Indie News
New York arthouse distributor Kino Lorber is expanding its streaming service, Kino Film Collection, currently available on Amazon Prime, to include a stand-alone SVOD which will feature hundreds of titles from its extensive back catalog, including features from the likes of Yorgos Lanthimos, Jia Zhangke, and Ken Loach.
Kino Lorber announced the new service timed to start of this year’s Cannes film festival. The stand-alone SVOD, available to subscribers for $5.99 a month, includes several Cannes highlights from years past, including Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Thien An Pham-directed drama Inside the Yellow Cocoon Shell, both winners of the Camera d’Or prize on the Croisette last year; Loach’s Sorry We Missed You, a 2019 competition title; and Palme d’Or winners Winter Sleep (2014) from Nuri Bilge Ceylan and Underground (1995) from Emir Kusturica.
“Cannes and the Kino Film Collection are so intertwined because we share a...
Kino Lorber announced the new service timed to start of this year’s Cannes film festival. The stand-alone SVOD, available to subscribers for $5.99 a month, includes several Cannes highlights from years past, including Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Thien An Pham-directed drama Inside the Yellow Cocoon Shell, both winners of the Camera d’Or prize on the Croisette last year; Loach’s Sorry We Missed You, a 2019 competition title; and Palme d’Or winners Winter Sleep (2014) from Nuri Bilge Ceylan and Underground (1995) from Emir Kusturica.
“Cannes and the Kino Film Collection are so intertwined because we share a...
- 5/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
As part of the Marché du Film at Cannes, Byron Allen’s Freestyle Digital Media has acquired the North American rights to thriller The Ghost Trap, The Hollywood Reporter can exclusively reveal.
It focuses on a young lobsterman who is forced to choose between right and wrong when his girlfriend suffers a traumatic head injury after being swept off his boat by a rogue wave, and a rival lobster family sabotages his gear. A deadly trap war ensues.
Zak Steiner (White Men Can’t Jump, Euphoria), Greer Grammer (Awkward, Deadly Illusions), Sarah Catherine Hook (First Kill, The White Lotus) and Steven Ogg (The Walking Dead, Westworld) are set to star.
The supporting cast includes Taylor Takahashi (Boogie), Xander Berkeley (The Terminator, Apollo 13), Sarah Clarke (Twilight), Billy Wirth (The Lost Boys) and Heather Thomas (The Fall Guy).
On his feature directorial debut, James Khanlarian directs from K. Stephens’ script, based on...
It focuses on a young lobsterman who is forced to choose between right and wrong when his girlfriend suffers a traumatic head injury after being swept off his boat by a rogue wave, and a rival lobster family sabotages his gear. A deadly trap war ensues.
Zak Steiner (White Men Can’t Jump, Euphoria), Greer Grammer (Awkward, Deadly Illusions), Sarah Catherine Hook (First Kill, The White Lotus) and Steven Ogg (The Walking Dead, Westworld) are set to star.
The supporting cast includes Taylor Takahashi (Boogie), Xander Berkeley (The Terminator, Apollo 13), Sarah Clarke (Twilight), Billy Wirth (The Lost Boys) and Heather Thomas (The Fall Guy).
On his feature directorial debut, James Khanlarian directs from K. Stephens’ script, based on...
- 5/17/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Mena Suvari and Antoine Olivier Pilon (“French Girl”) have been cast as the leads in psychological drama “Anatomy of the Sun.”
The film, from writer and director Steven Richter, also features Iman Karram in a supporting role.
“Anatomy of the Sun” follows Alex (Pilon), a music producer who is haunted by visions of his dead sister as he tries to understand the details of her untimely demise. Suvari plays his mother Carol, who is also in the throes of grief.
Casting is underway for the role of Alex’s step-father Hector. Alexis Allen is overseeing casting for the project, which is in pre-production and scheduled to start shooting in the fall.
Richter’s 2011 feature “Center of Gravity” was nominated as Raindance’s Film of the Festival.
“I think of ‘Anatomy of the Sun’ as an immersive visual and sonic narrative experience that blurs reality and the natural dreamscapes of the mind,...
The film, from writer and director Steven Richter, also features Iman Karram in a supporting role.
“Anatomy of the Sun” follows Alex (Pilon), a music producer who is haunted by visions of his dead sister as he tries to understand the details of her untimely demise. Suvari plays his mother Carol, who is also in the throes of grief.
Casting is underway for the role of Alex’s step-father Hector. Alexis Allen is overseeing casting for the project, which is in pre-production and scheduled to start shooting in the fall.
Richter’s 2011 feature “Center of Gravity” was nominated as Raindance’s Film of the Festival.
“I think of ‘Anatomy of the Sun’ as an immersive visual and sonic narrative experience that blurs reality and the natural dreamscapes of the mind,...
- 5/16/2024
- by K.J. Yossman
- Variety - Film News
The main cast of Jim Jarmusch‘s first film since 2019’s “The Dead Don’t Die” has been revealed, and what a cast it is. Variety reports that Adam Driver, Mayim Bialik, Jarmusch regular Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat join Cate Blanchett and Vicky Krieps on “Father Mother Sister Brother.” Jarmusch has already wrapped shooting, with post-production underway in NYC, so expect the film to be ready for a premiere later this year.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
Continue reading ‘Father Mother Sister Brother’: Jim Jarmusch’s Latest Star Cate Blanchett, Adam Driver, Tom Waits & More at The Playlist.
- 5/16/2024
- by Ned Booth
- The Playlist
Neon has bought North American rights to “The Unknown” (“L’Inconnue”), the hotly anticipated next movie from “Anatomy of a Fall”’s Oscar-winning co-writer Arthur Harari.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
BuzzFeed Studios and actor and comedian Lil Rel Howery are partnering on “Saving the Neighborhood,” a new series examining the “existential threats” facing neighborhoods across America. Howery will serve as both the director and the series’s host.
The first season of “Saving the Neighborhood” examines the impact of environmental racism on Black and Brown communities across the U.S. – from Howery’s hometown of Chicago to the water crises in Jackson, Miss., and Flint, Mich., to toxic dumps and incinerators in New York and California. He will meet communities around the country fighting for environmental justice.
BuzzFeed Studios’ slate...
The first season of “Saving the Neighborhood” examines the impact of environmental racism on Black and Brown communities across the U.S. – from Howery’s hometown of Chicago to the water crises in Jackson, Miss., and Flint, Mich., to toxic dumps and incinerators in New York and California. He will meet communities around the country fighting for environmental justice.
