Ah!my beauty past compare these jewels!
René Clair movies are ,in my humble opinion,among the least interesting of the old cinema:Duvivier,Carné ,Renoir,Pagnol,Clouzot and Grémillon are much more exciting.Even the so-called masterpieces such as "le million"(1931) or "quatorze juillet" fail to excite me.In America ,Clair made a valuable adaptation of Christie's "and then were none ,but I'm not sure he was the right director for that.Returning to France ,he released "le silence est d'or' which I personally find unpleasant ,and then "la beauté du diable".
"La beauté du diable" would be interesting,were it only for Michel Simon's sensational portrayal of Mephisto and handsome Gerard Philippe,although very good, is sometimes dwarfed by the old lion of the French cinema.The lines are sometimes witty and hints at the atomic bomb reflect the greatest fear of the era.Simone Valere,Jean Desailly's wife ,as the princess,finds here one of her rare good screen parts -she mainly worked on stage-
That said,Jacques Tourneur made a much better job with the devil in "la main du diable" ,which is the real granddaddy of "Rosemary's baby" or "Angel heart".
Gerard Philippe was to be featured in two Clair's subsequent works ,two overrated works ,"belles de nuit" and "les grandes manoeuvres" ,and alas,sans Michel Simon.
René Clair movies are ,in my humble opinion,among the least interesting of the old cinema:Duvivier,Carné ,Renoir,Pagnol,Clouzot and Grémillon are much more exciting.Even the so-called masterpieces such as "le million"(1931) or "quatorze juillet" fail to excite me.In America ,Clair made a valuable adaptation of Christie's "and then were none ,but I'm not sure he was the right director for that.Returning to France ,he released "le silence est d'or' which I personally find unpleasant ,and then "la beauté du diable".
"La beauté du diable" would be interesting,were it only for Michel Simon's sensational portrayal of Mephisto and handsome Gerard Philippe,although very good, is sometimes dwarfed by the old lion of the French cinema.The lines are sometimes witty and hints at the atomic bomb reflect the greatest fear of the era.Simone Valere,Jean Desailly's wife ,as the princess,finds here one of her rare good screen parts -she mainly worked on stage-
That said,Jacques Tourneur made a much better job with the devil in "la main du diable" ,which is the real granddaddy of "Rosemary's baby" or "Angel heart".
Gerard Philippe was to be featured in two Clair's subsequent works ,two overrated works ,"belles de nuit" and "les grandes manoeuvres" ,and alas,sans Michel Simon.