I really wanted to explore his giallo films.
Why did you pick this film? – This was on my 31 Days Of Horror list for 2011 and due to illness I wasn’t able to watch it. So I figured for 2012’s 31 Days I would put this to watch early on so I could finally watch this one, plus who wouldn’t want to watch a film with such a cool title?
Who is behind this one? – The film was written and directed by Italian horror legend Lucio Fulci. He is best known for films such as The Beyond, Zombi 2 and City Of The Living Dead. The man was really great at his craft, and I really wanted to explore his giallo films.
- 10/5/2012
- by admin
- MoreHorror
Curious to know what frightful films and devilish discs will be available to view in the privacy of your own digital dungeon this week? Fango's got you covered.
Below the jump you'll find the full list of titles arriving in-stores this Tuesday, July 14, 2009 in our weekly version of the famous Fangoria Chopping List - updated with all the last-minute additions and deletions.
Presented with "branching" coverage with trailers, interviews, and reviews for select titles!
Note: Clickable links lead to Amazon.com
Asalto Violento (Traumatized, 1993) - Distrimax
Robert Smith is an outstanding doctor, devoted to teaching at a local university in Mexico City. During a trip to Vietnam he suffers a violent assault at the hands of a group of terrorists while he was being intimated with a local girl. After his arrival he discovers that he has contracted an incurable disease; traumatized by the attack and his illness, he will...
Below the jump you'll find the full list of titles arriving in-stores this Tuesday, July 14, 2009 in our weekly version of the famous Fangoria Chopping List - updated with all the last-minute additions and deletions.
Presented with "branching" coverage with trailers, interviews, and reviews for select titles!
Note: Clickable links lead to Amazon.com
Asalto Violento (Traumatized, 1993) - Distrimax
Robert Smith is an outstanding doctor, devoted to teaching at a local university in Mexico City. During a trip to Vietnam he suffers a violent assault at the hands of a group of terrorists while he was being intimated with a local girl. After his arrival he discovers that he has contracted an incurable disease; traumatized by the attack and his illness, he will...
- 7/12/2009
- by no-reply@fangoria.com (James Zahn)
- Fangoria
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