BuzzFeed Studios’ slate...
- 5/17/2024
- by Brent Lang
- Variety - TV News
Horror and thriller directors Michael and Peter Spierig (Lionsgate’s Jigsaw) are set to direct Fall 2, it was announced by Capstone Studios’ CEO Christian Mercuri. Scott Mann, who directed and co-wrote the first film, is returning to co-write Fall 2 with Jonathan Frank.
Following the successful survival thriller Fall released in 2022 by Lionsgate, Fall 2 will reunite producers Mark Lane and James Harris of Tea Shop Productions (47 Meters Down), Capstone’s Christian Mercuri, David Haring, and Scott Mann via the Flawless banner.
Dan Asma, John Long, and Roman Viaris will also reunite as executive producers alongside Capstone’s Ruzanna Kegeyan. Capstone will finance the sequel, with Fall 2 set to begin shooting in June 2024.
Capstone Global is handling worldwide rights to the franchise. In late 2023, Capstone Studios greenlit both Fall 2 and Fall 3 under the franchise. Mann will return to write and direct the third installment.
“We’re extremely excited to helm the second...
Following the successful survival thriller Fall released in 2022 by Lionsgate, Fall 2 will reunite producers Mark Lane and James Harris of Tea Shop Productions (47 Meters Down), Capstone’s Christian Mercuri, David Haring, and Scott Mann via the Flawless banner.
Dan Asma, John Long, and Roman Viaris will also reunite as executive producers alongside Capstone’s Ruzanna Kegeyan. Capstone will finance the sequel, with Fall 2 set to begin shooting in June 2024.
Capstone Global is handling worldwide rights to the franchise. In late 2023, Capstone Studios greenlit both Fall 2 and Fall 3 under the franchise. Mann will return to write and direct the third installment.
“We’re extremely excited to helm the second...
- 5/16/2024
- by Mirko Parlevliet
- Vital Thrills
Ryan J. Sloan’s “Gazer” is a classic thriller that will surely have Cannes audiences on the edge of their seats when it world premieres in competition in Directors’ Fortnight at this year’s festival.
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
- 5/16/2024
- by Jamie Lang and Elsa Keslassy
- Variety - Film News
It is polite, we are told, not to speak ill of the dead, though it’s just as often prudent not to speak ill of the living. For victims with grievances against those older and more powerful than them, it’s hard to know when to speak up at all. But a quivering collective fury scalds through the silence in Rungano Nyoni’s tremendous new film “On Becoming a Guinea Fowl” — as a group of young women, nursing the scars of sexual abuse, chafe against the quiet complicity of family elders when their shared perpetrator drops suddenly and none-too-sadly dead. Blending molasses-dark comedy with searing poetic realism to capture contemporary Zambian society at a generational impasse between staunch tradition and social progress, this is palpably new, future-minded filmmaking, at once intrepidly daring and rigorously poised.
Unspooling in Cannes’ Un Certain Regard sidebar — though more worthy of a spot in the main Competition,...
Unspooling in Cannes’ Un Certain Regard sidebar — though more worthy of a spot in the main Competition,...
- 5/16/2024
- by Guy Lodge
- Variety - Film News
Paramount+ has landed the world premiere of “We Will Dance Again,” director Yariv Mozer’s documentary about the Oct. 7 terrorist attack on Israel’s Nova Music Festival, which left more than 400 dead and dozens kidnapped.
The film, produced by Susan Zirinsky’s See it Now Studios, will premiere exclusively on Paramount+ in the U.S. this fall.
“We Will Dance Again” recounts the horrific assault by Hamas terrorists through the accounts of more than a dozen survivors, many of whom recorded the attack as it unfolded. The Nova Music Festival killings were part of the broader Oct. 7 attacks that sparked...
The film, produced by Susan Zirinsky’s See it Now Studios, will premiere exclusively on Paramount+ in the U.S. this fall.
“We Will Dance Again” recounts the horrific assault by Hamas terrorists through the accounts of more than a dozen survivors, many of whom recorded the attack as it unfolded. The Nova Music Festival killings were part of the broader Oct. 7 attacks that sparked...
- 5/16/2024
- by Jack Dunn
- Variety - TV News
Red Water Entertainment has snapped up North American distribution rights to the single take thriller “Failure!” led by Ted Raimi (“The Quarry”).
This Mexico-u.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline. With time running out, he contends with treacherous associates, deceitful friends and haunting pasts, and is forced to choose between financial collapse or murder.
Directed by Alex Kahuam (“Forgiveness”), “Failure!” is believed to be the first time a Mexican filmmaker has made a feature film without cuts in the U.S.
The cast also includes Merrick McCartha (“Senior Year”), Melissa Diaz (“Ruthless”), John Paul Medrano (“Seven Days”), Daniel Kuhlman (“Voodoo Macbeth”) and Noel Douglas Orput.
The film gained a boost after bowing at the inaugural Fantastic Pavilion Galas, the Cannes Film Festival market’s genre showcase that was introduced in 2023. It has since screened at Frightfest,...
This Mexico-u.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline. With time running out, he contends with treacherous associates, deceitful friends and haunting pasts, and is forced to choose between financial collapse or murder.
Directed by Alex Kahuam (“Forgiveness”), “Failure!” is believed to be the first time a Mexican filmmaker has made a feature film without cuts in the U.S.
The cast also includes Merrick McCartha (“Senior Year”), Melissa Diaz (“Ruthless”), John Paul Medrano (“Seven Days”), Daniel Kuhlman (“Voodoo Macbeth”) and Noel Douglas Orput.
The film gained a boost after bowing at the inaugural Fantastic Pavilion Galas, the Cannes Film Festival market’s genre showcase that was introduced in 2023. It has since screened at Frightfest,...
- 5/16/2024
- by Naman Ramachandran
- Variety - Film News
Kino Lorber is expanding its streaming footprint. The boutique art-house distributor just launched its own SVOD platform, the Kino Film Collection.
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and has more than 4,000 titles from Kino Lorber’s film library available. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as recent festival films like “Four Daughters...
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and has more than 4,000 titles from Kino Lorber’s film library available. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as recent festival films like “Four Daughters...
