The Hollywood of the classic studio system is not known for its kindness in adapting great literary works. Often overwrought or oversimplified, cut down or bastardized, the movie versions rarely capture the essence or the form of the books they pretend to adapt.
This one is exceptional. Both the pathos and the verve of the Dumas novel (itself a roman-feuilleton - a serial- which it is rumored Dumas didn't actually write) are wonderfully captured, and Kelly is the dream D'Artagnan. Every bit of physicality and fun that he brought to his choreographies in the musicals is used beautifully to bring grace and energy to the duels. The humor of the star is used quite brilliantly. Compare the toungue-in-cheek pastiche THE DUELLING CAVALIER in SINGING IN THE RAIN with this earlier work. Look up a few of his directorial efforts (The Cheyenne Social Club) with the humor here.
Each fan of Dumas will have his favorite version of THE THREE MUSKETEERS, but we all must agree this is a noble and (overall) successful effort.
This one is exceptional. Both the pathos and the verve of the Dumas novel (itself a roman-feuilleton - a serial- which it is rumored Dumas didn't actually write) are wonderfully captured, and Kelly is the dream D'Artagnan. Every bit of physicality and fun that he brought to his choreographies in the musicals is used beautifully to bring grace and energy to the duels. The humor of the star is used quite brilliantly. Compare the toungue-in-cheek pastiche THE DUELLING CAVALIER in SINGING IN THE RAIN with this earlier work. Look up a few of his directorial efforts (The Cheyenne Social Club) with the humor here.
Each fan of Dumas will have his favorite version of THE THREE MUSKETEERS, but we all must agree this is a noble and (overall) successful effort.