Review of Paisan

Paisan (1946)
8/10
A Fine Dramatic Representation of American Liberation in Italy
21 November 2003
This film was well done for what Rosselini had. Although I was never a fan of many of these films done with left-over soldiers and bad actors to show what real-life people were like, "Paisan" definitely shows the unity of people joined in a cause. Each episode of the American progress north through Italy the American/Italian relationship become a little more united. Until, finally, in the Po River Valley, the Americans and the Italians are almost indistinguishable from one another. It conveys a good message through a good medium.

The on-location shooting was a plus, too. For people who have been to Firenze, Napoli, Sicilia, Roma, or any of the locations in this film, it is a stunning sight to see places you know crawling with Nazis and Allies struggling. It endows the movie with a sense of realism that it needs badly. It needs this realism because the acting is horrendous. Of course, the unskilled acting was supposed to convey more realism, but I think it detracts in actuality.

If you are interested in history or Italy during the World War, see this film. It is a good representation of what life was like then, but beware that not everything could be represented ... so it is not all-inclusive. It is a long film, but anyone with an interest will enjoy it immensely, I think.
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