- 5/17/2024
- by Brian Welk
- Indiewire
“Three Kilometers at the End of the World,” the new film from Romanian actor turned filmmaker Emanuel Parvu, feels old-fashioned in its conceit and approach to a homophobic attack that spurs a remote Romanian village into moral panic. It’s obvious from the first frames what Parvu owes to Cristian Mungiu, the great Romanian filmmaker whom Parvu starred for in the film “Graduation.” “Three Kilometers” employs a clinical-distance perspective toward the story of how a brutally beaten, closeted 17-year-old’s trauma is doubted and exploited by his parents and townspeople. The feature, Parvu’s third, blends suspenseful procedural with family drama but is missing a key point of view: That of the victim, whose assault is a Trojan horse into the film’s more macro interest in how bigotry and conformity entwine, and how emotionally repressed adults deal with teen homosexuality when it hits close to home.
On Western screens of all sizes,...
On Western screens of all sizes,...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
The horror genre is off to a strong start in 2024 thanks to films like “Immaculate,” “Abigail,” and “In A Violent Nature.” But 2025 is already shaping out to be a banner year, with many genre entries getting new theatrical premiere dates this week. So what’s next year’s most anticipated horror movie on the docket? It could be Sony‘s “I Know What You Did Last Summer” remake, which THR reports will hit theaters on July 18, 2025.
Continue reading New ‘Insidious,’ ‘I Know What You Did Last Summer,’ & New Blumhouse Horrors Land 2025 Release Dates at The Playlist.
Continue reading New ‘Insidious,’ ‘I Know What You Did Last Summer,’ & New Blumhouse Horrors Land 2025 Release Dates at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
When “Bridgerton” first premiered on Netflix at the end of 2020, one could argue it was received with fascination above all. Though executive producer Shonda Rhimes had already built up a brand with elements that viewers would expect from every TV show that bears her name, this collaboration with creator Chris Van Dusen was taking a lot of big swings in its attempt to adapt Julia Quinn’s beloved romance series.
There was the diverse casting, the idea that it was taking the romance TV genre to the most mainstream platform it has ever had, and that it was a costume drama with a noticeable budget at that, but one innovative piece of its success that goes underwritten is the inclusion of an anachronistic score.
When “Bridgerton” first premiered on Netflix at the end of 2020, one could argue it was received with fascination above all. Though executive producer Shonda Rhimes had already built up a brand with elements that viewers would expect from every TV show that bears her name, this collaboration with creator Chris Van Dusen was taking a lot of big swings in its attempt to adapt Julia Quinn’s beloved romance series.
There was the diverse casting, the idea that it was taking the romance TV genre to the most mainstream platform it has ever had, and that it was a costume drama with a noticeable budget at that, but one innovative piece of its success that goes underwritten is the inclusion of an anachronistic score.
- 5/17/2024
- by Marcus Jones
- Indiewire
Two-time Oscar winner Emma Stone further expands her cinematic universe alongside auteur Yorgos Lanthimos with their latest collaboration “Kinds of Kindness.”
Yet while “Poor Things” was an Academy Award-winning feature, the Cannes premiere for “Kinds of Kindness” seemed to puzzle critics and fans alike. The feature, which was originally titled “And”, is Lanthimos’ eighth film and co-stars Willem Dafoe, Margaret Qualley, Jesse Plemons, Hunter Schafer, Joe Alwyn, Hong Chau, and Mamoudou Athie.
Lanthimos previously described the contemporary anthology film as being “three different stories, with four or five actors who play one part in each story, so they all play three different parts,” which, according to the director, was “almost like making three films” in one.
Lanthimos reunited with frequent screenwriter collaborator Efthimis Filippou to pen the script for “Kinds of Kindness.” The duo previously co-wrote Lanthimos’ “Dogtooth,” “The Lobster,” “The Killing of a Sacred Deer,” and “Alps.”
The IndieWire...
Yet while “Poor Things” was an Academy Award-winning feature, the Cannes premiere for “Kinds of Kindness” seemed to puzzle critics and fans alike. The feature, which was originally titled “And”, is Lanthimos’ eighth film and co-stars Willem Dafoe, Margaret Qualley, Jesse Plemons, Hunter Schafer, Joe Alwyn, Hong Chau, and Mamoudou Athie.
Lanthimos previously described the contemporary anthology film as being “three different stories, with four or five actors who play one part in each story, so they all play three different parts,” which, according to the director, was “almost like making three films” in one.
Lanthimos reunited with frequent screenwriter collaborator Efthimis Filippou to pen the script for “Kinds of Kindness.” The duo previously co-wrote Lanthimos’ “Dogtooth,” “The Lobster,” “The Killing of a Sacred Deer,” and “Alps.”
The IndieWire...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
It feels like it’s been months or even years that we’ve all known that Timothée Chalamet would star in a Blue De Chanel advertisement directed by Martin Scorsese (“Killers Of The Flower Moon”). The pair, who conducted some interviews last year, particularly one for GQ, are clearly mutual admirers of one another. Still, the ad, seen in glimpses and shortened teasers, has never been unveiled in full until now.
Continue reading Watch: The Martin Scorsese Directed Chanel Ad Starring Timothée Chalamet Is Finally Out at The Playlist.
Continue reading Watch: The Martin Scorsese Directed Chanel Ad Starring Timothée Chalamet Is Finally Out at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Robert is a New Orleans businessman so devoted to his boss that he allows him to control every detail of his schedule down to the minute, from what time he goes to bed at night to what time he makes love to his wife in the morning. Daniel is a police officer who becomes suspicious of his wife after she returns to him from being lost at sea; convinced that she’s been replaced by an impostor, he asks the supposed doppelgänger to commit increasingly demented acts of self-harm as a test of her love. Andrew is a loyal cultist whose leaders instruct him to scour the bayou area in search of a prophesied girl with the power to heal the dead.
On paper, these characters may not seem to have much in common. In Yorgos Lanthimos’ “Kinds of Kindness,” however, the echoes that reverberate between them eventually grow so...
On paper, these characters may not seem to have much in common. In Yorgos Lanthimos’ “Kinds of Kindness,” however, the echoes that reverberate between them eventually grow so...
- 5/17/2024
- by David Ehrlich
- Indiewire
Cannes – To be perfectly honest, we didn’t expect it would be so difficult to collect our thoughts regarding Yorgos Lanthimos’ “Kinds of Kindness.” A world premiere at the 2024 Cannes Film Festival, this isn’t the first anthology film we’ve reviewed in our career, let alone one with an unconventional structure. Perhaps our hesitation is that we’re still rattled by what Lanthimos and longtime screenwriting collaborator Efthimis Filippo hope to provoke with three tales of people yearning for control and the excess of such constraints.
