Kicking off on May 15-17 with the LA Independents, with a heavyweight Spanish-language presence, the LA Screenings then host Hollywood studio presentations. To help cut through the slates, – especially at the LA Independents but including some big studio plays – here’s Variety’s pick of 20 top titles:
“The Americas,” (NBCU, BBC Studios)
Narrated by Tom Hanks, his first unscripted narrator gig, and billed as an epic natural history series from “Planet Earth” producer BBC Studios Natural History Unit in association with Universal Television Alternative Studio. Scored by two-time Oscar winner Hans Zimmer and using groundbreaking technology to reveal the continent’s natural wonders. Previewed at MipTV, in a presentation which was one of the biggest events of the whole market.
“Amia,” (Dori Media Group)
Unfolding against the background of the terror attacks of 1992 on the Israeli embassy in Buenos Aires and in 1994 against Amia, the Argentine Israelite Mutual Association, the...
“The Americas,” (NBCU, BBC Studios)
Narrated by Tom Hanks, his first unscripted narrator gig, and billed as an epic natural history series from “Planet Earth” producer BBC Studios Natural History Unit in association with Universal Television Alternative Studio. Scored by two-time Oscar winner Hans Zimmer and using groundbreaking technology to reveal the continent’s natural wonders. Previewed at MipTV, in a presentation which was one of the biggest events of the whole market.
“Amia,” (Dori Media Group)
Unfolding against the background of the terror attacks of 1992 on the Israeli embassy in Buenos Aires and in 1994 against Amia, the Argentine Israelite Mutual Association, the...
- 5/14/2024
- by John Hopewell and Marta Balaga
- Variety Film + TV
Moussa (Sami Bouajila) is an easygoing fella. He’s a go-along-to-get-along, the rug that everyone walks on that really ties the room together. When his large and rambunctious family gathers to bicker and break bread, the twice-divorced father of three will smile when his siblings and adult children hit new decibels arguing in the gladiatorial arena that is the dinner table. If steps into verbal battle, it’s to apologize to or for someone else, and always to lower the stakes.
He’s just that kind of guy – until he’s not. This boisterous Franco-Moroccan clan is thrown for a loop when family rock Moussa suffers a traumatic brain injury, turning him into a wholly different man. Where once he was accommodating, this altered father and brother now suffers no fools. The infirm Moussa now speaks without a filter, calling out the brood that built their own adult lives on his indulgence.
He’s just that kind of guy – until he’s not. This boisterous Franco-Moroccan clan is thrown for a loop when family rock Moussa suffers a traumatic brain injury, turning him into a wholly different man. Where once he was accommodating, this altered father and brother now suffers no fools. The infirm Moussa now speaks without a filter, calling out the brood that built their own adult lives on his indulgence.
- 9/10/2022
- by Ben Croll
- Indiewire
Of all the immediate familial relationships agonized over in the movies, it’s probably the bonds of siblinghood that remain the least explored. In his sixth film as director, French multihyphenate Roschdy Zem redresses that imbalance just a little, with the charming, unassuming but hardly inconsequential “Our Ties”: a heartfelt and beautifully played burst of bright chatter that doesn’t reinvent the wheel of the domestic drama, but does watch it turn with an unusually compassionate, affectionate eye.
As it opens, Moussa is in the middle of a crisis, not that you’d necessarily know it from the gently perplexed way he is handling his wife Nora’s sudden decision to end their relationship. Nora is in Morocco, where she spends a lot of her time for work, and Moussa, getting nothing but her voicemail, has finally come to the realization that she is serious about their split. Less angry than he is dazed,...
As it opens, Moussa is in the middle of a crisis, not that you’d necessarily know it from the gently perplexed way he is handling his wife Nora’s sudden decision to end their relationship. Nora is in Morocco, where she spends a lot of her time for work, and Moussa, getting nothing but her voicemail, has finally come to the realization that she is serious about their split. Less angry than he is dazed,...
- 9/9/2022
- by Jessica Kiang
- Variety Film + TV
Click here to read the full article.
French-Moroccan actor Roschdy Zem has built up an impressive filmography over the past three decades, with major roles in the police thrillers 36 and Le Petit Lieutenant, the historical epics Days of Glory and Outside the Law, and a Cesar award-winning performance in Arnaud Desplechin’s 2019 cop drama Oh Mercy!
Alongside his acting career, Zem has also created an intriguing body of work as a director, tackling cases of racism in France at both the turn of the century (Chocolat) and in the 1990s (Omar Killed Me), exploring the cutthroat world of weightlifting (Bodybuilder) and delivering a down-and-dirty film noir (Persona Non Grata). Some of the genres are handled better than others, but what his movies tend to have in common is their array of finely tuned performances, including a few by the director himself.
That streak continues with Our Ties (Les Miens...
French-Moroccan actor Roschdy Zem has built up an impressive filmography over the past three decades, with major roles in the police thrillers 36 and Le Petit Lieutenant, the historical epics Days of Glory and Outside the Law, and a Cesar award-winning performance in Arnaud Desplechin’s 2019 cop drama Oh Mercy!
Alongside his acting career, Zem has also created an intriguing body of work as a director, tackling cases of racism in France at both the turn of the century (Chocolat) and in the 1990s (Omar Killed Me), exploring the cutthroat world of weightlifting (Bodybuilder) and delivering a down-and-dirty film noir (Persona Non Grata). Some of the genres are handled better than others, but what his movies tend to have in common is their array of finely tuned performances, including a few by the director himself.
That streak continues with Our Ties (Les Miens...
- 9/9/2022
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
"Mortel" is the France-produced fantasy TV series, created by Frédéric Garcia, starring Carl Malapa, Nemo Schiffman and Manon Bresch, streaming Season1 November 21, 2019 on Netflix:
"...after making a deal with a supernatural figure, two high schoolers emerge with extraordinary powers and join forces to solve a crime..."
Cast also includes Corentin Fila, Anaïs Thomas, Firmine Richard, Raphaëlle Agogué, Marvin Dubart, Léa Léviant, Assa Sylla
and Stéphane Brel.
Click the images to enlarge and Sneak Peek "Mortel"...
"...after making a deal with a supernatural figure, two high schoolers emerge with extraordinary powers and join forces to solve a crime..."
Cast also includes Corentin Fila, Anaïs Thomas, Firmine Richard, Raphaëlle Agogué, Marvin Dubart, Léa Léviant, Assa Sylla
and Stéphane Brel.
Click the images to enlarge and Sneak Peek "Mortel"...
- 11/8/2019
- by Unknown
- SneakPeek
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.