Flesh Feast (1970)
Oh! How the Mighty Have Fallen!
22 September 2002
Without a doubt one of the most attractive and seductive ladies of the silver screen was Veronica Lake. She had a distinctive look and a distinctive quality that few actresses were ever able to duplicate. With such landmark films as Sullivan's Travels, The Glass Key, The Blue Dahlia, and This Gun for Hire under her belt, Veronica was a a star of epic proportions, and then things fell apart. She made a string of poorly conceived and received films, spiraled into the dark world of alcoholism and faded into obscurity. She died in the early 70's at the age of 53 from hepatitis. The 4'11 blonde bombshell reduced to an obscure reminder of a faded glory. Before her unfortunately uneventful death, Veronica made one last film in 1970 called Flesh Feast. The premise for Flesh Feast is as follows: a female doctor once connected with the Third Reich has developed a way to make men look younger through a treatment of using maggots, that have fed on human flesh, applied to their face. Intrigue abounds as former Nazis(strangely most of them having fake Italian accents)congregate in this home where science is buzzing with new scientific progress. The doctor and her espionage friends are waiting for Mr. Big to come. Well, to tell you any more would ruin the inane ending. It certainly is a very poorly crafted story. The film is poorly made on so many levels. You know you are in trouble when the name of the actor with top billing AFTER Ms. Lake is named Phil Philbin. I laughed for minutes seeing just his name and knew where this film was going: no where. There is almost no blood in this film. There are no scary moments. There is no suspense. The film seems to be nothing more than a few guys getting together in Florida with a personal movie camera and shooting the film. Of course it is the presence of Veronica Lake that is being sold. She had not made a movie at this time in five years and only one in the last ten years. It seems that alcohol had become such a part of her life that she was once found as a barmaid in a hotel. Ms. Lake gives a stilted performance at best, but clearly has more talent than anyone involved in front or behind the camera. The director shows her in those old woman pant suits so fashionable then...and now...and never tries to copy the common sense of Ms. Lake's previous directors. When your leading lady is 4'11, you just don't shoot wide shots that make her look like an aged midget against the backdrop of everything and everyone. Veronica has put some weight on and her face is a bit pudgy, but you can tell it is her. She still has that sparkle in her eyes. Although the movie is God awful in almost every way, it certainly should be seen for its value as a cinematic oddity. It is one of the rare chances of seeing a star that burned out... to soon. Fortunately for me, I shall always remember Ms. Lake for her films with Alan Ladd. They were Veronica Lake at her best. But I will remember Flesh Feast as well. It is not good nor horrifying, but a sad reminder what happened to such a wonderful actress.
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