Even in this age of instant YouTube gratification, movie trailers are a big deal. They get us hyped for an upcoming project by making promises that the eventual film will (hopefully) pay off. The best sizzle reels are even able to do this by giving a taste of things to come without ruining any surprises or plot twists. Think about the teaser for Alien with its cracking egg and unnerving siren sound, or the deft use of a choral version of Radiohead’s “Creep” in the classic promo for The Social Network. Both of those examples speak to the haunting nature of their movies while allowing space for the film to stand on its own down the road.
But some trailers do their job too well. Some trailers outdo the movies they advertise, sometimes because the film has a concept too shallow to sustain more than three minutes, and sometimes...
But some trailers do their job too well. Some trailers outdo the movies they advertise, sometimes because the film has a concept too shallow to sustain more than three minutes, and sometimes...
- 4/27/2024
- by Joe George
- Den of Geek
Keke Palmer and Sza are set to star in an untitled buddy comedy film for TriStar Pictures.
Lawrence Lamont (“Rap Sh!t”) is set to direct with the screenplay written by “Rap Sh!t” showrunner Syreeta Singleton.
Hoorae’s Issa Rae and Sara Diya Rastogi, ColorCreative’s Deniese Davis and MacRo Film Studios’ Charles D. King, James Lopez, and Poppy Hanks are producing. Singleton is co-producing. Big Boss’ Palmer and Sharon Palmer are executive producing. MacRo Film Studios is coming on board to co-finance and produce.
The project came together from the CoCre lab at Sony Pictures. The lab was a previous pact between ColorCreative and Columbia Pictures to source and incubate emerging, diverse screenwriters to develop and write their first studio feature based on original ideas.
Palmer and Sza first teamed up for “Saturday Night Live” in Dec. 2022, when Palmer hosted and Sza was the musical guest.
Lamont has...
Lawrence Lamont (“Rap Sh!t”) is set to direct with the screenplay written by “Rap Sh!t” showrunner Syreeta Singleton.
Hoorae’s Issa Rae and Sara Diya Rastogi, ColorCreative’s Deniese Davis and MacRo Film Studios’ Charles D. King, James Lopez, and Poppy Hanks are producing. Singleton is co-producing. Big Boss’ Palmer and Sharon Palmer are executive producing. MacRo Film Studios is coming on board to co-finance and produce.
The project came together from the CoCre lab at Sony Pictures. The lab was a previous pact between ColorCreative and Columbia Pictures to source and incubate emerging, diverse screenwriters to develop and write their first studio feature based on original ideas.
Palmer and Sza first teamed up for “Saturday Night Live” in Dec. 2022, when Palmer hosted and Sza was the musical guest.
Lamont has...
- 4/26/2024
- by Katcy Stephan
- Variety Film + TV
Isaa Rae has a buzzy new buddy comedy in the works starring Keke Palmer and Grammy winner Sza, IndieWire has confirmed.
Rae is set to produce the untitled feature for TriStar Pictures. Rae’s “Rap Sh!t” director Lawrence Lamont will direct the film using a screenplay by “Rap Sh!t” showrunner Syreeta Singleton. The project hailed from the ColorCreative’s lab at Sony Pictures as part of a program between ColorCreative and Columbia Pictures to foster emerging diverse screenwriters’ first studio features.
Palmer will executive produce through her Big Boss banner along with Sharon Palmer. Rae and Sara Diya Rastogi will produce through Rae’s banner Hoorae; ColorCreative’s Deniese Davis and Charles D. King and MacRo Film Studios’ James Lopez and Poppy Hanks also produce. Singleton is co-producing.
Palmer and Sza did a December 2022 “Saturday Night Life” together — Palmer as host and Sza as her musical guest.
The...
Rae is set to produce the untitled feature for TriStar Pictures. Rae’s “Rap Sh!t” director Lawrence Lamont will direct the film using a screenplay by “Rap Sh!t” showrunner Syreeta Singleton. The project hailed from the ColorCreative’s lab at Sony Pictures as part of a program between ColorCreative and Columbia Pictures to foster emerging diverse screenwriters’ first studio features.
Palmer will executive produce through her Big Boss banner along with Sharon Palmer. Rae and Sara Diya Rastogi will produce through Rae’s banner Hoorae; ColorCreative’s Deniese Davis and Charles D. King and MacRo Film Studios’ James Lopez and Poppy Hanks also produce. Singleton is co-producing.
