8/10
Losing one's mind
9 May 2004
Warning: Spoilers
James Hilton's contribution to the movies was enormous. His novels have ended up as films that made great impact, as is the case with this film. Mervyn LeRoy must be given credit for bringing it to the screen in a movie that has all the ingredients to keep the viewer glued to his seat.

The film is a tribute to a form of entertainment that alas, has just but disappeared from the present Hollywood. Nothing like this film will be done in the near future because of today's tastes dictates the big, if mindless, spectacles full of special effects, favored by today's movie makers.

There are things in the film that wouldn't make any sense in our high tech world, but the charm of the many twists and turns make for a charming voyage, as we get lost into this tale of love given so honestly by Paula to the amnesiac Smithy. The biggest challenge to logic is the reemergence of Paula as Ms Hansen, Charles Rainier's secretary. But that's the magic of the film, we put up with every twist and turn because we figure these two will find one another in the end.

To have Greer Garson play the role of Paula/Margaret, was a stroke of genius. This actress, with her unusual beauty, made us believe she is that woman whose love for her man is everything. If that object of love was Ronald Colman, one of the most talented leading men of the era, it was well worth the price of admission. Ms Garson was one of the most accomplished actress of the time.

Ronald Colman on the other hand, plays his dual characters with a panache and conviction that only actors of that period had. Mr. Colman makes us believe he is Smithy, the amnesiac soldier, as well as the business magnate that he was prior to losing his mind in the war. He made these two men credible as he transformed himself from one to the other with an ease that was uncanny.

Susan Peters had a small part playing Kitty, who falls in love with Charles, even though she knows it's an impossible undertaking.

This is a film to be cherished by lovers of old American films.
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