Self-professed "capitalist" and businessman Joseph Davies is sent to Moscow by President FDR just prior to the outbreak of hostilities in Europe in 1939. His mission; assess the war-readiness of the Soviet people and the reliability of the Stalin regime as a potential ally.
What follows could be described as a "guided tour" of Soviet Russia, courtesy of the Kremlin. Davies embarks on a whirlwind inspection of Soviet farms, factories, schools and cities, all abuzz with the task of transforming a semi-feudal nation of serfs and peasants into a mighty world power. It is - as its critics claim - a heavy-handed glorification of the Soviet "workers" state under Stalin. At the same time, it is an early confirmation of what most recent historians have acknowledged; the Stalin regime, for all its flaws, was a popular regime with the Russian people with astounding achievements to its credit. Viewers, at any rate, can make up their own minds (a useful recent survey is *Stalinism as a Way of Life* - Yale U Press, 2000).
Walter Huston is effective as the droll, efficient Davies. Watch, too, for a plethora of uncredited "B" actors on screen for just a few seconds. Glenn Strange, Tom Tully and Kathleen Lockhart are familiar faces to fans of the thirties and forties and serve to jar us back to reality at critical points. The film is a useful antidote to the overwhelming and omnipotent anti-Sovietism of the Cold War, and should be taken as such.
What follows could be described as a "guided tour" of Soviet Russia, courtesy of the Kremlin. Davies embarks on a whirlwind inspection of Soviet farms, factories, schools and cities, all abuzz with the task of transforming a semi-feudal nation of serfs and peasants into a mighty world power. It is - as its critics claim - a heavy-handed glorification of the Soviet "workers" state under Stalin. At the same time, it is an early confirmation of what most recent historians have acknowledged; the Stalin regime, for all its flaws, was a popular regime with the Russian people with astounding achievements to its credit. Viewers, at any rate, can make up their own minds (a useful recent survey is *Stalinism as a Way of Life* - Yale U Press, 2000).
Walter Huston is effective as the droll, efficient Davies. Watch, too, for a plethora of uncredited "B" actors on screen for just a few seconds. Glenn Strange, Tom Tully and Kathleen Lockhart are familiar faces to fans of the thirties and forties and serve to jar us back to reality at critical points. The film is a useful antidote to the overwhelming and omnipotent anti-Sovietism of the Cold War, and should be taken as such.