Palmer and Sza did a December 2022 “Saturday Night Life” together — Palmer as host and Sza as her musical guest.
The...
- 4/26/2024
- by Samantha Bergeson
- Indiewire
Exclusive: It looks like the recent team-up on Saturday Night Live went very well as Keke Palmer and four-time Grammy winner Sza are set to star in an untitled buddy comedy movie from TriStar Pictures, with producer Isaa Rae producing. Rap Sh!t director Lawrence Lamont is set to direct, with the screenplay written by his Rap Sh!t teammate Syreeta Singleton, who served as the series’ showrunner.
Plot details being kept under wraps, but Rae and Sara Diya Rastogi will produce through Rae’s banner Hoorae, joined by ColorCreative’s Deniese Davis, and Charles D. King, James Lopez and Poppy Hanks from Macro Film Studios. Singleton is co-producing. Big Boss’ Palmer and Sharon Palmer are executive producing. Macro Film Studios is coming on board to co-finance and produce.
The project came together from the CoCre lab at Sony Pictures. The lab was a previous pact between ColorCreative and Columbia Pictures...
Plot details being kept under wraps, but Rae and Sara Diya Rastogi will produce through Rae’s banner Hoorae, joined by ColorCreative’s Deniese Davis, and Charles D. King, James Lopez and Poppy Hanks from Macro Film Studios. Singleton is co-producing. Big Boss’ Palmer and Sharon Palmer are executive producing. Macro Film Studios is coming on board to co-finance and produce.
The project came together from the CoCre lab at Sony Pictures. The lab was a previous pact between ColorCreative and Columbia Pictures...
- 4/26/2024
- by Justin Kroll and Matt Grobar
- Deadline Film + TV
Every week there are large numbers of indie and specialty releases vying for attention. It’s impossible to do them all, so when the option of reviewing Nowhere Special was placed in front of me I resisted at first after discovering it actually premiered at the 2020 Venice Film Festival. That’s right, four years ago. I had to wonder what could possibly be good about a film delayed for that long in terms of getting a U.S. release date? Finally caving in to the persistent requests by the distributor and its passionate PR team, I decided to check it out.
What I discovered was not that this was some sort of troubled film, not even close. Instead I found a spare but moving drama, powered by a remarkable lead performance, that is all about life and death and all things in between. At its heart it is also an...
What I discovered was not that this was some sort of troubled film, not even close. Instead I found a spare but moving drama, powered by a remarkable lead performance, that is all about life and death and all things in between. At its heart it is also an...
- 4/26/2024
- by Pete Hammond
- Deadline Film + TV
Uberto Pasolini’s “Nowhere Special” is delicately tinted by profound shades of imminent grief. As a 35-year-old, terminally ill single father in Northern Ireland, John (a quietly powerful James Norton) grieves his impending demise and the inevitable fact that he will vacate his four-year-old son Michael’s (Daniel Lamont) life permanently and prematurely. A Belfast window washer, John sees the reflections of his grief everywhere as he scrubs and shines surface after surface. In one scene, it’s the headstones on display in the window of a funeral parlor. In another, it’s a dad happily picking up his baby inside a restaurant. That’s just John’s every day on the other side of a glass facade, with stark glimpses into what’s coming and what he will soon lose.
Meanwhile, his often silent and always observant toddler Michael deals with his own share of grief, at an age...
Meanwhile, his often silent and always observant toddler Michael deals with his own share of grief, at an age...
- 4/25/2024
- by Tomris Laffly
- Variety Film + TV
There’s not a lot of time left, but the adoption agency working with John (James Norton) is doing their best to maintain his belief that they will find the right place for his four-year-old son Michael (Daniel Lamont). Why is it so important? Because John isn’t simply leaving the boy behind. He’s dying of a terminal disease. And with Michael’s mother already having left him at six months old, the last thing John wants is to leave him alone. This is therefore as much a gift for the child as it is for the father. To give Michael a home means giving him the chance at a life John never had himself as well as a necessary peace of mind for him to eventually let go.
Writer-director Uberto Pasolini crafted Nowhere Special after hearing the true-life story of a man in John’s circumstances. It’s...
Writer-director Uberto Pasolini crafted Nowhere Special after hearing the true-life story of a man in John’s circumstances. It’s...
- 4/25/2024
- by Jared Mobarak
- The Film Stage
The episode of The Test of Time covering Exorcist II: The Heretic was Written by Andrew Hatfield, Narrated by Niki Minter, Edited by Mike Conway, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.
