Ray Bolger gets to re-create his most famous stage role, right down to the audience-participation gimmick in "Once In Love With Amy." The George Abbott-Frank Loesser stage hit was a little ramshackle to begin with, and there's plenty to complain about in this adaptation, if you're ornery: It's stagy, with too-elaborate choreography. (The opening number, with the stylized dance steps played against the natural setting, looks terribly stilted.) Bolger, great as he is, isn't remotely convincing as an Oxford undergrad -- twice the right age, and with an accent that goes in and out. Some good songs from the stage version are missing, notably "Lovelier Than Ever." David Butler directs with his usual dull competence.
But there's Bolger's eccentric dancing, not only wonderful itself but a valuable historical link to a theatrical style that was old by the time Bolger appropriated it (think Montgomery and Stone, and all their imitators). There's a fun, unpretentious "dream ballet" set in Brazil, sort of like MGM's "The Pirate" as reimagined with a Warners-cartoon sensibility. The old "Charley's Aunt" plot still plays, the Technicolor is pretty, the production is handsome. And one mystery: How does someone as pretty, charming, unaffected, talented, and spirited as Allyn McLerie not get to be a movie star?
But there's Bolger's eccentric dancing, not only wonderful itself but a valuable historical link to a theatrical style that was old by the time Bolger appropriated it (think Montgomery and Stone, and all their imitators). There's a fun, unpretentious "dream ballet" set in Brazil, sort of like MGM's "The Pirate" as reimagined with a Warners-cartoon sensibility. The old "Charley's Aunt" plot still plays, the Technicolor is pretty, the production is handsome. And one mystery: How does someone as pretty, charming, unaffected, talented, and spirited as Allyn McLerie not get to be a movie star?