Continue reading ‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ Twisted Triptych On Control & The Human Condition [Cannes] at The Playlist.
Continue reading ‘Kinds Of Kindness’ Review: Yorgos Lanthimos’ Twisted Triptych On Control & The Human Condition [Cannes] at The Playlist.
- 5/17/2024
- by Gregory Ellwood
- The Playlist
Despite Francis Ford Coppola criticizing Marvel’s influence on Hollywood, it was an MCU series that overlapped with his “Megalopolis.”
Aubrey Plaza, who plays character Wow Platinum in Coppola’s epic and also stars in upcoming “Agatha All Along” Disney+ series, told Deadline that she brought some Marvel shenanigans to the “Megalopolis” set. Both projects were filmed on the same lot in Atlanta, with their respective productions overlapping for two weeks.
“I would literally go from one to the other and would put my Wow wig on and my Wow costume on. And then the next day, I would go to the ‘Agatha’ set and I’d be dressed as a warrior witch with a dagger and stuff. At one point, when I was dressed in the Marvel character, I snuck onto the ‘Megalopolis’ set and I started harassing Giancarlo Esposito and Adam [Driver] and everyone,” Plaza recalled. “It was absolutely insane behavior.
Aubrey Plaza, who plays character Wow Platinum in Coppola’s epic and also stars in upcoming “Agatha All Along” Disney+ series, told Deadline that she brought some Marvel shenanigans to the “Megalopolis” set. Both projects were filmed on the same lot in Atlanta, with their respective productions overlapping for two weeks.
“I would literally go from one to the other and would put my Wow wig on and my Wow costume on. And then the next day, I would go to the ‘Agatha’ set and I’d be dressed as a warrior witch with a dagger and stuff. At one point, when I was dressed in the Marvel character, I snuck onto the ‘Megalopolis’ set and I started harassing Giancarlo Esposito and Adam [Driver] and everyone,” Plaza recalled. “It was absolutely insane behavior.
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Léa Seydoux’s latest feature will be distributed by Neon.
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
The strike-shortened 2023 production slate has left moviegoers with a lighter summer movie calendar than many have come to expect in recent years, but TBS is hoping that fans will take the opportunity to spend more time watching old movies at home. The cable network announced that married couple Jason Biggs and Jenny Mollen have been tapped to host a revival of “Dinner and a Movie,” the cooking show that features recipes that can be paired with films.
“Dinner and a Movie” originally aired on TBS from 1995-2011 and was famously hosted by chef Claud Mann and comedian Paul Gilmartin. The revival will air on Saturday nights at 8pm Et beginning on June 1. Each episode will feature a movie (“Aquaman” will be the inaugural selection) alongside cooking segments, games, and surprise guests.
Future episodes of the show will feature the films “We’re the Millers,” “The Greatest Showman,” and “Avengers: Endgame.”
“The...
“Dinner and a Movie” originally aired on TBS from 1995-2011 and was famously hosted by chef Claud Mann and comedian Paul Gilmartin. The revival will air on Saturday nights at 8pm Et beginning on June 1. Each episode will feature a movie (“Aquaman” will be the inaugural selection) alongside cooking segments, games, and surprise guests.
Future episodes of the show will feature the films “We’re the Millers,” “The Greatest Showman,” and “Avengers: Endgame.”
“The...
- 5/17/2024
- by Christian Zilko
- Indiewire
After five years in development, “Silk: Spider Society” is no more. Variety reports that Amazon has scrapped plans for the live-action series entirely after the show already received a massive writers’ room overhaul in February. It’s a fate Spidey-fans shouldn’t be surprised by. When Amazon gave “Noir” with Nic Cage the green light last week, they provided no updates on “Silk: Spider Society,” leading many to assume the worst.
Continue reading ‘Silk: Spider Society’: Amazon Scraps Plans For Live-Action Spidey Series Entirely at The Playlist.
Continue reading ‘Silk: Spider Society’: Amazon Scraps Plans For Live-Action Spidey Series Entirely at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Alain Guiraudie is back at Cannes with a bittersweet and unexpectedly warmhearted dark comedy about latent homosexual desire, “Miséricorde.” Remember, the French writer/director is the filmmaker behind the 2013 perverse gay classic “Stranger by the Lake,” a simmering and sinister cruising tale about how our drives toward death and sex are of the same flesh. “Miséricorde,” debuting in the Cannes Premiere section, is a decidedly lighter-on-its-feet (in all senses of the idiom) story of a lonely and faithless man’s obsession with his dead former boss, who’s also the father of the childhood best friend he maybe once loved.
When Jérémie (Félix Kysyl) returns to Saint-Martial, a provincial village nestled in a wood in Southern France, he immediately bonds with his former boss’ widow, Martine (Catherine Frot). Is it romantic obsession, or projecting a mother figure upon her? Or is Jérémie really in love with her dead husband, and...
When Jérémie (Félix Kysyl) returns to Saint-Martial, a provincial village nestled in a wood in Southern France, he immediately bonds with his former boss’ widow, Martine (Catherine Frot). Is it romantic obsession, or projecting a mother figure upon her? Or is Jérémie really in love with her dead husband, and...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Oscar-winning producer Cathy Schulman knows her way around a theatrical release. From “Crash” to “The Woman King,” the long-time Hollywood heavy-hitter has wide-ranging taste that’s earned her both a Best Picture win and millions of box office bucks. But as the theatrical landscape shifts — heck, as the entire entertainment industry shifts — Schulman is staying nimble. These days, that means something that would have sounded crazy a decade ago: a massive hit that goes straight to streaming.
That’s the case with Schulman’s latest, the Michael Showalter-directed Amazon MGM Studios smash “The Idea of You,” a sexy rom-com-dram based on Robinne Lee’s bestselling novel and starring Anne Hathaway and rising star Nicholas Galitzine. In just two weeks on Prime Video, the film has smashed up all sorts of streaming records, handily proving that people do want to watch at home, they will turn out for a streaming-only release,...
That’s the case with Schulman’s latest, the Michael Showalter-directed Amazon MGM Studios smash “The Idea of You,” a sexy rom-com-dram based on Robinne Lee’s bestselling novel and starring Anne Hathaway and rising star Nicholas Galitzine. In just two weeks on Prime Video, the film has smashed up all sorts of streaming records, handily proving that people do want to watch at home, they will turn out for a streaming-only release,...
