"The Quiet Man" is an Irish village version of "The Taming of the Shrew," the tamer being an ex-pugilist Sean Thornton (John Wayne) retired to the land of his fathers where he purchases "that little place across the brook, that humble cottage." But no sooner does he arrives on a soft spring morning than he falls in love with Mary Kate (Maureen O'Hara).
Sean courts and weds her easily enough, but he has not worked out on the anger of her heavy and hard rich brother, the farmer Will Danaher (Victor McLaglen) who holds an envy against him for having bought the very property that separates his spread from that of the wealthiest widow in Innisfree Sarah Tillane (Mildred Natwick) whom Danaher strongly desires...
Danaher refuses to supply the traditional dowry, and Mary Kate accuses Sean for his apparent cowardice in not fighting for what is rightfully theirs...
The battle that follows (considered to be the longest recorded on screen) has Sean and his strong brother-in-law engaging in a climatic fight the townsfolk have long been anticipating with effervescent...
Maureen O'Hara is totally in her element as the fiery Irish girl whether as the bare-footed attractive woman looking after a number of sheep in the meadow, or as the troubled colleen trying to explain her problem to the devoted salmon-catching Catholic priest (War Bond) or as the proud beauty whom Wayne lets fall at her brother's feet... Maureen would play Wayne's love interest in four more features ("Rio Grande," "The Wings of Eagle," "McLintock," and "Big Jake"). Their screen relationship emphasized the strength of their chemistry...
Barry Fitzerald is simply superb as Michaeleen Flynn, the village matchmaker and cart-driver who can't seem to tell anyone something without winning a black beer from them first...
With an exciting Innisfree Races along the beach, a titanic fight from the farm, across the hillside, through a haystack and into a stream, and with emerald environments and great music, John Ford's romantic comedy is a marvelous entertaining film, painted beautifully, simply told with love and humor...
With 7 Academy Award Nominations, the film earns Ford his 4th and last Oscar for Best Director establishing a record which is still unbeaten and won another Oscar for the outstanding Technicolor for Best Cinematography...
Sean courts and weds her easily enough, but he has not worked out on the anger of her heavy and hard rich brother, the farmer Will Danaher (Victor McLaglen) who holds an envy against him for having bought the very property that separates his spread from that of the wealthiest widow in Innisfree Sarah Tillane (Mildred Natwick) whom Danaher strongly desires...
Danaher refuses to supply the traditional dowry, and Mary Kate accuses Sean for his apparent cowardice in not fighting for what is rightfully theirs...
The battle that follows (considered to be the longest recorded on screen) has Sean and his strong brother-in-law engaging in a climatic fight the townsfolk have long been anticipating with effervescent...
Maureen O'Hara is totally in her element as the fiery Irish girl whether as the bare-footed attractive woman looking after a number of sheep in the meadow, or as the troubled colleen trying to explain her problem to the devoted salmon-catching Catholic priest (War Bond) or as the proud beauty whom Wayne lets fall at her brother's feet... Maureen would play Wayne's love interest in four more features ("Rio Grande," "The Wings of Eagle," "McLintock," and "Big Jake"). Their screen relationship emphasized the strength of their chemistry...
Barry Fitzerald is simply superb as Michaeleen Flynn, the village matchmaker and cart-driver who can't seem to tell anyone something without winning a black beer from them first...
With an exciting Innisfree Races along the beach, a titanic fight from the farm, across the hillside, through a haystack and into a stream, and with emerald environments and great music, John Ford's romantic comedy is a marvelous entertaining film, painted beautifully, simply told with love and humor...
With 7 Academy Award Nominations, the film earns Ford his 4th and last Oscar for Best Director establishing a record which is still unbeaten and won another Oscar for the outstanding Technicolor for Best Cinematography...