In this 1941 Paramount film Fred Astaire has a new dancing partner in Paulette Goddard. They actually dance a number together. The ads read, "Fred's Best Yet! 'Cause He's Got Paulette!" Mostly Astaire dances solo in this story about two musicians, Astaire and Burgess Meredith, who try vainly to get jobs in Artie Shaw's band. With the help of Paulette, they get hired. This is a trendy "swing" musical with Shaw's band and Astaire's dancing taking the spotlight.
The Astaire-Goddard production number was called, "I Ain't Hep to That Step but I'll Dig It." Astaire had to teach Goddard to dance. He worked "like a dog" from the beginning saying, "She's a lovely girl, with a breathtaking figure, who couldn't dance and somehow resisted every attempt to break down her handicap."
They filmed it just once. Just one take. Goddard said she could never go through it again. Unusual, also, for Astaire to do only one take to any number he was in. He was always a task master at perfecting his dances. The number, viewed today, is not only totally professional; it's good.
Interesting note that Goddard's other male lead was Burgess Meredith, whom she went on to marry years later as she was still married at the time to Charlie Chaplin.
The Astaire-Goddard production number was called, "I Ain't Hep to That Step but I'll Dig It." Astaire had to teach Goddard to dance. He worked "like a dog" from the beginning saying, "She's a lovely girl, with a breathtaking figure, who couldn't dance and somehow resisted every attempt to break down her handicap."
They filmed it just once. Just one take. Goddard said she could never go through it again. Unusual, also, for Astaire to do only one take to any number he was in. He was always a task master at perfecting his dances. The number, viewed today, is not only totally professional; it's good.
Interesting note that Goddard's other male lead was Burgess Meredith, whom she went on to marry years later as she was still married at the time to Charlie Chaplin.