- 5/17/2024
- by Kate Erbland
- Indiewire
Above: 1980 Japanese poster for Apocalypse Now. Design by Eiko Ishioka, artwork by Haruo Takino.With Francis Ford Coppola’s long-gestated Megalopolis having premiered yesterday at Cannes, it's a good time to look back at the posters from his 60-year-long career. The only problem is that many posters for his films are either too well known or nothing to write home about. Like Coppola’s career itself, there are peaks and valleys—one of my very first posts for Notebook, almost exactly fifteen years ago, was about the gorgeous design for The Rain People (1969)—but a career retrospective of his posters seems like it might result in less than the sum of its parts. Yet of all his posters there are three rare Japanese designs that have always stood out as utterly extraordinary: two for Apocalypse Now (1979) and one for Bram Stoker’s Dracula (1992).I’ve always seen these posters attributed to Eiko Ishioka,...
- 5/17/2024
- MUBI
‘In Our Day’ Review: Hong Sang-soo Celebrates Hot Pepper Paste in Bifurcated Ode to Simple Pleasures
Writing and directing your 30th feature film is a milestone that few filmmakers ever reach, and likely prompts a bit of introspection. It could be seen as an opportunity for reinvention and experimentation now that your legacy is secure, or it could be justification to double down on the traits that made you so successful in the first place.
Hong Sang-soo takes the latter approach with “In Our Day,” a film that sees him playing many of his greatest stylistic hits. There’s an excellent performance from Kim Min-hee, a script that’s divided into separate vignettes, lengthy shots that afford actors the room to dive into their characters’ subtlest mannerisms, and of course, bottles of soju that lurk over the story like a Chekhov’s Gun as we wait for everyone to begin imbibing and sharing their true feelings. It’s the kind of film that might be described...
Hong Sang-soo takes the latter approach with “In Our Day,” a film that sees him playing many of his greatest stylistic hits. There’s an excellent performance from Kim Min-hee, a script that’s divided into separate vignettes, lengthy shots that afford actors the room to dive into their characters’ subtlest mannerisms, and of course, bottles of soju that lurk over the story like a Chekhov’s Gun as we wait for everyone to begin imbibing and sharing their true feelings. It’s the kind of film that might be described...
- 5/17/2024
- by Christian Zilko
- Indiewire
No surprise here: more episodes of “Shōgun” are on the way. FX and streaming partner Hulu announced yesterday that they’ll renew their hit limited series for two more seasons. Star and producer Hiroyuki Sanada also returns, as do co-creators, writers, and executive producers Justin Marks and Rachel Condo, as well as EP Michaela Clavell. And “Shōgun” author James Clavell also returns to develop both upcoming seasons, too; so creatively speaking, everyone is back, which is good news for the show’s fans.
Continue reading ‘Shōgun’: FX & Hulu Renew Hit Limited Series For Two More Seasons at The Playlist.
Continue reading ‘Shōgun’: FX & Hulu Renew Hit Limited Series For Two More Seasons at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Filmmaker Coralie Fargeat’s “The Substance” horror had been under wraps for some time. Described as a body horror seen through a feminist lens, for months, all the French writer/director has said about the movie was that it would “push boundaries with a different kind of violence.” But if the Cannes Film Festival synopsis wasn’t already self-evident, the newly released teaser for “The Substance” basically gives up the ghost.
Continue reading ‘The Substance’ Teaser Trailer: Demi Moore & Margaret Qualley Star In New Cannes Body Horror About Aging & Youth at The Playlist.
Continue reading ‘The Substance’ Teaser Trailer: Demi Moore & Margaret Qualley Star In New Cannes Body Horror About Aging & Youth at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
Three seasons into “Bridgerton,” fans of the Regency drama are used to the sweeping romances filled with everything hot and heavy — banter, drama, and above all else sex. Every season has had its “diamond”—Daphne (Phoebe Dynevor) in Season 1, Edwina (Charithra Chandran) in Season 2, Francesca (Hannah Dodd) in Season 3. While Francesca might be of diamond status in the courting process of the season, her brother Colin’s (Luke Newton) long-anticipated romance with Penelope (Nicola Coughlan) might more closely follow the beats of what the “Bridgerton” audience has become accustomed to.
Francesca’s road to romance remains something unlike what viewers have seen before on “Bridgerton” precisely because of her lack of interest in anything romantic or playing the typical heroine. When we first meet Francesca,...
Three seasons into “Bridgerton,” fans of the Regency drama are used to the sweeping romances filled with everything hot and heavy — banter, drama, and above all else sex. Every season has had its “diamond”—Daphne (Phoebe Dynevor) in Season 1, Edwina (Charithra Chandran) in Season 2, Francesca (Hannah Dodd) in Season 3. While Francesca might be of diamond status in the courting process of the season, her brother Colin’s (Luke Newton) long-anticipated romance with Penelope (Nicola Coughlan) might more closely follow the beats of what the “Bridgerton” audience has become accustomed to.
Francesca’s road to romance remains something unlike what viewers have seen before on “Bridgerton” precisely because of her lack of interest in anything romantic or playing the typical heroine. When we first meet Francesca,...
- 5/17/2024
- by Kerensa Cadenas
- Indiewire
The 20024 Cannes Film Festival is in full swing now, and it’s arguably been dominated by expensive passion projects that could be seen as vanity projects by their makers. The first one, Francis Ford Coppola’s long-awaited “Megalopolis,” landed yesterday to much consternation and mixed reviews; ours was positive, but still slightly baffled, and the film currently sits at 50% on Rotten Tomatoes. The next big self-financed project debuting soon on the Croisette is “Horizon: An American Saga,” an epic Western from writer/director and star Kevin Costner.
Continue reading ‘Horizon: An American Saga’ Trailer: Kevin Costner’s 2-Part Epic Civil War Western Premieres In Cannes Soon at The Playlist.
Continue reading ‘Horizon: An American Saga’ Trailer: Kevin Costner’s 2-Part Epic Civil War Western Premieres In Cannes Soon at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Olivier Assayas is back on the Croisette of the Cannes Film Festival, albeit at the Cannes Market. And the French auteur’s next project is easily one of the buzziest packages at the festival so far. Variety reports Assayas’ next film will be “The Wizard Of The Kremlin,” which sees the director reunite with “Irma Vep” star Alicia Vikander for a political thriller in the vein of “Carlos” and “The Wasp Network.”
