The Museum of Television and Radio owns a copy of this film written by Rod Serling and only shown once on television. Part of its financing came from the United Nations and the theme of the film is more about international cooperation than simply being anti-war.
Sterling Hayden portrays a wealthy man who served in the Navy during World War II and is now a lonely bitter man upset over his son's death in a war he described as needless, presumably in Korea. Hayden is now an isolationist.
The three ghosts think their job is to make Hayden's character more of an internationalist and more willing to accept U.S. involvement in organizations like the United Nations. Coming right before the U.S. racheted up its involvement in Vietnam, it is easy to understand why this film didn't get shown again.
The visit from the Ghost of Christmas Future (Robert Shaw) is the most frightening part of the film. He shows Hayden a post nuclear apoclaypse world run by a weird character called the Imperial Me (Peter Sellers). Sellers is quite effective.
It's an interesting film, but you have to take it in its context. If you are a big Rod Serling fan, it is worth seeing. If you are not, you might find the themes in the film delivered in a rather heavy-handed manner.
Sterling Hayden portrays a wealthy man who served in the Navy during World War II and is now a lonely bitter man upset over his son's death in a war he described as needless, presumably in Korea. Hayden is now an isolationist.
The three ghosts think their job is to make Hayden's character more of an internationalist and more willing to accept U.S. involvement in organizations like the United Nations. Coming right before the U.S. racheted up its involvement in Vietnam, it is easy to understand why this film didn't get shown again.
The visit from the Ghost of Christmas Future (Robert Shaw) is the most frightening part of the film. He shows Hayden a post nuclear apoclaypse world run by a weird character called the Imperial Me (Peter Sellers). Sellers is quite effective.
It's an interesting film, but you have to take it in its context. If you are a big Rod Serling fan, it is worth seeing. If you are not, you might find the themes in the film delivered in a rather heavy-handed manner.