I am very glad I finally saw "Black Girl." I missed seeing it when it was first released in the U. S., and now--36 years after it was produced--the film found its way to Upstate New York (Rochester Labor Film Festival).
We cannot judge this movie in 2002 terms--by those terms it is technically crude, and too short (only 65 minutes). The print shown in Rochester was of poor quality--especially just before and after reel changes.
Despite all these hurdles, I found "Black Girl" compelling and disturbing. The basic themes are the conflict and contrasts between White and Black, European and African, rich and poor, literate and non-literate. The contrasts are not subtle, but neither are they violent or brutal. There is no physical violence, but rather emotional and psychological violence.
Sembene--who had to learn his cinema craft in Russia because opportunities were denied him by the French--is a master. A master working without star actors and without state-of-the-art technology can still produce a masterpiece!
We cannot judge this movie in 2002 terms--by those terms it is technically crude, and too short (only 65 minutes). The print shown in Rochester was of poor quality--especially just before and after reel changes.
Despite all these hurdles, I found "Black Girl" compelling and disturbing. The basic themes are the conflict and contrasts between White and Black, European and African, rich and poor, literate and non-literate. The contrasts are not subtle, but neither are they violent or brutal. There is no physical violence, but rather emotional and psychological violence.
Sembene--who had to learn his cinema craft in Russia because opportunities were denied him by the French--is a master. A master working without star actors and without state-of-the-art technology can still produce a masterpiece!