Looking through the readers' comments, nobody seems to like this film very much. OK, so it is gimmicky, but that was the trend in the early sixties. I failed to spot most of the made-up stars as I assumed they would have been central to the plot, which most aren't. But the plot is unusual and interesting, and the film really shows what it's like to be in love when it seems unreturned (few others might describe this film as romantic, and yet it is one of the most realistically romantic films I've seen - one can really identify with the French "hero" on seeing his apparently superior rival). Also, Jerry Goldsmith's score is phenomenal. And, in his final "unmasking," is Kirk Douglas trying to suggest he was the George C. Scott character too? The resemblance is quite strong.