Read More: Cannes Film Festival 2024 Preview: 22 Must-See Films To Watch
Based on Giuliano da Empoli‘s 2022 book of the same name, “The Wizard Of The Kremlin” centers on the life and rise to power of Vladimir Putin’s infamous advisor and spin doctor Vadim Baranov.
Continue reading ‘The Wizard Of The Kremlin’: Olivier Assayas’ Next Film Stars Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis & Tom Sturridge at The Playlist.
Read More: Cannes Film Festival 2024 Preview: 22 Must-See Films To Watch
Based on Giuliano da Empoli‘s 2022 book of the same name, “The Wizard Of The Kremlin” centers on the life and rise to power of Vladimir Putin’s infamous advisor and spin doctor Vadim Baranov.
Continue reading ‘The Wizard Of The Kremlin’: Olivier Assayas’ Next Film Stars Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis & Tom Sturridge at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Now that Megalopolis has premiered, nothing has actually changed. The film is a self-consciously impractical act that few would care nearly as much about if it weren’t very publicly known to have cost $120 million of Francis Ford Coppola’s personal money. That’s the kind of extravagant gesture you don’t get to ever see on this scale, and hence destined to be praised for being willed into existence amidst a sea of algorithimically conceived risk-aversion—or, alternately, decried as a hubristic folly in the trades with a palpable subtext of “how dare he?” Megalopolis is praiseworthy for mostly predictable reasons: lavish eccentricity, […]
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
- 5/17/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Now that Megalopolis has premiered, nothing has actually changed. The film is a self-consciously impractical act that few would care nearly as much about if it weren’t very publicly known to have cost $120 million of Francis Ford Coppola’s personal money. That’s the kind of extravagant gesture you don’t get to ever see on this scale, and hence destined to be praised for being willed into existence amidst a sea of algorithimically conceived risk-aversion—or, alternately, decried as a hubristic folly in the trades with a palpable subtext of “how dare he?” Megalopolis is praiseworthy for mostly predictable reasons: lavish eccentricity, […]
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
The post Cannes 2024: Megalopolis first appeared on Filmmaker Magazine.
- 5/17/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Francis Ford Coppola has done well at Cannes, winning the Palme d’Or twice, for “The Conversation” (1974) and “Apocalypse Now” (1979), another film mired in controversy during production that sailed into release as a critical and box office success ($85 million worldwide), nominated for eight Oscars and winning two. Now the winemaker is back in Cannes with controversial “Megalopolis,” a 2 hour, 18 minute movie which he debuted at a gala premiere Thursday night to the usual sustained standing ovation (measured between seven and 10 minutes). There were a few boos at the press screening. He had dreamed of making the overstuffed extravaganza for 40 years since he wrote early versions of it in the ‘80s, but finally spent $120 million of his own money to produce and direct it.
Coppola faced drama on the set. He replaced VFX and art department members over clashes in filmmaking methods. Adam Driver, who plays a Robert Moses-style builder who...
Coppola faced drama on the set. He replaced VFX and art department members over clashes in filmmaking methods. Adam Driver, who plays a Robert Moses-style builder who...
- 5/17/2024
- by Anne Thompson
- Indiewire
How can you be a leader to your people if you’re on the run from them? It’s a fascinating question, one that could serve as the basis for a great book or film, but one that’s hard to embed in a six-part mini-series, a format that proves the wrong one for the story of how a fake movie played a role in the life of Black Panthers leader Huey P. Newton.
Continue reading ‘The Big Cigar’ Review: Great André Holland Performance Gets Lost in Cluttered Apple Mini-Series at The Playlist.
Continue reading ‘The Big Cigar’ Review: Great André Holland Performance Gets Lost in Cluttered Apple Mini-Series at The Playlist.
- 5/17/2024
- by Brian Tallerico
- The Playlist
Timothée Chalamet is making his Martin Scorsese cinematic debut in Scorseses “most difficult” project yet.
The Oscar-nominated actor leads the Bleu de Chanel men’s fragrance campaign for Chanel, with auteur Scorsese helming the latest commercial. Actress Havana Liu Rose co-stars in the sultry campaign that captures an obsessive young love story. The logline reads: “An actor’s conflict between celebrity and staying true to himself. A dialogue between Timothée Chalamet’s artistic sensibility and Martin Scorsese’s virtuosity.”
Chalamet told GQ in conversation with Scorsese that the ad is “not evocative of other commercials […] in a good way,” adding that he didn’t want audiences to “feel like it’s a product.”
Scorsese called helming a commercial an “intense” process. The “Killers of the Flower Moon” director, whose latest feature is three-and-a-half-hours long, explained why making a one-minute ad is even more challenging as a director.
“To think in...
The Oscar-nominated actor leads the Bleu de Chanel men’s fragrance campaign for Chanel, with auteur Scorsese helming the latest commercial. Actress Havana Liu Rose co-stars in the sultry campaign that captures an obsessive young love story. The logline reads: “An actor’s conflict between celebrity and staying true to himself. A dialogue between Timothée Chalamet’s artistic sensibility and Martin Scorsese’s virtuosity.”
Chalamet told GQ in conversation with Scorsese that the ad is “not evocative of other commercials […] in a good way,” adding that he didn’t want audiences to “feel like it’s a product.”
Scorsese called helming a commercial an “intense” process. The “Killers of the Flower Moon” director, whose latest feature is three-and-a-half-hours long, explained why making a one-minute ad is even more challenging as a director.
“To think in...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
What makes for a Cannes Palme d’Or winner? Ignore the critics, because it’s up to the jury, this year led by president Greta Gerwig, to decide.
While far-flung prognosticators might consult the ever-updating Screen Daily international critics’ grid for the writing on the walls, predicting winners is more about assessing the makeup and tastes of the jury. Screening 22 films are filmmakers like J.A. Bayona, Nadine Labaki, and Hirokazu Kore-eda, plus actors like Lily Gladstone, Ebru Ceylan, Eva Green, and Omar Sy. Though past Palme d’Or winners indicate jurors respond to emotion, more recent winners have been less typically audience-pleasing. Last year’s Palme d’Or recipient, “Anatomy of a Fall,” was hardly an overwhelmingly emotional movie, but its smart screenplay and great performances took it beyond Cannes all the way to a Best Original Screenplay Oscar win (for director Justine Triet and her partner and co-writer Arthur Harari...
