In many cases, the reality is enigmatic, and John Cassavetes is a genius to capture and exhibit that obscure sense of reality on celluloid. With deliberately rough camera work (containing lots of lens flares) and editing (not trimming out movements of the photographer's hands before and after actions), along with the crafted acting of Ben Gazzara, Cassavetes presents the obscure-hence-realistic underground gang world as no one else has. The camera movement and choreography of the murder scene is reminiscent of Godard--well calculated to appear to be not calculated. The scene is the only one accompanied by music; the entire film is inscrutably quiet.
The dragging story may be a part of his method, but it is a drawback to make the viewers lose their attentions. After Cosmo Vitelli (Gazzara) executes the killing, the plot focuses on the process he is going back to his ordinary life, but it is needlessly stretched out. Also, the scene of the confrontation against the gang members is a redundant second climax.
The dragging story may be a part of his method, but it is a drawback to make the viewers lose their attentions. After Cosmo Vitelli (Gazzara) executes the killing, the plot focuses on the process he is going back to his ordinary life, but it is needlessly stretched out. Also, the scene of the confrontation against the gang members is a redundant second climax.