In "The Sea Hawk", hero Errol Flynn, director Michael Curtiz, and composer Erich Wolfgang Korngold provide great entertainment very similar to that in their earlier classic that starred Flynn as Robin Hood. Supporting actors Alan Hale, Claude Rains, and Una O'Connor also are back, joined by Brenda Marshall, Flora Robson, and Henry Daniell. The movie provides rousing action, a good story, and some memorable characters.
Flynn's character is Geoffrey Thorpe, who is a "sea hawk", a privateering ship captain in the late 1500's indulged by Queen Elizabeth (Robson) and allowed to raise havoc with Spanish shipping in a time when Spain's dominance was at its peak. The story in "The Sea Hawk", like the action in "The Adventures of Robin Hood", is loosely based on historical circumstances, although this time the tone is often more serious. This film is in black-and-white instead of Technicolor, giving it a different feel. (There is a very nice touch when the scenes in the New World are tinted in golden-brown, an effective way of emphasizing the different setting.) There are also extensive scenes of the suffering and humiliation experienced by the English galley slaves imprisoned by the Spanish fleet, instead of the very brief scenes of Saxon suffering in "Robin Hood". But the main emphasis is still on the swash-buckling action that made Flynn so popular.
There are ship-to-ship fights, chases, escapes, and of course sword fights. Flynn's charisma and infectious good nature are usually enough to carry even far-fetched action, and here the story itself is more than good enough to be worthwhile in its own right. "The Sea Hawk" is good, classic entertainment.
Flynn's character is Geoffrey Thorpe, who is a "sea hawk", a privateering ship captain in the late 1500's indulged by Queen Elizabeth (Robson) and allowed to raise havoc with Spanish shipping in a time when Spain's dominance was at its peak. The story in "The Sea Hawk", like the action in "The Adventures of Robin Hood", is loosely based on historical circumstances, although this time the tone is often more serious. This film is in black-and-white instead of Technicolor, giving it a different feel. (There is a very nice touch when the scenes in the New World are tinted in golden-brown, an effective way of emphasizing the different setting.) There are also extensive scenes of the suffering and humiliation experienced by the English galley slaves imprisoned by the Spanish fleet, instead of the very brief scenes of Saxon suffering in "Robin Hood". But the main emphasis is still on the swash-buckling action that made Flynn so popular.
There are ship-to-ship fights, chases, escapes, and of course sword fights. Flynn's charisma and infectious good nature are usually enough to carry even far-fetched action, and here the story itself is more than good enough to be worthwhile in its own right. "The Sea Hawk" is good, classic entertainment.