While far-flung prognosticators might consult the ever-updating Screen Daily international critics’ grid for the writing on the walls, predicting winners is more about assessing the makeup and tastes of the jury. Screening 22 films are filmmakers like J.A. Bayona, Nadine Labaki, and Hirokazu Kore-eda, plus actors like Lily Gladstone, Ebru Ceylan, Eva Green, and Omar Sy. Though past Palme d’Or winners indicate jurors respond to emotion, more recent winners have been less typically audience-pleasing. Last year’s Palme d’Or recipient, “Anatomy of a Fall,” was hardly an overwhelmingly emotional movie, but its smart screenplay and great performances took it beyond Cannes all the way to a Best Original Screenplay Oscar win (for director Justine Triet and her partner and co-writer Arthur Harari...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Like any Christmas film worth the time it took to wrap, Tyler Taormina’s wry but melancholy “Christmas Eve in Miller’s Point” has a bone-deep understanding of why all the best holidays are so painfully bittersweet: They bring the evanescence of our lives into focus, crystallizing the passage of time, while slowing it down just enough for us to appreciate how much of it has already melted into memory. Unlike the rest of its way too crowded genre, Taormina’s contribution has precious little interest in doing anything else.
And god bless this movie for that, because its tinselly charm depends on conjuring a feeling so pure and hyper-specific that even the slightest flurry of a plot might threaten to dilute the effect. Even more so than Taormina’s previous features, “Christmas in Miller’s Point” is just happy to be an immaculately conceived vibe.
Instead of scenes, there are fleeting glimpses.
And god bless this movie for that, because its tinselly charm depends on conjuring a feeling so pure and hyper-specific that even the slightest flurry of a plot might threaten to dilute the effect. Even more so than Taormina’s previous features, “Christmas in Miller’s Point” is just happy to be an immaculately conceived vibe.
Instead of scenes, there are fleeting glimpses.
- 5/17/2024
- by David Ehrlich
- Indiewire
[Editor’s note: this list was originally published in May 2023. It has since been updated with new films to crack the Cannes 5-minute mark.]
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
- 5/17/2024
- by Wilson Chapman
- Indiewire
Much like the fun-loving cut-up he plays in Richard Linklater’s “Everybody Wants Some!!,” Glenn Powell likes to have a good time. When he started his career, he was eager to put himself out there in ways that made him attractive to some, but an outcast to others. In a recent profile in Vanity Fair, Powell spoke of his early days in Hollywood and how things have shifted in the last year or two with hits like “Top Gun: Maverick” and “Anyone But You” and new blockbusters on approach like “Twisters.”
“I came from that college-party mentality where there are no boundaries,” Powell said of acclimating to Hollywood culture. “Nobody gives a fuck about you in Hollywood if you can’t offer them something.”
For the longest time, Powell wasn’t sure what he could offer people other than his upbeat personality and natural charisma, features that didn’t seem...
“I came from that college-party mentality where there are no boundaries,” Powell said of acclimating to Hollywood culture. “Nobody gives a fuck about you in Hollywood if you can’t offer them something.”
For the longest time, Powell wasn’t sure what he could offer people other than his upbeat personality and natural charisma, features that didn’t seem...
- 5/17/2024
- by Harrison Richlin
- Indiewire
Who is Francis Ford Coppola? A wondrous madman? A delicate tyrant? It’s clear he loves chaos and knows you love it too. Is this why he’s so attracted to working with actors who have their own chaotic (often despicable) public personas? Is he drawn to working with and capturing them because he believes they’ll understand him and his process more than others or is he trying to understand something about himself? Maybe both. Filmmaking is his art and art is his way of reckoning with the world around him. It’s why his re-edits are often better than the originals. Time has granted him more understanding and he does his best to transmute that back into the work. Time is also an obsession of his, so much so that to view any of his work without also contextualizing where it sits within his personal history is a...
- 5/17/2024
- by Harrison Richlin
- Indiewire
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
[Editor’s note: The following interview contains spoilers for “Bridgerton” Season 3 – Part 1″ including the ending.]
Oh, my God.
The “Bridgerton” team absolutely heard some fans’ complaints about the lack of steamy scenes in Season 2. This time around, there is no such issue.
“It’s all about character,” showrunner Jess Brownell told IndieWire. “In Season 2, we had a lot of discussions about how much intimacy we wanted to see. And it had everything to do with the fact that Anthony is a very rigid and duty-bound character. His arc is about that rigidity. And so him just willy nilly having intimacy before marriage with someone wouldn’t make any sense. Penelope and Colin are not nearly as rigid as Anthony. So it was much easier to show more intimacy this season, and it is definitely a very steamy season.
[Editor’s note: The following interview contains spoilers for “Bridgerton” Season 3 – Part 1″ including the ending.]
Oh, my God.
The “Bridgerton” team absolutely heard some fans’ complaints about the lack of steamy scenes in Season 2. This time around, there is no such issue.
“It’s all about character,” showrunner Jess Brownell told IndieWire. “In Season 2, we had a lot of discussions about how much intimacy we wanted to see. And it had everything to do with the fact that Anthony is a very rigid and duty-bound character. His arc is about that rigidity. And so him just willy nilly having intimacy before marriage with someone wouldn’t make any sense. Penelope and Colin are not nearly as rigid as Anthony. So it was much easier to show more intimacy this season, and it is definitely a very steamy season.
- 5/16/2024
- by Erin Strecker
- Indiewire
Netflix unveiled the trailer for “Ultraman: Rising” (premiering at Annecy June 12 and streaming June 14), the animated feature from first-time director Shannon Tindle, who re-imagines the legendary anime franchise from Tsuburaya Productions as an action-packed, heartwarming ode to parenthood.
With Tokyo under siege from rising kaiju attacks, Dodgers baseball superstar Ken Sato (Christopher Sean) reluctantly returns home to take on the mantle of rogue superhero Ultraman from his father (Gedde Watanabe) while signing with the Giants. But he has trouble balancing his passion for baseball and his family obligation to be Ultraman. Then, when forced to raise a 35-foot-tall, fire-breathing baby kaiju girl, Sato must confront his huge ego to protect her and Japan from destruction.
Tindle first conceived of his film as an original parental superhero story (“Made in Japan”). That was back in 2001 when he was a character designer on “Foster’s Home for Imaginary Friends.” He later developed it...
With Tokyo under siege from rising kaiju attacks, Dodgers baseball superstar Ken Sato (Christopher Sean) reluctantly returns home to take on the mantle of rogue superhero Ultraman from his father (Gedde Watanabe) while signing with the Giants. But he has trouble balancing his passion for baseball and his family obligation to be Ultraman. Then, when forced to raise a 35-foot-tall, fire-breathing baby kaiju girl, Sato must confront his huge ego to protect her and Japan from destruction.
