Whoever thought it was a good idea to pair an emotional Susan Hayward with a stoic Lee Bowman? In fact, Bowman is terrible, and I had no idea why she would even look at her when the always gallant Eddie Albert was gaga over her. Other than that, it's old-fashioned look at alcoholism was dated even in 1947, and the movie has little else to see.
Review of Smash-Up: The Story of a Woman
