**Warning: Possible spoilers for anyone unfamiliar with the story!**
The grisly murder of Elizabeth Short -- the "Black Dahlia" -- has fascinated crime-buffs (along with ghouls of various stripe) virtually nonstop since that January 1947 morning when her savaged body was discovered in a south-central L.A. vacant lot. Almost immediately, and almost without exception, this focus has been sensationalized and has tended to dehumanize Short to such an extent that it's all too easy to overlook the fact that she was a human being as opposed to merely a gaudily-nicknamed, conveniently placed puzzle.
The great exception to this treatment is 1975's "Who Is The Black Dahlia?"
The film tells two stories in parallel, and it does so very effectively. Alongside the police investigation into her murder, Beth Short's life is also examined in flashback as months and days unfold to lead her to her death. There's a sense of inevitability in the air that surrounds both stories; just as certain initial steps (or missteps) in the investigation seem to foredoom its chances of success, there is likewise an aura of "paths not taken" which seems to render the Black Dahlia's fate inescapable. As portrayed (hauntingly and convincingly) by Luci Arnaz, Short emerges as a vulnerable young woman who, for all her outward cynicism, is far too trusting. In the film's final glimpse of Beth, as you watch her walking away into infamy, you may well experience an urge to run after her, stop her, maybe buy her a cup of coffee, anything to forestall the inevitable . ..
And that final glimpse leads to the "side mystery" I alluded to in the title line. Police reports filed during the initial investigation indicate that Short was last seen walking south from the Hotel Biltmore, and yet in the film -- for which retired LAPD Sgt. Harry Hansen provided copious notes from his days (and official files) on that investigation -- she's depicted as walking west along 7th Street from the Hotel Mayfair. Curious . ..
Along with Arnaz (whose mother, Lucille Ball, was reportedly dead-set against her playing the role), the movie offers standout performances by Efrem Zimbalist Jr. (as Hansen), Tom Bosley (as longtime, and well-known, police reporter Bevo Means) and a very well-designed sense of time and place to heighten the authenticity in a strong film.
The grisly murder of Elizabeth Short -- the "Black Dahlia" -- has fascinated crime-buffs (along with ghouls of various stripe) virtually nonstop since that January 1947 morning when her savaged body was discovered in a south-central L.A. vacant lot. Almost immediately, and almost without exception, this focus has been sensationalized and has tended to dehumanize Short to such an extent that it's all too easy to overlook the fact that she was a human being as opposed to merely a gaudily-nicknamed, conveniently placed puzzle.
The great exception to this treatment is 1975's "Who Is The Black Dahlia?"
The film tells two stories in parallel, and it does so very effectively. Alongside the police investigation into her murder, Beth Short's life is also examined in flashback as months and days unfold to lead her to her death. There's a sense of inevitability in the air that surrounds both stories; just as certain initial steps (or missteps) in the investigation seem to foredoom its chances of success, there is likewise an aura of "paths not taken" which seems to render the Black Dahlia's fate inescapable. As portrayed (hauntingly and convincingly) by Luci Arnaz, Short emerges as a vulnerable young woman who, for all her outward cynicism, is far too trusting. In the film's final glimpse of Beth, as you watch her walking away into infamy, you may well experience an urge to run after her, stop her, maybe buy her a cup of coffee, anything to forestall the inevitable . ..
And that final glimpse leads to the "side mystery" I alluded to in the title line. Police reports filed during the initial investigation indicate that Short was last seen walking south from the Hotel Biltmore, and yet in the film -- for which retired LAPD Sgt. Harry Hansen provided copious notes from his days (and official files) on that investigation -- she's depicted as walking west along 7th Street from the Hotel Mayfair. Curious . ..
Along with Arnaz (whose mother, Lucille Ball, was reportedly dead-set against her playing the role), the movie offers standout performances by Efrem Zimbalist Jr. (as Hansen), Tom Bosley (as longtime, and well-known, police reporter Bevo Means) and a very well-designed sense of time and place to heighten the authenticity in a strong film.