The People Against O'Hara is a slightly offbeat film to have come out in 1951. It's both a crime picture and a fairly realistic study of alcoholism. The photography is by noir tyro John Alton, and in many of its night-time and shadowy scenes the movie looks like a thriller, which it really isn't. Director John Sturges was an up and comer at the MGM of this time, and the film was one of the earlier shots at A level film-making. The cast,--Spencer Tracy, Diana Lynn, Pat O'Brien, John Hodiak--are all fine.
I can't say that the script is any great shakes, but it gets the job done. The story goes off in several directions, as it deals with everything from father-daughter love to gangsters. I like the film more than most people and think that had the script been tidied up it might have been a great movie. There are some splendid moments, and one in the courtroom in particular stands out, when a young thug delivers such a double-talking testimony that lawyer Tracy almost has a nervous breakdown while questioning him. The kid senses that Tracy is vulnerable and keeps on twisting his words deliberately, and Tracy goes for the bait. It's a tough scene to watch, alternately sad, realistic and infuriating.
Tracy plays his role as a recovering alcoholic with sincerity and a conspicuous absence of sentiment. This man is not a saint and never was. Even when clean and sober he's a far cry from perfect, and he always will be.
I can't say that the script is any great shakes, but it gets the job done. The story goes off in several directions, as it deals with everything from father-daughter love to gangsters. I like the film more than most people and think that had the script been tidied up it might have been a great movie. There are some splendid moments, and one in the courtroom in particular stands out, when a young thug delivers such a double-talking testimony that lawyer Tracy almost has a nervous breakdown while questioning him. The kid senses that Tracy is vulnerable and keeps on twisting his words deliberately, and Tracy goes for the bait. It's a tough scene to watch, alternately sad, realistic and infuriating.
Tracy plays his role as a recovering alcoholic with sincerity and a conspicuous absence of sentiment. This man is not a saint and never was. Even when clean and sober he's a far cry from perfect, and he always will be.