Tindle first conceived of his film as an original parental superhero story (“Made in Japan”). That was back in 2001 when he was a character designer on “Foster’s Home for Imaginary Friends.” He later developed it...
- 5/16/2024
- by Bill Desowitz
- Indiewire
Children forced to grow up too fast understand the pained nature of powerlessness like few others. This is true of the pre-teen at the center of director Andre Arnold’s “Bird,” Bailey (Nykiya Adams). Born and bred in the small town of Gravesend, just 20 miles from the hustle and bustle of London, the 12-year-old lives in a heavily graffitied council block alongside her far too young father, tatted hopeful druglord Bug (Barry Keoghan) and older brother, Hunter (Jason Buda).
Continue reading ‘Bird’ Review: Franz Rogowski Shines In Arnold’s Beautiful Coming Of Age Tale [Cannes] at The Playlist.
Continue reading ‘Bird’ Review: Franz Rogowski Shines In Arnold’s Beautiful Coming Of Age Tale [Cannes] at The Playlist.
- 5/16/2024
- by Rafa Sales Ross
- The Playlist
In Hollywood, director Fernando Meirelles is known for critically acclaimed films like “City of God” and “The Constant Gardner.” His TV work had been confined to Brazil, which, he discovered while shooting the Apple TV+ series “Sugar,” was nothing like American TV production.
“My first impression [was] the size, the scale of the whole thing, it’s a big circus,” Meirelles told IndieWire. “You’re tied into this big machine, and you’re piloting the machine, but the machine is also taking you. It’s an interesting experience, much different from what I was used to, but I really enjoyed it.”
Meirelles description makes it sound like he was an important cog in the big wheel of TV production, which, of course, is common for directors who enjoy more autonomy of smaller films. Except “Sugar” does not move, look, or feel like anything on American TV. The coverage and cutting patterns are anything but conventional.
“My first impression [was] the size, the scale of the whole thing, it’s a big circus,” Meirelles told IndieWire. “You’re tied into this big machine, and you’re piloting the machine, but the machine is also taking you. It’s an interesting experience, much different from what I was used to, but I really enjoyed it.”
Meirelles description makes it sound like he was an important cog in the big wheel of TV production, which, of course, is common for directors who enjoy more autonomy of smaller films. Except “Sugar” does not move, look, or feel like anything on American TV. The coverage and cutting patterns are anything but conventional.
- 5/16/2024
- by Chris O'Falt
- Indiewire
“Last year, as you know, we had a few polemics,” admitted Cannes General Delegate Thierry Fremaux at the opening of the 77th edition on Tuesday. “This year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema.” With ignorance this willful, you have to laugh. Cannes has gotten so used to sweeping its problems under the rug that no one seems to know when, how, or if the Sous les Écrans la Dèche strike–-which would affect some 200 projectionists, programmers, floor managers, and press officers working the […]
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
- 5/16/2024
- by Blake Williams
- Filmmaker Magazine - Blog
“Last year, as you know, we had a few polemics,” admitted Cannes General Delegate Thierry Fremaux at the opening of the 77th edition on Tuesday. “This year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema.” With ignorance this willful, you have to laugh. Cannes has gotten so used to sweeping its problems under the rug that no one seems to know when, how, or if the Sous les Écrans la Dèche strike–-which would affect some 200 projectionists, programmers, floor managers, and press officers working the […]
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
The post Cannes 2024: The Second Act, An Unfinished Film and Wild Diamond first appeared on Filmmaker Magazine.
- 5/16/2024
- by Blake Williams
- Filmmaker Magazine-Director Interviews
Summer is coming, but streamers want you to bundle up.
It has long not been an original thought to say that streaming is starting to look more and more like cable, but the industry has been taking new steps to ensure the comparison doesn’t die. On Tuesday, Comcast chief Brian L. Roberts revealed a coming bundle between NBCUniversal’s Peacock, Apple’s Apple TV+, and Netflix’s, well, Netflix. We did not get a price point or a launch date, but we do have a name: StreamSaver. Roberts promised significant savings, hence the name.
If the StreamSaver announcement sounds familiar, it’s probably because that is the precise promise of an also newly announced Summer 2024 Disney bundle between Disney+, Hulu, and Max. Disney has long-experienced the strength of a bundle with two options for consumers to combine its in-house streaming services: the duo is Disney+ and Hulu, the trio adds ESPN+.
It has long not been an original thought to say that streaming is starting to look more and more like cable, but the industry has been taking new steps to ensure the comparison doesn’t die. On Tuesday, Comcast chief Brian L. Roberts revealed a coming bundle between NBCUniversal’s Peacock, Apple’s Apple TV+, and Netflix’s, well, Netflix. We did not get a price point or a launch date, but we do have a name: StreamSaver. Roberts promised significant savings, hence the name.
If the StreamSaver announcement sounds familiar, it’s probably because that is the precise promise of an also newly announced Summer 2024 Disney bundle between Disney+, Hulu, and Max. Disney has long-experienced the strength of a bundle with two options for consumers to combine its in-house streaming services: the duo is Disney+ and Hulu, the trio adds ESPN+.
- 5/16/2024
- by Tony Maglio
- Indiewire
With a mission wholly unique at the time, make money while inspiring social change through entertainment, Participant Media managed to rewrite the rules of Hollywood during its all too short 20-year run. The studio singlehandedly proved to the world that you can produce unbelievably great films that have an impact, and audiences will go see them. Most studios and filmmakers working today owe a debt of gratitude to Jeff Skoll and his team of visionaries. That’s why the announcement that the studio will be shutting its doors felt like a gut punch, especially at a time when Hollywood is feeling a bit limp and lifeless.
Amidst the backdrop of faltering democracies, news and information channels that appear polarized, a marathon pandemic, and the proliferation of streaming, entertainment media still stands king as a unifier, capable of bringing together broad swathes of audiences. So, while Participant’s award-winning documentary “He...
Amidst the backdrop of faltering democracies, news and information channels that appear polarized, a marathon pandemic, and the proliferation of streaming, entertainment media still stands king as a unifier, capable of bringing together broad swathes of audiences. So, while Participant’s award-winning documentary “He...
- 5/16/2024
- by Scott Budnick
- Indiewire
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