Here at Test of Time, the whole idea of the show is to look at a classic, either objectively through critical praise, box office revenue, or even things like reputation or cult classic status. The three of us, writer Andrew, narrator Niki, and editor Mike like to discuss what we think about whatever the movie is and have fun with it. Shouldn’t this be able to work in reverse though? What about a movie that is seen as bad? Shouldn’t it be looked at through a different lens via time and what we know now? Maybe a bad movie stays a bad movie but what if a reappraisal alters the opinion?...
Here at Test of Time, the whole idea of the show is to look at a classic, either objectively through critical praise, box office revenue, or even things like reputation or cult classic status. The three of us, writer Andrew, narrator Niki, and editor Mike like to discuss what we think about whatever the movie is and have fun with it. Shouldn’t this be able to work in reverse though? What about a movie that is seen as bad? Shouldn’t it be looked at through a different lens via time and what we know now? Maybe a bad movie stays a bad movie but what if a reappraisal alters the opinion?...
- 11/28/2023
- by Cody Hamman
- JoBlo.com
“Rap Sh!t” season 2 — which was set to return in one week from now, on August 10 — has been pushed back due to the ongoing WGA and SAG-AFTRA strikes.
The comedy series’ new season 2 premiere date is November 9, in which it’ll debut with two new episodes, followed by weekly drops until the finale on December 21. Max announced the schedule change on Thursday.
Read More: Leonardo DiCaprio, Issa Rae and More Stars React to SAG-AFTRA Strike: ‘I Stand in Solidarity With My Guild’
Aida Osman as Shawna and KaMillion as Mia in “Rap Sh!t” season 2. — Photo: Warner Bros. Discovery
The new premiere date offers a sign of hope that the show’s studio — Warner Bros. Discovery — anticipates that labor conflicts between the unions representing writers and actors and the major studios could be resolved by then.
Season 2 of “Rap Sh!t” — created and executive produced by Issa Rae — “follows two estranged high school friends from Miami,...
The comedy series’ new season 2 premiere date is November 9, in which it’ll debut with two new episodes, followed by weekly drops until the finale on December 21. Max announced the schedule change on Thursday.
Read More: Leonardo DiCaprio, Issa Rae and More Stars React to SAG-AFTRA Strike: ‘I Stand in Solidarity With My Guild’
Aida Osman as Shawna and KaMillion as Mia in “Rap Sh!t” season 2. — Photo: Warner Bros. Discovery
The new premiere date offers a sign of hope that the show’s studio — Warner Bros. Discovery — anticipates that labor conflicts between the unions representing writers and actors and the major studios could be resolved by then.
Season 2 of “Rap Sh!t” — created and executive produced by Issa Rae — “follows two estranged high school friends from Miami,...
- 8/4/2023
- by Melissa Romualdi
- ET Canada
Marlene Clark, best known for her portrayals of Lamont’s girlfriend Janet in the 1970s NBC sitcom Sanford & Son and as Ganja Meda in the 1973 horror film Ganja & Hess, has died.
Demond Wilson, who played Lamont on Sanford & Son, paid tribute to Clark on Twitter, writing “Rip beautiful actress Marlene Clark. . . It was a delight to work with you…,” noting she died on May 18. Wilson listed her age as 73, but that has not been confirmed.
Clark joined Sanford & Son in the comedy’s fifth season in 1976 as a recurring opposite Wilson, remaining through the series’ final season the following year.
Raised in the Harlem section of New York City, Clark was a fashion model before her transition to acting.
Her earliest work began in films in the 1960s including For Love of Ivy opposite Sidney Poitier and Putney Swope in 1969, directed by Robert Downey Sr. She went...
Demond Wilson, who played Lamont on Sanford & Son, paid tribute to Clark on Twitter, writing “Rip beautiful actress Marlene Clark. . . It was a delight to work with you…,” noting she died on May 18. Wilson listed her age as 73, but that has not been confirmed.
Clark joined Sanford & Son in the comedy’s fifth season in 1976 as a recurring opposite Wilson, remaining through the series’ final season the following year.
Raised in the Harlem section of New York City, Clark was a fashion model before her transition to acting.
Her earliest work began in films in the 1960s including For Love of Ivy opposite Sidney Poitier and Putney Swope in 1969, directed by Robert Downey Sr. She went...
- 5/26/2023
- by Denise Petski
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.