Walt Disney was having some problems getting paid by his distributor in this period. Eventually he would leave United Artists and settle in for the next twenty years at RKO. In the meantime, however, he would cut corners on his movies by having a lot of repetitive movements in some of his shorts. Here he tries to make use of the fact that many musical phrases repeat and that the supporting action could logically repeat. Still, the sharp-eyed viewer will notice it.
In the midst of this, Pinto Colvig's voicing of the early Goofy (who had been introduced, in slightly different form in MICKEY'S REVUE the previous year) is a welcome touch. His manic laugh never quite repeats itself and adds a touch of novelty to every shot.
In the midst of this, Pinto Colvig's voicing of the early Goofy (who had been introduced, in slightly different form in MICKEY'S REVUE the previous year) is a welcome touch. His manic laugh never quite repeats itself and adds a touch of novelty to every shot.