71
Metascore
14 reviews · Provided by Metacritic.com
- 88Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonA perfectly balanced blend of romance in exotic settings (shipboard, in Italy) and the trauma-drama of accident and heartbreak. [08 Aug 1999, p.23]
- 88Slant MagazineSlant MagazineA remake by Leo McCarey of his own 1939 classic Love Affair, the film progresses as a graceful switch from romantic comedy to weepie melodrama, reflecting the director’s deep-rooted belief in the intricate bond between laughter and tears.
- 80Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumLeo McCarey’s 1957 remake of his 1939 masterpiece Love Affair, coscripted with Delmer Daves and shot in color and ‘Scope, is his last great film—a tearjerker with comic interludes and cosmic undertones that fully earns both its tears and its laughs, despite some kitschy notions about art and a couple of truly dreadful sequences.
- For those of us who like to immerse ourselves in sense-assaulting love stories, this 1957 Leo McCarey classic is as good as it gets.
- 80Orlando SentinelOrlando SentinelDirector Leo McCarey's An Affair to Remember (1957) was - and always will be - a poignant romantic fairy tale elevated above the typical studio tear-jerker. This is because of the performances turned in by Cary Grant and Deborah Kerr, and outstanding production values. [17 Apr 1994, p.71]
- The principals are in such fine form, underplaying against their stagy backdrops, and the tragic turn of the plot is so gripping, that the movie succeeds in spite of its white-elephant pedigree.
- 60EmpireIan NathanEmpireIan NathanOne of the most legendary tear-jerkers of the 20th century.
- 50The New York TimesBosley CrowtherThe New York TimesBosley CrowtherMr. McCarey's direction is unpropitiously and unaccountably slow. Could it be, too, that a brand of make-believe that was tolerable eighteen years ago, before color and CinemaScope and other intrusions, is just a little discomforting now?
- 50The New YorkerRichard BrodyThe New YorkerRichard BrodyMcCarey plays the shipboard courtship for generous and tender laughs—the wryly staged first kiss is one of the sweetest in all cinema—but the comedy that follows on dry land is mostly inadvertent.