While clearly not the first in its eclectic genre, this classic is definitely a great round-up of all that is surreal - all that the ''mechanics'' of both surrealism as those of dream can be deemed to be all about... Said mechanics fascinated Cocteau, to the point that he had to make this, his final film, a very original ''sequel'' of sorts to his classic ORPHÉE. If only all sequels since had been so original!
The cameos are indeed plentiful as also unexpected; many great stars of 1959 show up, from all fields as all continents! In this, the movie has a time capsule quality that only adds to its surrealness...
Most amazing though is the cameo that is not and could have been; Chaplin, who admired Cocteau -and it was mutual- through the language barrier and everything else that separated them... They had met on a cruise and greeted each other as brothers, though unable to exchange a single word almost... Surely he would have accepted to don the clothes of the Tramp one more time for this unique film... What a surreal addition to an already singular film it would have been! Although, on that cruise, through interpreters, Chaplin had confided that he was sad that he had become rich while playing a poor man... Cocteau admired him all the more for that...
Throughout "Le Testament d'Orphée", the film-goer has the impression of walking through someone else's dream - the director's dream. It is the goal of every film director to have his or her audience view things as if through the director's own eyes - well, I don't think anyone has ever succeeded quite like Cocteau did in this one, his cinematographic swan song as it was as well...
Le Testament d'Orphée is thus highly recommended for so many reasons; Bergman fans as well as those left unimpressed somehow by "Un Chien Andalou", because it was too short; those few will undoubtedly appreciate the long treatment given to this by the master, Jean Cocteau...!
The cameos are indeed plentiful as also unexpected; many great stars of 1959 show up, from all fields as all continents! In this, the movie has a time capsule quality that only adds to its surrealness...
Most amazing though is the cameo that is not and could have been; Chaplin, who admired Cocteau -and it was mutual- through the language barrier and everything else that separated them... They had met on a cruise and greeted each other as brothers, though unable to exchange a single word almost... Surely he would have accepted to don the clothes of the Tramp one more time for this unique film... What a surreal addition to an already singular film it would have been! Although, on that cruise, through interpreters, Chaplin had confided that he was sad that he had become rich while playing a poor man... Cocteau admired him all the more for that...
Throughout "Le Testament d'Orphée", the film-goer has the impression of walking through someone else's dream - the director's dream. It is the goal of every film director to have his or her audience view things as if through the director's own eyes - well, I don't think anyone has ever succeeded quite like Cocteau did in this one, his cinematographic swan song as it was as well...
Le Testament d'Orphée is thus highly recommended for so many reasons; Bergman fans as well as those left unimpressed somehow by "Un Chien Andalou", because it was too short; those few will undoubtedly appreciate the long treatment given to this by the master, Jean Cocteau...!